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Cat: LITA 2172. Rel: 19 Apr 24
Rock
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Review: Up until his death in 2003, Hiroshi Yoshimura spent decades offering up immaculate albums that blurred the boundaries between ambient, new age and minimalism. For those not versed in the Japanese ambient pioneer's vast catalogue, 1986's "Green" - which is here reissued by Light In The Attic - remains one of his most impressive works. Created using a minimal number of instruments (mostly synthesizers and electric pianos), the set is as quietly jazzy as it is relaxing. Highlights include the meditative, Terry Riley influenced bliss of "Feel", the pulsing organ stabs and blissful electronics of "Sheep", the garden-ready musical hug that is "Green" and the swelling opener "Creek".
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It's So Hard To Tell Who's Going To Love You The Best (remastered) (gatefold LP + booklet with obi-strip)
Cat: LITA 0451. Rel: 12 Feb 24
Folk/Americana
Review: Reissued again (following an initial 2009 run) via Light In The Attic, It's So Hard to Tell Who's Going to Love You The Best is the debut album by American folk blues musician Karen Dalton, originally released in 1969 by Capitol Records. The Native American singer made her mark on the seventies folk scene through a distinctly yearning sound, evoked through an unmistakable, tremolo'ing alto. On the album, her voice, exemplary of this, effortlessly pokes out from each quiet miasma of guitar, a template soon to be fleshed out by latter-day chart-toppers such as Lacy J. Dalton (whose name is a tribute) and Bob Dylan. Covering classics by Lead Belly, Fred Neil, and Tim Hardin, this is tender, one-of-a-kind country folk, with this edition coming as an all-analog version featuring remastered audio from the original Capitol masters.
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Histoire De Melody Nelson (reissue) (gatefold transparent blue & white marbled vinyl LP with obi-strip)
Cat: LITA 04012. Rel: 27 Feb 24
Jazz
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In My Own Time (50th Anniversary Edition) (silver vinyl LP + booklet with obi-strip)
Cat: LITA 20012. Rel: 06 Jun 23
Folk/Americana
Review: Karen Dalton is one of the most mysterious and enigmatic but also influential artists of her time. Her 1971 album In My Own Time is a real masterpiece that Light In The Attic now presented on newly mastered vinyl. It was originally recorded over a six month time frame at Bearsville and was crafted by producer and musician Harvey Brooks, a key figure in rock-jazz having worked on Dylan's Highway 61 Revisited and Miles' Bitches Brew. It's a wild and vivid record with walking basslines and manic melodies topped off with the expressive vocals.
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Nancy & Lee Again (remastered) (gatefold LP + booklet with obi-strip)
Cat: LITA 1991. Rel: 29 Mar 23
Folk/Americana
Review: Since Light In The Attic embarked on its comprehensive Nancy Sinatra Archival Series, it has done wondrous justice to the towering career of the American popular singer. But the work isn't done yet, and the latest chipping-away at the cinderblock comes in the form of a reissue (surprisingly not ever reissued before) of Nancy & Lee Again, her second trailblazing duet album with Lee Hazlewood. Haunting, nostalgic and full of sunned takes on a marriage, splits, lost jobs and general social tumult - the stories are narrated by Hazlewood in his best gruff voice - the overall tone of this album could be said to be predictive of shoegaze, as it is generously doused in reverb, but the similarity ends there. Sinatra's stark Americana influences are most obvious; they shine through on the use of sublime slide guitar ('Did You Ever'), skiffling ¾ metres, and twangy banjo fingerstylings.
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Hudson River Wind Meditations (gatefold 2xLP + booklet with obi-strip)
Cat: LITA 1901. Rel: 19 Jan 24
Ambient/Drone
Review: Light In The Attic's continued series of Lou Reed reissues follows up the outstanding Words and Music, May 1965 with this wholly different side to the legendary singer-songwriter. As a devoted student of Tai Chi, Reed composed some ambient pieces for his own personal use while practicing. It was only as friends started to ask for copies that he decided to round the project out and present it as his last solo album - in his own words, "I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation." As well as the music, remastered and pressed onto double vinyl, there's bonus reading material in the form of interviews with people close to Reed in the context of his Tai Chi, yoga and meditation practice.
