100% Secure Shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

100% Secure Shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

View:
Options
Items 1 to 12 of 12 on page 1 of 1
Cat: 724225 Rel: 17 Jun 19 • View all Record bags
 
Mukatsuku record bag - plus extras
Notes: This hand-crafted British made luxury leather 7" record bag with embossed Mukatsuku logo is made from vintage black leather and comes with adjustable leather shoulder strap and padded top flaps with zips to hold money, needles or adapters.

Holds up to 80 x 45's.

Other goodies included;

- Branded leather keyring
-Steel 45 adapter
- 2 x wooden 45 adapter (1 x pattern edition,1 x round)
- Button badge
- Stickers

NB. These bags are individually hand made from vintage leather and as the material is a natural product the colour may vary slightly from the image shown.
Read more
 3 in stock $151.68
Vinyl Collection Two (remastered) (limited gatefold 180 gram vinyl 10xLP box set + book in slipcase)
UMC
Cat: 673137 9. Rel: 21 Jun 19
Rock
  1. Let's Get Rocked (LP1: Adrenalize) (4:56)
  2. Heaven Is (3:30)
  3. Make Love Like A Man (4:18)
  4. Tonight (4:01)
  5. White Lightning (7:00)
  6. Stand Up (Kick Love Into Motion) (4:28)
  7. Personal Property (4:21)
  8. Have You Ever Needed Someone So Bad? (5:17)
  9. I Wanna Touch U (3:38)
  10. Tear It Down (3:39)
  11. Desert Song (LP2: Retroactive) (5:14)
  12. Fractured Love (5:12)
  13. Action (3:40)
  14. Two Steps Behind (acoustic version) (4:14)
  15. She's Too Tough (LP3: Retroactive) (3:38)
  16. Miss You In A Heartbeat (4:05)
  17. Only After Dark (3:48)
  18. Ride Into The Sun (3:14)
  19. From The Inside (4:09)
  20. Ring Of Fire (4:42)
  21. I Wanna Be Your Hero (4:30)
  22. Miss You In A Heartbeat (Electric version) (4:53)
  23. Two Steps Behind (Electric version) (4:26)
  24. Truth? (LP4: Slang) (2:59)
  25. Turn To Dust (4:13)
  26. Slang (2:39)
  27. All I Want Is Everything (5:15)
  28. Work It Out (4:48)
  29. Breathe A Sigh (4:07)
  30. Deliver Me (3:05)
  31. Gift Of Flesh (3:46)
  32. Blood Runs Cold (4:25)
  33. Where Does Love Go When It Dies (4:00)
  34. Pearl Of Euphoria (6:14)
  35. Demolition Man (LP5: Euphoria) (3:27)
  36. Promises (3:56)
  37. Back In Your Face (3:22)
  38. Goodbye (3:38)
  39. All Night (3:38)
  40. Paper Sun (5:22)
  41. It's Only Love (4:11)
  42. 21st Century Sha La La La Girl (LP6: Euphoria) (4:07)
  43. To Be Alive (3:53)
  44. Disintegrate (2:53)
  45. Guilty (3:46)
