Ex Demo B Grade Studio

Notes: ***B-STOCK: Box opened, product in perfect working order***


Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The RCD Breakout adds features to the Rotating Clock Divider module. Six switches allow you to set the maximum Divide-by amount, Gate or Trigger mode, Counting mode, Spread mode, and Auto-Reset. The RCD Breakout requires the RCD to function, and does not use any extra power.

Notes: ***B-STOCK: Box opened, product in perfect working order***


AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Ten-channel version of one of the most cost-effective mixers on the market. Great sound, good EQ and handy built-in effects. Check out the 12-channel version if you prefer faders for level control.

Supplier's notes:
The Allen & Heath ZED-10FX mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)

2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)

3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)

2) To Stereo 2 channel (through jack socket break contacts)

ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

ZED-10FX's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.

The ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-12FX is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it.

USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel

MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.

Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.

Notes: ***B-STOCK: Box opened, product in perfect working order***


One of our favourite small live/studio mixers, shown here in 16-channel form with built-in digital effects. Clean sound, decent three-band semi-parametric EQ and built-in audio interface. Very impressive.

Supplier notes:
The ZED-16FX is ideal for groups who need to travel light. It gives musicians, venues and hire companies access to 10 full mono channels, 3 stereo channels and a high quality effects unit in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on the ZED is super-flexible and super-easy: No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your Zed, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac.

The ZED-16FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ, with optimised slope (or Q factor) for equalising individual instruments.

Based on the proven pre-amps from the hugely successful PA series, the ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge, 69dB of range to be exact, and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

The ZED-16FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Allen & Heath's DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point, this quality and integration is only available from the ZED-FX. The ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing, in fact, it's just as easy as using effects pedals. To alter effects parameters, the Tap button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on Plate Reverb, or the depth on Chorus.

Based on the proven pre-amps from the hugely successful PA series, ZED-16FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge - 69dB of range to be exact - and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

Notes: ***B-STOCK: Box opened, product in perfect working order***


A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.

Notes: ***B-STOCK: Box opened, product in perfect working order***


A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Pro VLA II is a tube driven Vactrol-based compressor/leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the Pro VLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the Pro VLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

Exceptional signal integrity with extremely low noise and low distortion is achieved in the Pro VLA II by utilizing a transformerless design throughout.

Unlike typical compression units that use Voltage Controlled Amplifiers (VCA's) to handle level detection, the Pro VLA II's Opto-electronic design allows a far more transparent and musical sounding compression without sounding aggressive or un-natural. This Vactrol based optical electronic circuitry is the basic component of the classic highly sought after compressors of past.

The Vactrol design allows the Pro VLA II to react to audio signal in much the same way the eye naturally adjusts to fluctuations in light levels, smoothly, quietly and almost imperceptibly.

The Pro VLA II is a soft knee leveling amplifier by design. Although capable of providing dramatic compression effects, the Pro VLA II was designed to excel in any application where transparent, expressively musical dynamics control is desired.

Large highly visible backlit analog VU meters accurately display input and output levels while extremely fast 10-segment LED's display gain reduction. For added functionality, the LED's display either average level for mastering & mixing applications or peak hold for monitoring individual sources when tracking audio.

XLR and 1/4" TRS balanced inputs and outputs are provided to ensure the Pro VLA II can connect with any audio source or hardware. A +4 dBu/-10 dBu mode switch optimizes the Pro VLA II I/O for either consumer or professional equipment.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


This handy little box will amplify the signal from a turntable making it suitable for line level (AUX) input.

The preamplifier can be powered by mains outlet or battery, thus avoiding additional cable clutter during DJ sets.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Citronic have been around ages, quietly churning out pro audio kit without much fuss. The CSM8 is an understated 8-channel mini mixer for live use, with a clever USB stick/Bluetooth option for backing tracks. Very Citronic.

Supplier notes:
Compact format audio mixer with 6 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The EBS Microbass 2 preamp is the bass players 'Swiss Army Knife'.
A DI box, two-channel preamp, with speaker simulation, effects loop, phones output and loads of other great features. This is the ultimate bass tool. Period!

Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender.

The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads.

An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes.

Unmatched Flexibility - The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, 'sweepable' midrange, treble, bright and edge filters, drive and effects mix controls.

