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Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

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Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Notes: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Notes: The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Notes: A synthesizer that lets you perform and create multi layered music in any style, with just the touch of a finger.

The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The Kaossilator Pro was a highly evolved model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track making tool.

2013 brings us to the upgraded Kaossilator Pro+. With additional new sound programs and drum sounds Kaossilator Pro+ has been supercharged to offer even more variety and exploration.

The Kaossilator Pro+ offers 250 programs, based on intuitive control of multiple parameters by moving a finger across the X-Y touchpad.

Notes: Dynamic Percussion Synthesiser with a full complement of world-class sounds.

The Wavedrum Global Edition represents the next - and most powerful - evolution in the Wavedrum family with a large palette of sought-after percussion sounds from around the world.

Features

2nd Generation Dynamic Percussion Synthesiser that provides unparalleled musical expression
A sound engine that combines DSP-powered algorithms with PCM sounds to allow versatile and highly flexible performances
A pressure sensor and multiple pickups capture the subtle nuances of your strikes on the head and rim, generating expressive power and new sounds
Increased pickup precision provides improved dynamic range for low and high pitches, as well as enhanced response for soft sounds, making the instrument more sensitive
Play different sounds from the head and rim, or apply pressure effects on the head to create performance techniques that are possible only on the Wavedrum
200 preset programs cover a vast range of sounds from classic percussion to unique and novel sounds
200 user programs are available for storing customized sounds and settings
A new input sensitivity parameter has been added, supporting a wide range of users from beginners to pros
Fundamental sounds such as acoustic instruments have been enhanced
Live Mode stores up to 12 settings (4 favorite programs x 3 Banks) for instant recall
Compact and light-weight design; use as an individual instrument, or mixed in with a traditional drum kit or any performance/percussion rig
140 loop phrases of various genres allow Wavedrum users to jam along or practice to them
AUX input allows monitoring or mixing of any audio source-CD, MP3, even a second Wavedrum

The new Wavedrum Global Edition represents the nextiand most powerfulievolution in the Wavedrum family. It boasts the largest palette of cutting-edge sounds of any Wavedrum to date; with sought-after percussion sounds from around the world, a major boost in the quality of each sound, and dramatic improvements in usability.

In 2009, Korg unveiled Wavedrum WD-X, a revival of the original Wavedrum that debuted in 1994. The reimagined '09 Wavedrum had a stunning impact as a performance tool that brought new expressive power to musicians-from users of the original Wavedrum to forward-looking percussionists. Subsequent models included Wavedrum Oriental with its added Arabic sounds, Wavedrum Mini with its unique sensor clip, as well as limited edition color models, and the instrument's unbounded potential has continued to accelerate the spread of Wavedrum mania throughout the world.

Percussion instruments that generate rich, dynamic sounds from the bare hand of the player are perhaps the most physical of all musical instruments. While an electronic musical instrument, the Wavedrum Global Edition is painstakingly designed to retain this level of physicality. The sound of the player's strike is sensed by separate pickups for the head and the rim, and used directly as the sound source that drives the DSP-powered algorithm and PCM sound engine. In combination with this, the pressure sensor in the head allows the Wavedrum Global Edition to detect and respond to subtle movements of the player's fingers or palm which can be used to strike, rub, or scratch the head, as well as use techniques such as open shots, slap shots, heel and toe, and mute. Tonal differences produced by using a stick, mallet, or brush, plus changes resulting from different striking locations are also faithfully reproduced, giving the musician a high degree of expressive power and a broad dynamic range that rivals that of an acoustic drum or percussion instrument. This means that percussionists can bring a substantial arsenal of sounds - to rival a stage full of traditional percussion instruments - anywhere without the sacrificing the real feel or sonic quality that they require for their performance.

To further Wavedrum Global Edition's ability to provide the utmost expressiveness and response, Korg has worked to increase the accuracy of the pickup. This boosts the dynamic range of the lows and highs, and improves the response to soft sounds, allowing more sensitive playing.

Innovative technology combines DSP synthesis and PCM samples
The Wavedrum Global Edition contains 60 DSP algorithms, which enable a variety of synthesis methods--analog, additive, non-linear, physical modeling, etc. Working with these algorithms, you can create various instrument sounds, natural sounds, or purely synthetic sounds - in addition to the Wavedrum Global Edition's own unique sounds. Certain DSP algorithms allow you to assign a different DSP method and PCM instrument to the head and to the rim. In other algorithms, the velocity and tone of the strike are used to control the PCM sound, delivering a playing experience rivaling that of an acoustic instrument. The PCM sound engine - the other important part of the Wavedrum Global Edition's sound creation system - contains 400 PCM sounds: 200 for the head, and 200 for the rim. Combining the PCM sounds with the DSP algorithms delivers a natural response far beyond the reach of PCM only instruments.

In addition to conventional drum sounds such as snares and toms, popular percussion instruments such as cajon, djembe, conga, and tabla, as well as metallic percussion such as cowbell and triangle, the Wavedrum Global Edition also provides exotic ethnic instruments and percussion sounds from all over the world, both ancient and modern. For example, the Wavedrum Global Edition allows you to instantly experience The udu, a clay pot percussion instrument; the jegog, a bamboo marimba from the island of Bali; the talking drum of Africa; Arabic percussion such as the darbuka and daf; plus gongs that would require massive setups. There's also a selection of stringed instruments such as sitar, koto, and berimbau. For each of these sounds, the Wavedrum Global Edition not only gives you a faithful re-creation of the original sound, but also provides new expressive potential that is unavailable from any other instrument. The Wavedrum allows you to instantly experience all of these, enabling you to easily play percussion instruments that normally take years to master.

Sounds that feature a dramatic leap in quality and variation
The Wavedrum Global Edition places its main emphasis on strengthened acoustic instruments such as snare, djembe, and conga. This pursuit of realism has given the sounds even greater practicality. The Wavedrum Global Edition lives up to its name by also providing a rich assortment of Latin American and African instruments, such as the balafon, shekere, and dundunba as well as the Japanese taiko drum. Of course, there's also a full complement of the sound effects and electronic sounds that you would expect from a synthesizer, further broadening your performance potential. We've also added sounds for cutting-edge electronic dance music styles such as dubstep and moombahton.

The Wavedrum Global Edition generates new expressive potential not merely from its sound, but also from your performance technique. You can make the pitch change randomly each time you strike it, or even specify a scale and play a phrase. Applying pressure to the head is an expressive technique that's possible only on the Wavedrum Global Edition. After striking the head with your hand or a mallet, you can apply additional pressure to control the pitch or timbre of the decay, or produce sustained sounds simply by pressing down on the head, creating sound effects that would be impossible on a conventional percussion instrument.

Plenty of programs to choose from
The 200 preset Wavedrum Global Edition programs range from high-fidelity emulative drum and percussion sounds to a world of and new and unique sounds.

