Review: "The Box" is a collection of the earliest and perhaps most cherished recordings by UK producer Dennis Huddleston, better known as 36. Written between 2005 and 2012, it compiles the albums Hypersona (2009), Hollow (2010) and Lithea (2012) into a 6LP boxset, alongside a bonus LP of exclusive and unreleased tracks titled Orphans. Originally written as a triptych, The Box showcases an incredibly eclectic, deeply emotional range of tracks, bridged together by that optimistic melancholy, which has since become the hallmark of the 36 sound.
Review: Past Inside The Present has really gone to town with the re-release of this 36 album The Lower Lights: it comes in several different formats and vinyl versions with this one being a limited, numbered and opaque red vinyl including a download code. Musically it is just as essential as a collection of tracks from a year-long 'Audio Diary' project undertaken by 36 between April 2018 and April 2019. It first came back in May 2019 and soon sold out, such is the quality of the vibrant and eclectic ambient sounds within. This is not sleep-inducing background material, but rather emotionally charged soundscaping with a mix of dark, futuristic and urgent pieces all making the cut.
Review: Old school Wisconsin based thrash-inflected death metal mammoths, Jungle Rot, make their Unique Leader debut with, A Call To Arms; the follow up to their crushing 2018 self-titled effort. With seasoned, visceral chops honed throughout the seminal nineties era, the band are an ironic outlier residing on a roster of slamming deathcore acts who all owe retrospective credence. Invoking their moniker and artwork with images of voodoo occultism, the decrepit, Lovecraftian design shrouds the jagged riffage, guttural vocals and claustrophobic percussion in a cosmic, otherworldly atmosphere.
Review: An about-face is a complete and utter change in direction; it's this sonic capriciousness that the producer, whose namesake is drawn from the word, finds solace in, and wishes to welcome. Following a period of exploring theta wave and hemi-sync techniques - don't ask us, we're still not sure - the artist also known as Le Sculpteur d'Esprit (the Mind Sculptor) is said to have touched down in this dimension with the ambition to transport listeners through at least four portals of altered consciousness; each of these are intended as thought-worlds in which interactive sculptures, evoked through sound alone, are revealed in the listeners' collective mind. From opener 'Le Tournesol (The Sunflower)' to closer 'L'il De L'elephant ('The Elephant Eye'), these are thoroughly well-sound-designed sonic lemni-scapes, bringing complex sets of progressive builds and electro-spirituals to an awestruck form; immaculately experimental, the record would sound well at home on an Invisible Inc. or Cascine tape.
Review: If you're familiar with imprints like Nous'laer Audio, AD93, Tikita, or Semantica, but haven't yet explored the galaxy of sound coming from Ahrpe Records, now's your chance. Amandra is one of two heads behind said stable, and here the French producer shows everyone what time it is with a space walk through acid warbles and tribalistic rhythms. Neither of which give a particularly accurate description of what's here, but both are defining features of the tracks and EP as a whole. Whether it's the jazz-imbued shuffle of 'Prorokini', the phat wobbling steps of 'Brera Som Som' itself, or the wall of distorted percussion on 'Fanfaron', all four originals are standouts and hard to compare, while the cherry-picked remixes show just how much can be done with what's here, if the right ears are involved.
Review: Using only a guitar and the occasional synthesiser, this two-track debut album is a visceral experience, with the record quickly pulling us into a listening world thick with uncertainty, unease and disorientation. At times, the experience is just plain chilling, with some of the more crystalline moments on 'Track 2' invoking the sinister melodies of a 1970s horror movie soundtrack. Amazingly, these aren't the darkest sections, either. The feeling of doom is omnipresent throughout, with distorted noises nodding to the clank and screech of old rusted metal, or simply the strange sounds that come with being in the house alone at night. Environmental recordings are interspersed, which only adds to the sense of not quite being alone in this place. A moody, highly compelling ride that sends shivers down the spine for both musical and atmospheric reasons.
Review: The festive season can be busy, stressful and quite frankly hard work. Thank you to Joel Andrews then for serving up this perfect excuse to take half an hour to yourself and get lost in his most lush and soothing ambient sounds. The A-side is taken up entirely by 'Paradise Bird' which is rich with spring-like energies and delightful uplifting melodies. But this limited long player also offers more quiet moments of calm and introspection such as on the harp-like and heavenly melodies of 'Chamber Of The Heart.' Glorious stuff that will enrich and energise your life with its subtle and charming beauty.
Review: Scott Monteith is the Berlin-based but Canadian-born artist best known as Deadbeat, stepping out with new alias Ark Welders Guild. It is an audio-visual performance and recording project with Italian singer and curator Letizia Trussi, whom he met in winter 2021 and has since formed a strong creative bond. They work in Trussi's Rooms of Kairos studio and have already cooked up two album length pieces that come on Monteith's BLKRTZ imprint. Mons Clepsydra is the first and is an epic drone in four parts with string recordings permeating the moody, grainy, heavy atmospheres.
Review: olafur Arnalds' Broadchurch: The Final Chapter captures the conclusion of the acclaimed British drama with a deeply atmospheric score. This 15-track collection, released by Mercury KX, showcases Arnalds' signature emotive style, blending haunting melodies with subtle, immersive textures. The soundtrack is integral to the series' final season, enhancing its dramatic and emotional impact. From the introspective 'I Could Hear Water' to the poignant 'Take My Leave Of You' featuring Arnor Dan, the music threads through moments of tension and resolution with grace. Each composition, such as 'Ellie's Theme' and 'Going Under,' builds on Arnalds' previous work, reflecting the show's profound narrative and character arcs. Housed in a single-pocket picture sleeve, this LP offers a seamless continuation of Arnalds' collaboration with the series and an exciting and dramatic ending.
Review: Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings. Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name. Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.
Review: Reportedly inspired by its' creator's thoughts about the impact of humans on the earth (and specifically the sentient life we share the planet with), Alexander Gluck's second album as Aware is an undeniably bittersweet affair. He's already proved adept at crafting atmospheric ambient pieces underscored by exceptional sound design, and Requiem For a Dying Animal takes this up a notch - not only by wresting every last drop of emotional weight from his chords, melodies and musical motifs, but also thanks to a subtle air of neo-classical grandiosity. The four cuts on show - with the near 18-minute closing cut offering a genuinely breath-taking conclusion - combine to create one evocative, slowly-shifting piece smothered in experimental sounds and tweaked field recordings.
Review: LILA mainstay Ayaavaaki and ambient veteran Purl speak different languages but used a translator to convey ideas to one another as they made this record. And they very much foment their own unique musical language on Ancient Skies, an album that blends ambient, drone and space music into richly layered soundscapes that are constantly on the move. Each piece is meticulously crafted and suspense you up amongst the clouds, hazing on at the smeared pads and swirling solar winds that prop you up. It's a record that would work as well in the depths of winter as a bright spring day such is the cathartic effect of the sounds. Beautiful, thought-provoking and innovative, this is as good an ambient record as we have heard all year.
Review: Hardanger is a collaboration between Mariska Baars, Niki Jansen and Rutger Zuydervelt. Named after Jansen's Hardanger fiddle, the album expands on Baars and Zuydervelt's established chemistry after beginning as Jansen's improvisations with Baars adding vocals and guitar, all later shaped by Zuydervelt into two long-form tracks-one an electro-acoustic collage, the other more meditative. Baars blends ambient and folk and is known for collaborating with artists like Peter Broderick, while Jansen is a folk violinist and Zuydervel's prolific output as Machinefabriek is well worth checking as are his film scores and collabs as Piiptsjilling and Fean with Baars.
Review: Banyek is next up on the prolific Lithuanian label Greyscale with Alue, a new album that marks the imprint's 37th full-length overall. It is a typically expansive and immersive listen that takes inspiration from cities like Riga and Espoo. Dub techno, ambient and experimental all infuse the sound waves and the intricate craft of Banyek means you're always hooked onto some small detail as the gentle rhythms flow over you. There are stark melodies and more airy atmospheres, minimalism masterpieces and calming sounds a plenty as this most super exploration of tone, time and texture plays out.
Review: A narrative. An odyssey. The journey of a lifetime. As the world locked itself away and the Covid-19 pandemic took hold, Battaglia stepped into the record studio and evidently fired up the ignition rockets. Travel in the literal sense may have been off the cards, but Season One certainly transports the listener through a deep and complex sonic tapestry, telling a tale of struggle from fear into hope and onto something altogether unique and new and enlightened. Plenty here has been inspired by the aural work of John Carpenter and Tangerine Dream, to name but two influences, but ultimately where Battaglia is taking us feels resolutely new. More so, tangibly unchartered. Out to the farthest reaches of the known galaxy and back again in a stunning collection of strange and beguiling electronic business.
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