100% Secure Shopping

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

100% Secure Shopping

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

View:
Options
Items 1 to 50 of 77 on page 1 of 2
1  2  »
Cat: 703168 Rel: 14 Nov 18 • View all Keyboard bags & covers
 
Dedicated carrying case for the KORG nano series
Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.
Read more
 1 in stock $25.52
Cat: 703166 Rel: 14 Nov 18 • View all Keyboard bags & covers
 
Dedicated carrying case for the KORG nano series
Notes: This dedicated carrying case for the nano series fits perfectly in a bag to casually carry to a gig or practice. Featuring a soft-shell structure with a distinctive mesh design that provides the perfect amount of cushioning and support, it securely protects your KORG nano series unit. Inside the lid are two pockets that can hold cables or other small items.
Read more
 1 in stock $25.52
Korg Wavedrum Global Dynamic Percussion Synthesizer (percussion synthesizer/drum pad)
Cat: 480951 Rel: 22 Mar 13 • View all Electronic drums
 
Percussion synthesiser and drum pad
Notes: The new Wavedrum Global Edition represents the next and most powerful evolution in the Wavedrum family. It boasts the largest palette of cutting-edge sounds of any Wavedrum to date; with sought-after percussion sounds from around the world, a major boost in the quality of each sound, and dramatic improvements in usability.

In 2009, Korg unveiled Wavedrum WD-X, a revival of the original Wavedrum that debuted in 1994. The reimagined '09 Wavedrum had a stunning impact as a performance tool that brought new expressive power to musicians-from users of the original Wavedrum to forward-looking percussionists. Subsequent models included Wavedrum Oriental with its added Arabic sounds, Wavedrum Mini with its unique sensor clip, as well as limited edition color models, and the instrument's unbounded potential has continued to accelerate the spread of Wavedrum mania throughout the world.

https://www.youtube.com/watch?feature=player_embedded&v=6mGdyboJndE
Read more
 1 in stock $468.79
Click for better price!
quote 480951
Korg Volca Sample Digital Sample Sequencer (digital sample sequencer)
Cat: 547480 Rel: 18 Dec 14 • View all Sequencers
 
Compact sample sequencer for editing and sequencing up to 100 sample sounds in real time
Notes: The new Korg Volca Sample is a very intuitive and powerful volca sequencer, that allows you to sculpt samples with the Analog Isolator, and also features loads of new functions such as dedicated iOS app; song mode and reverse function.

This sequencer lets you recapture the excitement of the first generation of samplers, in which any sound --- vocals, spoken words, ambient sound, or glitches --- becomes material for your creations!

The step sequencer is designed for ease of editing and to allow parts to be inserted or removed "on the fly." Use the 16 step keys to enter notes intuitively while maintaining visual confirmation of the timing of the notes in a measure. You can also record your performance in real time. Up to ten of the sequence patterns you create can be stored in internal memory.

The motion sequence function records your knob movements, letting you add time-varying change to the sound. This is a great way to polish your loops, and also lets you generate highly original live performances. The volca sample is able to record all knob movements that are related to sound editing. This allows sophisticated editing that had been impossible for hardware samplers of this category.

Parameters that can be used with Motion Sequence:

Start Point (Playback start location)
Length (Playback length)
Hi Cut (Cutoff frequency)
Speed (Playback speed)
Pitch EG Int (Pitch EG depth)
Pitch EG Attack (Pitch EG attack time)
Pitch EG Decay (Pitch EG Decay time)
Amp Level
Pan
Amp EG Attack (Amp EG Attack time)
Amp EG Decay (Amp EG Decay time)

The Active Step function lets you skip steps during the sequence, and the Step Jump function lets you instantly play just the step that you're pressing. From short-loop effects to unimaginably irregular rhythms, these functions allow dynamic performances as though you were performing the sequence itself.

The Swing function adjusts the swing playback position, generating the distinctive groove of dance music styles such as hip-hop. As appropriate for the character of your song, you can shift between rushing and dragging the beat.

Volca sample features a frequency isolator, which has become a powerful tool in the creation of numerous electronic genres. This lets you apply powerful changes to the sound and create development and breaks by boosting or cutting the low/high ranges. The isolator is implemented as an analog circuit, ensuring thick sound even in the flat position.

The built-in reverb effect can be switched on/off for each part. The isolator and reverb can be used together, enhancing your live performance with possibilities such as cutting the low range and letting it fly.
Read more
 2 in stock $128.87
Click for better price!
quote 547480
FORTHCOMING
Korg Volca Nubass Vacuum Tube Bass Synthesiser Korg Volca Nubass Vacuum Tube Bass Synthesiser
Cat: 732455 • View all Synthesisers
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
Read more
coming soon $182.82
Cat: 675871 Rel: 26 Mar 18 • View all Live mixers
 
Compact multi-function four-channel mixer
Notes: The Volca Mix is a four-channel analogue performance mixer that lets you construct a live setup combining multiple Volca units.

Volume faders are easy to control, plus crisp-sounding LO/HI CUT filters, and a master chain that radically transforms the sound. In addition to the sync function found on all Volcas, there are also DC output connectors that can supply power for up to three Volca units. Numerous functions to facilitate your on-stage Volca performances have been packed into a high-quality aluminium-panelled body, reminiscent of a high-end DJ mixer. The Volca Mix will unlock the maximum potential of the Volca series.

An analog mixer for performance:

The Volca Mix is a four-channel analog mixer with an intuitive interface and plenty of connectivity. It provides two mono inputs and one stereo input, perfect for connecting three Volca units. The jacks are mini-jacks, allowing you to make connections with just one stereo mini-cable from the headphone out of each Volca unit. The channel volumes use vertical faders that allow precise control. The gain can be boosted to adjust the mix balance, and mute buttons are also provided. Each channel is also equipped with a LO/HI CUT filter that lets you control the low and high frequency ranges with a single knob. The pristine, natural-sounding filters that you expect from analog gear give you complete control over the character of your sound.

Output and monitor capabilities for use on stage, plus stereo speakers for maximum portability:

The output section provides RCA stereo line outputs to ensure stable connection. There's a master volume with LED VU meter for adjusting the output level, as well as a headphone output that can be used simultaneously with the line output, providing a reliable monitoring environment on stage. Speakers are also built-in for excellent portability. The stereo speakers are placed at both sides of the front, and while compact, deliver SPL levels that are even greater than the built-in speakers on previous Volca units.

Powerful master chain:

The Volca Mix is equipped with master effects powered by all-analog circuitry. In addition to an expander that broadens a mono source into a stereo sound image, there's a dynamic range compressor that compresses the high-frequency range according to level changes of the low-frequency region, as well as a side chain effect that's indispensable for dance music. Use these to dynamically vary the mix, adding a professional feel to live performances with the Volca.

Connect an external effect unit for further variety:

The Volca Mix provides a stereo mini-jack send out and AUX in jack, and send level knobs for each channel. This allows you to use it with an external effect unit in a send/return connection. When used in conjunction with a unit such as the mini Kaoss pad 2S, you can also enhance your live performances using standard effects such as reverb, delay, filter, and break. The AUX in jack can also be used as a stereo input channel for a fourth Volca unit, an iOS app, or any other gadget, instrument, or device.

As the master of your Volca live setup:

The Volca Mix features an analog sync out jack that can easily be connected to many pieces of KORG gear for tempo sync, and also a play button and tempo knob to control that sync signal. By using the Volca Mix as the sync master device of your live setup, you can easily enhance your live performance, such as simultaneously playing sequences from multiple synced units, and combining mute and volume control to create performances that use your Volca units in even more ingenious ways.
Read more
 1 in stock $99.06
Click for better price!
quote 675871
Cat: 624272 Rel: 14 Nov 16 • View all Drum machines
 
Analog synthesiser optimized for kick drum & bass sounds
Notes: An analog kick generator that delivers powerful sounds from kick drum to kick bass.

The volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick.

The volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.

Analog kick sounds generated by MS-20 filter oscillation:

The volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones.

Simple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH/BEND/TIME) to control the sense of pitch that generates the "body resonance" of the kick sound. Then use PULSE COLOUR/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.

Aggressively control the sound using DRIVE and TONE:

In addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.

Powerful kick bass that rules the beat:

The volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap.

Since the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.

16-step sequencer allows automation of all parameters:

The volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences.

The volca kick's motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.

TOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills:

The new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways.

Sequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.