Save your own original sounds
There are a range of parameters available for editing and tweaking to create new user programs to suit your own music or style of playing. In addition to making changes to pitch, decay time, loudness, reverb, delay, and curve (intensity) of the pressure sensor, etc., you can completely alter the sound by, for example, changing the head material parameter from skin to metal. The combination of DSP and PCM sounds can also be changed to create totally new sounds from scratch that can be saved in one of the 200 available user programs.

In addition, the Wavedrum Global Edition provides a new parameter that adjusts the input sensitivity. This makes the Wavedrum's full potential available to everyone from beginners who are not yet able to produce strong strikes, to professionals who can command a broad range of dynamics.

These new programs (up to 200) can be stored in the user area. The Wavedrum Global Edition also has a Live Mode which can store up to 12 favorite programs (from preset or user programs) for selecting programs instantantly during live performances.

While you can enjoy the Wavedrum Global Edition by playing the sounds alone, it offers some special features that provide the ability for users to jam along for fun or for practice. Included are 140 loop phrases from various musical genres you can use during practice. Or use the AUX input to mix in the signal from any audio source - CD, MP3 player, or even an additional Wavedrum for double conga-style setups. Using the headphone output allows you to practice in private, anytime, anyplace - without worrying about the neighbors!

Ready, Set, Go
Portable, compact, and lightweight, Wavedrum Global Edition is ready for any musical outing. Hold it on your lap, or play it standing like a hand drum. Place the Wavedrum Global Edition on an ordinary snare drum stand, or add it to any electronic or acoustic drum kit. Use it as part of a DJ set-up or to add a percussive element to your keyboard rig. With the optional high stand (Percussion Stand ST-WD), the Wavedrum Global Edition is the ideal accent for any vocalist or front person.

Notes: The Headtune is a clip-on tuner with a unique design that's based on the shape of a guitar, bass, or ukulele headstock. With the headtune attached to the headstock of your instrument, play a single note on the string that you want to tune. 2 x indicators will illuminate: the string indicator LED will show the peg position, and the LED meter will indicate the tuning of that note. This makes it obvious which peg needs to be adjusted. You can choose from a lineup consisting of 4 x models: 2 x models that are suitable for standard guitar headstocks, a model for bass, and a model for ukulele. With the innovation and precision you expect from Korg, the headtune makes tuning easy.

The Headtune features an extremely compact and lightweight body that easily fits into the pocket of your guitar case for effortless transportation.

You can adjust the angle by raising the meter display section to a maximum of 120 degrees. The string indicator LEDs and LED meters provide high contrast and a wide viewing angle, ensuring easy visibility for the player even in dimly lit locations, and allowing you to tune from a natural position.

The Headtune features the same highly stable clip as used on Korg's clip-on pitchclip tuner. It will securely attach to the headstock of your guitar, bass, or ukulele.

Using a widely-available lithium coin battery (CR2032) provides the Headtune with a generous 35 hours of usage. The Auto Power-Off function automatically turns the headtune off when no sound has been detected for approximately ten minutes, avoiding unnecessary battery consumption.

Notes: The microKEY series are a compact family of USB MIDI keyboards featuring the velocity-sensitive Natural Touch mini-keyboard; acclaimed on instruments such as the microKORG XL and microARRANGER. In addition to the existing 37-key model, the lineup has been expanded with the addition of a supremely portable 25-key model, and a 5-octave 61-key model providing the space to play freely with both hands.

Bundled software and discount coupons are more generous than ever; the 61-key model even comes with a license for the Korg Legacy Collection. The microKEY is the ideal USB MIDI keyboard for the musician who wants to assemble a convenient and compact music production system.

The microKEY25 features excellent portability, allowing you to enjoy playing and producing with a great-feeling keyboard even when you're away from home. It features an expressive Joystick, as traditionally found on larger controllers, and provides simultaneous control of multiple parameters at the same time, along with control of the built-in tempo-synced arpeggiator function. That's not all; the microKEY25 can be powered directly from your iPad via the Camera Connection Kit, and it can be immediately used to control MIDI-capable apps such as Korg's iMS-20. The microKEY25 also includes a download code for FREE Korg M1Le software, giving you all of the preset sounds and all of the PCM waveforms of the original M1, and a browser/search function that makes it easy to find that perfect sound.

Also included are licenses for Applied Acoustics Systems' Strum Acoustic Session, Lounge Lizard Session, and Ultra Analog Session as well as a license for Toontrack's software drum sound module EzDrummer Lite, and a discount coupon for Ableton's Live, Live Suite, and Live LE DAW software, widely popular for its sophisticated functionality.

Notes: This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.

This reliable momentary footswitch can be used as an accessory with many Korg products to add extra functionality.

Notes: The Korg NanoPad USB powered slim-line controller is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software.The Korg NanoPad, despite its small size, goes huge when it comes to functionality, yet its intuitive layout provide extremely easy operation for any user.

The NanoPad features 16 highly responsive trigger pads, also capable of sending both notes and MIDI control data, plus an X-Y pad with roll and flam functions giving you a unique interface for realistic drum programming. In addition, a new chord trigger function lets you enter chords onto a single pad, helping you to make the most of the work surface as you create. The pads are also able to transmit control change messages, making this a great interface for soloing or muting mixer tracks, turning objects on and off, or triggering clips during your live performances.

Korg NanoPad's X-Y pad offers roll and flam modes, to help you lay down ultra-realistic drum grooves. The X-Y pad will also send MIDI control change, making it a go-to interface for any parameter within your software that requires full range MIDI control such as pitch, cutoff, volume and beyond.

With the Korg Kontrol editor (downloadable free of charge from the Korg website) you can customize four scenes that address the pads and X-Y pad can be stored within NanoPad to suit your control needs. That means you actually have access to 48 notes/chords, 60 MIDI controllers, or any combination of the two types of data at any given time. Also, select one of three velocity curves or a fixed velocity to tailor the NanoPad to your touch.

Notes: The Korg NanoPad USB powered slim-line controller is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software.The Korg NanoPad, despite its small size, goes huge when it comes to functionality, yet its intuitive layout provide extremely easy operation for any user.

The NanoPad features 16 highly responsive trigger pads, also capable of sending both notes and MIDI control data, plus an X-Y pad with roll and flam functions giving you a unique interface for realistic drum programming. In addition, a new chord trigger function lets you enter chords onto a single pad, helping you to make the most of the work surface as you create. The pads are also able to transmit control change messages, making this a great interface for soloing or muting mixer tracks, turning objects on and off, or triggering clips during your live performances.

Korg NanoPad's X-Y pad offers roll and flam modes, to help you lay down ultra-realistic drum grooves. The X-Y pad will also send MIDI control change, making it a go-to interface for any parameter within your software that requires full range MIDI control such as pitch, cutoff, volume and beyond.

With the Korg Kontrol editor (downloadable free of charge from the Korg website) you can customize four scenes that address the pads and X-Y pad can be stored within NanoPad to suit your control needs. That means you actually have access to 48 notes/chords, 60 MIDI controllers, or any combination of the two types of data at any given time. Also, select one of three velocity curves or a fixed velocity to tailor the NanoPad to your touch.