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Histoire De Melody Nelson (reissue) (gatefold crystal clear vinyl LP with obi-strip)
Cat: LITA 04011. Rel: 27 Feb 24
Jazz
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Review: Up until his death in 2003, Hiroshi Yoshimura spent decades offering up immaculate albums that blurred the boundaries between ambient, new age and minimalism. For those not versed in the Japanese ambient pioneer's vast catalogue, 1986's "Green" - which is here reissued by Light In The Attic - remains one of his most impressive works. Created using a minimal number of instruments (mostly synthesizers and electric pianos), the set is as quietly jazzy as it is relaxing. Highlights include the meditative, Terry Riley influenced bliss of "Feel", the pulsing organ stabs and blissful electronics of "Sheep", the garden-ready musical hug that is "Green" and the swelling opener "Creek".
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Pacific Breeze: Japanese City Pop AOR & Boogie 1976-1986 (blue & green vinyl 2xLP + booklet with obi-strip)
Cat: LITA 16315. Rel: 22 Feb 23
Disco/Nu-Disco
Review: U.S label Light In The Attic has hit gold with this hugely popular series. It has done three volumes by now but here comes a welcome reissue of the first from a few years ago. After compilations exploring various Japanese takes on Western music, most notably folk, rock, ambient and new age they switched tack, curating a brilliant double-album set that showcases the best Japanese synth-pop, AOR and boogie recorded between 1976 and '86. The quality threshold remains impressively high throughout, from the blue-eyed-soul breeze of Taeko Ohnuki's 'Kusuri Wo Takusan' and the Chaz Jankel-meets-Thompson Twins style throb of Haruomi Hosono's 'Sports Men', to the talkbox-sporting late night AOR-pop flex's Hiroshi Satoh's 'Say Goodbye' and the glistening, Latin-influenced jazz-funk brilliance of Masayoshi Takanaka.
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Crashin' From Passion (remastered) (limited gatefold translucent blue vinyl LP + booklet with obi-strip)
Cat: LITA 19613. Rel: 01 Nov 23
Soul
Review: Betty Davis may have had had an unjustly short run in the public eye when she recorded her seminal 70s funk albums, but she left a lasting impact. As a potent creative force she wrote, recorded and produced her music with the backing of her own band Funk House, but the machinations of the industry hampered her progress until she retreated from view after this record from 1979. Light In The Attic have gone some way to righting the injustice by giving her stellar albums the reissue treatment they deserve, and on Crashin From Passion you can hear Davis spread her wings stylistically without dulling the impact of her hard-bitten soul. This edition comes pressed up on clear blue wax - an essential gem for anyone who takes the evolution of funk seriously.
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Cowboy In Sweden (Deluxe Edition) (2xLP + insert in spot-varnished sleeve with obi-striop)
Cat: LITA 1531DLX. Rel: 11 Dec 23
Folk/Americana
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Cat: LITA 046PY. Rel: 30 Jan 24
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Nasty Gal (remastered) (gatefold translucent metallic gold vinyl LP + booklet in spot-varnished sleeve wth obi-strip)
Cat: LITA 046MG. Rel: 30 Jan 24
Soul
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Boots (limited gatefold red marbled vinyl LP + booklet with obi-strip)
Cat: LITA 19718. Rel: 18 Jul 22
Soul
Review: It's the album that catapulted 'These Boots Are Made For Walkin'' to fame. Nancy Sinatra's debut album, Boots, was originally released in 1966 to worldwide acclaim. The new reissue comes in limited red and white editions, and includes two bonus tracks recorded during the album sessions, the non-album b-side "The City Never Sleeps At Night" and the previously unreleased "For Some."