The EBS MicroBassII delivers that big, burning EBS sound wherever you go.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.

The compressor hits the sweet spot between allowing for dynamic playing and creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.

You can't go wrong with the MultiComp:

A compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn't require a degree in sound engineering and still does exactly what you want. What more to ask for?

A sensible upgrade:

There is a major addition to the new EBS MultiComp Blue Label. A control on the front panel to adjust the threshold level, or Sensitivity. The more you turn up the control, the higher the sensitivity.

The benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A centre click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.

More headroom to handle the extremes:

To handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments.

The new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.

Notes: ***B-STOCK: Slight surface marks ***


The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Bass Drum is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue bass drum circuits adapted for modular systems. Massive, punchy sound, Accent & CV control over key parameters of the module make it distinctively expressive in live performances.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V

Notes: ***B-STOCK: Box opened, product in perfect working order***


Flame Curves is an analogue moving resonance filter bank. It includes a twelve-channel analogue filterbank and a pattern player which can be programmed with a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

If Curves is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

The twelve bands are subdivided in odd and even bands, which you can feed or tap out separately thanks to the various inputs and outputs. Try patching the odd outputs on one side and even outputs on the other side and you will get an amazing stereo effect! ALL output features a Dry/Wet and a Level potentiometer.

Additionally, the module features also a direct audio output and direct VCA input of each filter channel. Thus, it is possible to feed gate, triggers or envelopes to the VCA of various filterbands and play them independently.

Furthermore, there are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Notes: ***B-STOCK: Box opened, product in perfect working order***

The Frequency Central Wave Runner LFO is a 5U format low frequency oscillator with 8 waveforms and a range of sync and skewing options.

Wave Runner includes 8 waveforms that include saw, ramp, pulse, triangle, sine, noise, sample and hold and a selection of stepped options, for less blase modulation results. The modules frequency range is ridiculously wide range, going from 0.025Hz all the way into 50Hz audio range.

The module also includes an onboard distortion circuit which lets you bend and mangle the waveform to create less linear and more unpredictable modulations and sounds. This distortion section lets you effectively crush the waveforms and create new voltages.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Ultra-low-budget media player with 5-inch jog wheel, 100mm pitch fader and full colour screen. Vaguely similar to a Pioneer XDJ-700 but a quarter of the price.

Supplier notes:
Trying to find your gateway into modern DJing? Look no further than the MDJ-500 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software.

MDJ-500 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results:

The MDJ-500's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-500 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.

Notes: ***B-STOCK: Box opened, product in perfect working order***


YouTubers, mobile journalists, and other content creators know the importance of great-sounding audio to stand out from the crowd. However, if you capture or stream using an iPad, iPhone or Android device, it's not always easy - especially on the go. We've all watched videos where the audio was compromised by background noise, wind or just annoying echoes.

Luckily, you no longer need to struggle to record crisp, clear audio on-the-go or on a budget. The iRig Mic Cast 2 is an affordable, pocket-sized microphone that easily attaches to your device and lets you sound your best anywhere, any time.

Capture noise-free audio:

iRig Mic Cast 2 is a tiny mic with big sound. The sequel to IK Multimedia's innovative iRig Mic Cast, it lets you record crystal clear speech anywhere using your iPhone, iPad or Android device. A new dual-capsule design lets you select front or rear pick-up patterns to reject off-axis noise whether you're recording yourself or someone else. You can also select both at once, for an omnidirectional pattern that's ideal for recording interviews and Q&As.

Ready when you are:

Weighing in at just a few ounces, this featherweight mic mounts securely onto your iPad or smartphone. Its innovative magnetic design lets you easily snap it right into place on your device in seconds (even with a case), for set-and-forget convenience. An included breakout cable also lets you use iRig Mic Cast 2 in both portrait or landscape orientation on phones and tablets.

Works with all your favourite apps:

iRig Mic Cast 2 works with any app that records audio, so you can shoot YouTube videos, Instagram live-streams, or even use it for Skype and FaceTime calls. The built-in headphone out can be used to listen to the signal in real-time to be sure you're capturing great audio. It's ideal for newer smartphone models without a headphone jack.

To get you started right out of the box, iRig Mic Cast 2 comes with iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video. Record, trim, edit and share, right from your device.

Travels anywhere:

No matter where your travels take you, iRig Mic Cast 2 is ready to come along for the ride. Its backpack portability makes it an ideal travel companion, and an included windscreen ensures high recording quality when outdoors. Best of all, there's no batteries required!

iRig Mic Cast 2 is the affordable, pocket-sized solution for all your audio needs. Get heard, get shared and get followed with audio that stands out from the crowd.

Includes:

- iRig Mic Cast 2 microphone
- TRRS 1/8" jack connection cable (20cm/7.87")
- Windshield
- 2x ferromagnetic plates

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

Just like the 101 it is quick to dial in beautifully rich bass and lead sounds. However this module uses triangle core VCOs (based on the Dixie core) instead of Saw core which respond much more musically to FM. The modulation oscillator can be used as an LFO or VCO (audio rate) and both track very precisely over 8 or more octaves.

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You could also patch in one of the modulation oscillators waveforms into this channel and be able to operate the Atlantis as a proper two oscillator synth. There is a switch labelled "LINK" which enables the modulation vco pitch to be based as an offset of the primary VCO. This is useful when using it as a stacked dual vco or when you have the mod VCO acting as the linear FM source for the primary vco and wish to maintain the ratio.

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for the LP that produces a much fatter and prominent sound that is not drowned out by resonance (unlike the original SH-101). The filter self-oscillates to produce a very clean sine wave which also tracks 1V/Oct. Between the Mod VCO, Primary VCO, Sub Oscillator and resonating filter it is possible to layer up to four different pitches at one time.

The envelope section is an ADSR with a dual range switch. It also can be set to a looping mode which can be gated on/off externally.

The output VCA feeds into a two level output clipping circuit that you can use to get a much ballsier/dirtier sound.

Notes: ***B-STOCK: Paint chip on some parts***


IsoAcoustics introduce the next evolution of their specialized line of speaker stands for the audio professional, music hobbyist, audiophile, and music lover. The new ISO Series of speaker stands provide superior acoustic isolation and enhance the sound clarity of any speakers including studio monitors, home theatre systems and sound reinforcement.

With a lower profile and new contemporary design, the ISO Series of stands positions your studio closer to the supporting surface or meter bridge, and the new redesigned isolators moves the acoustic performance another step forward.

IsoAcoustics ISO Series speaker stands are built with a unique, patented isolation technology that provides a high degree of isolations and manages the speaker's energy to deliver authentic, uncoloured sound. This next generation of speaker stands effectively eliminates energy transfer into the supporting surfaces. Bass becomes tighter, overall imaging is enhanced and your speakers are enabled to perform to their full potential. Following the same design philosophy as the ISO-L8R Series, these isolation stands provide 14 variations of height and tilt adjustment to optimize the placement and performance of studio monitors by getting the tweeters in the correct alignment with the listening position.

Whether you're a pro mixing in the studio - a musician creating in a home project environment - or an audiophile who appreciates every nuance of music and sound - you'll hear and appreciate the difference with the ISO Series speaker stands. It's simply the best investment you can make for superior audio.

ISO-200:

Designed for larger speakers and studio monitors. These stands provide 14 variations of height and tilt to optimize speaker placement and performance. Isolate your studio monitors from the supporting surface and allow them to breathe so they can deliver the clearest and most accurate sound possible.

7.8"x10"/20×25.4cm Short: 3.5"/12.5cm Tall: 8.75"/22.5cm 60 lbs/27.2kg

Notes: Turn it on and magnetically attach Magnetune directly to your guitar's tuning pegs or strap button and tune your instrument. Leave it on your guitar to easily tune while performing, attach it to your music stand, or just throw it in your pocket. Magnetune is the most straightforward guitar tuner ever.

A movable ring allows the magnet to be rotated 360 degrees. This allows you attach the unit not only to left-handed guitars, but also to any metallic portion of your guitar, so you can tune with the conveniently at any angle.

An LED indicates the string number that's closest to the string you play, letting you know at a glance which string is being tuned. When you've reached the precise pitch, the upper and lower LEDs will both illuminate. The upper LED blinks if you're sharp, and the lower LED blinks if you're flat. The LED will blink more rapidly as the string gets farther from the correct pitch, and will slow down as you approach the correct pitch.

The diameter is just 1.3 inches (33 mm), just slightly larger than a soda bottle cap and about the size of a wristwatch. When attached to the back of the tuning pegs, it's virtually invisible from the crowd, so it won't take away the natural aesthetic of your instrument. Since the clip has been eliminated, the weight with battery installed less than an ounce (Just 11 g)! When attached to the neck of your guitar, the weight will be essentially unnoticeable. Even through the most intense guitar action, the Magnetune will stay securely attached!

The Magnetune's simple design focusses on the essentials, enabling it to provide continuous operation of approximately 30 hours! After three minutes of silence, the auto power-off function turns off the power automatically, so you'll hardly ever have to think about changing the battery.

Notes: Enjoy private dance lessons anytime - an ultra-miniature music player that you wear in your ear.

SyncDancing is an ultra-miniature music player for ballroom dance practice that you wear in your ear like an earphone. In addition to metronome functionality, it has 20 built-in standard ballroom dance songs, so you can practice at any time while listening your favourite dance songs. This one unit provides everything you need for improving your dancing skills, sharpening your sense of rhythm, and becoming familiar with dance songs. You can practice by yourself, or synchronize the tempo via infrared so that two people can each wear a unit and practice together.

Practice dancing while listening to the rhythm or song directly in your ear:

SyncDancing is a unique style of music player and metronome that you use by wearing it directly in your ear. Since the speaker unit fits directly in your ear, you can practice dancing with the correct rhythm while hearing the music directly in your ear. Because you can concentrate on the sound without being distracted by nearby sounds, this is ideal for personal practice at home as well as for practice in a large dance studio or hall. SyncDancing is extremely small and lightweight, so you can dance without any distraction.

The keys to improving your ballroom dance skills are to acquire steps and technique, nurture your sense of rhythm, and become able to express yourself by dancing to the music. With SyncDancing, you can experience rhythms and music anytime and anywhere for effective practicing.

Twenty standard ballroom dance songs are built-in:

A total of twenty standard songs for ballroom dances such as waltz, tango, rhumba, and cha-cha-cha are built-in, and you can play them back while switching between the metronome and the song (*). Each of the internal songs was created by a professional arranger who actually produces music CDs for ballroom dance. The tone generator section also takes advantage of KORG's many years of experience in developing synthesizer technology, packing a high-quality sound engine into the smallest possible size. Since these songs play back as SMF, you can freely change their tempo. With SyncDancing, you can enjoy serious dance practice with CD-quality songs.

Infrared tempo synchronization, ideal for practicing as a couple:

SyncDancing supports not only individual practice but also practicing dance as a couple. Simply click two SyncDancing units together and press the sync button to synchronize the tempo and timing via infrared (*1). Even while wearing the unit directly in your ear, both partners can practice while hearing exactly the same tempo.

The timing (delay) from the moment of synchronization until playback begins can be set in a range of 0--90 seconds (*2). This gives you flexibility to meet the needs of various situations. For example you can specify a shorter delay if you're synchronizing the units and then immediately starting a lesson, or use a longer delay if you need time to get into your position in a large hall.

Built-in voice count is useful for lessons:

SyncDancing's metronome sound (tone) provides not only the standard "beep beep beep" electronic tone but also a voice count of "one, two, three." You can practice with confidence while hearing the correct count.

A wide variety of beats and rhythms:

The tempo setting range is a generous 30--252 bpm, and you can choose from a variety of beats and rhythms when using the metronome. You can set the beat in the range of 0--9 beats, and choose the rhythm from quarter notes, duplets, triplets, triplets with the inner beat omitted, triplets with the third beat omitted, quadruplets, quadruplets with the middle beats omitted, and quadruplets with the third and fourth beats omitted. This covers your practicing needs for a broad range of songs.

Use the jog switch to set the tempo intuitively:

The SyncDancing features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the song or volume. This provides a compact yet highly intuitive method of operation. The mode select / power button, sync / mute button, and an LCD display that shows the tempo and other information are located on the inside of the body.

Comfortably and securely fits a variety of ear:

The SyncDancing utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by vigorous dancing when in use.

Ear pad and carrying case included.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Lenco LBT-120BK Turntable is a semi-automatic record player with Bluetooth functionality. You can connect the record player to your Bluetooth speaker in seconds and enjoy a full and warm sound from the comfort of your couch. Retrieve your old records from the attic and play them on this modern turntable. Enjoy the crystal-clear sound of your vinyl, both old and new. Switch from 33 to 45 revolutions to play your LP or single at the right speed.

And what if you want to enjoy your favourite records while cycling or in the train? The Lenco LBT-120BK digitises all your favourite records via the built-in USB port. You can transfer the recordings to a USB stick in next to no time and carry them with you in your pocket.

Lenco is fully aware that you want to treat your vinyl records as gently as possible, so the Lenco LBT-120BK turntable is semi-automatic. When the final track ends, the stylus automatically lifts off the record and the tone arm returns to its support. This prevents scratching so that you can enjoy your beloved records for longer. The Lenco LBT-120BK is supplied with a dust cover that keeps your Lenco fresh and clean during brief periods when you are not using your turntable.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Mackie Big Knob Studio+ Monitor Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio+ features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio+ offers high-resolution USB interfacing with resolutions up to 192kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio+ is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.

***Now with Pro Tools First (including The Musician Collection), Waveform OEM and DAW Essentials Collection - upon registration***

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Super basic mixer ideal for small hardware setups. Smash a kick drum into a mic input and pretend you're Jeff Mills. Lovely. Two mono mic channels, two stereo line-level channels plus a stereo aux return.

Supplier notes:
Mackie Mix Compact Mixers deliver the quality you expect from the world leader in compact mixer design.

The professional and affordable Mix Series mixers feature high quality components, a rugged metal chassis and features designed for a variety of applications. With Mackie preamps and proven high-headroom, low-noise design, Mix delivers great sound from any source.

Besides, wouldn't you rather Mix on a Mackie?

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


THe Magma Pro 65 trolley variant is dedicated to all vinyl purists who want to carry their beloved wax, well protected and in style. Among the high-grade material components like the durable Ballistic-Nylon or the integrated stabilizing PVC-body, there are especially comfortable features such as the sturdy built-in tuck-away handle or the smooth rolling precision inline wheels. These help make the 65 Pro a must-have for all passionate vinyl pros.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


The Clap-522 Modul contains an enhanced circuit of the MFB-522 and Tanzbar Lite. You can edit and modulate the sound in a wide range.

As modular concept you have the possibility to control the parameter PUSE, SNAP, ATTACK, DECAY and FILTER via CV-signals from Envelopes, LFOs and Step Sequencers.

The parameters are in detail:

PULSE is the amount of claps between 1 and 7.
ATTACK sets the noise level between the clap repetitions.
DECAY controls the release of the noisy reverb.
FILTER defines the colour of the noise floor.
WIDE edits the gap between the single claps.

Beside sequencer generated analogue and digital trigger-signals, drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic trigger also changes the volume of the clap.

The module provides the new developed M-Bus connection. MIDI signals can control following destinations:

Trigger MIDI Note #39 or #82, switchable, with Velocity. Controller values for Wide, Attack, Decay and Filter.

The module has a width of 8 HP (40mm).

Notes: ***B-STOCK: Box opened, product in perfect working order***


Designed with high quality components, Ensemble Queen acts pretty well at the bass part. Push down the nail, you will get the rich and stereo Chorus sound, which makes your performance more vivid with excellent atmospheres. Adjusting the knobs can change the effect sound; warm and soft or psychedelic gorgeous. The best part is that it can keep the strength of the original sound while getting a beautiful effect sound.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Expline is a micro sized expression pedal which houses high quality electrical components, ensuring smooth a precise control at all times.

- Pedalboard-friendly format
- Fold-out brackets for increasing the pedal area
- Status LEDs
- Metal casing

Notes: ***B-STOCK: Box opened, product in perfect working order***


The GE300 from MOOER is the flagship multi-effect instrument processor. By combining the well-received Micro Preamp series, TONE CAPTURE instrument matching technology, tri-voice polyphonic synthesizer module, and a wide-range of guitar effects and tools, the GE300 embellishes every single motive for creation from your mind with nuanced details.

The GE300 contains dual-DSP processors delivering the fastidious detailed characterizes of every delay, reverb, modulation or amp model inside. Thanks to the intuitive and simple UI, controls, and connection ports, the GE300 is an all-in-one working station for musicians whether in a live situation, at home, or in the studio. With the synth module, your instrument will be transformed into an electronic synthesizer without the need for special pickups or instrument modifications, allowing you to spark your creativity with more possibilities.

The SYNTH ENGINE has 3 independent voices with their own parameters for waveform, pitch, attack, level, filter and arpeggiator. The signal path from the instrument input is split and routed directly to the front of each synth voice so they remain completely parallel and independent from one another. The thru dry signal can also be mixed parallel to the entire synth effect block, so you can opt for synth only or mix it with your guitar signal.

TONE CAPTURE is an intelligent learning and comparison engine that can be used to create your very own digital models by sampling real-life equipment. The GE300 is the only MOOER product that features three different TONE CAPTURE modes.

AMP & STOMP MODE can be used to sample your favourite stomp box or amplifier. This can then be applied to an existing amp or drive pedal model within a preset to transform it into your sample.

GUITAR MODE allows you to capture the EQ characteristics of your instrument. Have you ever found yourself searching for a single instrument that has all the different guitar sounds you need? Be it classic country twang, warm ballsy blue tones, the funkadelic "4-position", tight thrashing djent, Piezo acoustic-electric - GUITAR MODE can sample any guitar, provided it has some form of pickup, and create a detailed digital guitar model using MOOER's proprietary non-linear IR technology.

CAB MODE allows you to create your own Impulse Response models of speaker cabinets to use instead of using the CAB effect block already installed on the GE300. GE300 has 108 digital amp models that utilize MOOER's non-linear amp modelling technology.

Each model has been designed based on samples taken directly from real-life tube amplifiers. It is not only the accurate recurrence of the original amps' tone but also the dynamics and feel of a real tube amp. 43 IR based factory speaker cab models with 20 user slots to load in your favourite 3rd party IR files. (Up to 2048 sample pts) 164 high-quality effects that cover all the bases from your favourite stompboxes, plugins and studio rack units. 30 minute capacity loop station with undo/redo, direct dubbing, reverse + 1/2 time effects. Looper sessions can be stored and backed up for import /export of audio files. Recall that new song idea you had any time, or load in your favourite backing tracks to jam along with!

MIDI IN/MIDI OUT/THRU with easy mapping and external ctrl switching to control your other pedals and amps. Direct, low latency USB audio lets GE300 double up as a digital audio interface and become a "one-stop-shop" solution for recording guitar. Apart from that, editor software on computer makes it an all in one working station. Firmware update via USB available.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The MIDI Express 128 is an 8-input/8-output MIDI interface compatible with Mac and Windows.

Built from the same technology found in MOTU's flagship MIDI Timepiece, the MIDI Express 128 is a professional MIDI interface that provides plug-and-play connectivity to any USB-equipped Mac or Windows computer. The Express 128 provides 8 x MIDI input, 9 x MIDI output, 128 x MIDI channels and compatibility with all Macintosh and Windows software.

The MIDI Express 128 takes full advantage of USB, giving you high-speed MIDI throughput, sub-millisecond timing accuracy, support for hot-swapping and plug-and-play expansion. Need to connect another sound module or synth? No problem. Just add another MOTU USB MIDI interface via any available USB port. And the Express 128 is powered by USB, no wall wart or AC plug.

No other MIDI interface offers this much value and performance at such an affordable price.

Notes: ***B-STOCK: Box slightly damaged, product in perfect working order**


This is the foot controller to accompany the MXR M235 Smart Gate

Notes: ***B-STOCK: Box opened, product in perfect working order***


Cursus Iteritas Percido is the second module in the Percido line of powerful synth voices. Similar to its predecessor the Loquelic Iteritas Percido, CIP takes the original Cursus Iteritas and adds the same musical envelope from LIP with attenuverter-controlled routing to every knob. With the inclusion of the performance-oriented Master Blaster and CV outputs, CIP is a powerhouse of incredibly versatile synthesis.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


JTC Pro is an advanced drum & loop pedal with simplified controls, built into a dual switch stomp box pedal with 6 hours of recording capability and 256 loop track memories. Audio recording quality is 24-bit with a 44.1 kHz sample rate. A fully functional built-in drum machine section can be controlled on-the-fly by tapping tempo and punching in fills on demand using the 2 footswitches. A USB interface is included for firmware updates and can even load pre-recorded audio files to be used as backing tracks. Selectable playback modes and output options make this pedal an indispensable accompaniment tool for solo and duo performers.

