Review: Following on from a sterling bout by Luminer, Torino label We Play The Music We Love drop this bombshell from a hitherto unknown producer from their inner circle, Tomlin. The vibe is pumped up and acidic, with healthy notes of Italo and wave threaded into the mixture for good measure. "Rainy Dog" is bold and voluptuous while there's a nervy, brittle energy around "The Mugs Game" that should satisfy spinners looking for the freaky stuff. "Running With Foxes" is laden with playful arpeggios atop stripped back beats, while "Talk Fast" makes great use of some nifty vocoder work to create a reflective slice of braindance magic.
Review: After a bit of a hiatus, Roots Unit return with some deep house hybrids from their bulging vaults. "Learn To Love" is a melodic dub-house / techno infused big sound system warmer that comes from a studio session with former 2 Lone Swordsman Keith Tenniswood and will be familiar to those who tune into Tim Sweeney's Beats In Space show on the regular. "Morning Sequence" is a lovely early morning hypnotic slinky electronic house jam that gets under your skin and into your mind. This latter track is mutated into a heavy floor filler by Mark E in full on peak time mode.
Review: As Until My Heart Stops turns 10, we head back across the Atlantic , this time to Boston and a stunning ep from the still hugely under rated DeViere.DeViere is a music producer and radio disc jockey (Progressive Black, 90.3 FM WZBC Newton) based in Boston, Massachusetts. He first came to our attention with the Transcendental Numbers ep on Jamal Moss' Mathematics label in 2012 and we've waited on each release ever since, including last year's huge Future Shock Disco ep (a collaboration with Jamal himself). Here DeViere presents 3 beautiful examples of his deep, soulful craft and a fitting way for UMHS to hit double figures.
Review: After a pair of superb 12"s from Duckett, Untilmyheartstops turn their attentions to across the Atlantic with the label debut of Zachary Lubin. Fans of the Kimochi label will recognise Lubin from the two wonderful 12"s he's committed to the cause over the past three years, and this four-track Future Laboratories record is a fine addition to his small discography. "Flooring Operations" opens proceedings on a dizzying techno tip, a kaleidoscope of sound billowing up around the taut bass drums, whilst "Mediation Garden" will please those who like some sonic grit in the mix. By contrast, the excellently titled "Ambivalent Robot" veers off into insouciant, glistening techno and is quite life-affirming. "Chloroform" rounds out the 12" on a similarly warm tip.
Review: A big Juno bear hug goes to the folks from Tresor for releasing a string of sublime re-issues this year. The latest is Drexciya's seminal Harnessed The Storm long player, generally a much darker affair than Neptune's Lair, which itself was reissued earlier this year. It is hallmarked by longer, more exploratory tracks, full of sinister twists and turns. The stormy electro thunder of "Digital Tsunami" is perhaps the standout moment here, closely followed by the subterranean squelch of "Soul Of The Sea". "Dr Blowfins Black Storm Stabilizing Spheres" has an eerie crackle that predates the current vogue for dark atmospheric techno by nearly a decade, while the robotic key melody on "Song Of The Green Whale" marks it as the LP's most playful moment. Highly recommended for electro and techno purists alike.
Review: A promise is a manifestation of intent to act or refrain from acting in a specified way at some point in the future. It's communicated by one party, to at least one additional party, to signify a commitment has been made. The person manifesting intent is the Promisor. The person to whom the manifestation is addressed is the Promisee.
Review: After bringing Kangaroo Skull and Cale Sexton to light on previous releases, Temporal Cast once again provides a platform for lesser known talent with this, their third release. Born in Italy and based in Australia, Chiara Kickdrum has only had one digi-only EP out in her name previously, so this release marks a big milestone for her. "Pulsar" is a subtle and refined opening gambit, using a reduced set of cyclical rhythms and draping distant pad notes over the top of it for a perfect exercise in techno elegance. "Moebius" is at the other end of the spectrum, all bloated drums and cavernous reverb decays creating a monolithic atmosphere. "Anomaly" meanwhile maximises on negative space, using a dry drum palette and keeping things firmly submerged - the whole EP is a masterclass of restraint and control.