Notes: The Korg NanoKey2 provides a superior keyboard response for its class and size. The touch and velocity response have been carefully tuned, ensuring that your expressive performance will be conveyed accurately to your software.

The octave shift buttons allow the overall pitch to be shifted 4 levels, either up or down, in octave increments. For enhanced performances, the NanoKey2 also provides pitch bend buttons, a modulation button and a sustain button one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over 4 levels.

The Korg NanoKey2 works with the Korg Kontrol Editor software (available free on the Korg website). Load it into your computer and use it to make detailed customized settings. You can choose from a total of 4 velocity settings: 3 velocity curves or fixed velocity, and then specify the control change messages transmitted by the modulation button and the sustain button.

Notes: The Korg NanoKey2 provides a superior keyboard response for its class and size. The touch and velocity response have been carefully tuned, ensuring that your expressive performance will be conveyed accurately to your software.

The octave shift buttons allow the overall pitch to be shifted 4 levels, either up or down, in octave increments. For enhanced performances, the NanoKey2 also provides pitch bend buttons, a modulation button and a sustain button one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over 4 levels.

The Korg NanoKey2 works with the Korg Kontrol Editor software (available free on the Korg website). Load it into your computer and use it to make detailed customized settings. You can choose from a total of 4 velocity settings: 3 velocity curves or fixed velocity, and then specify the control change messages transmitted by the modulation button and the sustain button.

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: An all-in-one that delivers inspiration. A mobile MIDI keyboard that connects via USB or wirelessly.
The nanoKEY Studio provides a keyboard, knobs, trigger pads, and touch pad that lets you instantly convert your inspiration into sound. It is battery operated and can connect wirelessly to iPhone/iPad or Mac/Windows. It's a compact, mobile MIDI keyboard that is easy to travel with, allowing ease of use anytime, anywhere.

Step-record as easily as typing. A keyboard with 25 backlit keys that illuminate:
Even if you're not the most skilled keyboardist, the 25 velocity-sensitive keys allows you to step-record easily. The Scale Guide function illuminates the keys to show recommended notes in the scale, making it easier to play. This is a smart keyboard with a variety of performance modes, such as the Easy Scale function, that lets you produce musical phrases using any keys.

More freedom to produce music, via USB or wirelessly:
The nanoKEY Studio can connect not only via USB but also wirelessly. It's easy to connect to an iPad/iPhone music app such as KORG Gadget or Apple GarageBand, or to your Mac/Windows music production software. Liberated from annoying cables, you'll be free to set up your system much easier than some other products. Thanks to careful tuning, you'll enjoy low latency and high stability.

Lightweight and compact design can be placed anywhere and easily transported:
Smaller than a sheet of letter-sized paper, you can put the nanoKEY Studio in your bag and take it anywhere. With a simple, refined, and stylish design, along with beautiful lighting with white LEDs, you won't get tired of using it every day. With its modern design, the nanoKEY Studio is ideal for use with new devices such as your laptop, tablet, or smartphone.

Create the ultimate mobile music production system with your iPad/iPhone and the nanoKEY Studio:
The combination of the nanoKEY Studio with KORG Gadget is the ultimate combination for mobile performance. With the nanoKEY Studio that supports wireless connection via Bluetooth MIDI, your iPhone can instantly transform into a music production tool. In your room, in a coffee shop, in transit, or outdoors, you can immerse yourself in music with minimal requirements of space and time.

Eight high-sensitivity trigger pads that you can use for drum input or playing chords:
The eight velocity-sensitive trigger pads will convey every dynamic nuance of your drum performance. In chord-playing mode, the Chord Scale function automatically assigns the best chords for the key and scale you've selected, so your song will take shape at amazing speed. You can also assign the pads to trigger audio clips. These pads are not limited by musical genre; they deliver all-purpose music production power.

Touch pad inherited from the KAOSS series provides one-finger control of software synthesizers:
You can use a single finger to control a software synthesizer just like you can with a Kaossilator, or control a plug-in effect the same way as a KAOSS PAD. The nanoKEY Studio features an arpeggiator with rhythm patterns, letting you generate a succession of new phrases simply by touching the pad.

Eight assignable knobs for controlling your DAW and plug-ins:
The eight knobs provide versatile control of your software synthesizers, plug-in effects, and DAW mixer.

A lavish and powerful bundle of music software is included free of charge:
The nano Studio series comes with an extravagant bundle of powerful mobile and desktop music software that includes iPad / iPhone apps, a special edition of KORG Gadget, and the KORG Legacy Collection M1 Le which includes plug-in versions of classic KORG instruments. If you have the nanoKEY Studio, there is no need to buy any additional software.
The sounds and functionality of "iPad / iPhone apps" can be expanded by connecting them to a nano Studio series unit.

Customize using dedicated "KORG KONTROL Editor" software.
We provide "KORG KONTROL Editor" software that lets you freely customize the settings of the nanoKEY Studio. You can adjust the velocity curve of the keyboard, and customize the MIDI messages that are assigned to the pads and knobs to meet your needs.

Notes: The perfect size for intuitively controlling your music. A physical MIDI controller that you can use via USB or MIDI.

The nanoKONTROL Studio provides transport keys and a mixer section, giving you stress-free control of your DAW or DJ software. It is battery operated and can connect wirelessly with your iPhone/iPad or Mac/Windows. It's a light-weight, compact mobile MIDI controller that lets you create music more intuitively than ever.

A compact physical MIDI controller that's ideal for mobile or desktop uses:
Smaller than a letter-sized sheet of paper, the nanoKONTROL Studio is designed for thinness. It's the perfect size to easily carry in a bag and use with your computer. In spite of its compact size, its controllers provide generous power and a solid feel, making it a convenient and versatile MIDI controller.

USB and wireless for more music production freedom:
The nanoKONTROL Studio can connect not only via USB but also wirelessly. It can easily connect to iPad/iPhone music apps such as KORG Gadget and Apple GarageBand, or to your Mac/Windows music production software. Freed from annoying cables, you can set up your equipment easily and efficiently. Due to careful tuning, you can enjoy low latency and high stability.

Refined and stylish design:
The simple, refined, and stylish design features illumination with beautiful white LEDs. The design has been modernized to use alongside new devices such as your laptop, tablet, or smartphone.

A full array of controllers that cover everything from DAW control to DJ performance:
You have the all controllers you need to operate your DAW: sliders that feature generous spacing and stroke, plus a convenient jog wheel. Whether you're controlling your DAW and plug-ins, or putting on a performance, the nanoKONTROL Studio provides everything you need in any situation.

Supported software:
The nanoKONTROL is compatible with any software that supports MIDI input, including KORG Gadget, Logic, GarageBand, Live, Reason, Cubase, Studio One, FL Studio, Sonar, Pro Tools, Digital Performer, and Traktor.