Playback can be synchronized with another unit:

The volca kick provides a sync connector that can be easily connected to many of KORG's other synths and groove machines. Connect to other volca units, minilogue, electribe or SQ-1, and experience a session with synchronized sequencer playback. The MIDI IN jack lets you use the volca kick as a sound module for DAW and MIDI controller.
Read more
 1 in stock $128.87
Click for better price!
quote 624272
Korg Volca Drum Digital Percussion Synthesiser (drum machine/percussion synthesiser)
Cat: 715951 Rel: 21 Mar 19 • View all Drum machines
 
Drum machine with 16-step sequencer, 6 dual-layer drum parts, MIDI input & sync I/O
Notes: Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.
Read more
 More than 10 in stock $152.18
Click for better price!
quote 715951
Cat: 488449 Rel: 06 Sep 13 • View all Drum machines
 
Vintage style analogue drum machine
Notes: Peerless beats generated by solid analog drum sounds and an Electribe-style sequencer.

A vintage-style analog drum machine from Korg's recently announced Volca series. The Volca Beats includes a 16-step sequencer and 6 x editable analog parts including kick, snare, Hi/Lo toms and open & closed Hi-Hats designed to provide sounds reminiscent of classic 80s drum machines. It also has an additional PCM engine which is said to produce 4 x Lo-Fi percussion sounds including clap, claves, agogo and crash sounds.

There is one-knob-per-function parameter control for crafting each of the six analog sounds including click, snappy, pitch, decay and grain. The PCM sounds have control over pitch and speed. There is also a Level knob allowing volume adjustment of each part.

The 16-step LED-lit sequencer has 8 x memory locations for saving patterns. It includes a recordable stutter function for generating repeated triggers (or drum rolls) and delay effects, an active step feature for quickly adding or removing individual steps, and a step jump function that will instantly play any step. Notes can be entered live as the sequencer is running.

You can also wirelessly synchronise playback of all of the units in the Volca series with any iOS music app that support Korg's Wireless Sync-Start Technology (WIST) using their SyncKontrol iPhone app. This also allows control of the swing settings and fine control of the tempo (including tap tempo).

The Volca Beats is battery powered (with optional AC power) and includes a built-in speaker. It weighs in at only 372g with dimensions of 193 × 115 × 45 mm (W x D x H).

The Volca Beats editable controls include:

Kick (click, pitch, decay, level)
Snare (snappy, pitch, decay, level)
Hi/Lo toms (hi pitch, low pitch, decay, level)
Open/closed Hi-Hat (closed decay, open decay, level)
PCM sounds (pitch, speed, level)
Read more
 1 in stock $122.51
Click for better price!
quote 488449
Cat: 488448 Rel: 24 Sep 13 • View all Synthesisers
 
Analog bass sound groove box & sequencer for the ultimate bass lines
Notes: The Korg Volca Bass is a powerful analog bass sound creation and an Electribe-inspired sequencer for the ultimate bass lines.

Although simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate "free form" bass loops that will stimulate your inspiration.
Read more
 2 in stock $122.51
Click for better price!
quote 488448
Cat: 675885 Rel: 16 Apr 18 • View all Guitar tuners & interfaces
 
High precision tuner/metronome with contact microphone
Notes: This package consists of the TM-60, which combines tuner and metronome functionality, and the CM-200 Contact Microphone, which sends the vibrations from your instrument directly to the tuner. By using the tuner together with this contact mic, you can take advantage of quick and accurate tuning without any interference from outside sounds in the environment, and you can also utilize the TM-60's Sound Back function*. The CM-200 Contact Microphone is the perfect way to accurately pick up and convey your instrument's sound to the TM-60 and-held tuner with its wide, easy to read meter. The TM-60 can be placed on a nearby music stand, making it ideal for orchestral or brass band instruments.

TM-60 Combo Tuner Metronome:

The best-selling KORG TM series, which lets you use a tuner and metronome simultaneously, has been revamped. The TM-60 is the newest model and features a larger display that can show the tuner and metronome simultaneously. The battery life has also been dramatically improved. With the all-new TM-60, you'll be able to enjoy pitch training and rhythm training without having to switch functions or be concerned with battery life.

Tuning and rhythm training are indispensable for brass band or orchestral practice. In addition to letting you use the tuner and metronome simultaneously, the TM-60 features a display that's approximately 1.3 times larger than the previous model (the TM-50), allowing easy viewing even when the unit is placed on your music stand, and also allowing the tuner and metronome functions to both be viewed simultaneously.

No longer will you have to switch between functions; you'll be able to use practicing techniques that are idiomatic to orchestral instruments, such as keeping a consistent pitch over the course of a long note while varying the tone to add vibrato in time with the tempo, or checking the pitch of chords while using the metronome.

The enlarged display is backlit. You can adjust the brightness in two levels, soft or auto, ensuring stress-free tuning even when you're on a dimly lit stage or in an orchestra pit.
The circuitry has been redesigned to achieve a battery life of 130 hours, approximately double that of the previous TM-50 model (tuner in use, backlight off). There's no need to worry about the remaining battery life even during extended practices or performances.

CM-200 Contact Microphone:

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7 mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.
Read more
 1 in stock $37.57
Cat: 675884 Rel: 24 Jan 18 • View all Guitar tuners & interfaces
 
High precision tuner/metronome with contact microphone
Notes: This package consists of the TM-60, which combines tuner and metronome functionality, and the CM-200 Contact Microphone, which sends the vibrations from your instrument directly to the tuner. By using the tuner together with this contact mic, you can take advantage of quick and accurate tuning without any interference from outside sounds in the environment, and you can also utilize the TM-60's Sound Back function*. The CM-200 Contact Microphone is the perfect way to accurately pick up and convey your instrument's sound to the TM-60 and-held tuner with its wide, easy to read meter. The TM-60 can be placed on a nearby music stand, making it ideal for orchestral or brass band instruments.

TM-60 Combo Tuner Metronome:

The best-selling KORG TM series, which lets you use a tuner and metronome simultaneously, has been revamped. The TM-60 is the newest model and features a larger display that can show the tuner and metronome simultaneously. The battery life has also been dramatically improved. With the all-new TM-60, you'll be able to enjoy pitch training and rhythm training without having to switch functions or be concerned with battery life.

Tuning and rhythm training are indispensable for brass band or orchestral practice. In addition to letting you use the tuner and metronome simultaneously, the TM-60 features a display that's approximately 1.3 times larger than the previous model (the TM-50), allowing easy viewing even when the unit is placed on your music stand, and also allowing the tuner and metronome functions to both be viewed simultaneously.

No longer will you have to switch between functions; you'll be able to use practicing techniques that are idiomatic to orchestral instruments, such as keeping a consistent pitch over the course of a long note while varying the tone to add vibrato in time with the tempo, or checking the pitch of chords while using the metronome.

The enlarged display is backlit. You can adjust the brightness in two levels, soft or auto, ensuring stress-free tuning even when you're on a dimly lit stage or in an orchestra pit.
The circuitry has been redesigned to achieve a battery life of 130 hours, approximately double that of the previous TM-50 model (tuner in use, backlight off). There's no need to worry about the remaining battery life even during extended practices or performances.

CM-200 Contact Microphone:

The CM-200 is a contact microphone that can be attached to the bell of a brass instrument, the bridge of a violin, or even to a guitar or ukulele. The microphone uses a piezo element to directly capture the vibrations and send them to your tuner. The CM-200 is an indispensable item in situations where the mic built into your tuner might have difficulty detecting the sound of your instrument, such as when you're practicing with an entire brass band.

Compared to its predecessor, the CM-200 features a fresh appearance with a sharper design.

The functionality of the microphone has also been improved. The cable now transmits sound more efficiently, and is more flexible. The connection between the mic and cable has been made more durable, reducing the possibility of breakage. The new clip opens up 7 mm wider than the previous model, providing more space to attach to your instrument. The rubber inside the clip has been redesigned to provide a better fit so that it can be securely attached.
Read more
 1 in stock $28.59
Cat: 675881 Rel: 24 Jan 18 • View all Guitar tuners & interfaces
 
High-precision tuner & metronome with larger display & improved battery life
Notes: The best-selling KORG TM series, which lets you use a tuner and metronome simultaneously, has been revamped. The TM-60 is the newest model and features a larger display that can show the tuner and metronome simultaneously. The battery life has also been dramatically improved. With the all-new TM-60, you'll be able to enjoy pitch training and rhythm training without having to switch functions or be concerned with battery life.

Tuning and rhythm training are indispensable for brass band or orchestral practice. In addition to letting you use the tuner and metronome simultaneously, the TM-60 features a display that's approximately 1.3 times larger than the previous model (the TM-50), allowing easy viewing even when the unit is placed on your music stand, and also allowing the tuner and metronome functions to both be viewed simultaneously.

No longer will you have to switch between functions; you'll be able to use practicing techniques that are idiomatic to orchestral instruments, such as keeping a consistent pitch over the course of a long note while varying the tone to add vibrato in time with the tempo, or checking the pitch of chords while using the metronome.

