Pimping People In High Places (Woodword Ave alternative mix) (6:50)
The Medusa Touch (6:52)
Review: Gary Martin is well known for his unique productions and his label Teknotika is surely a classic coming out of the famous motor city. This special 10" holds two sought after tracks that were found on a lost DAT tape by Yossi Amoyal and Gary Martin himself. On the A side we have a long time secret weapon, it's a hypnotic groove that was heard on many classic sets, Zip and Ben Klock to name a few. An extremely insane, hard to find Gigi Galaxy track that was changing hands for silly prices is on the B side, for those who know... massive release!
Review: Brazilian label Allnite Music is back with another sure shot from label boss Apoena that locks into an immersive, head-nodding groove from the get go. "Retoside" is a perfect deep house burner, understated and yet utterly grooving where it counts. "Attachment" has a more sprightly, uplifting quality tailored to sunny situations, while "Hemp Restriction" takes things in an airy direction while rocking a solid 90s backbone. "The Sutilties" completes the set with a dreamy roller splash, with sweet leads and some chopped up vocal hooks that accent the innate funk of the track in fine style.
Review: Frankfurt record shop Gosu are back with the next instalment of their in-house label by OFFM regular Rob Amboule. The British producer has been making records for some years now, on labels like 20:20 Vision, Heidi's The Jackathon and more recently OSMAN and NorthSouth, initially starting out in London. A chance encounter led him to Frankfurt and after a short while he decided to relocate out to the Main area. A long-time friend of the label as well as Freebase (RIP), his skills developed with the encouragement of label bosses Manuel Schatz and Phil Evans. Amboule presents Gosu 9.5: on the A side we've got the funky and chunky all analogue electro futurism of "9.5 B", while on the flip things go in a more straight ahead direction on the classic techno excursion of "9.5 D" - taking the very best elements of Detroit and Yorkshire in its stride.
Review: Notching up 15 successful years as a record label is some feat in this day and age, so it's understandable that Systematic has decided to mark reaching this milestone in style. The German imprint's anniversary EP - a tidy looking picture disc - fittingly kicks off with a track by founder Marc Romboy. He's at his mesmerizing best on "Shooting Stars Never Stop", a deep tech-house roller rich in cascading melodies, starry electronics, subtle acid lines and clanking machine drums. Rodriguez Jr offers up the elongated chords, hypnotic grooves and glassy-eyed positivity of "Okeechobee", before Artbat doffs a hat to mid-90s UK techno on the aptly titled "Orbital". To round things off, John Digweed joins forces with Nick Muir on the shimmering brilliance of "Alkouln", whose loved-up breakdown is simply stunning.
Review: Last year, East End Dubs ended his Social series after releasing 10 sought-after EPs in just under three years. "Social Part 2" is the second boxed retrospective of this work; while the first edition gathered together EPs one to five, this sequel boasts numbers six to ten. The 15 included tracks are all up to the prolific producer's high standards, offering an attractive late night blend of swinging tech-house rhythms, rich bass, spacey pads, intergalactic melodies and atmospheric aural textures. There's little filler or fluff, just quality peak-time grooves, occasional warm-up workouts and a sprinkling of loved-up anthems-in-waiting (see the delicious "Track 6" and glassy-eyed "Track 8").
Review: It's been a while since we last heard from Flord King, who has popped up on Junk Yard Connections as well as regularly featuring on Lyssna. It's the latter label he returns to now, and he's got some focused, stripped down club fare to impart. "El Klassiko" is a shuffling, funky minimal house jam with some wriggling melodies and a subby bass throb, while "Avocado In Blue" does a quirkier turn with some crafty synth flex that really stands out from the crowd. "Bob" too is a distinctive cut with some detailed layers of dubby ripples and errant computer debris quivering and shaking over the mellow pads and steady beat. "Deep Diff" twists out some cheeky bass and an overall emotive mood that ends the record on a poignant tip.
Review: Having just recently dropped some fresh wares on the Waxing Gibbous 12", London-based production duo OdD return their attention to their Tapes Of Old label and the pursuit or archival material from the vaults. Quite how far back these dusted down gems reach is unclear, but it hardly matters - what's important is whether they bang, and these tracks certainly do that. "Oops" is a pumped up and muscular roller that places all the emphasis on percussion with a tech house tendency. "Abhorrent" is a more introverted affair that explores intricate threads of synth expression in between a dubbed out set of drums, and then "I'm Complete" finishes the record off with a cool, calm and collected trip through the minimal undergrowth.
Review: Following releases from Huerta, Mandar and Makcim & Levi last year, Oscillat kicks off 2019 with an assured, brooding club 12" from long-serving producer Matthew Dekay.