A lavish bundle of powerful music software is included free of charge:
The nanoKONTROL Studio comes with the incredible "KORG Software Bundle" that lets you start enjoying popular music software right away. Whether you're on mobile or laptop, you can start creating music as soon as you purchase this unit.
The sounds and functionality of "iPad / iPhone apps" can be expanded by connecting them to a nano Studio series unit.

Customize using dedicated "KORG KONTROL Editor" software:
We provide "KORG KONTROL Editor" software that lets you freely customize the settings of the nanoKONTROL Studio. You can specify the MIDI messages that are assigned to the sliders, knobs, and buttons, customizing the unit in detail to suit your needs.

"Control Surface plug-in" provided for GarageBand/Logic users.
We also provide a plug-in for using nanoKONTROL Studio with Apple GarageBand/Logic Pro X. Simply install this plug-in and connect it to the nanoKONTROL Studio.

Notes: Small size, huge visibility!
A compact pedal tuner that's ideal for any effect board.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

The Pitchblack mini appears smaller in size, yet embodies all of its superior tuner functionality. Featuring a large LED display with excellent visibility, it supports battery operation in spite of its compact size. The unit is also equipped with stabilizers to prevent it from overturning. Small but powerful, this is a high-quality pedal tuner that will meet the needs of any player.

Mini-size for easy installation in your effect board:
The Pitchblack mini is a size smaller than the previous Pitchblack, allowing for easy installment, even with a full effect board. The weight is also minimal at 129 grams, so handling is easy.

Large high-visibility display:
Despite its small size, the display is large and easy to read. Equipped with a large 7-segment color LED, the large note indication and the smooth moving meter indicator deliver excellent visibility even on a dark stage.

Battery operation is supported:
The Pitchblack mini supports battery operation that has been a long-awaited feature for miniature pedal tuners. In conjunction with the high mobility provided by its compact form, battery operation allows you to use this unit smoothly in any situation, whether in your effect board or on the floor. Additionally, you can also use DC9V power designed for effect units.

Stabilizers prevent overturning:
Compactness, light weight, and convenience are important, but they're a trade-off with stability. Other units tend to turn over more easily when placed on the floor, however, the Pitchblack mini is equipped with slide-type stabilizers on the underside of the body, eliminating this concern.

Three meter display modes:
Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode", you can choose "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

Ultra-high tuning accuracy of +/- 0.1 cents:
When using strobe mode, the Pitchblack mini allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Adjustable calibration:
In spite of its compact size, the Pitchblack mini has the same high-quality design as the other units of the Pitchblack series. It inherits the accuracy and amazing ease of use that you expect from Korg tuners, and also allows the calibration to be adjusted to a variety of concert pitches.

True bypass has absolutely no effect on the sound:
The true bypass design allows for the input sound to become output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or modify your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

Notes: Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads - as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.

Dynamic trigger pads capture all your performance nuances:

The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.

Notes: Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: A new generation in hardware sequencing.

Create - perform - control- Step up to an unparalleled level of connectivity and control.

The SQ-64 is an incredibly powerful and compact Polyphonic Step Sequencer with amazing hands-on intuitive controls and deep editing options to give you all the flexibility and sequencing power needed for all your musical projects.

With its 64 step pad Matrix, Crystal clear OLED display, sturdy and elegant aluminium body, a wealth of connections and a variety of modes and features, the SQ-64 will become the central piece of your music studio providing total and seamless control over all your instruments so you can focus on what matters most; your music!

Despite its compact size, the SQ-64 has unparalleled connectivity and will allow you to easily control, connect and make the most of all your analog and digital gear. MIDI IN (x1) and OUT (x2), micro USB type B, Sync IN & OUT, 3 Melody tracks each with MODULATION, PITCH and GATE outputs and a DRUM track with 8 individual trigger outputs for controlling analog synths, Eurorack, and drum machines.

Each of the Melody tracks (x3) has 16 Patterns of up to 64 steps each, and the Drum track (x1) has 16 Subtracks also with up to 64 steps each, that can be played, chained and edited in a variety of ways. Melody tracks and patterns can be edited in several modes (GATE, PITCH and MODULATION) so you can alter the information sent by your sequencer on each of these steps in many interesting ways. The DRUM track outputs can be fine-tuned to match the polarity and voltage of your connected device(s).

Its audio Sync In & Out connections will allow you to seamlessly control all your other KORG gear such as the volca synthesizer series, minilogue, monologue, minilogue xd, prologue and many others!

Whether you are into Analog synths, Eurorack semi-modular synths, Digital drum machines, or do everything on your DAW with digital plugins, the SQ-64 will give you instant and precise hands-on control of each and all of these.

The SQ-64 has 64 beautifully LED-lit Step button pads that not only let you see the whole picture at once, but also allow for super-fast and satisfactory editing with its encoder knobs and dedicated mode buttons that will simplify and speed up your workflow. Each step has graduated lighting; the higher the modulation value, the stronger the button lights up to give you a clear visual on what's going on in the sequence.

The OLED Display is crystal clear, bright and visible from any angle, so you can have access to all the information you need no matter whether you are making music at home, in the studio or playing live!

The 3 melody tracks include a MODULATION output, so every step on your sequence can be creating complex modulations on your gear of choice, greatly expanding your options and possibilities for sound creation.

It has never been easier to create polyphonic chords patterns, melodies, complex poly-rhythms and modulations on the fly and record them as data on each of the 64 project slots available.

The SQ-64 won't just allow you to create incredible sequences; it packs several features and modes that will let you edit on the fly and play any of your gear real-time.

The 64 pad Matrix can be also be used as a Keyboard, allowing for several layouts to be used for maximum flexibility (several scales can be assigned to any of these and a number of other parameters can be easily changed)

Keys: Your traditional piano layout.
Isomorphic: the notes are displayed symmetrically in rows, you can easily transpose the same chord pattern up and down without changing its shape
Octaves: one scale displayed in 3 different octaves on each row

Sequencer: 64 step sequencer with 3 melodic tracks with up to 8 note polyphony, and 16 monophonic rhythmic tracks

Tempo: BPM30.0 - 300.0

Inputs: MIDI IN connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC IN jack (3.5mm monaural mini-phone jack, 20V maximum input level)

Outputs: MIDI OUT1, 2 connector (3.5mm stereo mini-phone jack, use a type-A MIDI converter cable), SYNC OUT jack (3.5mm monaural mini-phone jack, 10V maximum input level), CV GATE output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV PITCH output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), CV MOD output A/B/C jack (3.5mm monaural mini-phone jack, 10V maximum output level), TRIG output 1~8 jack (?3.5mm monaural mini-phone jack, 10V maximum output level)

Power: USB bus power, or DC 9V AC Adapter ([- o +], separately sold)