The enlarged display is backlit. You can adjust the brightness in two levels, soft or auto, ensuring stress-free tuning even when you're on a dimly lit stage or in an orchestra pit.

The circuitry has been redesigned to achieve a battery life of 130 hours, approximately double that of the previous TM-50 model (tuner in use, backlight off). There's no need to worry about the remaining battery life even during extended practices or performances.

Needle-type meter with excellent response:

KORG's proprietary technology accurately detects the pitch without any time lag. The pitch drift that is prone to occur during long tones played on a wind instrument can be detected before it happens, letting you train yourself to produce unwavering tone with stable pitch.

A wide detection range of C1-C8 supports a variety of instruments:

The TM-60 can detect note names and pitches for a variety of orchestral and other instruments. The range from C1 (32.70 Hz) to C8 (4186.01 Hz) can easily be detected. Even acoustic instruments that are difficult to detect because their sound contains a significant amount of low-frequency energy or a large number of partials, such as guitar and ukulele, can be tuned easily and accurately.

Marks that indicate pure major and minor third intervals:

In an ensemble such as a brass band or orchestra, harmonies of third intervals are easily perceived as out of tune, and can be made to sound better by slightly adjusting the pitch to a pure major or minor third. The TM-60's meter scale provides marks that indicate pure major and minor thirds, and simply by tuning so that the needle coincides with these marks* allows you to play in beautiful harmony with an ensemble. This is convenient not only for orchestral instruments but also for vocal music or a cappella practice.

Easily set the tempo using three different methods:

You can set the tempo using three different methods: "pendulum step" lets you increase or decrease the tempo value in the same way as the settings on a standard pendulum-type metronome, "full step" lets you specify the tempo in single-step increments in the range of 30-252, and "tap tempo" lets you specify the desired tempo by pressing the switch in time with the song you're playing.

Fifteen rhythm variations for practicing a wide range of musical genres:

There are 15 different built-in rhythms* including time signatures from 0 through 9 as well as duplets, triplets, triplets with the middle note omitted, quadruplets, and quadruplets with the middle notes omitted, and the tempo can be freely specified in the range of 30-252 beats per minute. Sophisticated rhythms such as triplets or quadruplets with the middle notes omitted are used in a wide range of styles from classical to rock and jazz.

Enhanced ease of use with a newly designed stand and battery compartment cover:

The design of the TM-60 pays careful attention to every detail of the unit. A folding stand lets you position the unit stably. The battery compartment cover is designed as a single piece with the unit itself, eliminating any danger of the cover being lost when you replace the batteries.

Convenient memory backup function and auto power-off function:

The memory backup function ensures that the tuner section's calibration and reference tone settings, and the metronome section's tempo, time signature, pendulum/full-step, and backlight settings are remembered even when the power is turned off. (These settings are initialized when you replace the batteries.)
If 20 minutes elapses while the metronome is not operated and no sound is being input to the tuner, the auto power-off function automatically turns the power off.
Read more
 1 in stock $25.53
Cat: 624271 Rel: 04 Oct 18 • View all Guitar tuners & interfaces
 
Chromatic tuner/metronome with wide detection and built-in stand - white
Notes: The Korg TM series allows you to use the tuner and metronome simultaneously. Since this single unit is all you need for both pitch and rhythm training, it has become a favourite lesson tool for brass bands as well as many other types of musicians. The TM-50 is the latest model, featuring a two-level backlight that enhances the visibility of the LCD display. It uses a newly designed needle-style LCD for excellent response, and even greater tuning accuracy. In a first for this series, the entry-level model provides the Sound Back function that allows the speaker to generate the reference tone that's closest to the input sound, giving you a great way to develop and refine your sense of accurate pitch. Available in a choice of two colours, black or pearl white, the TM-50 is the perfect daily practice partner that will support your development as a performer.

Newly designed needle-style LCD meter with excellent response and wide detection range:
The TM-50 features extremely fast response to audio input from wind and other instruments, and the redesigned meter display method allows the pitch to be accurately and instantly shown without any time lag. Wind players will no longer experience the problem of their pitch changing spontaneously before it can be displayed accurately; this ensures that you'll be able to develop stable and drift-free pitch.

Marks indicate pure major/minor third intervals:
When performing in a brass band or orchestra, incorrect pitch is particularly noticeable for harmonic intervals of a third, yet by slightly skewing the pitch of a major or minor third interval from the equal-tempered pitch, you can obtain a more pure-sounding harmony that satisfies the ear. The meter scale of the TM-50 provides marks that indicate pure major and minor thirds relative to a given pitch; simply by tuning. When the needle aligns with the appropriate mark, you'll be able to produce beautiful harmony when playing in an ensemble. This is extremely convenient not only for wind instruments, but also for vocal or a cappella practice.

Fifteen rhythm variations let you practice a broad range of musical styles:
Fifteen types of rhythms are built in, including time signature numerators from 0 through 9, duplets, triplets, triplets without the centre beat, quadruplets, and quadruplets without the centre beats. The tempo can be freely set in the range of 30--252 beats per minute. Sophisticated rhythms such as triplets and quadruplets with the centre beats omitted can be useful for a diverse variety of styles including classical, rock, and jazz. The volume can also be adjusted, so you'll be able to use the metronome in any situation from personal practice in a small room to rehearsals in a studio.

Easy tempo settings with two types of tempo step pattern plus a tap tempo function:
When setting the tempo, you can choose either "pendulum steps" where the tempo will increment or decrement in the same numerical steps as on a mechanical metronome, or "full steps" which allows you to specify any tempo between 30 and 252 in one-step increments. In addition, you can also use the tap tempo input to specify the desired tempo simply by pressing a switch in time with the beat.

Enhanced visibility provided by a large LCD with a backlight adjustable in two levels:
The large LCD display has a backlight that lets you adjust the brightness in two levels. In conjunction with the LED guide at the top of the display, this ensures excellent visibility, even when you're performing on a dim stage or in an orchestra pit. The characters shown in the display are also larger for improved readability.
Read more
 1 in stock $28.74
Cat: 620854 Rel: 19 Sep 16 • View all Guitar tuners & interfaces
 
Tuner, metronome & tone trainer
Notes: Analyze your playing to improve your sound & technique - A tuner/metronome that further improves the quality of your practicing:
The TM-50 tuner/metronome, which allows musicians to practice both pitch and rhythm in a single unit, has now taken a major evolutionary leap to become the new TM-50TR.

In addition to the existing high-precision tuner functionality, the TM-50TR adds a new Tone Trainer function which analyses your playing sound in more detail. It detects not only the pitch, but also the volume and brightness of your tone, as well as the stability of these aspects, making it much easier to evaluate your own playing and practice more efficiently. Of course the TM-50TR also provides Sound Out and Sound Back functions that are great for improving your sense of pitch. Additionally, its metronome capabilities feature a new "periodic" metronome function that can help you practice keeping the rhythm. The display newly features a large color LCD for excellent visibility. The TM-50TR is available in your choice of two colors: silver or black.

With its ability to give you more detailed feedback on your playing, the TM-50TR will take your daily practice routine to the next level.

A tuner that detects not only the pitch but also the volume and tone - Tone Trainer function analyzes your sound as you play:
In addition to its high precision as a tuner, the TM-50TR features a new "Tone Trainer" function (*1, 2) that can evaluate your sound in even greater detail. When you play a sustained note on your instrument, the TM-50TR will detect not only the pitch, but also the dynamics (volume) and brightness (tonal character). These three elements are displayed in the TM-50TR's meter in real time. When you finish playing the note, the stability of each of these three elements is shown in a graph, allowing you to see at a glance whether your sound is stable.

By analyzing these three basic elements of sound, including tuning, the TM-50TR can identify which aspects of your playing need improvement, thus helping you practice more efficiently.

The Tone Trainer function is based on KORG's new ARTISTRY (*3) technology. This is proprietary technology for analyzing and evaluating sound that was developed through cooperative research under the supervision of Xavier Serra, Director of the Music Technology Group at the Pompeu Fabra University in Barcelona, Spain.

The Sound Out function produces a reference tone from the built-in speaker:
In addition to visual tuning using the meter, you can use the Sound Out function to produce a reference tone from the internal speaker or headphones, and tune by ear. You can specify the reference tone in a three-octave range from C3 (130.81 Hz) to C6 (1046.50 Hz), which covers a wide variety of instruments.

The Sound Back function generates the reference tone that's closest to the input sound:
In addition to the Sound Out function, the TM-50TR provides a Sound Back function (*) that's ideal for further training your sense of pitch. The reference tone that's closest to the note you play into the tuner is played back to you through the speaker, and the pitch of your input is simultaneously shown in the meter; this lets you check the pitch simultaneously by eye and ear, enabling you to tune accurately and also helping you develop an accurate sense of pitch.