Review: The revival of Symbolism continues with J.C. & Kastil. J.C. aka Jose Cabera is otherwise known as Spanish house producer Kasper as well as cropping up on Fred P's Boards imprint as J.C. in 2014 while Kastil is widely recognised for his output and stewardship of Soul Notes.
Review: Having first surfaced last year with their first various artists release featuring the dearly departed Andreas Gehm, the Stealth Mission label is back with another four-strong salvo of no-nonsense acid, electro and techno. Naked Eye People kicks off proceedings with the punishing jacker "Short Distance" before Barrow Boy whips up a perfect slice of malevolent 303 mischief on "BTB (Demo Mix)". On the B side there's space for a little more reflection with the spacious pings of Bobby Durst's "Shape Shifting" before Mike Storm turns the heat back up on the delightfully unhinged "Dark Sight (Sims JFF Edit)".
Review: "Following up on the excellent 'Stabbed in Konya' EP for Peur Bleue, SORN welcomes Gohan to the fold. Three tracks of dystopian techno for the heads, plus a Boddika-esque remix from newcomers Ikpathua & Paterson. Recommended."
Review: As a staunch representative of Midwest techno since the mid-nineties, Fanon Flowers has always skirted on the periphery of the scene rather than getting placed on the pedestal many of his neighbours do, but this return to UK's Sect Records sees a further widening of his reach, with this particular record embracing his dub techno side with a cavernous chord deployment and plenty of metallic hits. Substance is on deadly form for the remix, trimming said chord down to a fine point and adding some welcome funk into the arrangement to a thoroughly engrossing end.
Review: Liverpool's Scenery Records has been making a real splash over the last 18 months, delivering the kind of top notch, analogue-heavy deep house gear that invites comparisons with the best labels from Vancouver, Washington D.C and New York. There's plenty more to cheer on this label debut from Liverpudlian producer Binny, not least the immersive melodiousness, dancing synthesizers and rhythmic hustle of "Retrospective". Chicago Skyway delivers two impeccable rubs of that track, with the second - a new-age techno stomper built around beautiful synthesizer arpeggios and drum machine cowbells - standing out. Flip for the glassy-eyed intelligent techno-meets-deep house thrills of "A Moment In Time", which is also given a pulsating acid techno makeover from Scenery veteran Circular Rhythms.
Review: HVL has landed on many different labels in recent years, but Rough House Rosie will always be something of a spiritual home for the adventurous deep electro and techno craftsman. Across the Hidden Valley EP he displays a fluid, instinctive approach to composition - "Enslaver" rolls out like a live jam but the detail and control embedded in the track is astounding. "Distom Spook" is charged with nervous acidic energy, while "Lemon Stealer" takes things in a more experimental direction with all manner of snaking synth voices wriggling around a crisp electro beat. "Crow Hill" finishes the EP off with a slow, rolling breakbeat groove and hazy pads for a quintessential B2 wind-down session.
Cage & Aviary - "Lean On Me" (Felix Dickinson Foolish dub)
Posthuman - "Make More Man"
Review: Just as the new football season settles into it's groove, the fourth edition of the highly collectable Rothmans arrives sporting some high profile signings! Leading the way on The Claudio Gentile Release is a Foolish Felix dub of Cage & Aviary's "Lean On Me" whose deranged acid gurglings provide a nice contrast to the thrusting Escape From East London stylings of Posthuman's "Make More Men". On the flip Ali Renault returns for Rothmans duty with the Weatherall worthy "The Black Heart" whilst Iron Blu is loaned from Flight Recorder for the synthy swamp of orchestral drama that is "Oiche Shamhna"
Review: Presenting the fourth vinyl release, Los Angeles imprint Reinhardt welcomes Romanian sonic explorer Akim# to the fold. Culminating in four tracks crossing genres and themes, pulling from influences and experiences throughout a history crafting his art within the Bucharest electronic music scene.