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Earl's Closet: The Lost Archive Of Earl Mcgrath 1970-1980 (Anniversary edition) (gatefold red vinyl 2xLP + booklet with obi-strip)
Cat: LITA 18011. Rel: 15 Aug 22
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Words & Music May 1965 (yellow vinyl LP + booklet with obi-strip)
Cat: LITA 18811. Rel: 24 Oct 22
Rock
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Review: A new early cornerstone for Velvet Underground fanatics, 'Words And Music May 1965' is Lou Reed in his earliest incarnation, spanning some of the artist's earliest-known recordings. Demo versions of 'Heroin' and 'Pale Blue Eyes' both make appearances, while seven further completely unreleased and unheard songs also come to fruition. The earliest is a doo-wop serenade recorded in 1958, when Reed was just sixteen years old.
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Is It Love Or Desire (remastered) (gatefold LP + insert with obi-strip)
Cat: LITA 047. Rel: 29 Sep 23
Funk
Review: Hold tight all serious funk heads, you won't want to miss this one. Betty Davis is finally getting her dues as a true funk pioneer, but there are still dimensions to her brief and brilliant music career which have taken their time to reach our ears. After three knockout LPs she laid down a fourth in a rural Louisiana studio with her band Funk House, but it was shelved by the label and remained in obscurity for some 30 years. Finally, Light In The Attic are giving Is It Love Or Desire the release it deserves, capturing Davis at her rawest and packing the unfiltered funk in with rare photos, archival material and all the good stuff in between.
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Hosono House (remastered) (gatefold translucent pink glass vinyl LP + booklet with obi-strip)
Cat: LITA 173PINK. Rel: 25 Jul 22
Folk/Americana
Review: Continuing with LITA's extensive reissuing and repackaging of Haruomi Hosono's massive backlog of music, 'Hosono House' comes in all its glory to a new wax pressing. Released in 1973, it was one of Hosono's many brief forays into acoustic Americana, breaking from the loopy ambient classical music he'd made his name for. An ebber and flower, this one moves through psychic rock inspirations and sonic allusions to historic acts such as The Band and The United States Of America, albeit with an additional, moody ambient flair. We love oddities like this.
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I'm Just Like You: Sly's Stone Flower 1969-70 (remastered) (limited gatefold purple & pink marbled vinyl 2xLP + booklet with obi-strip)
Cat: LITA 12111. Rel: 15 Aug 22
Funk
Review: Stone Flower was a little-known, short-lived record label licensed exclusively to Sly Stone himself. It produced but four singles in the period 1970-74, and beyond that, saw to a short run of LPs from the likes of Gladys Knight, Herbie Mann and Eddie Jefferson. However, thanks to a series of retakes and bonus material, LITA were able to reproduce this compilation; a compendium of all the best music the label had to offer, with choice bits from Joe Hicks, Sly, Little Sister and 6ix in tow.
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Pacific Breeze 2: Japanese City Pop AOR & Boogie 1972-1986 (remastered) (2xLP + booklet with obi-strip)
Cat: LITA 179. Rel: 24 Apr 20
Disco/Nu-Disco
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Pacific Breeze: Japanese City Pop AOR & Boogie 1976-1986 (limited pink vinyl 2xLP + insert with obi-strip)
Cat: LITA 163PINK. Rel: 08 Aug 19
Disco/Nu-Disco
Review: U.S label Light In The Attic has previously served up compilations exploring various Japanese takes on Western music, most notably folk, rock, ambient and new age. Here they switch tack, curating a brilliant double-album set that showcases the best Japanese synth-pop, AOR and boogie recorded between 1976 and '86. The quality threshold remains impressively high throughout, from the blue-eyed-soul breeze of Taeko Ohnuki's "Kusuri Wo Takusan" and the Chaz Jankel-meets-Thompson Twins style throb of Haruomi Hosono's "Sports Men", to the talkbox-sporting late night AOR-pop flex's Hiroshi Satoh's "Say Goodbye" and the glistening, Latin-influenced jazz-funk brilliance of Masayoshi Takanaka's steel pan-sporting "Bamboo Vender".