Notes: ***B-STOCK: Box opened, product in perfect working order***


With upgraded hardware, the new Loop Core Deluxe allows you to record loop phrases up to 8 hours with unlimited layers in 24-bit high-resolution audio quality into 99 saved memories. Stop Modes To finish your playing, you can choose 3 different modes:

1- NORMAL MODE: Double tap - Instant Stop
2- FINISH MODE: Plays until the end of the last measure
3- FADE OUT MODE: 10 seconds Fade-Out Importing and Backing up Your Loop Phrases Connect your Loop Core Deluxe to your PC/Mac with a Mini-B USB connector to import available loop phrases or to back up yours.

Loop Core Deluxe is only compatible with 24-bit/44.1kHz WAV files.
Loop Core Deluxe Bundle The LOOP CORE BUNDLE includes the additional NMP-2 DUAL foot switch which is used to switch between loop phrases. Your recordings for verse, chorus, and bridge parts, can now be seamlessly accessed utilising the convenient DUAL foot switch.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


NuX Mighty 8BT is a compact guitar amplifier with features that enable it to be more than just a bedroom combo. Powered from the included 12V mains adaptor or optionally from 8 x AA batteries for portable use. The guitar input has clean, overdrive and distortion modes with modulation/delay effects and digital reverb. Settings can be customised for tone and effects and these are stored for each of the 3 modes. Deeper effects editing is provided by the Bluetooth link using the Might app, which is available from Google Play or App Store. A mic input is also included with a dedicated reverb send for vocals. A built-in drum machine is controlled by a simple but intuitive tap tempo/style button and rotary volume control. Aux in and headphone out complete the control panel to provide a multi-purpose jamming and recording amp for guitar players of all genres.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.

Notes: ***B-STOCK: Box opened, product in perfect working order***


PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.

Notes: ***B-STOCK: Slight surface marks ***


Kit includes arm, clamp, velvet strips and cleaning solution (100ml).

- For use with the Pro-ject VCS Vinyl Vacuum Cleaning Machine
- For use on Black Base Arm Project machines
- Enables perfect cleaning for 7" records

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


- Suitable for all turntables without dust cover (up to 450 mm width)
- Interior upholstered with foam (black)
- High-quality workmanship with plywood multi-layered glued, black laminated
- Aluminium profile frames (25 mm) with rounded edges
- Removable cover
- Three-leg, medium-sized steel ball corners
- 4 steel-enforced rubber feet
- 2 lockable butterfly locks
- Padded carrying handle

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the hugely popular sampling workstation originally released in 2005. Features include real-time sampling, 29 built-in effects, a pattern sequencer and compatibility with the TR-8 drum machine.

Supplier's notes:
Designed for live use, the SP-404A Linear Wave Sampler expands the sounds of the Roland AIRA TR-8 Rhythm Performer for a powerful combination of sample and percussive synthesis. The fast, hands-on approach of the acclaimed SP-series performance samplers is a perfect fit for the impressive rhythmic effects and iconic step-sequencer of the Roland AIRA TR-8.

All of the functions and features of the popular SP-404SX are contained in the SP-404A, including its distinctive 16-bit linear sampling, 29 onboard DSP effects, smooth FX switching, and 12 professional performance pads. Plus, a new library of sounds curated by sample-industry leader Loopmasters are provided via the included SD card.

TR Sequencer Meets SP-Style Sampling:
The SP-404A can be triggered from the TR-8 Rhythm Performer for powerful, integrated beat and sample production. Simply connecting a MIDI cable between the two gives you the ability to incorporate samples from the SP-404A and use them in conjunction with your drum patterns. Each of the TR-8's 11 tracks can trigger a sample on the SP-404A, play a TR-8 sound, or both, enabling you to create interesting layers and accents. The TR-8 can trigger any sample from any of the multiple banks in the SP-404A, making it easy to access new sounds with a turn of the dial.

Sample Scatter and Side Chain:
By connecting the stereo output of the SP-404A to the TR-8's external audio input, you can use the TR-8 as a sub-mixer and processor for the sampler. In this configuration, all samples played on the SP-404A can be effected using the powerful TR-8 Scatter feature to reverse, glitch, gate, truncate, stutter, and perform all manner of rhythmic variations from subtle to extreme, and all in perfect sync. The use of the external input also allows samples to be effected by the TR-8's per-step Side Chain function-simply program a pattern with Side Chain in TR-REC Mode and access eight rhythmic ducking and gating effects.