A metronome that further develops your sense of rhythm:

Usable simultaneously with the tuner:
The TM-50TR lets you use the tuner function and metronome function simultaneously. For example, if you're doing rhythm training along with the sound of the metronome, and feel that the tuning of your instrument might have drifted, you can turn on the tuner function while letting the metronome continue running. This lets you simultaneously train two elements that are indispensable for any instrumental performance: your sense of pitch and your sense of rhythm.

Fifteen rhythm variations:
You can choose fifteen types of metronome rhythms. It contains standard time signature from 0 through 9, and sophisticated rhythms such as duplets, triplets, triplets without the center beat, quadruplets, quadruplets without the center beats. It allows training a diverse variety of styles including classical, rock, and jazz.

Periodic metronome function is ideal for training:
The TM-50TR features a new Periodic Metronome function that further develops your sense of rhythm. This function repeatedly alternates between sounding and silencing the metronome for the specified number of measures, so that you can keep playing during the silent measures to see how well your own performance has kept time with the metronome when it resumes sounding. The cycle between sound and silence can be adjusted in a range of 0--4 measures (with a setting of 0 the function is off). This is a great way to test whether you are accurately keeping the rhythm during your performance.
Read more
 1 in stock $43.60
Click for better price!
quote 620854
Cat: 518666 Rel: 20 Sep 17 • View all Synthesisers
 
Quality digital toy piano with excellent pitch & accurate tone
Notes: First impressions stay with us. If it's an instrument, the sound of that instrument continues to reverberate in our hearts and minds even when we become adults.

Just because something is called a toy piano, doesn't mean it has to sound like a toy. If the instrument has correct pitch and accurate tone, a child who plays with the instrument will look forward to better instruments as they grow older.

The KORG tinyPIANO is a digital piano made by a musical instrument manufacturer renowned for professional pianos for the children who carry the future.

Accurate pitch and true tone:

KORG believes that the way to foster a true sense of value is to be in contact with true quality from the very beginning. A truly valuable present for our children must be of a quality that will satisfy the adult who chooses the gift. The tinyPIANO lets you play the deep, rich tones of a sampled grand piano with the stable pitch that you expect from a digital piano. With an emphasis on safety and durability, moving parts have been reduced to the minimum and the volume has also been adjusted to a modest level that will be appropriate for a child's ears.

Fashionable, cute, and serious:

The cute design is essentially a miniaturized upright piano, with a fallboard just like on a real piano, and a miniature 25-note keyboard made by KORG for ease of playing. The body makes extensive use of wood for a solid feel when touched, giving it a sense of quality and sophistication that elevates the instrument above the category of toy piano, thus making it ideally suit the decor of any room.

Twenty-five built-in sounds that let you learn while playing:

Good sound is not limited to grand piano tones. There are a total of 25 built-in sounds including sounds that you've heard in classic songs, such as electric piano, clavinet, organ and bell, as well as sounds that befit a miniature piano, such as music box and toy piano tones. You can learn the sounds of instruments while actually playing them, as if the tinyPIANO itself were a picture book of instruments.

Fifty built-in demo songs to enjoy even when you're not playing:

The tinyPIANO contains 50 automatically playing demo songs that cover a wide range of styles. In addition to being a great way to hear skilful performances, these songs can provide enjoyable background music for your room, like a music box. Each demo song is assigned to play using a tone that's appropriate for it, but you are free to specify a different tone to suit your taste or the desired atmosphere. Even when playing back the demo songs at night, you can turn down the volume and enjoy the background music without disturbing those around you.

Small, easily transportable, and powered by AA batteries:

Speakers are built into the compact body. Since the instrument is powered by six AA batteries, you can enjoy piano performances anywhere and anytime. Without needing to be set up in a specific location, you can move the tinyPIANO from the living room to the bedroom or even outside according to how you feel that day, and enjoy music in the style you like. This instrument is too good to let the children monopolize; it's a miniature electronic piano that adults will enjoy as well.
Read more
 2 in stock $160.34
Click for better price!
quote 518666
Cat: 743533 Rel: 01 Jan 90 • View all Guitar tuners & interfaces
 
***B-STOCK: Box opened, product unused***
Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.
Read more
 1 in stock $39.83
Cat: 624266 Rel: 11 Oct 16 • View all Guitar tuners & interfaces
 
Miniature music player for ballroom dance practice
Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.
Read more
 1 in stock $50.86
Click for better price!
quote 624266
Cat: 648293 Rel: 01 Jan 90 • View all PA speakers
 
***B-STOCK: Box opened, product unused***
Notes: Contains an enormous variety of live-recorded drum phrases.

A high quality multi-function portable PA amp.

You need rhythm for your solo performances. You have a rhythm machine, but you want your performance to feel more "alive". The STAGEMAN 80 is a multi-function portable PA amp that will meet those needs. This unit contains a large number of high-quality rhythm patterns that can even respond to tempo change in realistic ways, due to KORG's new "Real Groove Technology." The STAGEMAN 80 can act as your personal drummer to support your live performances or practice sessions; you can even create a rhythm structure that's appropriate for your own song, while using a foot switch to control it in real time. With high-output, high-quality stereo speakers, it can also be used as a live PA. It additionally provides a recorder and audio player, as well as a full-featured mixer. The STAGEMAN 80 lets you perform with optimal sound backed by the ultimate rhythms.

A Stereo 80W high-output system provides high-quality sound:
The STAGEMAN 80 is a powerful sound system equipped with two 40W high-output amps and two 4-inch stereo speakers. It delivers impressive volume levels that can cover a small or mid-sized performance venue, a listening room, or even a live street performance.
The generous sound takes advantage of the high output, extending from a tight low-frequency range to an extended high-frequency range, and is tuned to give you an extremely well-balanced and natural tone. The sound quality is reminiscent of high-end audio equipment, and will allow every note of your vocals or guitar to shine beautifully.
The amp section uses class-D amps for their good power efficiency. You'll always be able to enjoy clear sound where long battery life is important.

Rhythm machine function with excellent presence:
The STAGEMAN 80 is equipped with a large number of high-quality rhythm patterns that take advantage of KORG's advanced sound-generating technology. Based on performances by top-ranking pro drummers and percussionists, these rhythm patterns have a great-feeling groove, and utilize KORG's new "Real Groove Technology" that allows natural and musical-sounding phrases to be generated at any tempo. A total of approximately 3GB of rhythm loops are included, covering a range of 24 genres such as 8-beat, 16-beat, unplugged beats such as Cajon, rock, jazz, and boss nova, with two variations for each genre. Just press a single button to flexibly play back the rhythm you want. The high-quality speakers will produce a realistic and live-sounding rhythm session as though a real drum performance is being staged in front of the listener. There's a memory function that lets you register your favourite rhythms and playback tempo, as well as a chain function that lets you freely connect individual measures of rhythm styles. You can create original drum tracks to suit the songs that you're performing.

Simple-to-use recording and playback functions:
You can record your own performance along with the internal rhythm patterns or along with a song you've added to the SD card. You can record with undo/redo, and even register marks at desired locations in the recorded data and play back a region as a loop while you overdub. You can use this capability to create sketches for song ideas, to capture material for later work in your DAW, or create a full recording.
The STAGEMAN 80 is also equipped with an audio player function that can play back audio files (wav) from an SD card. Acoustage and the high-quality speakers mean that you can use this as a great-sounding listening system. You can also prepare backing tracks beforehand and perform along with them, using the STAGEMAN 80 as a PA amp. There's a playlist function (10 banks) that let you manage the file playback order of up to 24 songs, so you can play them back in the desired order during your live performances.
Additionally, the playback speed can be adjusted in a range of -25% to +25%, and you can specify that files play back repeatedly or in automatic succession. The STAGEMAN 80 gives you solid support with a wide range of functions that you'll actually use in your performances.

Mixer function that meets a variety of needs:
The STAGEMAN 80 lets you mix a variety of input sources simultaneously, including a mic input, two inputs to connect a guitar or bass, and an AUX input that supports line-level stereo output from devices such as an iPod or keyboard. Two-band EQ is provided, and you can apply reverb to your vocal (mic input) or acoustic guitar and so on (inputs 1/2) to enhance your presence.
Read more
 1 in stock $254.31
Cat: 607370 Rel: 06 May 16 • View all PA speakers
 
Rhythm machine & portable stereo 80W PA system with Acoustage function for enhanced spaciousness
Notes: Contains an enormous variety of live-recorded drum phrases.

A high quality multi-function portable PA amp.