Dimensions (W x D x H): 368 x 144 x74 mm / 14.49 x 5.67 x 2.91 inches

Weight: 1.0 kg / 2.20 lbs

Included items: Owner's Manual, USB cable

Accessories (separately sold): KA350 AC Adaptor, Patch cables MS-CABLE-18

Notes: Building your own custom effects pedal from scratch is now possible with the OD-S Overdrive kit. Experience the fun of DIY by easily building and customizing your own overdrive pedal; no soldering required! Furthermore, the OD-S is equipped with a powerful Nu:tube fully analog triode vacuum tube for a warm sound and rich harmonic response that will delight all guitarists. Build your own FX pedal Creating your own pedal can seem like a daunting task and the results aren't guaranteed. The OD-S offers a solderless, easy-to-build kit that is also customizable to help you shape the overdrive tone that's as individual as you. Authentic tube sound Nutube is a new and revolutionary fully analog triode vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generates the same performance response and rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. Plenty of sonic possibilities The OD-S has 2 GAIN knobs. In addition to adjusting the input level to the vacuum tube (GAIN), the anode load of the vacuum tube amplification circuit can be changed using the TUBE GAIN. This allows you to accurately adjust the sound from the vacuum tube to your liking. The OD-S also incorporates a switch that lets you choose between 2 different overdrive types (with different Low - High ranges) along with True Bypass; making it an ideal pedal for live performances. For advanced users who want to customize their tone further, the modification-friendly layout allows you to change out discrete components to create your own unique pedal to match your desired tone and performance. The possibilities are endless.

Specifications:
Vacuum Tube: Nutube 6P1
Connections: INPUT/OUTPUT (monaural stereo jack), DC 9V stereo minijack
Power: Single 9V alkaline battery(6LF22/6LR61) (sold separately) or a DC9V AV adapter (sold separately) KA181(DC9V)
Battery life: Approx. 10 hours
Power Consumption: 46mADimension
(W x D x H):122.×.96.×.55mm.
Weight: 340g (without batteries)
Options: KORG AC adapter KA181 (DV9V)

Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!

Notes: 24-channel flagship version of Korg's hybrid mixer, combining analogue and digital features designed by mixer royalty Greg Mackie and Peter Watts. Supremely flexible with great sound.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features that are unique to SoundLInk; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version - a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.

Notes: 16-channel version of Korg's excellent hybrid mixer, designed in collaboration with Greg Mackie and Trident designer Peter Watts. Eight mono channels and four stereo pairs, each with single-knob compressor and musical EQ.

Supplier notes:
A mixer should not only sound good. It should be very easy to use.

Korg has collaborated with the legendary mixer design team of Greg Mackie and Peter Watts to create hybrid/analog mixing consoles that make creative mixing easy. Both the 24- and 16-channel models give you instant analog control for live mixing with stunning sound quality and more musician-friendly features than the competition - paired with the power of high-quality digital where it counts.

Use a SoundLink and you discover all the typical Greg Mackie features and ideas that are unique to SoundLink; hear your first live mix and discover why Peter Watts helped design legendary Trident consoles and then hundreds of high-end studio processors and preamps. Besides designing mixers, Greg Mackie has been mixing on them for over 40 years.

When you listen to the "White Album", Rhianna's "Rated R" and "Loud", "Goodbye Yellow Brick Road" and literally hundreds of other familiar albums, you're listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.

It is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.

Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink's Musician's Phone feature provides one-knob boost of the complete left/right mix into the musician's individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two musician's "more me" monitor mixes.

Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg's multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate "WARM" version- a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that's another SoundLink exclusive in a mixer in this price range.

Digital processing and effects are frustrating if they're buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink's Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, the super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can't handle.

Notes: The Pitchblack mini, popular for its slim space-saving design and reliable tuning, is now available in three new colors.

Your clothes and shoes are fashionable, so why should your tuner be a boring color? To match the flashy design of your effect units, you can now choose a Pitchblack mini in vivid color. Create a setup that will be inspiring, even when you just stand there holding your favorite guitar!

Specifications other than body color are the same as the conventional model of the Pitchblack mini.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

The Pitchblack mini appears smaller in size, yet embodies all of its superior tuner functionality. Featuring a large LED display with excellent visibility, it supports battery operation in spite of its compact size. The unit is also equipped with stabilizers to prevent it from overturning. Small but powerful, this is a high-quality pedal tuner that will meet the needs of any player.

The compact size of the popular Pitchblack mini pedal tuner is available in a newcolor! The Pitchblack mini lineup has been supplemented by a stylish white model that joins the existing model in bold black, allowing you to choose a Pitchblack mini in the color that suits you.

The Pitchblack mini is a size smaller than the previous Pitchblack, allowing for easy installment, even with a full effect board. The weight is also minimal at 129 grams, so handling is easy.

Despite its small size, the display is large and easy to read. Equipped with a large 7-segment color LED, the large note indication and the smooth moving meter indicator deliver excellent visibility even on a dark stage.

The Pitchblack mini supports battery operation that has been a long-awaited feature for miniature pedal tuners. In conjunction with the high mobility provided by its compact form, battery operation allows you to use this unit smoothly in any situation, whether in your effect board or on the floor. Additionally, you can also use DC9V power designed for effect units.

Compactness, light weight, and convenience are important, but they're a trade-off with stability. Other units tend to turn over more easily when placed on the floor, however, the Pitchblack mini is equipped with slide-type stabilizers on the underside of the body, eliminating this concern.

Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode", you can choose "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

When using strobe mode, the Pitchblack mini allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

In spite of its compact size, the Pitchblack mini has the same high-quality design as the other units of the Pitchblack series. It inherits the accuracy and amazing ease of use that you expect from Korg tuners, and also allows the calibration to be adjusted to a variety of concert pitches.

The true bypass design allows for the input sound to become output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or modify your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

Notes: The Pitchblack mini, popular for its slim space-saving design and reliable tuning, is now available in three new colors.

Your clothes and shoes are fashionable, so why should your tuner be a boring color? To match the flashy design of your effect units, you can now choose a Pitchblack mini in vivid color. Create a setup that will be inspiring, even when you just stand there holding your favorite guitar!

Specifications other than body color are the same as the conventional model of the Pitchblack mini.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

The Pitchblack mini appears smaller in size, yet embodies all of its superior tuner functionality. Featuring a large LED display with excellent visibility, it supports battery operation in spite of its compact size. The unit is also equipped with stabilizers to prevent it from overturning. Small but powerful, this is a high-quality pedal tuner that will meet the needs of any player.

The compact size of the popular Pitchblack mini pedal tuner is available in a newcolor! The Pitchblack mini lineup has been supplemented by a stylish white model that joins the existing model in bold black, allowing you to choose a Pitchblack mini in the color that suits you.

The Pitchblack mini is a size smaller than the previous Pitchblack, allowing for easy installment, even with a full effect board. The weight is also minimal at 129 grams, so handling is easy.

Despite its small size, the display is large and easy to read. Equipped with a large 7-segment color LED, the large note indication and the smooth moving meter indicator deliver excellent visibility even on a dark stage.

The Pitchblack mini supports battery operation that has been a long-awaited feature for miniature pedal tuners. In conjunction with the high mobility provided by its compact form, battery operation allows you to use this unit smoothly in any situation, whether in your effect board or on the floor. Additionally, you can also use DC9V power designed for effect units.