Since surfacing in 2001, Dutch producer Dekay has put out a formidable body of work under a variety of aliases and in collaboration with producers including Lee Burridge and Maher Daniel. His sultry tech house approach has graced labels as highly regarded as Innervisions, Cecille, Aras and Maeve, and now he comes to Oscillat with "Spellbound," a track that finds him diving deeper than ever before into hypnotic, swinging rhythms loaded with atmosphere and longing.
On the B side, Oscillat bosses Mandar (Lazare Hoche, Malin Genie and Samuel Andre Madsen) take Dekay's original and inject it with an infectious peak time energy, creating a straight-up, acid-flecked workout that sits in neat contrast with the immersive shuffle of the original.
Review: The Unblock label hits its seventh release with a split EP featuring rising talents Tato and Tijn. The sound on the 12" fits right in with the previous transmissions from Tuccillo, Tomoki Tamura and more besides, taking a quirky approach to stripped down house and techno dynamics to create intriguing party fodder for inquisitive dancers. Tato's "Estic" does a wondrous job of twisting up tribal percussion with a snaking minimal groove, while "Lusyourmaind" brings a cheeky housey shuffle to the proceedings while keeping things a little mysterious in the same breath. Tijn's "Stranger Things" is a light and airy minimal house jam that contrasts neatly with the hook running through the centre of "Piano Tool".
Review: It's been a hot minute since we heard something new from Och, but he's back on Autoreply with a double 12" of high-grade, stripped back tech house shot through with oodles of imagination. "Panamax" is the consummate dubby house track, a true immersion chamber of a track, while "The Sadness" brings a shuffling groove and some peppy key stabs to the table. "The Healer" is a more overtly minimal affair that would sound at home on PAL SL, while "Linear Response Function" keeps things tight and focused with a sturdy rhythmic framework and some spartan piano notes. "Incompressible Flow" has a submerged jazzy undercurrent to it, and "Lovers Roll" gets into that freaky house bounce heard on "The Sadness". Overall, it's another sterling grip of refined tracks from a seasoned pro.
Review: Commonly found rocking out on Unison Wax, Constant Sound and Pleasure Zone, Diego Krause is a certified mover and shaker in the minimal house scene, and he's on fire with this latest round of missives for Blind Box. "Malice" leads the charge with a plethora of eerie synth textures flexing organically round the sturdy beat, while "Monolith" slips into a slinkier groove while keeping the tripped out tone tweaking at the forefront of our minds. "Return" brings a tougher, fist-pumping rhythm section with a snaking syn-cussion tones trickling throughout, providing Blind Box with plenty of material to sink their gnashers into on the remix.
Review: In the field of minimal house reissues, this is a big deal. Perlon main man Dimbiman doesn't appear on wax often, but when he does he makes it count. This early release on Baby Ford's seminal Pal SL was originally out in 1998, when minimal house was a vague concept at best on the most outer reaches of dance music. "Iso Grifo" itself remains a masterclass of spine-chilling space and perfectly strange sonic matter, while "Lava" pushes the notion of reduction dance music to its absolute limit. "Round" is an even more immersive affair that hides many subtle layers within its seemingly simple construct. Quite simply groundbreaking stuff, and highly sought after so don't sleep on it.
Review: Turkish producer Mutlu San steps up to Lessizmore as yet another example of the Belgian label being incredibly on-point when it comes to signings. The emergent talent from Istanbul has a luxurious sound that taps into the minimal vein while offering a richer spread of textures and moods than your average micro roller. "Deep Sea Mosaics" is certainly a highlight, and it's left to Tolga Fidan to do the reducing on his remix of the track. "Phylum" sees San team up with his production partner in Bartaub for a more linear beat track, but with "Subglacial Funk" he nudges a little more of that unpredictable magic into the mix without losing the dancefloor essence of the track.
Review: David Gtronic kicked off the Black Wood label with the Kryptoo 12", and now Javier Carballo swiftly follows up with the immersive tones of Morning Vibe. Carballo's sound is undoubtedly rooted in the minimal house he's turned out for One Records amongst others, but he's got a distinctive edge in his productions that makes them stand out. "Morning Vibe" in particular does so well because it matches airy pads and skittering drums with a measured lick of acid, making something truly trippy in the process. "Back For Good" pairs dubby chord pulses with shuffling hats, and "Chunchuneo" gets locked into an insistent rhythmic chug that it's tough to resist.
Review: Berlin-based Miami man David Gtronic has been busy these past few years, working closely with Randall M, Chad Andrew, Dudley Strangeways and many more besides. He's going it alone with this inaugural release for Black Wood, relishing the opportunity to explore his craft across three original productions. "Ardl Dub" is a dense, shuffling minimal house production primed for working into a long and flowing set, while "Lexiwedin" showcases a more reflective side to the producer with sweeping synth tones and a whisper of electro worked into the rhythms. "Sequence" takes the minimal vibe to the next level, folding dubby subtleties into the mix to great effect. Dan Farserelli then steps up with a remix that injects a little boompty bass into the track for a wholly different, dancefloor friendly kind of jam.
