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Review: Since its' initial release back in 2000, Theo Parrish's Methods Of Movement mix has attained cult status. 16 years on, the set has lost none of its' potency, or for that matter its' ability to entertain. An exercise in classic dancefloor eclecticism, it offers a sprint through dusty disco, soul, funk, Afrobeat, boogie, Detroit techno and deep house. It's effectively the kind of set you'd expect Parrish to play at a house party, laying down favourites from Tullio De Piscopo (the Balearic classic "Stop Bajon (Primavera)", Luther Vandross, Tony Allen, Incognito, First Choice and pal Kenny Dixon Jr. Packed full of energy, and shot through with soul, Methods Of Movement is Theo Parrish at his mercurial best.

Review: At the tail end of the '80s, Sylvia Striplin quit Norman Connors' jazz-funk group Aquarian Dream in order to pursue a solo career. Joining forces with producers James Bedford and Roy Ayers, she recorded 1981 debut album "Give Me Your Love", a well regarded but largely overlooked set that has since become a sought-after item amongst soul collectors. This Expansion reissue presents the album on CD for the first time in two decades. As with many soul albums of the period, it sashays between jazz-funk, boogie and heartfelt slow jams, contrasting memorable dancefloor workouts (see stone cold classic "Give Me Your Love" and a stellar cover of Roy Ayers favourite "Searchin") with more saccharine, loved-up fare. This edition also boasts a couple of bonus cuts, including the superb 7" mix of "Give Me Your Love".

Review: The "Mighty" Greg Belson has a bit of a soft spot for gospel disco, a sub-genre that proved popular in some of the genre's more righteous clubs. In Divine Disco, he offers up a lesson in the style, gathering together mostly little known gems originally released between 1974 and '84 (plus, it should also be noted, two tasty contemporary re-rubs from Rahaan and Steve Cobby). It's perhaps a little more varied than you'd expect; contrast, for example, the hands-in-the-air, can-I-get-a-witness enthusiasm of Gospel Ambassadors' "What Kind Of Man Is This", and the smooth, slowed-down torch song feel of "Give Yourself To Jesus" by Herman Harris & The Voices Of Faith & Love.