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Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Notes: The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Notes: A synthesizer that lets you perform and create multi layered music in any style, with just the touch of a finger.

The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The Kaossilator Pro was a highly evolved model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track making tool.

2013 brings us to the upgraded Kaossilator Pro+. With additional new sound programs and drum sounds Kaossilator Pro+ has been supercharged to offer even more variety and exploration.

The Kaossilator Pro+ offers 250 programs, based on intuitive control of multiple parameters by moving a finger across the X-Y touchpad.

Notes: Dynamic Percussion Synthesiser with a full complement of world-class sounds.

The Wavedrum Global Edition represents the next - and most powerful - evolution in the Wavedrum family with a large palette of sought-after percussion sounds from around the world.

Features

2nd Generation Dynamic Percussion Synthesiser that provides unparalleled musical expression
A sound engine that combines DSP-powered algorithms with PCM sounds to allow versatile and highly flexible performances
A pressure sensor and multiple pickups capture the subtle nuances of your strikes on the head and rim, generating expressive power and new sounds
Increased pickup precision provides improved dynamic range for low and high pitches, as well as enhanced response for soft sounds, making the instrument more sensitive
Play different sounds from the head and rim, or apply pressure effects on the head to create performance techniques that are possible only on the Wavedrum
200 preset programs cover a vast range of sounds from classic percussion to unique and novel sounds
200 user programs are available for storing customized sounds and settings
A new input sensitivity parameter has been added, supporting a wide range of users from beginners to pros
Fundamental sounds such as acoustic instruments have been enhanced
Live Mode stores up to 12 settings (4 favorite programs x 3 Banks) for instant recall
Compact and light-weight design; use as an individual instrument, or mixed in with a traditional drum kit or any performance/percussion rig
140 loop phrases of various genres allow Wavedrum users to jam along or practice to them
AUX input allows monitoring or mixing of any audio source-CD, MP3, even a second Wavedrum

The new Wavedrum Global Edition represents the nextiand most powerfulievolution in the Wavedrum family. It boasts the largest palette of cutting-edge sounds of any Wavedrum to date; with sought-after percussion sounds from around the world, a major boost in the quality of each sound, and dramatic improvements in usability.

In 2009, Korg unveiled Wavedrum WD-X, a revival of the original Wavedrum that debuted in 1994. The reimagined '09 Wavedrum had a stunning impact as a performance tool that brought new expressive power to musicians-from users of the original Wavedrum to forward-looking percussionists. Subsequent models included Wavedrum Oriental with its added Arabic sounds, Wavedrum Mini with its unique sensor clip, as well as limited edition color models, and the instrument's unbounded potential has continued to accelerate the spread of Wavedrum mania throughout the world.

Percussion instruments that generate rich, dynamic sounds from the bare hand of the player are perhaps the most physical of all musical instruments. While an electronic musical instrument, the Wavedrum Global Edition is painstakingly designed to retain this level of physicality. The sound of the player's strike is sensed by separate pickups for the head and the rim, and used directly as the sound source that drives the DSP-powered algorithm and PCM sound engine. In combination with this, the pressure sensor in the head allows the Wavedrum Global Edition to detect and respond to subtle movements of the player's fingers or palm which can be used to strike, rub, or scratch the head, as well as use techniques such as open shots, slap shots, heel and toe, and mute. Tonal differences produced by using a stick, mallet, or brush, plus changes resulting from different striking locations are also faithfully reproduced, giving the musician a high degree of expressive power and a broad dynamic range that rivals that of an acoustic drum or percussion instrument. This means that percussionists can bring a substantial arsenal of sounds - to rival a stage full of traditional percussion instruments - anywhere without the sacrificing the real feel or sonic quality that they require for their performance.

To further Wavedrum Global Edition's ability to provide the utmost expressiveness and response, Korg has worked to increase the accuracy of the pickup. This boosts the dynamic range of the lows and highs, and improves the response to soft sounds, allowing more sensitive playing.