Review: Sasaki Hiroaki has been immersed in electronic music in Japan for longer than most, but it's his more recent diversions into techno and minimal that have provided a solid foundation for his creative arc. He appears here on Open Recordings with some crisply produced, deep-as-you-like tech house joints with more than a little thread of dub about them. "Sprinkler" uses massive clanging chords to shape out the atmosphere of the track, while "Speak" ladles a measured amount of delay and reverb over the mix to make things move just the right amount. Frazer Campbell comes on board to remix "Sprinkler", and does so with an uplifting Detroit techno approach that is as infectious as it is refined. Pablo Tamo takes on "Speak" and injects some reduced 2-step craftiness into its bones.
Review: Having kicked off his Etheric label with the Origins EP earlier this year, Leonardo is back with more adventurous machine music for the spiritually inclined dancefloor. "The Offering" has a dark and moody tone thanks to the snaking synth line wriggling its way through the track, perfect for eyes-down submission as the strobe blinks slowly. "Symmetry" is a more open affair, all soft top chimes and vapour blasts pinging around an easy electro beat, while "The Afterlife" strikes somewhere in the middle with a tougher, club-minded sound that still favours a sunnier sound palette. "Droplets" is the consummate B2, shrugging off the dancefloor rules of the previous tracks to trip out in a dubwise atmosphere that further strengthens the quality of what Leonardo is up to.
Review: Some five years after re-launching his Crayon label via a fine EP of vintage "Tracks From The Vault", original 1990s tech-house producer Mark Ambrose serves up more gems from his bulging archives. The quality threshold remains dizzyingly high throughout. Check first the moody, back room dub of "Nightshift (Deeper Mix)", where gentle, alien synth lines and deep space chords tumble down over a heavy analogue bassline and locked-in beats, before turning your attention to "Space Animals", a deliciously dubbed-out affair rich in sub bass and drifting, deep space chords. If that's not enough, flip over and trance out to B side "Seduction" and finally, the slamming techno beats, looped electronics and mind-mangling TB-303 motifs of closer "Dusty Acid".
Review: Kiwi brothers Chaos In The CBD return to Mule Musiq with their third EP for the long running Japanese label. They are in fine form throughout, offering up cuts that combine great ideas and intriguing musical motifs with just the right amount of serious dancefloor grunt. They're in full on saucer-eyed mode on A-side "Hydrate", a breakbeat-sporting deep house roller whose extended ambient intro, swirling chords, whispered vocal samples, gentle acid lines and early '90s U.S garage stabs combine to create a suitably loved-up vibe. Flipside "Searching For Signal" is similarly inclined but sounds a touch more psychedelic, with trance-inducing electronics and heady chord sequences catching the ear above another shuffling breakbeat-driven groove.
Review: Robin Ball has been on a roll of late, flaunting his wares on the Memory Box label amongst others. He makes a second outing on Groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. There's atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on "Mr Mumble". The B side features the steadiest material in the shape of two versions of "Satin" that tap into the housier end of Ball's output.
Review: Torino label We Play The Music We Love has already made a strong start with some immersive turns by Trevor Deep Jr and Rills, and now they provide a platform for Italian duo Luminer. "Indaco" is a charged up dub techno excursion with crisp percussion to propel the classic chord shimmer that course through the centre of the track. "Canadian" takes a deeper direction with a crafty tapestry of synth flares and a more understated rhythm section. Hiver's reconstruction of "Indaco" opts for a crooked electro foundation, nimble acid line and a shapeless swell of pad tones as the key ingredients, and then Icelandic techno champ Thor whips up a sharp-strutting dub techno variation of "Canadian" that sits comfortably with the Luminer tracks.
Domenic Cappello - "Not A Festival Track" (Basement mix) (6:57)
Stojche - "Decipher Language" (5:41)
Gauss - "Aperture"
XDB - "Satimak"
Leonid - "Woodwalk"
Life Recorder - "True Moments"
Review: The Verdant stamp of quality is well established by now, but it presses even deeper with the release of this high-grade compilation from a rich cast of subterranean seafarers. Steve O'Sullivan dons his Bluetrain cape for the slow-chugging, appropriately dubbed out meditation of "Sleeping With The Enemy", while Domenic Cappello creates a swooning string-drenched masterpiece out of "Not A Festival Track". Stojche's "Decipher Language" is a snappier affair, while XDB crafts one of his sublime, leftfield techno variations brimming with imagination to match its functionality. At every turn this is a compilation of top-drawer techno crafter with passion and originality - grip it while you can!