  46. Day After Day (4:36)
  47. Kings Of Oblivion (4:19)
  48. Tonight (LP7: Rarities Volume Two - demo) (4:24)
  49. When Love & Hate Collide (demo) (5:59)
  50. From The Inside (bonus track) (4:12)
  51. Two Steps Behind (bonus track) (4:11)
  52. She's Too Tough (Joe's demo) (3:41)
  53. Miss You In A Heartbeat (Phil's demo) (5:35)
  54. Tonight (acoustic) (4:17)
  55. SMC (bonus track) (1:14)
  56. Hysteria (LP8: Rarities Volume Two - live In Germany 29/05/92) (7:17)
  57. Photograph (live In Germany 29/05/92) (4:44)
  58. Pour Some Sugar On Me (live In Germany 29/05/92) (5:10)
  59. Let's Get Rocked (live In Germany 29/05/92) (5:42)
  60. Armageddon It (live At The Hard Rock Cafe, Singapore 26/10/95) (4:39)
  61. Two Steps Behind (live At The Hard Rock Cafe, Singapore 26/10/95) (4:17)
  62. From The Inside (live At The Hard Rock Cafe, Singapore 26/10/95) (3:45)
  63. Animal (live At The Hard Rock Cafe, Singapore 26/10/95) (3:54)
  64. When Love & Hate Collide (live At The Hard Rock Cafe, Singapore 26/10/95) (4:24)
  65. Pour Some Sugar On Me (live At The Hard Rock Cafe, Singapore 26/10/95) (4:29)
  66. When Love & Hate Collide (LP9: Rarities Volume Three - Piano & String version) (4:16)
  67. Can't Keep Away From The Flame (Japanese 'vault' - bonus track) (2:36)
  68. Truth? (5:04)
  69. Move With Me Slowly (bonus track) (6:13)
  70. Work It Out (Viv's demo) (3:32)
  71. Bringin' On The Heartbreak (live At The Molson Centre, Montreal 11/10/96) (4:21)
  72. Switch 625 (live At The Molson Centre, Montreal 11/10/96) (3:43)
  73. Miss You In A Heartbeat (live At The Molson Centre, Montreal 11/10/96) (5:22)
  74. Work It Out (live At The Molson Centre, Montreal 11/10/96) (4:19)
  75. Deliver Me (live At The Molson Centre, Montreal 11/10/96) (3:05)
  76. When Saturday Comes (LP10: Rarities Volume Three - bonus track) (4:16)
  77. Jimmy's Theme (bonus track) (3:08)
  78. Burnout (bonus track) (4:09)
  79. Immortal (bonus track) (3:49)
  80. World Collide (bonus track) (3:41)
  81. I Am Your Child (bonus track) (3:30)
  82. Demolition Man (live At Magness Arena, Denver 09/12/99) (3:27)
  83. When Love & Hate Collide (live At The Kokusai Forum Hall, Tokyo 02/10/99) (4:10)
  84. Paper Sun (6:15)
  85. Goodbye (3:40)
 in stock $178.98
EBS
Cat: 718776 Rel: 24 Jun 19 • View all Effects pedals
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
Read more
 2 in stock $174.19
Cat: 731957 Rel: 03 Jul 19 • View all Synth modules
 