Innovative technology combines DSP synthesis and PCM samples
The Wavedrum Global Edition contains 60 DSP algorithms, which enable a variety of synthesis methods--analog, additive, non-linear, physical modeling, etc. Working with these algorithms, you can create various instrument sounds, natural sounds, or purely synthetic sounds - in addition to the Wavedrum Global Edition's own unique sounds. Certain DSP algorithms allow you to assign a different DSP method and PCM instrument to the head and to the rim. In other algorithms, the velocity and tone of the strike are used to control the PCM sound, delivering a playing experience rivaling that of an acoustic instrument. The PCM sound engine - the other important part of the Wavedrum Global Edition's sound creation system - contains 400 PCM sounds: 200 for the head, and 200 for the rim. Combining the PCM sounds with the DSP algorithms delivers a natural response far beyond the reach of PCM only instruments.

In addition to conventional drum sounds such as snares and toms, popular percussion instruments such as cajon, djembe, conga, and tabla, as well as metallic percussion such as cowbell and triangle, the Wavedrum Global Edition also provides exotic ethnic instruments and percussion sounds from all over the world, both ancient and modern. For example, the Wavedrum Global Edition allows you to instantly experience The udu, a clay pot percussion instrument; the jegog, a bamboo marimba from the island of Bali; the talking drum of Africa; Arabic percussion such as the darbuka and daf; plus gongs that would require massive setups. There's also a selection of stringed instruments such as sitar, koto, and berimbau. For each of these sounds, the Wavedrum Global Edition not only gives you a faithful re-creation of the original sound, but also provides new expressive potential that is unavailable from any other instrument. The Wavedrum allows you to instantly experience all of these, enabling you to easily play percussion instruments that normally take years to master.

Sounds that feature a dramatic leap in quality and variation
The Wavedrum Global Edition places its main emphasis on strengthened acoustic instruments such as snare, djembe, and conga. This pursuit of realism has given the sounds even greater practicality. The Wavedrum Global Edition lives up to its name by also providing a rich assortment of Latin American and African instruments, such as the balafon, shekere, and dundunba as well as the Japanese taiko drum. Of course, there's also a full complement of the sound effects and electronic sounds that you would expect from a synthesizer, further broadening your performance potential. We've also added sounds for cutting-edge electronic dance music styles such as dubstep and moombahton.

The Wavedrum Global Edition generates new expressive potential not merely from its sound, but also from your performance technique. You can make the pitch change randomly each time you strike it, or even specify a scale and play a phrase. Applying pressure to the head is an expressive technique that's possible only on the Wavedrum Global Edition. After striking the head with your hand or a mallet, you can apply additional pressure to control the pitch or timbre of the decay, or produce sustained sounds simply by pressing down on the head, creating sound effects that would be impossible on a conventional percussion instrument.

Plenty of programs to choose from
The 200 preset Wavedrum Global Edition programs range from high-fidelity emulative drum and percussion sounds to a world of and new and unique sounds.

Save your own original sounds
There are a range of parameters available for editing and tweaking to create new user programs to suit your own music or style of playing. In addition to making changes to pitch, decay time, loudness, reverb, delay, and curve (intensity) of the pressure sensor, etc., you can completely alter the sound by, for example, changing the head material parameter from skin to metal. The combination of DSP and PCM sounds can also be changed to create totally new sounds from scratch that can be saved in one of the 200 available user programs.

In addition, the Wavedrum Global Edition provides a new parameter that adjusts the input sensitivity. This makes the Wavedrum's full potential available to everyone from beginners who are not yet able to produce strong strikes, to professionals who can command a broad range of dynamics.

These new programs (up to 200) can be stored in the user area. The Wavedrum Global Edition also has a Live Mode which can store up to 12 favorite programs (from preset or user programs) for selecting programs instantantly during live performances.

While you can enjoy the Wavedrum Global Edition by playing the sounds alone, it offers some special features that provide the ability for users to jam along for fun or for practice. Included are 140 loop phrases from various musical genres you can use during practice. Or use the AUX input to mix in the signal from any audio source - CD, MP3 player, or even an additional Wavedrum for double conga-style setups. Using the headphone output allows you to practice in private, anytime, anyplace - without worrying about the neighbors!

Ready, Set, Go
Portable, compact, and lightweight, Wavedrum Global Edition is ready for any musical outing. Hold it on your lap, or play it standing like a hand drum. Place the Wavedrum Global Edition on an ordinary snare drum stand, or add it to any electronic or acoustic drum kit. Use it as part of a DJ set-up or to add a percussive element to your keyboard rig. With the optional high stand (Percussion Stand ST-WD), the Wavedrum Global Edition is the ideal accent for any vocalist or front person.