Compactness, light weight, and convenience are important, but they're a trade-off with stability. Other units tend to turn over more easily when placed on the floor, however, the Pitchblack mini is equipped with slide-type stabilizers on the underside of the body, eliminating this concern.

Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode", you can choose "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

When using strobe mode, the Pitchblack mini allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

In spite of its compact size, the Pitchblack mini has the same high-quality design as the other units of the Pitchblack series. It inherits the accuracy and amazing ease of use that you expect from Korg tuners, and also allows the calibration to be adjusted to a variety of concert pitches.

The true bypass design allows for the input sound to become output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or modify your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

Notes: Three new colors have been added to this standard pedal tuner. These are the first KORG tuners to use a powder coating. With its brilliance and depth, this beautiful finish is also extremely durable.

The lineup consists of three colors: sparkle blue (BL), sparkle red (RD), and sparkle white (WH). The color of each unit's sound name indicator LED has also been varied to match the differing body color.

Don't miss this chance to enhance your system with a Pitchblack Advance tuner in a distinctive color that sets it apart from other tuners.

Specifications other than body color and LED color are the same as the usual model of the Pitchblack Advance.

Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.

When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Choose from four meter display modes to suit your playing style. In addition to the standard "Regular mode", you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as "Mirror mode" in which two LEDs move from left and right to coincide in the center as you tune.

The true bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.

The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.

The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this new unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.

Notes: Three new colors have been added to this standard pedal tuner. These are the first KORG tuners to use a powder coating. With its brilliance and depth, this beautiful finish is also extremely durable.

The lineup consists of three colors: sparkle blue (BL), sparkle red (RD), and sparkle white (WH). The color of each unit's sound name indicator LED has also been varied to match the differing body color.

Don't miss this chance to enhance your system with a Pitchblack Advance tuner in a distinctive color that sets it apart from other tuners.

Specifications other than body color and LED color are the same as the usual model of the Pitchblack Advance.

Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.

When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Choose from four meter display modes to suit your playing style. In addition to the standard "Regular mode", you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as "Mirror mode" in which two LEDs move from left and right to coincide in the center as you tune.

The true bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.

The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.

The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this new unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.

Notes: Three new colors have been added to this standard pedal tuner. These are the first KORG tuners to use a powder coating. With its brilliance and depth, this beautiful finish is also extremely durable.

The lineup consists of three colors: sparkle blue (BL), sparkle red (RD), and sparkle white (WH). The color of each unit's sound name indicator LED has also been varied to match the differing body color.

Don't miss this chance to enhance your system with a Pitchblack Advance tuner in a distinctive color that sets it apart from other tuners.

Specifications other than body color and LED color are the same as the usual model of the Pitchblack Advance.

Featuring a slanted design that hints at a new age, the Pitchblack Advance retains the toughness that is characteristic of the series, in spite of becoming even lighter in weight. The display features high-brightness color LEDs, nearly doubling the size of the note name display and providing amazing visibility. Whether you're on a dimly lit stage or outdoors in bright sunlight, this display will always be easy to read.

When using strobe mode, the Pitchblack Advance allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Choose from four meter display modes to suit your playing style. In addition to the standard "Regular mode", you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences, as well as "Mirror mode" in which two LEDs move from left and right to coincide in the center as you tune.

The true bypass design allows the input sound to be output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or color your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.

If a separately sold AC adaptor is used, the DC OUT jack can supply power to another effect unit. Since a dedicated power supply circuit is provided for DC OUT, it can provide stable and noiseless 9V 200 mA power.

The Pitchblack Advance provides a stable playing environment for all players. When using a power supply, for example, noise can be caused by interference between different pedals using the same power supply. The Pitchblack Advance is equipped with a circuit that suppresses sudden changes in current, and also applies software control, thereby completely avoiding the occurrence of such noise.

The eight-year journey of the Pitchblack series has brought its high efficiency and long-life design to an even higher pinnacle. With approximately 30 hours on zinc-carbon batteries and approximately 60 hours on alkaline batteries, this new unit achieves ultra-long-life operation that is six times greater than the Pitchblack. Even on a long tour or an extended recording session, it will continue to fulfill its role as your faithful partner.

Notes: The human voice is also a type of instrument. Let's begin by tuning it correctly. The quickest path to a beautiful performance is to start being conscious of whether you're singing at the correct pitch.

With a vertical layout that's easy to operate when held in the left hand, a five-line musical staff display to show the notes for intuitive pitch checking, and a sound back function that outputs the reference tone closest to the input vocal, this dedicated vocal lesson unit is packed with unique functions.

By giving you the confidence that you can sing the correct pitch, the VPT-1 vocal pitch trainer will help take your vocal ability to the next level.

A recording made of your voice sounds different than the voice that you yourself hear. That's because the sound travels a different route, and it's likely that you are naturally conscious of this difference when you sing. In this case, you feel that your pitch is correct, but is it actually correct?

It's important to be conscious not only of the difference in how the sound is heard but also of the pitch, and to train your senses by using a tuner to check the pitch. The importance of this is taken for granted for many instruments, so now let's introduce it for vocal lessons as well. The VPT-1 is a pitch trainer created specifically for vocals, taking full advantage of the know-how developed by Korg during its more than 40 years of producing tuners that have earned the complete trust of musicians.

When you sing into the internal mic of the VPT-1, the note you sing is shown on the five-line staff marked with the familiar G-clef or F-clef. The red LEDs at left show whether the pitch is high or low, so adjust your voice until only the blue LED in the center is lit. Individual differences in vocal pitch range can be accommodated by using the octave shift function to adjust the detected range up or down in one-octave steps, keeping the note display within the five-line staff.

The strictness of tuning can be adjusted in three steps. Start with EASY, and when you've gained more skill, increase the difficulty to MEDIUM and then HARD for further improvements to your pitch accuracy.

A must-have item for those without a sense of absolute pitch, the sound out function generates a specified reference tone. This is convenient when practicing songs that begin with the vocal, and you can also use this to improve your relative pitch on your own by repeatedly listening to a reference tone and then singing the same pitch.

Like the sound out function, the sound back function helps you improve your sense of pitch on your own by outputting (from the headphone jack) the reference tone that's closest to the pitch of your vocal input. The reference tone together with the tuning guide LEDs let you train using all three senses: eyes, ears, and mouth.

Notes: Soft Case for MS-20 mini.

Also fits AC adopter, patch cables and manuals.

Notes: This is a multi-purpose case that's perfect for holding the microKORG, electribe series (x2 units), volca series (x6 units), or SQ-1.

The fasteners allow the upper case to be completely removed, allowing access while leaving your equipment in the lower case, as if it were installed in an effect pedal board. It also includes straps for backpack-style or hand-carry.

If placing thin items such as an electribe in this bag, use the included Velcro tape to fasten the product securely to the lower case.

Notes: Valves meet Volca. The original Volca Bass design gets twisted with the addition of Korg's Nutube technology for gritty saturation. 303-style acid with a filthy attitude.