Taking elements of ambient, electronica and techno, channeled through a dream-state lens. The Phosphene EP is created for the dance floor with a soundscape sensibility, making for an unmapped odyssey.
Review: For the debut of New York's anticipated Purple Trax label, a new formation of key players in Brooklyn's underground debuts with an EP sure to entrance fans of L.I.E.S., White Material, and other established NYC labels. Composed of Terekke, local DJ/producer Jan Woo, and Erez Avissar, label head and founder of the respected Weird Magic parties, Wabi Sabi's dusky and diverse sound comes from its origin in loft jams, but tracks like the closing 'Rx' with its powerful dub techno framework show the work of seasoned talents. Patricia's cameo on 'Casper' is the record's strangest sound, a propulsive house groove with explosions of crackling texture and a bassline deeply buried in fog, while 'Babi' stutters along between the drum pulse and its disappearances into deep wells of delayed vocal samples and gentle melodies. Vibes are saved for the opener 'Moon River Membrane', where Terreke's characteristic cosmic haze comes out more heavily, complemented by the genre-bending psychedelic tendencies of Avissar's programming and Woo's weighty low-end.
Review: Naura Records presents the third release of the Bleak series.
'Relics' is a full oriented dance floor track, twisted and static in all directions.
'Black Ice' reveals itself as a cataclysmic and intelligent analog tool with pulsating baselines and profound deepness.
Review: The man behind the track that Move D proclaimed "owned the dome at freerotation" , returns with 3 new tracks of deep machine grooves, his first release since 2013's Analogue Mapping. "Frey'd" is built around a synth patch stumbled upon whilst conducting a test on one of bovill's machines with rennouned Synth engineer Frey Smith. Opening with playful ,bubbling analogue tones and nostelgic pads, before characteristic basslines, percussion and 303 lines join in, ending on a spaced out contemplative groove . " L.A.T. " is a more stripped down track, which ebbs and flows around subtle builds, tweeks, and delays, perfect for the deeper late night dancefloor. Closing the ep is Golden burn, the deepest and most dubbed out of the 3 tracks, sprinkled with emotive keys, and underpinned by distinctive bass lines.
Review: Lustwerk Music presents a mysterious new entity known simply as The Fock. With little to no background information, this record stakes its own claim within the Galcher-verse by offering up a range of mixes of "Shat Pop." The "Saldes Mix" is a proper immersion heater of cerebral techno, while the nervy, stomping "Flood1 Remix" is credited to White Material regular Young Male. The "Electro Mix" has a squelchy, boogie-inflected palette offset by woozy atmospherics, and the "Ambient Mix" unsurprisingly does away with the drums and drifts in limbo with a disembodied tannoy announcement for company.
Review: Following choice wares from tape_hiss and Pascal Viscardi, Love Notes stride into winter with a fulsome offering from lesser-known artist Subtenant, who packs just the right balance of classic acid and modernist techno into the three original tracks on this 12". "Evergreen Soul" looks set to turn heads in the club with its playful organ flex hopping around the punchy 303 notes, while "Artisanal Acid" brings some homespun hardware handiwork to the table. "Know How It Feels" drops in at a slower tempo, but it's D'Marc Cantu who steals the show with a dynamic remix of the title track loaded with detail and shot through with dub.
Review: Romania's newest source of experimental minimalist, Listen2Me, digs up a new talent by the name of MGCH, and shoots him - or her - onto our shelves with this small marvel of an EP. "87" is a delightful tune, a glitchy minimal groove that travels between house, noise and electro with utter ease and pure elegance, a sound that is matured further via the rhythmic sway of the moodier, dubbier folds and clicks of "Is This It". There's a trio of leftfield charmers on the flipside, spear-headed by the warm and placid glow of the near beatless "What For", evolved into something of a lounge house mood on "How You See", and tied off by a dubwise reinterpretation of "87" by Serb. TIP!!