Review: UK tech house hero Burnski has been serving up some serious heat of late under the Instinct alias, channelling that old school UK vibe of drum & bass, speed garage and 2-step. His exploration into these styles bring about this sixth instalment of his eponymous series with 3 cuts set to cause havoc on dancefloors this year. A side cut "Overthrow" rides on a slick tech house groove before moving into a swing-fuelled rhythm and razor-sharp sub-bass and it's business as usual. On the flip, shadowy stepper "Phased" fuses Artful Dodger's classic swagger with the dark sci-fi aesthetic of Ed Rush & Optical. Finally, put your lighters up for the furious junglist roller that is "Free Life".
Review: Madonna, Depeche Mode and Kelis - what do East End Edits have in store for us next? This seventh instalment harks back to the charming deep jazzy house of their inaugural release - think of the legendary St. Germain and that should give you a fairly good idea. The track's smoky, late night jazz bar vibe is complemented by a rolling bass and swinging rhythms that should appeal to the likes of Rhadoo or Petre Inspirescu - legends of the Romanian scene who themselves have lent their deft hand to the French producer's work as remixers in the past, too.
Review: Politics Of Dancing celebrate five years of pristine deep and minimal house with this first installment in a series of various artist releases. Djebali and Stephan Bazbaz are in the mood for squelchy chords and undulating basslines on "J'Adore", while Boris Werner keeps things sleek and funky on the craftily executed "Omar Coming". Politics Of Dancing themselves kick off the B side with the gorgeous "Peace", and Rowlanz locks into a sharp and sassy minimal workout with lashings of jazzy goodness bedded into the groove. It's a package delivered with the high standards of dancefloor functionality and musical personality we've come to expect from the always-on-point Parisian label.
Review: The OdD Music crew are back with more of that off-kilter, subtly freaked up house music shuffle to make your bones shake. This sixth release on the label has everything any minimal head craves, not least on opening jam "Forty Five" with its nervy piano licking away underneath a heavy filter while the groove rolls on incessantly. "Thirty Three & A Third" takes a different approach, dropping some deft broken beats into the mix and letting some spaced out synth wobbles ping the track into a curious new orbit. "Nine" finishes the EP off with some immersive percussive tones that call to mind ritualistic dancing and transcendental experience, just like all good party music should.
Review: Constant Black continues its superb string of releases with this latest outing for the imprints close affiliate Michael James. The label run by Burnski and Jon Woodall hands things back to James for an outing of deep minimal grooves. "Bosh!" starts things out just how you would expect with a title like that, strong punching swinging rhythms ready to sway any party. "Pol" and "Hallucinate" keep the momentum going with sleek minimal works, which are sure to be utilised across the globe this summer!
Review: After an excellent first release featuring Freerotation lynchpin Steevio, Russ Gabriel's Rivers Of Groove label returns with a pair of excursions into lush, bubbling techno from Gabriel on his own. As a first generation UK techno stalwart, it's little wonder that he can turn out productions as accomplished as these, but there's no sense that he's treading water. "Ambulate" bears the hallmarks of modular production, all twinkling, morphing synth tones chiming around a delicate beat, while "Dover Calling" favours a snappier electro palette, but both stand out from the crowd for the sheer quality in the production, the warmth in the composition and the needlepoint focus given to every shred of detail in this crucial cuts.
Review: REPRESS ALERT: Sideway Invisibility Theory are already well versed in the Romanian minimal scene both individually and as a duo - on top of their releases on Do Easy and Amphia, Cristi Cons and Vlad Caia represent two of the most prolific operators in the second wave of Bucharest-based dance music. With a mammoth wedge of music delivered to Sushitech in the form of two double packs entitled Invisibility Chapter I & II, this single serves as a pint-sized distillation of those records for the DJs with less time on their hands. "Alternate" is right at home on Sushitech, all elegant beat programming and huge, billowing clouds of dub chord. Label regular Steve O' Sullivan is right at home on such smoky ground, although his remix on the B-side blows the vapour away to deliver a tightly woven tool for the heads down crowd.
Review: Romanian producer Iuly.B has been turning out his wares on all the right labels, from Visionquest and Claque Musique to Memoria and Fuse London, and now he's been tapped up by Burnski's Constant Sound label to unfurl a vision of minimal house in 2018. At this stage the influence of early deep techno is as powerful as any kind of modern stripped down house sound, and that comes through in abundance on the shimmering, ambient-tinged "Spaceport". "Dynamics" maintains the celestial trajectory of the record, but with a more looped up, bleep-led approach, while "Meditate" draws upon some of the more familiar tropes of minimal house. "Spherical" finishes the EP off with another set of ethereal pad tones and a crisp, snaking beat for adventurous dancefloor trippers.