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: KONNECT is a portable all-in-one stereo PA system that provides a complete solution for both sound and convenience. It's a single unit that has everything you need for performances, DJ, background music, or MC work in any situation: live shows, parties, dance studios, exhibitions, seminars, or presentations. Featuring clarity that's unparalleled in any compact speaker, KONNECT delivers both powerful low-end and loudness. At the same time, KONNECT includes conveniences such as an interface that's easy to understand and operate, a rich variety of EQ presets suitable for any source (the VOICING function), and support for wireless control from your smartphone or tablet.

The KONNECT features stunningly powerful sound that exceeds its class. While remaining lightweight and compact, it reaches high volumes suitable for the stage. Equipped with a 6.5-inch woofer and two tweeters, it delivers a total of up to 180W of power. A bass reflex structure provides a rich low-range, giving you powerful sound that packs a punch.

In addition, the KONNECT achieves a clear sound image with an excellent sense of separation. The secret to this capability lies in a cutting-edge SHARC DSP and 32-bit digital processing. Experience accurate phase control with an all-in-one stereo speaker, a carefully designed crossover that connects the high and low frequency ranges, a low-noise design that decreases the noise floor, and superb resolution that delivers smooth attacks and crisp clarity. The latest technology and Korg's know-how ensure that the full range will be reproduced with high-quality sound that rivals studio monitors.

In addition to a panel layout that is clear and concise, every function corresponds to a knob or switch. The KONNECT is designed with an interface that will be intuitive even to non-musicians. There are four input channels, which can be used for both microphones/audio sources and instruments. Each channel is equipped with an independent volume control.

The all-in-one design combines a mixer, power amp, speakers, multi-effect unit, and feedback canceller into a single unit. This eliminates many of the inconveniences of using a conventional PA system, such as the difficulty of transportation, the need to provide speaker cables, the difficulty of finding the best location for the speakers, or the need to find a partner to help you set up. The sturdy front grill also protects the speakers from impacts during transportation. There's a hand-grip that lets you easily carry the unit with a single hand, plus a stylish, high tech design.

Getting the optimal sound for a given location usually requires the technical skills of a mixing engineer. However, the KONNECT is equipped with a VOICING function that lets you choose complex equalizing preset settings that optimize the sound for the instruments or the background music that's being played - simply by turning a single knob. Now it's easy for anyone to get the perfect sound.

The KONNECT provides five preset types: MUSIC is for enjoying music with powerful sound, MALE VOCAL and FEMALE VOCAL are optimized for male/female vocals or speech, and ELECTRIC GUITAR and ACOUSTIC GUITAR are for guitar performance. By using the dedicated KONNECT App, you can choose from an even wider range of 17 types including BASS GUITAR and KEYBOARD.

These VOICING presets are meticulously set using an EQ with five bands: Lo, Lo Mid, Mid, Hi Mid, and Hi. For every preset, the gain, Q value, frequency, and curve of each individual band are carefully voiced to obtain the ideal equalizing result for that specific situation. Simply by turning a single knob, any user can easily achieve the optimal sound for a variety of situations including a singer-performer, small band, dance music, or various other events.

Remote control from a smartphone:

With the spread of digital mixers in recent years, wireless control using a tablet is a must-have in the professional workplace as well. The KONNECT also lets you use the dedicated KONNECT App (supports iOS 8.1 and Android 5.0 or later) to connect via Bluetooth, allowing users to use their smartphone or tablet to wirelessly control the unit. KONNECT can be operated from a listening position without having to walk over to the unit's rear panel.

In addition, KONNECT App satisfies both people who are unfamiliar with mixing as well as people who like to make detailed settings to their own taste. You can switch between STANDARD mode with its simple parameter structure, and ADVANCED mode which lets you edit more detailed parameter settings.

Equipped with a generous selection of inputs, the KONNECT also supports Bluetooth audio (using channels 3/4). Use it to provide backing tracks for a live performance, for DJ work at a party, for background music during a speaking event, or for choreographed music in a dance environment. Without any complicated connections, you can easily play back music wirelessly from your smartphone or tablet.