Small compact joystick module with recording function - 8HP
Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.
Read more
 1 in stock $150.67
Cat: 738775 Rel: 11 Jul 19 • View all Keyboard stands
 
Two-tier, standing-height, heavy-duty keyboard stand in black, with carry bag
Notes: The new standard in column keyboard stands is here; STAY's TOWER is a sturdy and ingeniously designed solution. Made from ultra-strong extruded aluminium, TOWER weighs nearly half of the leading column stand, yet supports comparable weight easily. Support legs are curved to lift the stand off the floor, allowing pedal placement wherever the player desires - even under the stand. TOWER also breaks down in seconds and comes with a sectioned carry bag for easy transport of all components.

- Maximum load capacity: 120 kg
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 5.4 kg
- Tote bag included
Read more
 1 in stock $197.18
Click for better price!
quote 738775
Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
Read more
 1 in stock $196.17
Click for better price!
quote 738639
Cat: 738634 Rel: 09 Jul 19 • View all Synth modules
 
Quad AD-generator with four independent Attack-Decay envelopes - 28HP
Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.
Read more
 1 in stock $165.83
Click for better price!
quote 738634
The Complete Matrix Tapes (180 gram vinyl 8xLP box set + 18 page booklet)
UMC
Cat: 570957 3. Rel: 12 Jul 19
Rock
  1. I'm Waiting For The Man (version 1) (13:06)
  2. What Goes On (version 1) (9:02)
  3. Some Kinda Love (version 1) (4:58)
  4. Heroin (version 1) (8:07)
  5. The Black Angel's Death Song (version 1) (6:18)
  6. Venus In Furs (version 1) (4:37)
  7. There She Goes Again (version 1) (3:12)
  8. We're Gonna Have A Real Good Time Together (version 1) (3:21)
  9. Over You (version 1) (2:25)
  10. Sweet Jane (version 1) (5:12)
  11. Pale Blue Eyes (version 1) (6:07)
  12. After Hours (version 1) (3:01)
  13. I'm Waiting For The Man (version 2) (6:34)
  14. Venus In Furs (version 2) (5:10)
  15. Some Kinda Love (version 2) (4:03)
  16. Over You (version 2) (3:04)
  17. I Can't Stand It (version 1) (7:54)
  18. There She Goes Again (version 2) (2:51)
  19. After Hours (version 2) (2:31)
  20. We're Gonna Have A Real Good Time Together (version 2) (3:41)
  21. Sweet Bonnie Brown/It's Just Too Much (7:53)
  22. Heroin (version 2) (10:03)
  23. White Light/White Heat (version 1) (9:26)
  24. I'm Set Free (4:47)
  25. We're Gonna Have A Real Good Time Together (version 3) (3:15)
  26. Some Kinda Love (version 3) (4:39)
  27. There She Goes Again (version 3) (2:59)
  28. Heroin (version 3) (8:27)
  29. Ocean (11:02)
  30. Sister Ray (part 1) (19:42)
  31. Sister Ray (part 2) (17:36)
  32. I'm Waiting For The Man (version 3) (5:23)
  33. What Goes On (version 2) (4:38)
  34. Some Kinda Love (version 4) (4:06)
  35. We're Gonna Have A Real Good Time Together (version 4) (3:19)
  36. Beginning To See The Light (5:36)
  37. Lisa Says (5:49)
  38. New Age (6:41)
  39. Rock & Roll (6:51)
  40. I Can't Stand It (version 2) (7:00)
  41. Heroin (version 4) (8:17)
  42. White Light/White Heat (version 2) (8:43)
  43. Sweet Jane (version 2) (4:17)
 in stock $152.69
Cat: 739136 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 6HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
Read more
 1 in stock $189.09
Click for better price!
quote 739136
NUX PA50 Personal Monitor Guitar Amplifier (monitor/guitar amplifier)
NUX
Cat: 735361 Rel: 15 Jul 19 • View all Guitar amplifiers
 
Personal monitoring amplifier featuring 2 separate input channels with different EQ response
Notes: The NuX PA-50 personal monitoring amplifier has a flat frequency response and is equipped with a full range 2-way speaker set. 2 independent channels each have a different EQ response. Channel 1 is improved for dynamic sound and designed to enhance low and high frequencies. Channel 2 has a flat response which does not colour the tone of the input source. Use with a processor or IR loader, such as NUX Solid Studio to give the true sound your favourite guitar amplifier(s) without carrying the whole rig. And use the 3-band EQ and you can fine-tune your output to get a perfect result.
Read more
 2 in stock $162.80
Click for better price!
quote 735361
Cat: 742798 Rel: 01 Jan 90 • View all Portable & USB turntables
 
***B-STOCK: Box opened, product unused***
Notes: The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg
Read more
 1 in stock $170.90
Cat: 742281 Rel: 08 Aug 19 • View all DJ cartridges
 
AT-XP7 cartridge pre-mounted on the AT-HS6BK headshell
Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP7 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Tapered aluminium cantilever providing outstanding rigidity
- Compatible with the replacement styli ATN-XP3 and ATN-XP5 as well
- Configuration with single cartridge (AT-XP7). The replacement stylus (ATN-XP7) and a headshell bundle, consisting of the replacement stylus and the headshell AT-HS6BK (AT-XP7/H) are available separately
Read more
 2 in stock $160.79
Click for better price!
quote 742281
Items 1 to 12 of 12 on page 1 of 1

Filter

Saved Searches
Save current search
Release Date
Close