You need rhythm for your solo performances. You have a rhythm machine, but you want your performance to feel more "alive". The STAGEMAN 80 is a multi-function portable PA amp that will meet those needs. This unit contains a large number of high-quality rhythm patterns that can even respond to tempo change in realistic ways, due to KORG's new "Real Groove Technology." The STAGEMAN 80 can act as your personal drummer to support your live performances or practice sessions; you can even create a rhythm structure that's appropriate for your own song, while using a foot switch to control it in real time. With high-output, high-quality stereo speakers, it can also be used as a live PA. It additionally provides a recorder and audio player, as well as a full-featured mixer. The STAGEMAN 80 lets you perform with optimal sound backed by the ultimate rhythms.

A Stereo 80W high-output system provides high-quality sound:
The STAGEMAN 80 is a powerful sound system equipped with two 40W high-output amps and two 4-inch stereo speakers. It delivers impressive volume levels that can cover a small or mid-sized performance venue, a listening room, or even a live street performance.
The generous sound takes advantage of the high output, extending from a tight low-frequency range to an extended high-frequency range, and is tuned to give you an extremely well-balanced and natural tone. The sound quality is reminiscent of high-end audio equipment, and will allow every note of your vocals or guitar to shine beautifully.
The amp section uses class-D amps for their good power efficiency. You'll always be able to enjoy clear sound where long battery life is important.

Rhythm machine function with excellent presence:
The STAGEMAN 80 is equipped with a large number of high-quality rhythm patterns that take advantage of KORG's advanced sound-generating technology. Based on performances by top-ranking pro drummers and percussionists, these rhythm patterns have a great-feeling groove, and utilize KORG's new "Real Groove Technology" that allows natural and musical-sounding phrases to be generated at any tempo. A total of approximately 3GB of rhythm loops are included, covering a range of 24 genres such as 8-beat, 16-beat, unplugged beats such as Cajon, rock, jazz, and boss nova, with two variations for each genre. Just press a single button to flexibly play back the rhythm you want. The high-quality speakers will produce a realistic and live-sounding rhythm session as though a real drum performance is being staged in front of the listener. There's a memory function that lets you register your favourite rhythms and playback tempo, as well as a chain function that lets you freely connect individual measures of rhythm styles. You can create original drum tracks to suit the songs that you're performing.

Simple-to-use recording and playback functions:
You can record your own performance along with the internal rhythm patterns or along with a song you've added to the SD card. You can record with undo/redo, and even register marks at desired locations in the recorded data and play back a region as a loop while you overdub. You can use this capability to create sketches for song ideas, to capture material for later work in your DAW, or create a full recording.
The STAGEMAN 80 is also equipped with an audio player function that can play back audio files (wav) from an SD card. Acoustage and the high-quality speakers mean that you can use this as a great-sounding listening system. You can also prepare backing tracks beforehand and perform along with them, using the STAGEMAN 80 as a PA amp. There's a playlist function (10 banks) that let you manage the file playback order of up to 24 songs, so you can play them back in the desired order during your live performances.
Additionally, the playback speed can be adjusted in a range of -25% to +25%, and you can specify that files play back repeatedly or in automatic succession. The STAGEMAN 80 gives you solid support with a wide range of functions that you'll actually use in your performances.

Mixer function that meets a variety of needs:
The STAGEMAN 80 lets you mix a variety of input sources simultaneously, including a mic input, two inputs to connect a guitar or bass, and an AUX input that supports line-level stereo output from devices such as an iPod or keyboard. Two-band EQ is provided, and you can apply reverb to your vocal (mic input) or acoustic guitar and so on (inputs 1/2) to enhance your presence.
Read more
 1 in stock $253.29
Cat: 561425 Rel: 02 Feb 15 • View all Sequencers
 
2 x 8 step sequencer with a variety of sequencer modes and battery operation
Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.
Read more
Played by: Ali Renault
 1 in stock $90.71
Click for better price!
quote 561425
Cat: 607374 Rel: 06 Jun 16 • View all Guitar tuners & interfaces
 
Clip-on style tuner with illuminated shuttle switch & incredible 100 hour battery life
Notes: Ultra-high-precision clip-type tuner now featured with a longer life span.

The "Custom Shop" series exemplifies the high quality KORG tuners is known for. As its latest addition, we introduce a top-level model tuner that can be attached directly to the head of your guitar/bass.

The Sledgehammer Custom 100 provides an amazing battery life of approximately 100 hours using only one AAA battery. The easy-to-use shuttle switch is now equipped with an illuminated shuttle light for even better visibility. In addition to a 3D visual meter, you can also use professional ultra-high precision tuning with an accuracy of i0.1 cents. It's the ultimate high-spec clip-type tuner.

"Custom Shop," the mark of ultimate quality:
KORG tuners have a 40-year history that began with the world's first needle-style tuner. While we have produced many different types, including tuners with unrivaled precision and ones with epoch-making functionality, these products were made possible by KORG's unwavering commitment to quality. In other words, our attitude of sincerely listening to the voice of the users, our revolutionary ideas, and our high level of technological ability are what underlie the long history of KORG tuners.

Now, KORG announced a new lineup aimed at achieving even greater innovation. The name "Custom Shop" designates this tuner as a flagship model that is a representative of KORG's highest levels of technology. Its design features a beautiful meter displayed by a CMD panel, ultra-precision detection, and careful attention paid to appearance and feel. KORG's high technological ability and commitment to quality have taken shape as the "Custom Shop" name.

Amazing 100-hour battery life:
The Sledgehammer Custom 100 features a newly improved design that takes advantage of its distinctive cylindrical body. By using a single AAA battery, it allows approximately 100 hours of continuous operation. This long-life design provides seven times the operating time of the previous model, and is also extremely economical. A tuner is an indispensable companion for an instrument, and this unit will be a reliable partner for any musician's daily practice or performance.

New illuminated shuttle switch:
A major feature of the Sledgehammer is the shuttle switch that can be easily operated with a single hand. just as if you were turning a tuning peg of your instrument while playing a string. This shuttle switch undergoes a further evolution on the Sledgehammer Custom 100, adding a cool illuminated shuttle light to ensure good visibility even on a dark stage. Improved design also enhances the durability and feel of the clip.

3D visual meter creates a revolutionary visual effect:
The 3D visual meter exemplifies the Custom Shop series. A large and easily visible note name indication and the distinct movement of brightly illuminated LEDs make the pitch difference and change instantly recognizable. This new 3D visual meter makes it simple to tune with a precision of i0.1 cent.

Ultra-high tuning accuracy of +/- 0.1 cents:
Designed with the professional user in mind, KORG's Sledgehammer Custom 100 offers extremely accurate tuning with a detection range of +/- 0.1 cents, a level of precision that is uncommon of clip-on tuners.

Three meter display modes:
Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode," you can use "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

A clip mechanism that provides strong holding power as well as flexibility:
The clip is designed to make the connection with your instrument as efficient as possible, ensuring a firm grasp. The Sledgehammer Custom 100 firmly adheres to a variety of guitar and bass headstocks and double mechanism of a movable arm and ball joint simultaneously provide both durability and free range of angle settings. Players have the flexibility to position the tuner wherever they need.

Calibration, auto power-off, and memory backup functions:
A variety of functions are available to support your various tuning endeavors: the calibration function allows for a variety of concert tunings, the auto power-off function, and the memory backup function.
Read more
 1 in stock $42.32
Click for better price!
quote 607374
Cat: 703179 Rel: 13 Dec 18 • View all Guitar tuners & interfaces
 
Tuner for acoustic guitar featuring Piezo pickup
Notes: A reliable tuner that you attach to the sound hole of your instrument. The Rimpitch-C2, a tuner designed specifically for acoustic guitar.

The Rimpitch-C2 is a tuner that you attach to the inside of the guitar's sound hole. The tuner's extremely slim and compact design allows it to be installed unobtrusively, and since the tuning meter is within your natural field of vision, you can glance casually at the tuning meter while you perform. It's an ideal choice for any acoustic guitarist who does not want to distract from their performance with a clip-on tuner.

Piezo pickup quickly and accurately detects the sound:

When tuning, the Rimpitch-C2 detects the sound through the vibration of the guitar itself. The body features a proprietary structure with a closely attached piezo pickup, allowing the sound to be detected rapidly and accurately. The tuner can be attached to a round sound hole of 100 mm diameter (within i 3mm) and is designed to fit a wide variety of acoustic guitars. Rubber cushions on both the inside and outside of the tuner ensure a secure fit and guarantee accurate tuning.

Highly visible and readable LED display:

The note name indicator is optimally balanced between the left and right of the display. The LED meter is shown across the entire display, and the strength of the light expresses the movement of the needle with exquisite precision. When the tuning is exactly correct, the left and right LEDs blink briefly, showing at a glance that you're perfectly tuned. This ensures excellent visibility not only when practicing in a bright room, but also on a dimly lit stage.
The meter also lights beautifully when you turn the power on or off.