Notes: The KORG MS-20 mini is now available as a limited-edition white monotone variation model. This model is the first new colour to appear in the nearly 40 years since the original unit went on sale in 1978. Based on the black that is emblematic of the MS-20's distinctive presence, this new model features a clean white monotone for its front panel and knobs, while retaining the faithful circuitry, 5-pin MIDI, and USB MIDI of the black MS-20 mini. Combining a completely new freshness together with a vintage feel that befits the MS-20 as the original semi-modular synthesizer, this limited-edition model will be a great way to add classic MS-20 sounds to any setup!

Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Notes: The electribe has been reborn including KORG's latest technology distilled from popular products such as the KingKORG, kaossilator, kaoss pad, and taktile. The 200 preset patterns cover House and Techno as well as cutting-edge dance music genres such as Trap and EDM. Another major evolution of the new electribe is support for polyphonic playback, which is indispensable for musical styles that involve complex chord progressions such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.

You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.

Notes: The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: Already something of a modern classic, Korg's compact synth and vocoder features built-in speakers in this upgraded S model. Huge fun, easy to use and great for live performance.

Supplier's notes:
Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: ***B-STOCK: Box opened, product in perfect working order***


Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The electribe series lets you play back your carefully constructed patterns while using intuitive operations to add spice and reveal new sonic possibilities. Approximately ten years after the Electribe SX first went on sale, there's now a new sampler in the electribe series that's designed to be simple and easy for the beginner to understand, and even more enjoyable for previous electribe users.

The electribe perfectly fulfills two tasks that both demand speed: live performance and music production

The electribe sampler has been reborn with cutting-edge technology inherited from popular KORG products such as the KingKORG, kaossilator, kaoss pad, and taktile. The internal memory lets you save 250 patterns, including preset patterns which are perfect for today's dance music scene. There's also support for the polyphonic playback that's indispensable for styles that include complex chord progressions, such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create.

Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

KORG created a synth engine for the electribe sampler that's perfectly designed to maximize your creativity.

In addition to a sampler sound engine that lets you use your own unique and original sounds (samples), there are also several types of analog modeling sound engines that are great for creating synth basses and pad sounds. There can be up to a total of 999 preset and user samples, and a maximum of 270 seconds of sampling time (calculated as monaural) can be used. The unit is shipped with numerous drum, rhythm/phrase loops, and hit samples included. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The "Time Slice" function detects attacks within the phrase and slices it appropriately, allowing you to play the phrase at the desired tempo without significantly affecting the sound. Sounds within a sliced part can also be used separately by assigning them to steps or parts. You can even apply an effect to a sample, and then resample it while using the knobs to vary the pitch or modulation.

The new electribe sampler provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the Kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities.

There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration to your musical ideas.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The best of both worlds, combining analogue drum circuits with samples and Korg's Multi Engine. Versatile step sequencing, built-in effects and seamless connectivity.

Supplier's Notes:
The introduction of Drumlogue marks a paradigm shift for drum machines. It combines the rich and raw power of analogue, the flexibility and convenience of digital, and the deep customisation of a unique SDK. A heavy-duty dynamic sequencer, powerful effects, and intuitive controls make Drumlogue a must-have in any setup.

The power of analogue

Drumlogue features completely new analogue circuitry from legendary Korg engineer: Junichi Ikeuchi (ARP 2600 M, MS-20 Mini, ARP Odyssey). The depth and richness of its sound is on a whole new level. New analogue circuits for bass drum, snare drum, low tom and high tom provide a solid foundation, and elevate tracks with harmonic richness and a thick low end.

The versaility of digital

Drumlogue has 7 digital parts: 6 sample-based and 1 Multi Engine based. The sample-based parts can play a wide selection of pre-loaded PCM samples alongside imported user samples. These can be easily loaded into Drumlogue by connecting to a computer via USB and simply dragging and dropping into its main memory.

Endless creative potential

The wildly popular Multi Engine from Minilogue XD is made even more powerful: in addition to Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine in Drumlogue features a new user slot able to play fully-fledged synth voices - providing vast sonic possibilities never before heard on a drum machine.