Review: The fourth installment in the Legwork Records saga sees label heads Lance DeSardi & Leopold come together under the artist moniker LEGWORK. For their first outing under the name they start with BUCK SHOT, a techno-soul chugger featuring a remix by the futurist himself, Matrixxman. On the flip, the boys go in for a straight-ahead killer with MEAN 2 ME and a more musical version of the same tune, KEY 2 ME.
Review: The recent news that the Jealous God label is planning to wind down was slightly softened by the impressive selection of releases that will appear before it does. Chief amongst those was this EP from Champagne Mirrors, an alias of Blackest Ever Black contributor Alex Barnett. Extended Communication Techniques is as dark, unsettling and creepy as you'd expect, with occasional shards of light - a headline melody here and there, with similarly rare slivers of woozy electronic positivity - helping to balance out Barnett's dystopian tendencies. It's one of those sets that benefits from repeated listens, with each successive play revealing additional layers of moody detail.
Review: "HYDRAFUNK is an exciting Detroit Techno inspired collaboration between Immigrant Records owner and label manager Robin Porter and US analogue synth guru Mike Carr. The duo first collaborated back in 2002 releasing the 'Mental Stealth EP' on Immigrant, featuring the bassline and synth heavy 'Fathernature', a track that found it's way on 'Evil' Eddie Richard's Fabric 16 mix CD. Their debut three track EP, Beasts From Below, fuses the analogue aptitude of Mike Carr and Robin Porter's attention to sound frequency, arrangement detail and understanding of the dance floor, delivering an intoxicating peak time package of delight. "Underworld" is a deep journey of melodic synth work and chugging groove that travels into dark territories, complimented by uplifting percussion that builds into a peak time beast from the deep. On the flip, "Immortal Melody" delves even further into moody territory delivering a tantalising array of dreamy synths and jackin' old school percussion, that submerges into an abyss of texture before rising up into a dance floor banger. Closer "Hydra's Dance" is definitely not a token bonus track and is the most dance floor friendly cut; featuring Robin's knack for creating powerful basslines, unique vocals and Mike's ability to create depth and texture with his analogue synth programming."
Review: DJ Octopus begins 2015 as he finished 2014, with a typically forthright selection of late night jams that join the dots between vintage deep house, acid, European techno and the analogue style jack tracks of Willie Burns and the L.I.E.S crew. There's a particularly day-glow feel about deep house opener "Untitled", which features looped organ riffs and energy-packed drum machine rhythms. "The Player" switches things up nicely thanks to some brilliant, cut-up slap bass antics, while "Ghost Antics" sounds like the sort of early British acid track that was found lying around on a dusty DAT. Finally, "Purple Pills" invited you to drop illicit refreshments and lose yourself in a brightly coloured fusion of rave chords, bounding beats and clandestine textures.
Review: REPRESS: The second release from the Hlanganani label lives up to it's MO to provide a platform for talented producers from South Africa to shine, focusing here on Deep Sixty, aka young and fast-rising producer Johannesburg producer Thabiso Mamogwa. Back in 2010, the producer made it to London to take part in the Red Bull Music Academy, which is when the HLANG team first heard the tracks that make up the Mme Hayo EP whilst some studio time on the same trip with Todd 'Soundmurderer' Osborn resulted in the "Thursday Nights" track which Mamogwa previously self-released. In addition to Deep Sixty's own 'Deep Terror' mix of "Mme Hayo", the label have coaxed some fine remixes out of Esa and William Kouam Djoko.
Review: For Finitude Music's 5th release, label owner Marcel Heese and Alexander Kowalski aka d_func. share their visions on ""Thought Control"".
Both tracks on the EP harbour the same intent, but each of them approaches it in a different way. d_func.'s take revolves around Sahko-like bleeps - if you are into early Mika Vainio or Sleeparchive - look no further! But instead of being loopy, it's definitely a builder. Its original trance track-like structure is sure to rock many an underground dancefloor.