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Dreamin' Wild (reissue) (gatefold blue marbled vinyl LP + insert + MP3 download code with obi-strip)
Cat: LITA 082C. Rel: 17 Dec 19
Rock
Review: Dreaming' Wild is a cult soft rock album that was recorded by two brothers in their barn in a quiet corner of America. The duo behind it had dreams of making it big that never materialised at the time. They pressed this album privately all the same and it went under the radar for many years until deep diggers unearthed it and gave it the platform it deserves. "Baby" is a tender love song that has been used on various cult mixes over the years and is the centre piece of a fantastic record filled with heart wrenching vocals and intricate guitars.
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Somewhere Between: Mutant Pop Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 (transparent blue splattered vinyl 2xLP with obi-strip)
Cat: LITA 183C. Rel: 06 Sep 21
Coldwave/Synth
Review: Now that's what we call an album title 2021. As the name implies, we're skirting the edges of 1980s Japanese pop, opting to explore the strange, sci-fi hued, traditionally rooted noises that weren't necessarily dominant in the Far East country at that time, but certainly found favour with more explorative listeners. And it's not hard to hear why.
Tracks like 'Days Man' by Yoshio Ojima could work well in a slo-mo house or electronica set today. While preceding effort 'Hikari No Ito Kin No Ito' from Mishio Ogawa is like a strangely innocent hybrid of lullaby and pop song. Elsewhere, the twinkling synths and wet snare hits of Naomi Asai's 'Yakan Hikou' further accentuate the surrealism running through so much of what is here. One for the trophy cabinet, collectors take note (and form a queue).
… Read moreTracks like 'Days Man' by Yoshio Ojima could work well in a slo-mo house or electronica set today. While preceding effort 'Hikari No Ito Kin No Ito' from Mishio Ogawa is like a strangely innocent hybrid of lullaby and pop song. Elsewhere, the twinkling synths and wet snare hits of Naomi Asai's 'Yakan Hikou' further accentuate the surrealism running through so much of what is here. One for the trophy cabinet, collectors take note (and form a queue).
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Cat: LITA 103C. Rel: 08 Mar 21
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May The Circle Remain Unbroken: A Tribute To Roky Erickson (Record Store Day RSD 2021) (limited hand-numbered gatefold purple marbled vinyl LP + 7" flexi-disc + booklet with obi-strip)
Cat: LITA 182. Rel: 24 Jul 21
Indie/Alternative
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Cat: LITA 1951. Rel: 23 Feb 21
Soul
Review: Seattle label Light In The Attic Records is proud to present a reissue of material from Nancy Sinatra's most prolific period between 1965-1976, with 23 tracks including her revered collaborations with Lee Hazlewood. Sinatra's performance of 'These Boots Are Made for Walkin'' became her signature tune. The pair began a three year run of successful recordings, with 'Sugar Town,' 'Some Velvet Morning,', 'Summer Wine' as well as the James Bond theme 'You Only Live Twice' being just a few. She also worked with songwriter Mac Davis, producer Lenny Waronker and arranger/producer Billy Strange on the album.
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Shaggs' Own Thing (red & yellow split coloured vinyl LP + insert)
Cat: LITA 19311. Rel: 21 Jul 20
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(The Microcosm): Visionary Music Of Continental Europe 1970-1986 (3xLP box set + 20 page booklet)
Cat: LITA 143. Rel: 15 Dec 16
Ambient/Drone
Review: The Microcosm: Visionary Music Of Continental Europe, 1970-1986 presents works from 'cosmically-taped' artists; legends like Vangelis, Ash Ra Tempel, and Popol Vuh through to more obscure names in the form of Bernard Xolotl, Robert Julian Horky and Enno Velthuys. According to Washington State label Light In The Attic, the compilation aspires to present these these works of "ambient, new age, neuzeit, prog, krautrock, cosmic, holistic stuff, whatever one calls it - as a pulsating movement unto itself", and they've done a fine job of that when you hear how well curated this album really is. From major label recordings through to limited obscure cassette editions, it unearths some truly captivating and oddly inspiring gems from beatless electronic music's recent past.