Custom Synths

Synth voices in Drumlogue are so much more than static waveforms. Custom synths can be built to not only generate sound, but can also draw on built-in filters, LFOs, MIDI controlled polyphony

Exclusive "Nano" plugin

Korg has collaborated with popular plugin developer "Sinevibes" to create a brand new synth plugin for Drumlogue: Nano. This exclusive plugin explores the power behind the newly expanded Multi Engine and gives an incredible first taste of the platform.

"Nano" is a full-fledged virtual analogue synth with a broad array of features and customisable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Sequencing powerhouse

At the heart of Drumlogue is a flexible, easy-to-use, and extremely powerful 64-step sequencer. This makes it easy to create complex patterns and polyrhythms that elevates the music creation process. Innovative features are available including per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more. With the clear OLED display, it's also easy to follow and edit your sequences visually.

Chain mode makes creating long and interesting patterns simple. In loop mode you can switch between several variations to play sequences in new and interesting ways. The Motion and Accent recording functions are fast and intuitive, and if you want to try new things on your track, the randomisation function is there to help you.

Effects and customisation

Drumlogue has high-quality effects across three categories that can be used simultaneously: delay, reverb and master effects. The send amounts for delay and reverb effects are set independently, with multiple return points also available. Master effects add that final polish to the sound and can be bypassed on a per-part basis, meaning it's possible to send the effect to specific audio parts. A sidechain bus is also available to the master effects section.

Drumlogue has an audio input, so you can process other instruments through Drumlogue's effect chain, making it an ideal companion for your studio setup.

Connectivity

With a wide range of I/O, Drumlogue can be integrated seamlessly with your rig. A USB-A port supports connectivity with USB MIDI class-compliant devices, meaning volumes can be controlled with the faders on a nanoKONTROL 2, or sounds triggered by the pads on a nanoPAD 2.
It almost goes without saying that Drumlogue easily syncs with other gear via the MIDI in/out, sync in/out, or via USB MIDI.

Four individual outputs are available, in addition to headphone and main L/R. Any part can be assigned to any output, allowing for expanded routing versatility with external processing and multi-track integration.

Ease of use

Drumlogue is incredibly easy to use - having been designed with simplicity and accessibility in mind. The most important parameters for the main drum parts have dedicated knobs on the front panel for on-the-fly adjustments, as well as dedicated volume pots for each part to speed up the mixing process.

A wide and clear OLED screen coupled with a simple UI and 4 dedicated encoder knobs makes the navigation process fast and smooth.

Design

Unlike other drum machines, Drumlogue's main panel is slanted. This offers superior ergonomics and visibility, while a brushed aluminium body and wooden side panels add to the premium look and feel.

Specifications

Polyphony: 11 voices (*)
(*) User synths may be played polyphonically via MIDI, the actual voice count will depend on the synth's implementation

Sound Engine
Analogue:4
PCM / User samples: 6
Multi-engine(NOISE, VPM, User Synthesizer): 1

Number of Programs (including rhythm patterns): 128 (64 preset programs by factory default)
Effects: Reverb, delay, master

Inputs / Outputs
Headphones
OUTPUT, (L/Mono, R/Audio, Out 1-4)
Sync In/Out
Audio In, MIDI In/Out
USB A (To Device) (Only for MIDI controllers)
USB B (To Host)

Power supply: AC adapter (DC9V)
Dimensions (W × D × H): 317 × 189 × 73 mm/12.48" × 7.44" × 2.87"
Weight: 1.4 kg/3.09 lbs.
Included items: AC adapter, Precautions, Quick Start Guide

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A synthesizer that lets you perform and create multi layered music in any style, with just the touch of a finger.

The Kaossilator series was the forerunner of unique instruments that made it easy for anyone to play musical melodies and phrases. The Kaossilator Pro was a highly evolved model featuring a rich variety of sounds and loop recording functionality that made it not merely a live performance instrument, but also a track making tool.

2013 brings us to the upgraded Kaossilator Pro+. With additional new sound programs and drum sounds Kaossilator Pro+ has been supercharged to offer even more variety and exploration.

The Kaossilator Pro+ offers 250 programs, based on intuitive control of multiple parameters by moving a finger across the X-Y touchpad.

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag