This mixer face plate is absolutely stunning, the face plate is a perfect mirror gold finish using the highest quality material.
Everything is made with exact precision and also included are two plastic EQ and top display components so you don't have to dismantle your original mixer face plate.
- Precision cut metal covers that fit right over your existing set up.
- Fit perfectly snug with deck lids up or down.
- Cut-outs for the hinges.
- Four folds ensure maximum strength.
- Installing the cover is a breeze. Simply slide them over the tonearm assembly and the cover drops in place.
- Precision cut metal covers that fit right over your existing set up.
- Fit perfectly snug with deck lids up or down.
- Cut-outs for the hinges.
- Four folds ensure maximum strength.
- Installing the cover is a breeze. Simply slide them over the tonearm assembly and the cover drops in place.
Compact 2-way stereo speakers, with ABS enclosures and a sturdy metal grille. Suitable for free standing or wall mounting via adjustable fixing bracket. The trapezoidal design allows for the enclosures to be mounted neatly into corners, making them ideal for Hi-Fi and surround sound applications.
With 2.4GHz low-latency wireless connectivity, EWI5000 empowers you to perform freely with a dynamic performance instrument in hand. It supports stereo wireless audio and includes a receiver for instant mobility on the stage or in the studio. EWI5000 also supports wired audio and MIDI connections for integrating with additional external performance and production hardware. Plus, its powered by a rechargeable lithium-ion battery, so you can take EWI5000 with you and play it anywhere.
For precisely controlling volume and pitch dynamics, EWI5000 features an ultra-responsive mouth piece with an air-pressure level sensor and bite sensor. In addition, eight dedicated precision dials allow you to adjust instrument or effect parameters on the fly; tweak Filter, Reverb, Chorus, LFO, Breath Amount, Bite Amount, Semitone Tuning, and Fine Tuning for a sound that's as expressive as your playing.
EWI5000 is a powerful instrument that expands the performance capabilities of woodwind and brass musicians alike. With support for multiple playing styles, its interface can be switched to flute, oboe, and saxophone fingering modes. An EVI (Electronic Valve Instrument) Mode is also included for brass players. Whether you're a classically trained flutist looking for a modern instrument, or a seasoned EWI player looking for finger-position flexibility, EWI5000 has you covered.
USB-MIDI connectivity and a 5-pin MIDI output enable you to expand your sonic palette by controlling software synths, virtual samplers, or traditional MIDI modules. EWI5000 comes with a built-in 1/4-inch output for connecting it directly to PA systems and a 1/8-inch headphone output for practicing privately. A USB cable and wall adapter are included to recharge battery power via USB or wall power.
EWI5000 comes loaded with more than 3GB of built-in high-quality sounds designed by SONiVOX, a leading creator of premium virtual instruments and software synthesis technologies. These instruments span across just about every music genre and put traditional orchestral sounds (e.g. horn, brass, woodwind, and strings) and non-traditional sounds (e.g. progressive synths, basses, and leads) at your fingertips.
Expand your creative capabilities with the EWI5000 Sound Editor software. This custom software editor is a powerful platform for manipulating EWI5000's sound library on your Mac or PC. Connect EWI5000 to your computer via USB; call up any instrument from the library; and use the filter, two LFOs, pan knob, tune control, and multiple envelopes to tweak it into something entirely new. Then, store your edits directly on your EWI5000 for a customized instrument library that's ready to perform whenever you are.
The P120 is a 2/3-inch diaphragm true condenser microphone that offers solidly built quality, outstanding performance and excellent value.
The low-mass diaphragm delivers a clear sound with accurate sonic detail for vocals, speech and instrument recording in project studios and for home recording.
The Triple Envelope Generator contains 3 very fast independent ADSR-Envelopes. There are 2 different time ranges switchable. Every Envelope got an inverted output - the Gate-Inputs 2 and 3 are normalized to Gate 1.
- Attack, Decay, Sustain, Release controls for each envelope generator
- Each of the 3 envelope generators can be triggered independently or normalized to Gate 1
- Each envelope generator has an time-switch for choosing between short and long times
- Each envelope generator has an normal output
- Each envelope generator has an inverted output
- Gate jacks 1, 2, 3 - Input jacks for Gate signal 1, 2, 3
- Output Jacks norm. 1,2 3 - Normal Output jacks 1, 2, 3
- Output jacks inv. 1, 2, 3 - Inverted Output jacks 1, 2, 3
- Switches Range 1, 2, 3 - Range switches 1, 2, 3 between short and long times
- Knob Attack 1, 2, 3 - Attack Time 1, 2, 3
- Knob Decay 1, 2, 3 - Decay Time 1, 2, 3
- Knob Sustain 1, 2, 3 - Sustain Time 1, 2, 3
- Knob Release 1, 2, 3 - Release Time 1, 2, 3
Measures: 21 TE
Power consumption: -12V 23mA / +12V 36mA
The USB Phono Plus is the ideal solution for transferring any highly prized vinyl collection to your computer or laptop. It is also the ideal high performance audio interface between analog and digital sources. Built in low-noise RIAA phono pre-amp circuit with low cut filters (to remove rumble and noise) guarantee pristine audio capture.
Front mounted gain control and Signal/Clip LED allows easy optimization of a wide range of analog input sources. The USB Monitor/headphone provides zero latency monitoring of the input source for easy cueing. The USB PhonoPlusPS can also act as audio playback source for any USB equipped computer or laptop. Optical TOSLINK Input and Output as well as an S/PDIF Input make the USB PhonoPlusPS an ideal analog / digital audio to USB interface as well.
The built-in low noise Phono Preamp circuit is highly accurate and precisely conforms to the RIAA standard. The Line Out jacks are always connected to the input preamp signal for source monitoring or to allow use as a stand-alone phono preamp.
Housed in an all aluminum black anodized case, the USB PhonoPlusPS can be powered by either external power supply or directly via USB port. To ensure maximum versatility, the USB PhonoPlusPS is fully compliant with the USB 2.0 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with Windows 98SE/ME/2000/XP/Vista/7 USB audio device drivers as well as Apple OS9.1/OS-X computers with native USB support.
USB PhonoPlusPS ships with SoundSaver Express software.
Born from the lineage of its predecessor, MiniBrute 2 is an adaptable, dynamic synth with semi-modular architecture and huge connectivity. This is synth evolution.
From the earliest electronic instruments, synthesizers have expanded and enhanced the possibilities available to musicians. We decided not only to apply this mantra to the sound of our new instrument, but to synthesizer itself. MiniBrute 2 was born! A synthesizer that would sound huge and yet be compact, self-contained and versatile. An instrument that would be both comprehensive and evolving.
MiniBrute 2 sweeps conventions aside, in terms of sound, features, and preconceptions of what a synth should be.
A small beast with a powerful voice:
Let's be honest, you're not here because you want the same old synth, are you?
The MiniBrute 2 has nothing to hide. Take a look at its front panel, get yourself acquainted. You'll notice the now-iconic Brute oscillators, the acidic Steiner-Parker filter, and the mayhem-inducing Brute Factor knob that has become the signature Arturia synth element for many fans.
Looking a bit further, beyond the usual modulation sources and controls, you'll notice some exciting, unexpected features: a second VCO; a second LFO; new VCO and Filter frequency modulation possibilities; modifier-related modulation destinations; a brand new, loopable AD envelope. Once tamed, this little beast will reveal the full range of its vocalizations, including raging leads and piercing sequences, as well as smooth pads and purring bass.
The time is nigh, the moon is full, and MiniBrute 2 is ready to howl.
A polymorph with a pack instinct:
There are two ways that creatures thrive: adapting, and grouping together. MiniBrute 2 is a master of both.
Thanks to its massive CV/Gate patch bay, you will be able to reinvent and restructure your MiniBrute 2 at any time. The synth is semi-modular, even with no patch leads connected, and each of its features has already been cleverly, inspiringly routed. If you want to start dissecting the sound and experimenting, you will find direct, 100% safe access to the MiniBrute 2's genetic code on the right of its front panel.
Modulating the Metalizer amount to an audio pulse? Having the AD envelope affecting its own decay to make it sharper? Affecting the VCO1 FM amount with the LFO? You get the idea. The possibilities are practically unlimited, and even more so if you have CV/Gate-enhanced gear and Eurorack modules to welcome into the pack.
No natural selection here. With MiniBrute 2, you set your own rules of sonic evolution.
- MiniBrute 2 unit
- Power cord
- 8 patch cables
- "Cook Book" jam-packed full of superb sonic recipes for you to try out, put together by some of the most illustrious synth-chefs around
Proton is Audio Damage's take on the classic Karplus-Strong tuned delay line physical modelling synthesis. Take a capable "vintage digital" style delay line with 1V/Oct clocking, and add an enveloped noise burst, and you have a plucked string physical model. This is wrapped up in standard Audio Damage aural hijinks, and Proton is the result.
Starting with the delay line, which is "tuned" via the coarse and fine tune knobs, add a quality low pass filter (modelled on the MS20's LPF) and damping circuits. This is hit with a noise burst from an analog random number generator that passes through two more filters and an envelope with decay to produce the plucked sound. A "CHOKE" input empties the delay line, for extra dynamic control.
Since Karplus-Strong synthesis lacks bottom in general - the "SUB" control adds a sine at the fundamental frequency to produce gut-churning low end in the bass register. The result is a physical model synth that is capable of both delicate harp-like plucks and monster face-melting basslines.
The mini innoFADER Plus S Solder pin Version allows you to get precision cutting on even the most basic low cost MIDI controllers. Just like the mini Innofader Plus the solder version offers the same 0.1mm precision cut point and under 1msec response time. No longer are you "stuck" when your controller has a compact fader soldered to the PC board. Having the solder pin S version means you can essentially transform your average controller into a pro model. We even included an external switch so you can adjust the mini Innofader PLUS-S without having to remove it.
NOTE: This model requires some soldering.
The AD2000X's excel at accurately reproducing classical and audiophile materials. These headphones are designed with lightweight aluminium honeycomb casings, which ensure absolute comfort for long periods of wear. The unique 2-part headband has self-adjusting wings which exert little pressure and absolutely no force on the crown of your head, maintaining an immersive, enjoyable listening experience.
This product keeps the basic design of non magnetic core MC type cartridge AT50ANV and changed the coil winding frame from a pure titanium armature to a newly developed liquid crystal polymer armature by an injection molding. This product also succeeds in reducing the weight of the vibration system compared to AT50ANV and provides the extremely natural and clear sound quality and ability to express three-dimensional sound fields inherent to non magnetic core types. ln addition, this product enables an output voltage of 0.12mV, a relatively high output level for a non magnetic core system.
Liquid crystal polymer used for the coil winding frame has not only an extreme mechanical strength but also an unique property which increases the mechanical strength as the product becomes thinner. Therefore it is the most suitable material for the vibration system of cartridges. This has high intensity and vibration absorption properties, enabling high-quality sound by suppressing unwanted vibration when from power generation.
The magnetic circuit of this product uses a large-sized neodymium magnet with approximately twice the volume of conventional Audio-Technica ferrite core MC types. (Maximum energy product BHmax: 50 [kJ/m3]) The permendur magnetic circuit parts located around the magnet have also been newly designed to maximize the strength of the intensive magnetic field in the coil gap. This magnetic circuit increases the output voltage, and also enhances playback capability in the medium-to-low-frequency range that is said to be a weak point of conventional non magnetic core MC types. This provides a very accurate frequency response.
The stylus tip is a special line contact type with a 40um x 7um curvature radius (used in the AT50ANV) and a solid boron cantilever with a 0.26 mm diameter. This allows accurate transfer of music signals read by the stylus tip to the power generating moving coils.
The base that supports the magnetic circuit and vibration system is made of machined aluminium material. This enables it to serve as a solid base to support stable playback capability.
The housing is made of machined aluminium materials and the cover is made of hard plastic materials. This disperses parasitic resonance and results in clear sound quality.
Custom-fitted hardcase included.
The audiowerkstatt midi-clock-divider divides the MIDI-clock of the MIDI-master, whereby the MIDI-slave runs correspondingly slower. The division-ratios are 1/1, 1/2, 1/3, ..., 1/8, 1/9.
If the division-factor 1/1 is selected, the MIDI-clock is simply passed through. With the division-factor of 1/2 the MIDI-slave runs at half the speed. So 16ths-notes will be 8th-notes and the loop is twice as long.
Very useful to double the loop length of the MIDI-slave (eg MIDI-sequencer or [audio-]looper). When using the division-factor 1/8 and an originally one bar long loop runs over 8 bars.
And good for experimental musicians, especially if an odd division-factor is selected and MIDI-master and slave seem to be not in sync, but from time to time come together in perfect sync.
You can also set whether only the newly created MIDI-clock and mmc commands (start, stop, continue) are sent or the, at the MIDI-in incoming data, will be mixed with that.
The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144dB without distortion.
The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2kHz -10kHz along with a flat, fully extended bass response from 60Hz - 1kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 an excellent choice for broadcast and live recording.
Designed, assembled and tested by Audix in the USA.
Active sub cabinet with 8" (20cm) reinforced driver and internal amplifier with active filter circuit. Inputs are on twin RCA or from a stereo amplifier on spring terminals (between amp and mid-top speakers).
Cutoff frequency and Gain rotary controls can be adjusted as required.
"Auto Off" function deactivates the amplifier when no incoming signal is detected to conserve energy.
When a specific frequency, or range of frequencies, reaches too high a level, feedback occurs - that all too familiar squeal or howl you get when the mic is too close to the speaker. Basically, feedback happens when there is so much of a particular frequency that it is picked up by the mic and run through the system again. That's why feedback typically gets louder and louder the longer it's allowed to occur. Needless to say, this kind of feedback is very undesirable.
This is where the FBQ800's feedback detection system really works its magic. In this ingenious circuitry, LEDs on the individual faders light up when that frequency band is approaching the danger zone. All you need to do is lower the illuminated slider until the LED blinks out - and there you have it, feedback problem solved!
With its 9 frequency bands, you easily fine tune your sound and instantly eliminate feedback. And each fader can be used to boost or cut the frequency range it controls by as much as 12dB (and that's a lot!).
Special attention is paid to the low frequency zone. In addition to low frequency faders, the FBQ800 features a Low Cut filter for removing unwanted low frequencies such as floor rumble, room resonance, electrical hum, etc. This is especially handy if your system is being used for speech rather than music.
Raising and lowering specific frequency bands can improve the frequency response of any room's acoustics. For instance, if the room you're in is "bass heavy", lowering the 63Hz and 125Hz faders can help eliminate an overall "boomy" or "muddy" sound. Likewise, gently boosting the 8KHz and 16KHz sliders can add sparkle to a somewhat "dark" or "dull" mix. Are the vocals getting lost in the mix? Raising the level of the 1KHz slider can help bring them out.
Speaking of headroom, FBQ800's 6 digit LED I/O meters and level control are provided for precise level maintenance. Long term reliability is ensured, thanks to high quality illuminated faders and switches, and our ultra low noise audio operational amplifiers provide outstanding sonic performance. In addition, all Mini Series components can be stacked to create an ultra compact signal processing solution.
If I Were A Runway Model (12:09)
Robbie Song (4:32)
A Ride On The Bosphorus (16:52)
Our Future In Wedlock (3:04)
The Walk (3:15)
Seeing Things (2:12)
Unsung Heroes (16:15)
Beltpack UHF transmitter supplied with a 3.5mm jack lead for use with the UP2 wireless system. Compatible with Chord lavalier and neckband microphones for direct talkback to one or more UP2 beltpack receivers. Up to 2 UP2 transmitters may be used together on the 2 selectable frequencies, which can be toggled between on the listening beltpack receivers, giving a choice of 2 audio sources for presenters, interpreters or music mixes.
By the late 50's, stereo records reached a peak in the marketplace as hi-fi sound reproduction attained its largest audience to date. The portable turntable was introduced in the late 1950's and provided music lovers with a sense of independence, allowing them to easily cart their record player from one locale to another. The popularity of this unit was due in no small part to its portability, but also to its suitcase styled finishing touches that became a Crosley hallmark.
The Crosley Traveler Turntable is designed to reflect the portable stylings of yesteryear. This fan favorite is a 3 speed belt driven turntable that plays 33 1/3, 45 and 78 RPM records. The Traveler includes modern conveniences such as a diamond stylus needle and dynamic full range stereo speakers. So whether you choose Ella Fitzgerald or Elvis, celebrate your vinyls in portable style.
"Gig bag" doesn't do it justice. This case is built to military specs, using only high-test materials with extreme resistance to abrasion and the elements. Steel riveted handles, an industrial rubber sole, dual anti-skip zippers, and reinforced stitching comes standard.
Protect your investment!
The Prophet 12's brand new hybrid voice has a digital front end followed by an all analog signal path output. Each voice has five high resolution digital oscillators, a digital character effects section, a resonant Curtis low-pass filter, a high-pass filter, a tuneable feedback circuit, a four tap delay line with feedback per line, four loopable five stage envelope generators, four syncable LFOs with slew and phase offset, a sophisticated arpeggiator, and a sixteen slot modulation matrix with 26 mod sources and 97 modulation destinations. The Prophet 12 is packed with a plethora of sonic potential and power!
The digital oscillators can be frequency and amplitude modulated by each other with incredible accuracy. They can be freely assigned in whatever operator and modulator configurations you would choose. You can even assign each of the oscillators to modulate LFOs, envelopes, and filters.
The Prophet's sleek and instinctive interface invites full control of the synth. Every parameter is fully programmable and editable from the front panel. The controls are laid out in a coherent and logical fashion allowing quick and precise access in the studio and on stage.
The Prophet's full sized, five octave, semi weighted keyboard with velocity and channel aftertouch is rugged without sacrificing great feel and playability. Two backlit, smooth and precise pitch and mod wheels are accompanied by two location and pressure sensitive touch sliders. The Prophet offers a myriad of controls for creation and performance of its innovative sounds.
The Prophet 12 is the most cutting edge hybrid synthesizer on the market and defines what a modern polyphonic synthesizer is!
Demo video by Dave Smith himself.
The DBX 166XS is an affordable studio or live sound dual channel dual compressor/limiter/gate with Overeasy & Hard Knee compression, expander and XLR connectors.
The DBX 166XS brings a completely new level of compressor/gate performance within everyones reach. It uses advanced gate circuitry to yield ultrasmooth release characteristics, no matter how complex the signals. The stereo couple mode with True RMS power summing produces a solid image, even with high compression. Full sidechain functionality. With Hard Knee or OverEasy compression algorithms.
Decksaver Pro. Designed and engineered in the UK
Designed and engineered in the UK for the Pioneer DJM-900 NSX2 mixer. Manufactured from super durable polycarbonate, a tough transparent plastic with hard-wearing qualities - an essential investment for this elite-level mixer.
Precision moulded for an exact fit whilst accommodating cables, the DJM-900 NSX2 can sit ready for operation.
Each Decksaver cover is rigorously tested before it carries our name - shields faders and controls from dust, liquid and accidental impact at home, in transit and in the booth.
*Pictured Pioneer DJM900 NXS2 mixer is not included
Designed and engineered specifically to fit the contours of the Toraiz AS-1. Super durable polycarbonate shell offers protection from dust, spillages and accidental impact. Each Decksaver is trimmed precisely to fit, leaving cables in place. Slides straight into a flight case or controller bag, perfect for transportation. Shields delicate faders and controls from damage on the road, at home or in the club.
The club environment can be harsh, with smoke, dust and sticky liquids being daily hazards for DJs and club owners to keep in check.
Decksavers are specifically designed to keep your technology investment safe and sound. Decksavers are tailor-made to exacting standards to fit the Technics turntable like a glove. Rather than using cheaper inferior acrylic, each one is made from polycarbonate, a very hardwearing plastic used in bullet proof glass, and made to fit your gear as closely as possible. The use of polycarbonate means that thinner material can be used, making for discrete, strong yet attractive protection for your Technics turntable. Indeed, great care is taken to trim each Decksaver to achieve the best fit and still leave cables in place.
The cover has a very strong contruction with sufficient flat areas allowing support for CDJs, laptops, midi controllers, etc.
The SDRUM stores up to 36 different songs. Beats are played from a choice of 5 different kits covering a wide range of genres. The pedal also supports three different parts (e.g. verse/chorus/bridge) for each song that can be switched on the fly for enhancing live performances and exploring song ideas.
SDRUM is the fastest way to go from a beat idea to a working drum track.
Doepfer say that the main differences between II and III are an improved VCO (no warm-up period, additional triangle waveform, wider frequency range), resettable LFOs, improved ADSR and a lot of internal access points for DIYers.
Distortion with full bottom! EBS MetalDrive delivers high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound. It works equally well with guitar, and handle drop tuned guitars, 7-, and 8-string guitars without choking.
Easy to operate. The pedal works in Standard, Flat and Tubeism mode with controls for Distortion and Output - simple but effective! The MetalDrive uses True Bypass.
The Black Label Pedals provide great tone for bass, keyboard and other instruments as well. They are smooth working effects with very little or no noise and a fat tone that keep the bottom solid.
The 2015 Studio Edition comes with a complete new design, optimized signal path, a new signal relay switch, protection against over voltage use up to 18V and can be powered with anything from 9-12V DC.
*For audio samples, please visit - http://www.ebssweden.com/content/metaldrive.php
The EBS MultiDrive Studio Edition is a "Class A" overdrive pedal, capable of producing sustain, overdrive and many other useful "tube amp" distortion sounds.
Spice up your sound! The MultiDrive is considered an overdrive, more than a distortion pedal. The mode switch selects Tubeism, Standard or Flat overdrive type sounds. All with a preserved bottom since the pedal let through the low frequencies untouched and solid. With guitar, it provides a slightly overdriven bluesy tone with lots of sustain and body. This is the pedal to spice up your sustain!
Evolution. The MultiDrive was first introduced in 2001. The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. 2015 introduces the Studio Edition with a complete new design, optimized signal path, new signal relay switching technique, overvoltage protection up to 18V and the possibility to power the pedal with anything from 9-12V DC (NOT included)
The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.
The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.
*UK 230V power adapter included*
The result is a responsive expression pedal that provides precise control over your expression or control-voltage capable effects and instruments.
The Analog Keys is a flagship analog synthesizer. Analog synthesis, digital controls, and unprecedented playability make it an instrument for the expressive musician.
The Analog Keys is a four voice polyphonic analog synthesizer, capable of generating the finest basslines, chords, leads, and sounds imaginable. The warm and deep tone represents the pinnacle of analog synthesis and the acclaimed Elektron sequencer stands ready to arrange and warp the analog sounds in real-time. Complete the experience by treating the four voices with incredibly well-crafted master effects. A new world of sounds awaits.
The Analog Keys is tailor-made for the stage. The 37 semi-weighted keys of the keyboard give instant fingertip control of the analog tones. The special performance mode offers direct access to user-defined parameters, and the joystick, capable of controlling up to fifteen parameters, allows for extreme morphing of sounds. Improvising when playing live has never been this easy.
Compatibility with other instruments is well catered for. Simply press a button to transform the Analog Keys into a MIDI keyboard, ready to control external MIDI gear. Thanks to the dedicated CV sequencer and the CV/Gate and DIN sync outputs, analog instruments of both today and yesteryear can be played, sequenced, and controlled with precision. Use the multitude of control options to breathe new life in vintage and modern rigs alike.
MAYA22 USB is not simply another USB audio interface - it's a very stylish portable device that can go with you anywhere. It offers total flexibility as an external and fully bus-powered USB device with excellent professional 24-bit audio quality.
It features 2 analog input and 2 analog output channels with RCA connection, a microphone preamplifier with XLR input and support for +48V phantom power, a Hi-Z instrument input for guitars, a high quality headphone output and TRS line outputs. This can make MAYA22 USB easily one of the most useful devices in your studio, wherever that may be.
Use it to record microphone and guitar signals simultaneously and then process the incoming signals with your PC or Mac notebook or desktop in realtime and listen to the mix directly via headphones or studio monitoring speakers. All these features are provided with a professional low latency drivers with support for WDM, ASIO 2.0 and CoreAudio.
If you're looking for a really powerful USB audio device that is small and that gives you maximum performance under any current Windows system as well as under Mac OS X, then MAYA22 USB is for you.
The Euro DDL features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. Soft saturation clipping, low pass filter, feedback, insert loop, relay bypass, and +20 dB boost are all analog. Delay time can be varied smoothly either manually or by connecting an LFO to the remote input allowing short delays to be used for comb filter and flanging effects.
The Euro DDL is also capable of extremely long delays (up to 160 seconds at a 16 kHz sample rate) allowing long passages to be captured for looping.
From short delays for double tracking, to ridiculously long delays for whatever reason, to creating swept delay and tape echo class effects, the Euro DDL brings it all to your Eurorack rig.
Valve Filter VF-1:
A multimode resonant filter with vintage valve emulation. Use this plug-in to enhance anything from subtle warbles to full-track filtering effects.
A harmonic enhancer with vintage valve emulation, tube-based drive and bias adjustments tools, all within a single charming package.
A sample-based plug-in emulation of the 'Sound Master Memory Rhythm SR-88', a rare analogue drum machine from the 80s***
Clarett USB lays down the challenge to interfaces twice the price. The Clarett USB range features specially designed high performance, low-noise (-128dB EIN) mic pres with a low distortion, ultra-linear design that guarantees a clean, open and transparent sound, giving accurate representation of the original performance. Boasting 119dB dynamic range, Clarett can now be experienced with any Mac or PC supporting USB 2.0 and above.
Capture every detail with Clarett 4Pre USB.
The perfect A-D and D-A conversion:
Decades of analogue circuit design experience, applied around 24-bit/192kHz A-D and D-A conversion, delivers a superior signal path. Hear your music sound better than you've ever heard it sound before.
Ins and outs:
Clarett 4Pre USB is an 18-in, 8-out audio interface. Gain Halo meters make it easy for you to set the input level of the four mic/line inputs, two of which are also high-impedance instrument inputs that can record super-hot pickups with no unwanted distortion. Four fixed line inputs are also included, and the ADAT input supports an additional eight channels when combined with multi-channel mic preamps like Clarett OctoPre.