Supports tuning in any scale or key, and a calibration function is also provided:

The Rimpitch-C2 uses chromatic tuning, which supports tuning in any scale or key, making it ideal for players who use alternate, open, or dropped tunings.

The detection range covers the range of E2 (82.41 Hz) - E7 (2637.02 Hz) required for guitar. The calibration function also supports a variety of concert pitches, allowing you to adjust the reference pitch in the range of 438 - 445 Hz as appropriate for the music that you're performing.

Intuitive design provides excellent functionality, as well as easy battery replacement:

When the remaining battery capacity runs low, the note name indicator of the display will blink, indicating at a glance that it's time to replace the battery. The battery compartment cover easily slides open or closed using a discreet button, ensuring it will not open accidentally. Because the design unifies the battery cover with the unit itself, you don't need to worry that it will be lost when replacing the battery.
Read more
 1 in stock $23.97
Korg PS3 Footpedal (pedal switch)
Cat: 460432 Rel: 06 Jul 12 • View all Synth accessories
 
Pedal switch
Notes: This low-cost pedal can be used for sustain when connected to the damper input of Korg keyboards. It can also be used for the assignable footswitch jack on Korg products, where it will provide various functions depending on the product's settings. The PS3 features a tough, molded plastic body with a non-slip rubber base.

This reliable momentary footswitch can be used as an accessory with many Korg products to add extra functionality.
Read more
 1 in stock $15.11
FORTHCOMING
Korg Pitchclip 2+ Clip On Tuner (black) Korg Pitchclip 2+ Clip On Tuner (black)
 
Clip-on chromatic guitar/bass tuner with colour LED display
Notes: Even a great performance won't be worth much if the tuning is wrong. Pitchclip 2+ uses approximately 2.5 times as many meter LEDs, compared with Korg's previous model, allowing even more precise pitch adjustment. Basic functionality such as the calibration function and +/- 0.1 cent high-precision tuning (when using Strobe or Half Strobe modes) have also been dramatically improved. Additionally, the display now rotates vertically, allowing for easier viewing.

Covering any instrument from electric to acoustic, from guitar to bass, the Pitchclip 2+ is a clip-on tuner for everyday use that delivers both accuracy and ease.

LED meter boasts detailed display resolution:

The LED meter section now has a significantly increased the number of LEDs, from seven on our previous model (Pitchclip 2) to 17, allowing pitch inaccuracies to be shown in even greater detail. Furthermore, when two adjacent LEDs are lit, their brightness varies to indicate higher or lower pitch.

All note names shown in uppercase characters:

A specially designed 12+1 (=#) segment LED is newly used in order to clearly show a guitar's 4th string (D) and 2nd string (B) in uppercase characters. Even when attached to the back of a guitar's headstock, the unit can be inverted vertically to display uppercase characters.

Position at the best angle for players:

A bent clip can look unsightly when the tuner is attached to the headstock, but the Pitchclip 2+ lets you leave the clip in the same position while you freely adjust only the screen to the best angle for comfortable viewing.

+/- 0.1 cent high-precision tuning:

This tuner supports ultra-high-precision tuning as accurate as i0.1 cents (* when using Strobe mode or Half Strobe mode). By precisely adjusting your pitch, you can feel confident in your tuning and play great-sounding harmonies.

Calibration function:

The calibration function lets you adjust the reference pitch in order to support tuning with a variety of instruments. This gives you the precision and flexibility that you need when performing in an ensemble with other instruments such as an orchestra or a piano.

Reverse display that's convenient for left-handed players as well:

The reverse function lets you vertically invert the meter display so that the characters are shown correctly even when the tuner is attached to the back of the headstock. This is a convenient feature that will be appreciated by left-handed players or by those who attach the tuner to the back of the headstock so it will be less visible from the front.

Strobe and Half Strobe modes:

This tuner is equipped with "Strobe" and "Half Strobe" modes that provide a beautifully flowing LED display. These modes let you resolve pitch discrepancies down to an ultra-precise accuracy of i0.1 cents, so you can tune enjoyably and accurately.

Preview indication when switching meter display modes:

When switching between 1. Regular, 2. Strobe, and 3. Half Strobe modes, a preview indication shows you the specified mode's LED motion for several seconds, letting you use the unit without having to memorize the number corresponding with each mode.

A clip that holds securely:

The clip section is designed to hold the headstock securely. The entire clip is coated with rubber for enhanced adhesion and also to protect your instrument. It will securely fit headstocks of various designs and thicknesses.

Lightweight and long-lasting:

One small and lightweight lithium coin cell battery (CR2032) provides up to approximately 18 hours of continuous operation, and since the tuner weighs less than 20 grams including the battery, you won't notice the weight even if you leave it attached to the headstock while you perform. The auto power-off function automatically turns off the power when no sound has been detected for approximately three minutes, preventing the battery from being used unnecessarily.
Read more
coming soon $25.53
Cat: 741026 Rel: 26 Jul 19 • View all Guitar tuners & interfaces
 
Clip-on tuner for simple & efficient tuning, with enhanced visibility & accuracy
Notes: An evolution of KORG's popular Pitchclip tuner, the Pitchclip 2 is an all-new clip-on tuner with a compact body and simple operation allows you to tune quickly and easily. Simply attach it to the headstock of your instrument, turn on the switch, then just play a string and the tuner shows the exact amount of pitch difference.

The Pitchclip 2 is designed from the players point of view and features high tuning precision with excellent visibility, an enhanced clip for even better holding power, and a reverse display function that will be appreciated by left-handed users.

The new Pitchclip 2 is designed to go and perform anywhere. Put one in your pocket, or in your case, and you'll never be without it!

An even more compact and stylish design:

While carrying on the compact body of the original Pitchclip, the Pitchclip 2 takes its evolution further. The display is even thinner, and the design is now simple and stylish. Thanks to the enlarged screen, visibility is even better in spite of the unit's compact size. Since the display can be adjusted through a 120-degree angle, the player can tune while viewing the screen at the most natural position with optimal visibility.

Simple and easily readable LED display:

An LED is used to show the note name and the meter. The brightness of the light conveys the needle movement in fine detail. When the tuning is exactly right, the left and right LEDs flash along with the centre LED. When using the Pitchclip 2, it will be obvious when your instrument is tuned perfectly. Whether you're practicing in a brightly lit room or tuning in dim backstage conditions, this tuner ensures great visibility in nearly any environment.

Clip with enhanced holding power and a rubberized grip that protects your instrument:

The Pitchclip 2 boasts major improvements to its clip mechanism. Numerous trials in every detail have resulted in a 140% improvement in holding power compared with the previous model, ensuring that the attached tuner will not fall off and provide a secure connection for accurate tuning. The entire clip is now rubberized to protect your instrument. From a ukulele to an electric guitar, this tuner can be used with any instrument.

Improved detection accuracy in the low-frequency region:

After thoroughly testing the mounting location for the piezo sensor in the clip section of the Pitchclip 2, KORG has succeeded in boosting the tuner's detection sensitivity for the low-frequency region. The enhanced effectiveness is most noticeable for dropped tunings and 5- or 6-string basses that, until now, were considered problematic for stable tuning.

Reverse function vertically inverts the meter display:

The reverse function is good news for users who attach the tuner to the back side of the headstock to make it less visible when seen from the front, and for left-handed players. With the power off, long-press the switch to vertically invert the meter display. This lets you tune regardless of whether the tuner is attached to the front or the back of the headstock, and regardless of the orientation.

24-hour battery life, and an auto-power-off function:

A single widely-available lithium coin cell battery (CR2032) provides approximately 24 hours of continuous operation. The tuner is also equipped with an auto-power-off function that automatically turns off the power when approximately three minutes pass without sound being detected. You'll enjoy extended operation without wasting the battery.
Read more
 1 in stock $13.49
Cat: 603643 Rel: 30 Mar 16 • View all Guitar tuners & interfaces
 
Compact tuner pedal with large high-visibility display & true bypass
Notes: Small size, huge visibility!
A compact pedal tuner that's ideal for any effect board.

Korg's Pitchblack pedal tuners have earned the trust of guitarists and bassists worldwide for their quality, design and durability. The Pitchblack mini is the latest addition to the renowned tuner series, now available in a smaller, sleek size.

The Pitchblack mini appears smaller in size, yet embodies all of its superior tuner functionality. Featuring a large LED display with excellent visibility, it supports battery operation in spite of its compact size. The unit is also equipped with stabilizers to prevent it from overturning. Small but powerful, this is a high-quality pedal tuner that will meet the needs of any player.

Mini-size for easy installation in your effect board:
The Pitchblack mini is a size smaller than the previous Pitchblack, allowing for easy installment, even with a full effect board. The weight is also minimal at 129 grams, so handling is easy.

Large high-visibility display:
Despite its small size, the display is large and easy to read. Equipped with a large 7-segment color LED, the large note indication and the smooth moving meter indicator deliver excellent visibility even on a dark stage.

Battery operation is supported:
The Pitchblack mini supports battery operation that has been a long-awaited feature for miniature pedal tuners. In conjunction with the high mobility provided by its compact form, battery operation allows you to use this unit smoothly in any situation, whether in your effect board or on the floor. Additionally, you can also use DC9V power designed for effect units.

Stabilizers prevent overturning:
Compactness, light weight, and convenience are important, but they're a trade-off with stability. Other units tend to turn over more easily when placed on the floor, however, the Pitchblack mini is equipped with slide-type stabilizers on the underside of the body, eliminating this concern.

Three meter display modes:
Choose from three meter display modes to suit your playing style. In addition to the standard "Regular mode", you can choose "Strobe mode" or "Half-strobe mode" in which the direction and speed of meter movement indicate the pitch change for easy visualization of even minute differences.

Ultra-high tuning accuracy of +/- 0.1 cents:
When using strobe mode, the Pitchblack mini allows ultra-high-precision tuning with i0.1 cent accuracy. It's a great choice for exacting situations where even slight errors cannot be tolerated, such as in professional recordings or stage performances.

Adjustable calibration:
In spite of its compact size, the Pitchblack mini has the same high-quality design as the other units of the Pitchblack series. It inherits the accuracy and amazing ease of use that you expect from Korg tuners, and also allows the calibration to be adjusted to a variety of concert pitches.

True bypass has absolutely no effect on the sound:
The true bypass design allows for the input sound to become output with absolutely no change (when the tuner is off). In other words, the tuner circuit does not change, degrade, or modify your sound in any way. Since the input sound is completely muted when the tuner is on, this unit is ideal for use on stage.
Read more
 1 in stock $46.35
Click for better price!
quote 603643
Cat: 485972 Rel: 07 Aug 13 • View all Guitar tuners & interfaces
 
Orchestral and band tuner with tuning range of over 8 octaves
Notes: The Korg OT-120 is an accurate and functional orchestral and band tuner.

Tune string and wind instruments in a flash with the OT-120, a band and orchestral tuner that combines the accuracy of needle type meters with superior functionality, wide tuning range and a sleek vertical design.

The Korg OT-120 chromatic band and orchestral tuner is intended for orchestral instruments, packing precise performance and sophisticated functionality in a vertical design that's easy to hold and operate. The Korg OT-120 features a dual-display, an easy-to-see needle type indicator and a backlit LCD screen that shows the battery life, sound output level, calibration, as well as key and note name. Additional design features include a large dial that makes it easy to select the desired mode, soft-touch buttons and a rear-mounted stand that lets the band and orchestral tuner stand by itself. A sophisticated silver aluminum panel contributes to its sleek, new look.

Since Korg developed the world's first meter type tuner in 1975, the accuracy of Korg tuners has made them the choice of artists in all styles of music. With its wide tuning range extending from A0 to C8, the OT-120 lets you quickly tune any type of band instrument including, orchestra, wind, string, brass or piano. The Korg OT-120 also provides a wide range of calibration to support concert pitches in a range of 349-499 Hz (1 Hz steps).

This band and orchestral tuner uses a high-precision needle-type meter to accurately indicate any pitch discrepancy. The speed at which the needle responds to the input can be changed over a range of three steps; you can choose fast, medium or slow speeds to match your tuning preference.

You can also choose from 2 tuning modes; auto mode, which automatically detects the pitch of a single note you play on your instrument, or manual mode, which lets you specify the desired note name. In manual mode, the needle movement is shown in a range of 50 cents, letting you view the tuning discrepancy over a wide range. In addition to the excellent visibility unique to a needle-type meter, the LEDs located below the meter also indicate pitch deviation or a perfect match, making precise tuning easy even in dim locations.

The OT-120 produces a reference tone in a 5-octave range extending from C2 (65.41 Hz) to C7 (2093 Hz). You can switch the output level in 2 stages. The large speaker allows for more volume while not being obstructed even when using the stand, ensuring that the reference tone is clearly audible.

The OT-120 also provides Korg's proprietary sound back mode. This mode lets you connect an optional CM-100L contact microphone to the input jack, and automatically make the OT-120's speaker produce a reference tone for the note that is closest to the input pitch you play on your instrument. The meter will also indicate the input pitch, letting you tune using your eyes as well as your ears for greater accuracy, and also providing a great way to train your sense of pitch.

For conveniently tuning any wind instrument, 12 x types of transposing keys are provided in this band and orchestral tuner, including both sharps and flats. The multi temperament function provides 8 x presets that cover the most popular historical temperaments often used with period instruments. These are also ideal for checking unique temperaments used in classical music.

The OT-120 is designed for an extended battery life of approximately 100 hours when running on two AAA batteries. It can also be used with an AC adaptor (sold separately).

And aosl, a durable, suede tone soft case is included, along with two AAA batteries for operation straight out of the box!
Read more
$53.82 SAVE 10%
 5 in stock $48.44
Click for better price!
quote 485972
Cat: 703178 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB pad controller - orange & green edition
Notes: Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads - as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.

Dynamic trigger pads capture all your performance nuances:

The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
 2 in stock $49.01
Click for better price!
quote 703178
Cat: 703175 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB pad controller - blue & yellow edition
Notes: Like all nanoSERIES2 controllers, the nanoPAD2 had to be compact, lightweight and sized to work well with any laptop or desktop computer. In addition, the nanoPAD2 also had to pack in 16 great-feeling and dynamic-sensing pads - as well as leaving room for the X-Y touchpad! The Korg nanoPAD2 does all this and more. In fact, there are four banks of pad assignments, providing a total of 64 pads setups.

Dynamic trigger pads capture all your performance nuances:

The sixteen velocity-sensitive pads provide excellent response to your fingertips, and also realistically convey the playing feel to your sequencer or DAW software, ensuring that your drum parts will be full of life. By switching between the four scenes, you can experience 64 different pad assignments.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoPAD2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
 1 in stock $46.98
Click for better price!
quote 703175
Cat: 416320 Rel: 13 Jun 11 • View all MIDI controllers
 
Slim-line USB pad controller
Notes: The Korg NanoPad USB powered slim-line controller is so small you can put it on your workstation, in front of your laptop, on a recording console or anywhere else you need versatile control over your DAW, virtual instrument/effect or DJ software.The Korg NanoPad, despite its small size, goes huge when it comes to functionality, yet its intuitive layout provide extremely easy operation for any user.

The NanoPad features 16 highly responsive trigger pads, also capable of sending both notes and MIDI control data, plus an X-Y pad with roll and flam functions giving you a unique interface for realistic drum programming. In addition, a new chord trigger function lets you enter chords onto a single pad, helping you to make the most of the work surface as you create. The pads are also able to transmit control change messages, making this a great interface for soloing or muting mixer tracks, turning objects on and off, or triggering clips during your live performances.

Korg NanoPad's X-Y pad offers roll and flam modes, to help you lay down ultra-realistic drum grooves. The X-Y pad will also send MIDI control change, making it a go-to interface for any parameter within your software that requires full range MIDI control such as pitch, cutoff, volume and beyond.

With the Korg Kontrol editor (downloadable free of charge from the Korg website) you can customize four scenes that address the pads and X-Y pad can be stored within NanoPad to suit your control needs. That means you actually have access to 48 notes/chords, 60 MIDI controllers, or any combination of the two types of data at any given time. Also, select one of three velocity curves or a fixed velocity to tailor the NanoPad to your touch.
Read more
 1 in stock $38.80
Cat: 598438 Rel: 26 May 16 • View all MIDI controllers
 
Mobile MIDI controller for control of your DAW via USB or wirelessly via Bluetooth
Notes: The perfect size for intuitively controlling your music. A physical MIDI controller that you can use via USB or MIDI.

The nanoKONTROL Studio provides transport keys and a mixer section, giving you stress-free control of your DAW or DJ software. It is battery operated and can connect wirelessly with your iPhone/iPad or Mac/Windows. It's a light-weight, compact mobile MIDI controller that lets you create music more intuitively than ever.

A compact physical MIDI controller that's ideal for mobile or desktop uses:
Smaller than a letter-sized sheet of paper, the nanoKONTROL Studio is designed for thinness. It's the perfect size to easily carry in a bag and use with your computer. In spite of its compact size, its controllers provide generous power and a solid feel, making it a convenient and versatile MIDI controller.