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Cat: LIAA 199141. Rel: 01 Jan 90
Pop
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Cat: LITA 2061. Rel: 19 Jul 23
Folk/Americana
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Cat: DATA 027. Rel: 12 Apr 23
Soundtracks
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Pacific Breeze 3: Japanese City Pop AOR & Boogie 1975-1987 (twilight sunset pink vinyl 2xLP + booklet with obi-strip)
Cat: LITA 20212. Rel: 23 Feb 23
Disco/Nu-Disco
Review: Light In The Attic aren't short of successful reissues and compilations in their catalogue, but the Pacific Breeze trips into Japanese city pop, AOR and boogie must be some of the most widely adored and conceptually solid. There's an allure in these crisp, refined productions which never fails to charm, especially for non-Japanese audiences drawn in by the culture. As ever, this latest volume brings to light some truly stellar music and it's all packaged with the LITA attention to detail. Extended artist bios, new artwork from Hiroshi Nagai are but some of the reasons to snap up this executive package as soon as possible.
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Pacific Breeze 2: Japanese City Pop AOR & Boogie 1972-1986 (sunny splattered vinyl 2xLP + booklet with obi-strip)
Cat: LITA 17913. Rel: 22 Feb 23
Disco/Nu-Disco
Review: As the third installment brings attention back on this crucial series, Light In The Attic are running a repress of their second voyage into the plentiful realm of Japanese city pop - another extended cruise through impossibly slick '70s and '80s groovers with that golden studio sound. There's sultry slinkers like Eiichi Ohtaki and sensual funk from Kimiko Kasai on "Vibration (Love Celebration)". Watch out for the heavy bass and subtle synth inflections of Yu Imai's incredible "Kindaichi Kosuke Nishi E Iku" and the impossibly catchy whistlealong 'Hot Sand' by Piper. It's not a competition, but if you crave that US AOR sound, it might just be that the Japanese did it better.
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Pacific Breeze 3: Japanese City Pop AOR & Boogie 1975-1987 (2xLP with obi-strip)
Cat: LITA 202. Rel: 20 Mar 23
Disco/Nu-Disco
Review: The 'Pacific Breeze' series documents the best of Japanese city pop, the genre that took such metropoli as Kyoto and Osaka by storm in the mid 1970s and from then on. With blistering optimism, the tracks on this third compilation blend funk, surf and R&B elements, forming a heady stew of music, all of which has been remastered in only the most pristine multi-channel quality.
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Crashin' From Passion (remastered) (gatefold LP + booklet with obi-strip)
Cat: LITA 1961. Rel: 06 Nov 23
Soul
Review: This is a remastered edition of Crashin' From Passion, the fourth studio album by unfortunately maligned "pre-punk" pioneer Betty Davis, underground singer-songwriter and punk-funk icon, who was notably married to Miles Davis in the late 60s. Ten tracks of raw, gritty, synthy, funky uncategorisables come as explorations of sex, love, passion and empowerment, with Davis' distinctive voice resting powerfully atop each mix like sceptre-wielding queens on thrones. Though it was first recorded in 1979, it was shelved by Island due to its explicit content and ostensible lack of commercial appeal, but that didn't stop Light In The Attic Records, who threw a collective "up yours!" to the short-sighted Major and have been reissuing Davis' catalog ever since.
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Is It Love Or Desire (remastered) (limited gatefold silver vinyl LP + insert with obi-strip)
Cat: LITA 04712. Rel: 29 Sep 23
Funk
Review: Betty Davis was a true firebrand of soul who needs more recognition than she gets, and that's where Light In The Attic came in with their reissue campaign around 2009. Amongst some of Davis' other classic albums from the mid-70s, the label also helped unearth this previously unreleased gem of truly next level funk which shows Davis at her sensuous, uncompromising best. There's a grittiness to the likes of 'It's So Good' which lays bare the raw talent at the heart of Davis' work with her band Funk House. The idea the label shelved it is unfathomable, and that no doubt had a hand in curtailing Davis' career, but at the very least the music can get the recognition it deserves now.
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