Outs include two monitor outputs with anti-thump technology, a headphone output with volume control, and two line outputs. MIDI I/O is also included.
Super-low latency recording:
Clarett 4Pre USB connects to Mac or PC using the included standard USB and USB Type-C cables. Record with super-low latency through amp simulators and effects plug-ins.
- XLN Audio - Addictive Keys: one of four inspiring and interesting keyboard instruments
- Focusrite - Red Plug-in Suite: accurately models our classic Red 2 equaliser and Red 3 compressor
- Softube - Time and Tone Bundle: four of Softube's world-class reverb, delay, mastering and distortion plug-ins
- Focusrite - Plug-in Collective: exclusive offers, tutorial content and more, from some of the most innovative and prestigious plug-in companies
- Ableton - Live Lite: Industry leading music-making software
- Loopmasters: 2GB of royalty-free sample libraries
- Focusrite Control
External locking UK/European power supply for Focusrite OctoPre LE, TM Pro, Saffire PRO range.
Everything you need to make studio-quality recordings from home:
You could spend another evening comparing equipment online. Or you could spend it recording your demo. Scarlett 2i2 Studio Pack gives you everything you need to easily make studio-quality music on Mac or PC.
Headphones - HP60 closed-back studio headphones for blocking out background noise.
Scarlett 2i2 - The top selling USB interface in the world, for recording studio-quality audio.
Microphone and Cable - CM25 large diaphragm condenser mic for capturing crystal clear sound, plus a three metre XLR mic cable and stand clip.
The World's Top Selling USB Interface:
Get your hands on the top selling USB audio interface of all time. It's a compact and versatile 2-in, 2-out interface that gives singer songwriters two natural-sounding Scarlett mic preamps and the same class-leading sound quality and digital conversion as the rest of the latest Scarlett range.
Take it anywhere, connect by USB, plug the CM25 condenser mic and your guitar straight in, and easily make studio-quality recordings that sound just the way you intended.
Plus, because Focusrite interfaces are the perfect partner for Pro Tools, this studio pack comes with Pro Tools | First - Focusrite Creative Pack in the box, as well as Ableton Live Lite recording software with a further suite of software and samples so you can start recording straight away.
Sound As Good As You:
If you want your recordings to sound as good as your performances, you want this studio pack. It gives you an interface with the best sound quality and digital conversion in its class, plus a large diaphragm condenser microphone that captures every detail of your sound.
Combined, they'll make sure your recordings that sound as true to life as possible. You also get a long mic cable and a stand clip, so you can get started straight away.
The art of recording is all about getting lost in the music. You don't want background noises interfering or distracting you when you're trying to concentrate.
The closed-back headphones in this studio pack block out background noise, giving you honest and accurate playback. They let you hear everything you want to hear, and nothing you don't - so you can stay entirely focused while recording and mixing.
Balanced jack outputs let you connect professional monitors, as well.
Effects In Real Time:
Don't let interface latency hold you back. Enhance your recordings in ways that are simply impossible with any other interface in this class, like enabling real-time guitar amp simulation and vocal reverb (depending on your software, settings and computer).
Start Recording Today:
Compose, record, edit, save and export your music straight away, with time-unlimited versions of industry-standard music software: Ableton Live Lite and Pro Tools | First - Focusrite Creative Pack, which features 12 additional plug-ins including the Eleven Lite for real life guitar amp emulations and Black Op for iconic distortions and overdrives.
You also get Softube's Time and Tone bundle, the Focusrite Red Plug-In Suite, Novation's Bass Station Virtual synthesiser and 2GB of Loopmasters samples.
Scarlett 2i2 works with all major DAWs on Mac and PC, and all the software included is simple enough for beginners, yet sophisticated enough for advanced users.
Record Absolutely Anywhere:
Never miss another moment of inspiration. Everything in this studio pack is compact, lightweight and sturdy enough to take with you anywhere, so you can lay down ideas at a friend's house or record your next gig. You don't need a power supply, either - just connect with a USB cable and start recording.
Designed for the Guitarist:
No matter how loud you play, or how hot your pick-ups, the newly-designed instrument inputs can handle it. You'll be free to play without the worry of unwanted distortion.
New Generation - Better In Every Way
The latest generation Scarlett 2i2 is packed full of upgrades. It operates at sample rates all the way up to 192kHz with new super-low latency* that lets you record and monitor with software effects in real time.
Crisp and Clear Conversion:
Converting your performance into digital audio and back again is the most important part of the recording process. We've been making class-leading converters for over 20 years, and Scarlett 2i2 has the best converters of any interface in its class. You can hear the difference! Every part of your recording will be beautifully crisp and clear, even when you're playing softly. This means you can amplify your quieter moments without any unwanted hiss or buzzing.
With a Fostex PC-1e(W), you can remotely control the volume of both left and right speakers which makes it a great addition for music and video playback on a PC. It is compact for desktop use.
The passive type PC-1e(W) volume controller features a robust metal chassis and machined aluminum knob. It does not need battery to power. It also comes with a stereo mini cable (80cm) and 2 RCA pin cable (100cm).