Supplier notes:
Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: A whooooole lot of synth power for the money, building on the original Minilogue's analogue platform with a load of added digital features. Hard to think of many more versatile synth modules.

Supplier notes:
Minilogue XD module is the new desktop module version of Minilogue XD, the four-voice polyphonic analogue synthesiser with a customizable digital multi-engine and built-in stereo digital effects.

The desktop module is equipped with the same controllers as the keyboard version, making it a great choice not only as an additional sound module for your keyboard or DAW but also providing excellent performability, giving you an easy way to include an analogue polyphonic synth in your setup. It's also equipped with a poly-chain function that lets you connect it with another Minilogue XD or Minilogue XD module so that the two units can operate as a polysynth with a total of up to eight voices in your studio or on stage.

Add the sounds of the Minilogue XD to your setup or system!

Equipped with an analogue synthesiser circuit and a digital multi-engine:

Voice structure of Minilogue XD is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a two-pole filter that can be both sharp and fat, and a drive switch that adds thickness and drives signal into Minilogue XD's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

The additional sound design possibilities of digital sound are delivered by the multi-engine: the third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and open-source user oscillators) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding XD module's potential through hybrid sound design.

High-quality digital effects:

Minilogue XD's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The Minilogue XD features a customizable open-source environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the Minilogue XD via the dedicated librarian software, as well as oscillators other users share online.

What sounds can you create using the fusion of expanded digital oscillators with analogue synthesis? Create original programs, share code, and participate in the user community. KORG even provides sample code to get you started.

Polyphonic Step Sequencer:

One of the major features of the Minilogue XD series is its 16-step step sequencer. Each of the factory-preset programs has an embedded sequence pattern created with performance in mind.

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to have different parameter values at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Poly chain support:

The Minilogue XD module can be used in conjunction with another unit in the Minilogue XD series for poly assignment settings. Specify one unit as the master and the other as the slave, and they will play as an eight-voice polyphonic synthesiser. This supports a variety of uses, such as a voice-expansion module for the Minilogue XD or as a sound module for a DAW-based production system.

Free bundle of music software:

The Minilogue XD module comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

Notes: This soft case for transporting the KORG Monologue features a convertible design that lets you change the position of the straps to use the case in two different ways: as a day pack carried on your back, or as a messenger-style shoulder bag. Internally, there is space to accommodate up to a 17-inch MacBook or a 15-inch Windows notebook computer. The bag is made of a neoprene material used in wetsuits. Lightweight, durable, and full of cushioning, the MP-MONOLOGUE will safely protect your valuable equipment.

Notes: Korg is always building new ways to experience hands-on, fun music-making. Now, you can too.

The Nu:Tekt NTS-1 digital KIT is a unique, flexible, and easy DIY synthesizer that you can easily assemble yourself, without any soldering (tool included!).

The first of its kind from KORG's DIY-focused Nu:Tekt brand, NTS-1 packs a powerful synth and multi-effects engine into a compact form factor that you can carry and connect anywhere. Its DIY nature means it's also very customizable. Explore the possibilities!

Included items: USB cable, owner's manual, screwdriver

Notes: For Use With:

VOLCA, MICROPIANO, JS-DS, MONOTRIBE, MICROKORGXL, MICROSAMPLER, PS60, MICROSTATION, KO1PRO (KAOSSILATORPRO), WAVEDRUM (WDX), WAVEDRUM MINI (WDMINI), KP-QUAD, KPQUAD, MS-20MINI, MS20 MINI, KP3+, KAOSSILATORPRO+, MICROKORGXL+, KROSS

Notes: One of the most inspiring Volca instruments gets an upgrade. Second generation version offers more memory and easier transfer of samples via USB. A Juno favourite just got even better.

Supplier's Notes:
A new generation volca sample with more memory, features, and connectivity to take your music production further than ever before.

The volca sample is the compact and powerful sample-based drum machine that has captured the attention of countless creative players around the world.

This 2nd generation version retains all of the features which made the original so popular, and adds a micro USB port for better connectivity, increased sample memory, a new up to date sound library and additional functions for an improved workflow.

The new volca sample has everything that you need to advance your music creation in a compact form that works in the studio or anywhere you take it.

On its own, it is an advanced sample machine with a powerful engine capable of 8 voice polyphony, digital reverb and a dual band analogue isolator. Totally hands on, this new volca sample provides an amazing array of knobs for sample manipulation and performance sound-shaping. Plus, for added convenience, it runs on 6 AA batteries, has an integrated speaker and at only 372g/13oz (without batteries) is perfect for stand-alone use!

Furthermore, with its USB, SYNC IN-OUT and MIDI connections, volca sample can integrate seamlessly with your live rig, production studio and of course any other volca!

The new micro USB port provides a convenient connection between the volca sample and a computer for streamlined integration and sample management, allowing you to easily control, sync, and play your volca sample from any DAW. With newly added individual MIDI channels assignment per part, it is now easier to perform when using an external device such as a sequencer or keyboard.

With the volca sample's dedicated Librarian software (available for Mac and PC) utilising the USB port managing and sending your samples and patterns back and forth is now an instantaneous and pain-free process.

You can also use the dedicated app AudioPocket manager for iOS to record new samples on the fly and transfer them to your volca sample instantly.

Two new features have been added to this new volca sample that will help in your music making process:
Pattern chain mode with 2 different STEP JUMP modes
Start delay function: Go "off the grid" with the new delay feature that lets you slightly delay the start of any part to achieve different kinds of grooves or a swing feel.
More Memory, Pattern Locations, Samples, and Bonus Packs!

Volca Sample 2 has an increased memory of 200 memory slots; double its predecessor. 50 are left empty so you can load either your own original or pre-made libraries. Pattern locations have also have been increased from 10 to 16.

The new generation of volca sample comes with a brand-new sound library that has been carefully crafted to fit the needs of all music producers and beat makers everywhere.

This great selection of 150 samples will take your production to the next level, making it possible to make tracks on the fly with sounds that will fit every genre, including recent ones such as Future bass, Trap, Lo-Fi hip hop, and many others!

Notes: Drawing on Korg's impressive wavetable history, the Modwave is a distinctly contemporary take on a classic idea, with a focus on motion sequencing and modulation. Deep, complex and powerful sound.

Supplier's Notes:
Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0.

In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control.

modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that isibesides being powerfuli a lot of fun. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording.

Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave's evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. To start, there are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Modulation Knobs. modwave's distinctive wavetable timbres deliver aggressive basses & leads, and lush ambient pads will add a new dimension to your tracks. Those who want to dig deeper will find an endless source of discovery; you'll be finding new things in this synth for a long, long time. Save as many new sounds as you like; there's room for thousands more.