Sounds by Loopmasters:
The SP-404A comes with nine banks of premium samples to get you started with sample looping. The sound library on the included SD card was created by Loopmasters, one of the world's leading sample developers. The samples in the library have been designed specifically to complement the TR-8, but will work great in standalone applications.

Instant Sampling:
Sampling is not limited to the studio with the SP-404A. The built-in microphone allows for simple recording anytime and anywhere inspiration may strike, powered by AC or six AA batteries. Line inputs enable direct sampling from a mixer or external device, and a mic input is also available for sampling with an external microphone. And your sampled material always sounds great, thanks to the SP-404A's high-quality, uncompressed WAV audio-capture format.

Hands-On Performance:
With its interactive loop and pattern sequencer controls, the SP-404A is made to be played. Take command with three non-slip control knobs and 12 rubber trigger pads, plus a Sub Pad for rapid-repeat triggering in real time. On dark stages or DJ booths, the SP-404A is an ideal live machine, as the clearly illuminated pads and bright LED screen ensure clear visibility as soon as you power on.

Extreme Effects:
Your signature sounds can be sculpted at any time via the SP-404A's 29 onboard DSP effects. Essentials include spacious reverbs and choruses plus lush filters and delays, and all provide seamless switching for smooth transitions while performing. There are also striking, performance-based effects on hand, including a voice transformer and a looper. The filter and isolator provide the ability to radically alter your sounds and transform them into all-new elements for reuse. Combined with a DJ mixer, the SP-404A can be used as a standalone effects processor. A unique "limiter" mode is used in 17 effects types to prevent overloading, ensuring stable sound with no unwanted sonic artefacts. This mode is especially effective for live DJ performances, safeguarding your sounds at critical moments.

Track Builder:
The number of loops that the SP-404A can handle is practically endless, but this feature is only part of its immense power. Songs, jams, and tracks can be built in seconds thanks to the onboard Pattern Sequencer, which is specifically designed for real-time track creation. Optimized for live engagement, it features a powerful Quantize mode which includes shuffle feels for groove, swing, and movement. You can create patterns on the fly via the 99 available measures, and with continuous looping, the ability to layer, structure, and shape a track is available at your fingertips.

Notes: ***B-STOCK: Box opened, product in perfect working order***


This 'combo' pack comprises a Baseball 21/22 and a Baseball Windjammer. Baseball is the ingenious little 3" windscreen, specifically designed for interior boom pole use. It greatly reduces the 'swooshing' noises that are induced by fast boom swings and other rapid movements. The Baseball Windjammer is a low-profile fur cover for the Baseball, which when fitted allows for high-speed, 'extreme' booming - and can even be used outdoors in light winds. Baseball 21/22mm is compatible with the following mics: Audio-Technica AT4049b, AT4051b, AT4053b, AT4021b, AT4022, AT4041; Neumann KM180 Series (KM183, KM184, KM185) & Sennheiser ME64 K6.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Eurorack version of one of the most capable modular VCOs ever made. Insanely precise tracking and top-notch temperature stability. Proper old-school analogue business.

Supplier's notes:
The Synthesis Technology E300 Ultra VCO is an analog oscillator based on the MOTM-300 5U module, with an updated design engineered in collaboration with Dave Rossum of Rossum Electro-Music.

The E300 uses modern temperature-controlled exponential converters without the expensive MAT-02EH + Tempco found in the MOTM-300. It also incorporates variable HFT (High Frequency Tracking) for a wider, more accurate 1V/Oct input. The SYNC circuit is a simpler hard sync type, with accurate detection of any waveshape/frequency used. There is an added -1OCT/-2OCT sub-octave squarewave output, which is phase-aligned with the sawtooth.

The VCO core is a new sawtooth-based circuit with improved linearity and a unique saw-to-triangle converter with no glitch in the transition peaks.

Just like the MOTM-300, the E300 is designed to be the best tracking analog VCO available (over 10 octaves) with the lowest temperature drift (typically less than 0.1Hz over a 24hr period).

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.