The Goldring 1012GX record cartridge uses the acclaimed Gyger-2 diamond stylus. This is a fine-line type which gives smooth extended high frequencies, low distortion and reproduces a highly detailed and dynamic sound. Advanced diamond tip polishing ensures excellent tracking ability and reduces record wear. The 1012GX represents outstanding value for money and has become one of Goldring's most popular cartridges.
The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis.
The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture.
The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created.
Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine's core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
The pioneers in mobile music making now bring you the new iRig HD-A - the next generation of the immensely popular iRig interface. iRig HD-A is the first high-quality 24-bit audio interface that fits in your pocket and connects directly to your Android device and PC.
iRig HD-A features superior digital audio quality and offers a premium 24-bit A/D converter for a crystal clear digital signal that's free from noise and crosstalk. Plus, its ultra-low-draw power consumption circuitry eliminates the need for batteries - it's powered by your mobile device or computer. An onboard gain control allows you to dial in the perfect signal level for your instrument and apps, and a multicolor LED lets you know what's going on with your interface and signal.
iRig HD-A is compatible with AmpliTube for Android as well as any other real-time processing apps which support USB/OTG audio input. Use the iRig HD-A anywhere you play guitar - on the go, in the studio or on your PC at home.
No matter where you are, iRig HD-A delivers a pure high-quality digital input signal. It features an ultra-transparent 24-bit A/D converter that accurately preserves the nuances of your instrument. This means you can rock out on your Android device, PC laptop or desktop computer with studio quality sound. iRig HD-A features a standard 1/4" Hi-Z instrument input jack, and connects to your Android device with the included OTG cable.
The beauty of the iRig HD-A is that it works everywhere you do. It also comes with a handy USB cable and is class compliant, so you can plug right in to your laptop or desktop PC computer and keep jamming.
Now for the good stuff. Download the AmpliTube FREE for Android app from the Samsung Galaxy Store. Plug your guitar into iRig HD-A, plug your headphones into your device headphone jack and launch the app. Immediately you'll see something very familiar - a complete guitar rig.
AmpliTube for Android turns your Android device that supports Samsung Professional Audio technology - like the Samsung Galaxy Note 4 and Galaxy Note Edge, and soon to be available on the Galaxy S5, Galaxy Note 3 and other devices - into the ultimate mobile guitar and bass multi-effects processor, offering up digital versions of some of the most coveted amplifiers and stompbox effects of all time.
Turn your computer or mobile device into a complete recording studio with the iRig Pro Duo Studio Suite Deluxe. Everything you need to record piano, keyboards, guitars, vocals and other instruments is here, including a professional-grade audio interface, 37 full size keyboard MIDI controller, a studio-quality microphone, monitoring headphones, and all the cables and accessories you need. Totally plug-and-play on Mac/PC, iOS and Android, everything works seamlessly with GarageBand and other popular recording applications. Plus, the bundle also includes all the GarageBand-compatible Mac/PC software plug-ins to take your recordings to the next level; from guitar amplifier and effects and microphone modelling to virtual instruments and high-end studio processors for mixing and mastering.
iRIG PRO DUO:
2 channel audio/MIDI interface for Mac, PC, iOS and Android.
iRig Pro Duo is the smallest full-featured dual-channel audio/MIDI interface on the market. iRig Pro Duo delivers high-quality 24-bit audio on the go or in the studio with plug-and-play simplicity. It features 2 channels with XLR/TRS combo audio jacks and phantom power that can accommodate everything from high-end phantom powered condenser microphones to guitars, basses, keyboards and more. Each channel has its own input gain control so you can dial in the perfect amount of input signal for your recording. With iRig Pro Duo, you don't just have a superb portable interface for audio; you can also hook up your favourite MIDI controllers. This is thanks to its included TRS to MIDI-DIN cables and dedicated MIDI in/out jacks, so you can control MIDI-compatible software (or send MIDI data to MIDI-compatible hardware, like synthesizers, drum machines and samplers) with plug and play simplicity.
iRIG KEYS PRO:
37 key universal keyboard controller for Mac, PC, iOS and Android.
iRig Keys Pro is a super-compact, bus-powered, "plug and play" MIDI controller. With its 37-key (3-octave) keyboard, you can play legitimate two-handed parts. It includes modulation and pitch-bend wheels. It's also equipped with an expansion jack, allowing you to connect a sustain pedal for an even more realistic piano playing experience, or an expression pedal for controlling continuous parameters like volume, tremolo, vibrato, rotary speaker speed and more (pedals not included). iRig Keys Pro features an easy-to-use control panel that gives you 5 backlit soft-touch buttons and one Volume/Data knob. You will find Program and Octave up/down buttons plus a Set button that allows you to store up to 4 different setups for the complete iRig Keys PRO configuration. An Edit mode is also available to transpose the keyboard, send specific program change messages, customize touch sensitivity, change MIDI channel, and re-assign Vol/Data knob MIDI control change and access to other useful MIDI functions in a flash. All these parameters can be stored in Sets using the Set button and recalled in a snap, to allow for quick sound switching and easy control of various instruments or apps on the fly.
RIG MIC STUDIO XLR:
Large-diaphragm analogue studio condenser microphone.
iRig Mic Studio XLR is a large-diaphragm analogue condenser microphone for vocal and instrument recording. It features 1" large-diaphragm condenser capsule, 20 Hz - 20 kHz frequency response and cardioid polar pattern. It also includes a mic clamp, a tripod table-top stand and a 2m/6' XLR mic cable.
Professional closed-back studio monitor headphones.