USB and wireless for more music production freedom:
The nanoKONTROL Studio can connect not only via USB but also wirelessly. It can easily connect to iPad/iPhone music apps such as KORG Gadget and Apple GarageBand, or to your Mac/Windows music production software. Freed from annoying cables, you can set up your equipment easily and efficiently. Due to careful tuning, you can enjoy low latency and high stability.

Refined and stylish design:
The simple, refined, and stylish design features illumination with beautiful white LEDs. The design has been modernized to use alongside new devices such as your laptop, tablet, or smartphone.

A full array of controllers that cover everything from DAW control to DJ performance:
You have the all controllers you need to operate your DAW: sliders that feature generous spacing and stroke, plus a convenient jog wheel. Whether you're controlling your DAW and plug-ins, or putting on a performance, the nanoKONTROL Studio provides everything you need in any situation.

Supported software:
The nanoKONTROL is compatible with any software that supports MIDI input, including KORG Gadget, Logic, GarageBand, Live, Reason, Cubase, Studio One, FL Studio, Sonar, Pro Tools, Digital Performer, and Traktor.

A lavish bundle of powerful music software is included free of charge:
The nanoKONTROL Studio comes with the incredible "KORG Software Bundle" that lets you start enjoying popular music software right away. Whether you're on mobile or laptop, you can start creating music as soon as you purchase this unit.
The sounds and functionality of "iPad / iPhone apps" can be expanded by connecting them to a nano Studio series unit.

Customize using dedicated "KORG KONTROL Editor" software:
We provide "KORG KONTROL Editor" software that lets you freely customize the settings of the nanoKONTROL Studio. You can specify the MIDI messages that are assigned to the sliders, knobs, and buttons, customizing the unit in detail to suit your needs.

"Control Surface plug-in" provided for GarageBand/Logic users.
We also provide a plug-in for using nanoKONTROL Studio with Apple GarageBand/Logic Pro X. Simply install this plug-in and connect it to the nanoKONTROL Studio.
Read more
 3 in stock $114.56
Click for better price!
quote 598438
Cat: 703174 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB controller - orange & green edition
Notes: In a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles - including major DAW programs - are supported, dramatically reducing the need to make complicated connection settings.

Complete control for your DAW or software synthesizer:

A knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example, you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter's cut-off frequency and resonance, etc.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKONTROL2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
$46.98 SAVE 10%
 5 in stock $42.28
Click for better price!
quote 703174
Cat: 703173 Rel: 14 Nov 18 • View all MIDI controllers
 
Slim-line USB controller - blue & yellow edition
Notes: In a body proportioned to fit perfectly in front of your laptop computer, the nanoKONTROL2 provides eight channels of the controllers you need to control your music software. The nanoKONTROL2 also features a dedicated transport control section. The buttons have been carefully selected to be useful with your software, ensuring simple and intuitive control. Many software titles - including major DAW programs - are supported, dramatically reducing the need to make complicated connection settings.

Complete control for your DAW or software synthesizer:

A knob, fader, and three switches are provided for each of the eight channels, respectively assigned to pan, volume, and solo/mute/record. This arrangement is a real convenience when recording automation for multiple channels. There's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production. When using a software synthesizer, you can assign parameters to the desired controllers for easy control. For example, you could use the faders to control the ADSR of an envelope generator, and use the knobs to control the filter's cut-off frequency and resonance, etc.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKONTROL2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.

Read more
 1 in stock $46.98
Click for better price!
quote 703173
Cat: 416314 Rel: 09 May 11 • View all MIDI controllers
 
Slim-line USB controller
Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.




Read more
 1 in stock $41.41
Click for better price!
quote 416314
Cat: 416316 Rel: 09 May 11 • View all MIDI controllers
 
Slim-line USB controller
Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.
Read more
 1 in stock $43.00
Click for better price!
quote 416316
Cat: 416318 Rel: 09 May 11 • View all MIDI keyboards
 
Slim-line 25-key USB keyboard
Notes: The Korg NanoKey2 provides a superior keyboard response for its class and size. The touch and velocity response have been carefully tuned, ensuring that your expressive performance will be conveyed accurately to your software.

The octave shift buttons allow the overall pitch to be shifted 4 levels, either up or down, in octave increments. For enhanced performances, the NanoKey2 also provides pitch bend buttons, a modulation button and a sustain button one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over 4 levels.

The Korg NanoKey2 works with the Korg Kontrol Editor software (available free on the Korg website). Load it into your computer and use it to make detailed customized settings. You can choose from a total of 4 velocity settings: 3 velocity curves or fixed velocity, and then specify the control change messages transmitted by the modulation button and the sustain button.

Read more
 2 in stock $35.75
Cat: 737703 • View all MIDI keyboards
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
 1 in stock $33.70
Cat: 703171 Rel: 14 Nov 18 • View all MIDI keyboards
 
Slim-line 25-key USB keyboard - orange & green edition
Notes: The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
 1 in stock $43.40
Click for better price!
quote 703171
Cat: 743528 Rel: 01 Jan 90 • View all MIDI keyboards
 
***B-STOCK: Box opened, product unused***
Notes: The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
 1 in stock $34.72
Cat: 703170 Rel: 14 Nov 18 • View all MIDI keyboards
 
Slim-line 25-key USB keyboard - blue & yellow edition
Notes: The nanoKEY2 features an advanced and up-to-date design. By combining the great-feeling "touch" that Korg has developed for its professional MIDI keyboards and the low-profile "thinness" of recent computer keyboard innovations, the nanoKEY2 provides a superior keyboard response for its class and size. It's designed with ample key width and plenty of space between the keys, reducing the chances of hitting a wrong note. The touch and velocity response have been carefully tuned, as only a manufacturer with Korg's track record and know-how can, ensuring that your expressive performance will be conveyed accurately to your software.

Control buttons provide simple yet versatile control:

The Octave Shift buttons - borrowed from Korg's MIDI controllers - allow the overall pitch to be shifted four levels, either UP or DOWN, in octave increments. When used in conjunction with the Key Transpose feature, the nanoKEY2 can access the entire range of the notes in the MIDI spectrum. For enhanced performances, the nanoKEY2 also provides Pitch Bend buttons, a Modulation button, and a Sustain button; one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over four levels (using Korg Kontrol Editor), ensuring smooth changes that are appropriate for your performance.

USB power for an uncluttered setup:

Just connect a single USB cable from your computer to the nanoKEY2, and you've got a quick and portable music production system. Power and USB-MIDI data travels down the same wire for a clean, efficient workspace.
Read more
 2 in stock $40.85
Click for better price!
quote 703170
Cat: 416319 Rel: 09 May 11 • View all MIDI keyboards
 
Slim-line 25-key USB keyboard
Notes: The Korg NanoKey2 provides a superior keyboard response for its class and size. The touch and velocity response have been carefully tuned, ensuring that your expressive performance will be conveyed accurately to your software.

The octave shift buttons allow the overall pitch to be shifted 4 levels, either up or down, in octave increments. For enhanced performances, the NanoKey2 also provides pitch bend buttons, a modulation button and a sustain button one that's indispensable for piano or electric piano performance. For each of these buttons, the on/off switching speed can be specified over 4 levels.

The Korg NanoKey2 works with the Korg Kontrol Editor software (available free on the Korg website). Load it into your computer and use it to make detailed customized settings. You can choose from a total of 4 velocity settings: 3 velocity curves or fixed velocity, and then specify the control change messages transmitted by the modulation button and the sustain button.
Read more
 2 in stock $36.65
Cat: 480940 Rel: 21 May 13 • View all Synthesisers
 
Classic Korg MS20 recreated in miniature size
Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.
Read more
 1 in stock $469.17
Cat: 440155 Rel: 08 Mar 12 • View all Synthesisers
 
Analogue synthesiser with dual oscillator
Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q
Read more
 1 in stock $43.79
Click for better price!
quote 440155
Cat: 631797 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - silver
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
Read more
 1 in stock $229.37
Click for better price!
quote 631797
Cat: 631793 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - red
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
Read more
 2 in stock $229.37
Click for better price!
quote 631793
Cat: 631795 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - gold
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
Read more
 1 in stock $219.59
Click for better price!
quote 631795
Cat: 631794 Rel: 19 Jan 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - dark blue
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
Read more
 1 in stock $219.11
Click for better price!
quote 631794
Cat: 631792 Rel: 13 Apr 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - black
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
Read more
 1 in stock $218.55
Click for better price!
quote 631792
Cat: 715952 Rel: 21 Mar 19 • View all Synthesisers
 
4-voice analogue synth with deep digital multi-engine
Notes: An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.
In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.
Read more
 More than 10 in stock $577.05
Click for better price!
quote 715952
Items 1 to 50 of 77 on page 1 of 2
1  2  »

Filter

Saved Searches
Save current search
Release Date
Close