Start with over 200 wavetables, each containing up to 64 waveforms- from thousands of individual waves. Use the 30+ Modifiers to change their basic character, and the 13 Morph Types to process them in real-time. Create new hybrids from any two wavetables using the unique, realtime A/B Blend. Quick math: that's over 230 million wavetable variations out of the box, before you even add modulation. No need to stop there, though! Load your own custom wavetables in Serum or WaveEdit formats; there's room for thousands more. Or, layer wavetables with samples from the built-in, multi-gigabyte PCM library.

Each Program has two full-featured wavetable oscillators, plus a sub oscillator/noise generator and any of a dozen stereo filter types, including the aggressive MS-20, sweet Polysix, and the newly enhanced Multi Filter. Animate almost any parameter using the massively flexible modulation system, with four triggerable envelopes, five LFOs, dual mod processors and two key-track generators- plus multi-lane Motion Sequencing and Kaoss Physics.

Even with all that synthesis power, playing up to four simultaneous wavetables per voice in a single Program, the modwave still achieves 32-voice polyphony, incredible for a wavetable synth. Layer two Programs together for double the possibilities.

Notes: Strictly limited-edition full-scale reissue of an underrated analogue classic from 1973. The miniKORG 700FS is a classy monophonic instrument with aftertouch and spring reverb.

Supplier's Notes:
Back To The Future: a limited edition authentic revival of the miniKORG 700.

The miniKORG 700 was KORG's first mass-produced monophonic synthesizer released in 1973 at a time when the form of synthesizers as musical instruments had not been fully established. After a lot of experimentation, the miniKORG 700 arrived bringing the world of synthesizers to a wide group of users by offering simple operations that could producing extreme changes in sound, and was championed by a strong base of admiring musicians.

The miniKORG 700FS is an authentic revival of the miniKORG 700S, (an improved version of the miniKORG 700) that was released the following year. The revised miniKORG 700FS offers added functionality such as an arpeggiator, spring reverb and aftertouch. The miniKORG 700FS is a fully-realized analog synthesizer that was developed in conjunction with the original designer, Fumio Mieda.

(Note: To avoid confusion in the following text, both the original miniKORG 700 and the miniKORG 700S are listed as "miniKORG 700" for the most part.)

Why revive the miniKORG 700 now?

The real beauty and awesomeness of the sounds produced by the miniKORG 700 could not be realized through analog modeling technology that uses computational integrated circuitry such as DSPs and other devices to model analog circuitry. And although KORG continues to produce analog synthesizers such as the prologue, the minilogue and many others, we recognize that these instruments owe their existence to the miniKORG 700.

While theoretical know how is important when designing analog circuitry, deep experience is also required to understand what the results will actually be once the circuitry is completed. Ten years have passed since the monotron, a next-generation analog product from 2010 was developed by young KORG engineers and analog enthusiasts. It took some time for the full vision of these engineers to be explored and delivered but at last we've finally arrived - at the start.

KORG's wish is for customers to experience the beauty and awesomeness of the authentic analog sound through the miniKORG 700FS designed by the KORG analog engineers under the supervision of Fumio Mieda, who designed the original circuitry, ensuring that the elements that go beyond the circuit schematics would be faithfully represented.

While the miniKORG 700 was KORG's first synthesizer, it also produced some of the fattest and most dense sounds of all of our synthesizers. The miniKORG 700FS, features oscillators with a penetrating sound and an authentic recreation of the Traveler controller, one of the key features of the miniKORG 700.

The volca keys and volca bass use the filter circuit from the miniKORG 700, because the clear and penetrating characteristics of this filter were a perfect match for products that specialize in lead and bass synth sounds with a strong presence. The miniKORG 700 sound sits easily in today's music, particularly with its lead and bass synth sounds.

The miniKORG 700 came about as a sub keyboard that players would set atop their organs (frequently used in the 1970s) to augment the organ's sound palette. Nowadays, the beautiful lead synth sound of the miniKORG 700FS works well with stage keyboards such as or electric pianos, organs and so on.

The controls on the miniKORG 700 were laid out below its keys in a row, so that players who set the instrument on top of their organ would find them easy to access. Even today, this layout is intuitive and easy to understand, with a unique look that no other instrument offers.

When the miniKORG 700 was originally released, electronic components were larger in size, limiting its functionality due to the small space inside. Thanks to changes in technology, there's now have more space to add a spring reverb effect as well as a joystick for pitch bend and modulation. The new version also features aftertouch for added expressiveness, as well as important features an arpeggiator, USB port, MIDI IN connector and a CV/GATE IN jack.

Dimensions (W x D x H): 744 x 280 x 122 mm/29.29" x 11.02" x 4.80"
Weight: 8.5 kg/18.74 lbs.
Power supply: AC adapter (DC 12V)
Power consumption: 9W

Notes: Korg KA196 is a PSU compatible with a wide range of Korg products.

Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.

Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.

Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.

Notes: The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.

Notes: Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads - as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.

Dynamic trigger pads capture all your performance nuances:

The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.

Notes: A reliable tuner that you attach to the sound hole of your instrument. The Rimpitch-C2, a tuner designed specifically for acoustic guitar.

The Rimpitch-C2 is a tuner that you attach to the inside of the guitar's sound hole. The tuner's extremely slim and compact design allows it to be installed unobtrusively, and since the tuning meter is within your natural field of vision, you can glance casually at the tuning meter while you perform. It's an ideal choice for any acoustic guitarist who does not want to distract from their performance with a clip-on tuner.

Piezo pickup quickly and accurately detects the sound:

When tuning, the Rimpitch-C2 detects the sound through the vibration of the guitar itself. The body features a proprietary structure with a closely attached piezo pickup, allowing the sound to be detected rapidly and accurately. The tuner can be attached to a round sound hole of 100 mm diameter (within i 3mm) and is designed to fit a wide variety of acoustic guitars. Rubber cushions on both the inside and outside of the tuner ensure a secure fit and guarantee accurate tuning.

Highly visible and readable LED display:

The note name indicator is optimally balanced between the left and right of the display. The LED meter is shown across the entire display, and the strength of the light expresses the movement of the needle with exquisite precision. When the tuning is exactly correct, the left and right LEDs blink briefly, showing at a glance that you're perfectly tuned. This ensures excellent visibility not only when practicing in a bright room, but also on a dimly lit stage.
The meter also lights beautifully when you turn the power on or off.

Supports tuning in any scale or key, and a calibration function is also provided:

The Rimpitch-C2 uses chromatic tuning, which supports tuning in any scale or key, making it ideal for players who use alternate, open, or dropped tunings.

The detection range covers the range of E2 (82.41 Hz) - E7 (2637.02 Hz) required for guitar. The calibration function also supports a variety of concert pitches, allowing you to adjust the reference pitch in the range of 438 - 445 Hz as appropriate for the music that you're performing.

Intuitive design provides excellent functionality, as well as easy battery replacement:

When the remaining battery capacity runs low, the note name indicator of the display will blink, indicating at a glance that it's time to replace the battery. The battery compartment cover easily slides open or closed using a discreet button, ensuring it will not open accidentally. Because the design unifies the battery cover with the unit itself, you don't need to worry that it will be lost when replacing the battery.