Included Mac/PC Software for GarageBand and other recording applications:
AmpliTube 4 (for guitar and bass)
- Hyper realistic guitar amp and FX software
Mic Room (for vocals)
- Microphone modelling processor for T-RackS
T-RackS Deluxe (for mix and mastering)
- High-end mixing & mastering collection
SampleTank 3 SE (for Virtual Instruments)
- The ultimate sound and groove workstation
Miroslav Philharmonik 2 CE
- The new orchestra with legendary soul
We're familiar with IsoAcoustics' highly effective line of monitor isolation stands that seem to bring out the best from any speaker. NAMM 2017 will see IsoAcoustics release the new Iso-Puck - the same concept as the bigger stands, yet in a low-profile, flexible, scalable version. The little puck-like discs are placed under your speaker to isolate them from the surface they're sitting on.
An Iso-Puck is pretty small - just 3cm tall and 6cm in diameter. Its round shape makes positioning a bit easier than with stands, especially on varied surfaces like the narrow space on top of a console meter bridge. The multipart isolation construction of the Iso-Puck lets it move to isolate and manage the energy in line with the same isolation concepts employed in other IsoAcoustics products. The Pucks feature a flange suction cup on the top to hold tight the speaker surface, as well as a bottom suction cup flange for the supporting surface. Energy is transferred to the core of the multipart isolator in between which resists lateral movement and offers better isolation.
The M-PATCH ACTIVE-1 accommodates four input sources (3 x stereo analog and 1 x USB) and three stereo analog outputs plus USB. In addition to the core functionality of providing seamless A/B switching between input signals and output speaker monitor systems, the ACTIVE-1 delivers a full complement of audio monitoring functions, including precision volume control, mono summing, mute, and dim (ducking). A handy footswitch-activated talk-back function, complete with on-board condenser microphone and selectable routing, has also been integrated, making the ACTIVE-1 the ideal low-cost solution for a broad range of studio production applications.
Designed to provide the lowest-noise operation possible in an active monitor controller, the ACTIVE-1 is ideal for applications where both signal attenuation and boost is needed. In addition to the feature complement found on the PASSIVE-1, the ACTIVE-1 also includes LED level metering and convenient switch-selectable +4dBu/-10dBV input stage operation.
The ACTIVE-1 features on-board USB, allowing for direct digital audio recording and playback when used with a computer DAW. The USB output mirrors the signals appearing at the analog 2 Track outputs, while the computer's L/R output feeds the USB in.
Housed in a sturdy metal chassis and fitted with a durable array of switches and secure connectors, the ACTIVE-1 is built to provide years of worry-free operation.
Case for our Disco Antistat record cleaning machine, with two brushes, without drying stand
The KORG KDM series is renowned for its powerful volume and its clearly-audible tone. We are proud to announce the latest model, the KDM-3 which features a fresh new appearance. Along with an attractive look that resembles a miniature mechanical metronome, it also contains a rich variety of beat patterns and metronome sounds. It's also packed with the convenient functions that you expect from a digital unit and will support your performance in situation, regardless of genre or instrument.
The KDM-3's design is similar to that of an acoustic mechanical metronome, except much smaller. It will fit nicely on a tabletop, on your piano, or in any practicing environment. Featuring a newly designed sealed speaker enclosure, it delivers powerful volume that exceeds its compact size. The lineup gives you a choice of two colours: sophisticated black or pure white.
The design is not the only way in which this unit is reminiscent of a mechanical metronome. The KDM-3 now provides the sound of an acoustic mechanical metronome. You can also choose alternative sounds to suit your performance or instrument, including cowbell, rimshot, or voice. All of these sounds deliver a clear tone that is easy to hear and will not be obscured even by high-volume instruments.
In addition to 0-9 beats per measure with your choice of duplets, triplets, triplets omitting the middle note, quadruplets, and quadruplets omitting the middle notes, we've provided variations such as son clave and rumba clave, for a total of 19 built-in beat patterns. The tempo can be freely specified in the range of 30 to 252 beats/minute. From classic to pop, jazz, and Latin, this unit covers your needs in a wide range of genres.
Timer mode is a function that operates the metronome for a specified length of time and then automatically stops. It's a great convenience for warming-up or when practicing the basics.
The START/STOP button located on top of the unit blinks in two colours, red and green, giving you a clear visual indication of the tempo. You can even start practicing with the volume set to zero. The TEMPO/CALIB dial on the top panel provides easy access to the numerical setting that you want. The content of the setting is visible at a glance in the large display.
Sound Out mode produces a reference tone from the built-in speaker or through connected headphones, allowing you to tune by ear. It can generate 12 reference tones in the range from C4 (261.63 Hz) to B4 (493.88 Hz). The calibration of the A4 pitch can also be adjusted over a wide range of 410 Hz-480 Hz.
Timer mode is a function that operates the metronome for a specified length of time and then automatically stops. It's a great convenience for warming-up or when practicing the basics.
Even when the power is turned off, the Memory Backup function preserves the specified tempo, beat, calibration, and reference tone. (These settings are initialized when the batteries are replaced.) The Auto Power-Off function automatically turns the power off when 20 minutes have elapsed with the metronome stopped.
The KDM-3 allows approximately 120 hours of operation when used at 120 beats/minute at maximum volume. Even if you're practicing daily, you won't need to worry about the remaining battery life.