Marcel's vision is slower and less straight-forward but creates and maintains a high tension. Based on dense a bassline and intricate soundscapes, it builds up slowly, only to explode halfway through. An extra payoff also comes at the very end of a track - its noise/ambient outro making a perfect way to wrap up an amazing party at 8AM somewhere deep in the heart of Berlin.
Review: Finale Sessions is excited about this reease and we are greatfull to bring you Natan H hailing fro the "City Of Angels" Natan has this energy that we at Finale Sessions as of late have not been able to find so as you know we are estatic to get this out to the masses and give you a little taste of what is going on out on the Left Coast and we start with the track "Lignes" with its melodic pads and its wavering synths make for a latenight beauty for sure then we move to track 2 which is " 0 (Phase)"This track is another latnight stomper with moving chords and melodic drum patterns that keep it a smooth sounding pieace, Then last but not least we have the song "Invariant" (Feat.Jordan) This dub techno track is floor filler for sure with its heavy laden pads and synths and its monsterous sounds one of my favorite tracks at the moment . We want to thank you at Finale Sessions for giving us the opportunity to share this music with you and we hope you enjoy it
Review: The second release on FINA White is a four tracker from rising Barcelona producer and former RBMA attendee Clip! Diverse releases on Discomaths, Classicworks, Sweat Taste and JD Records, coupled with his signature 'hardware only' live shows have really put Clip! on the map locally and throughout Europe. Key to his sound is a shifting style and impressive knowledge of sound design, displayed on this Brotherhood EP though four pure and unadulterated peak time cuts. There's a real menace to the bassline, low end throb and razor hats of the title track, whilst "R36" showcases the fusion of sounds Clip! can attain in his productions. On the flip side, "Forward" is, surprise, a no messing, relentlessly percussive banger whilst "Dissonance's Technique" heads down an equally straight-up, rough n' ready path.
Review: Haunted Doorbell are Timothy J. Fairplay and Matilda Tristram who released 'Xylophone' together last year on Astro Lab Recordings. Picking up where Xylophone left off 'Unconnected thoughts on jacking' is four tracks of naive melodies, rough slamjack drums, and new age atmospheres. 'Starclash' kicks off side A, with its dramatic arpeggios and SID chip crashes, Techno to soundtrack the Saturday night laser show at the planetarium. Following is 'A night of adventure' with its eastern scales and washy broken chorus unit hiss. On side B we have 'Beautiful Sheffield' - an ode to electronic music's (possibly) most important British city and the title track rounds of the EP - house music for listening to while looking out to sea.
Review: Scott Fraser and Timothy J Fairplay's Crimes Of The Future label has had quite the banner year, ushering in various projects from the pair as well as seeking out like-minded contemporaries such as Perseus Traxx. The latest Crimes of the Future release introduces Bulb, another project bearing the label founder's finger prints along with a high profile third colluder in one William Burnett. Apparently laid down at WT Records HQ in the spring of 2014 whilst Fairplay and Fraser were committing Crimes in NYC, Bulb is a bold offering from the trio with two extended dancefloor workouts taking a side each. "Light It Up" pairs ghetto techno breaks with something from wayward Kosmiche studio experiments in deepest Germany, whilst "Dimmer Switch" plunges into a world of psychedelia and cavernous cave dwellings thanks to some dark ambient synthesis and stabbing drums.
Review: UK techno stalwart Steve Bicknell's Lost Recordings series must be one of the longest running in dance music; the Lost and Cosmic founder has been putting out previous unheard material from his early '90s heyday on and off since 2004. There are few surprises on this 10th edition, but plenty of slamming, no-holds-barred grooves. The hissing, spacey, cymbal-heavy "Track 3" is particularly trippy, while there's a gnarled, ragged intensity about the pulsating heaviness of "Track 1". Arguably best of all, though - ambient interlude "Track 2" aside - is "Track 4", an eerie techno shuffler built around a wonky, off-key electric piano loop and fizzing percussion.