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- With no input to channel 1 the Input 1 pot becomes a voltage source with a range of +/- 6V.
- The control pot and input for channel 4 can be switched to become an offset control and/or a second CV input for the VCA.
- Input 3 has 2x gain, so it can amplify lower level CV's too.
- All inputs are bipolar, which means that either non-inverted or inverted version of the input signal can be added to the mix depending upon the Input control being turned clockwise (non-inverting) or anti-clockwise (inverted). The 12'o'clock position is zero.
Not all active multi's are born equal, some designs do not fully solve impedance mismatch and tracking problems, or they apply offset voltages to the output and in rare cases can cause more problems than they solve!
AJH Synth have added a very useful (and unique) feature to cure tracking problems: four of the five outputs can be adjusted up or down by +/-5% from the front panel, so that VCO's and VCF's that don't track 1V/Oct exactly can be easily compensated to track correctly without having to re-calibrate the VCO or VCF themselves.
Unprecedented accuracy for studio production and live sound engineering.
The culmination of almost 70 years of expertise, the AKG K872 master reference closed-back headphones provide unprecedented accuracy and comfort in production and live sound engineering environments. Custom 53mm drivers with 1.5 Tesla magnet systems deliver exceptional headroom for precise imaging, deep low frequencies and extended dynamic range. The optimized closed-back design ensures excellent isolation during tracking, mixing and mastering sessions. The open-mesh headband and 3D-shaped slow-retention foam earcups create a personalized fit for remarkable comfort during long sessions. Created with meticulous attention to every design element and component, the K872 is the new benchmark for headphone performance.
Superior reference sound:
AKG K872 headphones deliver exceptional accuracy and durability to meet the most demanding professional standards. All components are meticulously crafted and work in concert to deliver superior performance and an impressive listening experience. We engineered the drivers using large 53mm transducers and powerful 1.5 Tesla magnet systems to ensure greatest-in-class headroom and accurate imaging.
The two-layer, copper-covered aluminium voice coil works with the special magnet design to deliver high sensitivity, superior impulse response, and an extended frequency range of 5Hz-54kHz. K872 headphones are extremely versatile, and perform with finesse across a wide range of musical styles and sound sources.
Precision accuracy and performance:
When designing K872, we challenged ourselves to create the highest-quality, most accurate reference headphones ever built. You can depend on the K872 to reveal all the detail in a broad range of program material and today's high-resolution formats. Whether you are recording, mixing, mastering or creating a soundtrack, K872 sets a new benchmark for performance.
Optimised closed-back design:
The newly designed, closed-back ear cups provide optimal isolation from external sound in critical monitoring applications. Want to record a magical performance? Worn by your recording performer, K872 delivers a most inspiring listening experience while ensuring sensitive microphones and your recorded tracks will be free of headphone "leakage."
Over 50 years ago, AKG invented the self-adjusting headband, which quickly became a headphone industry standard. K872 combines the comfort of our legendary lightweight self-adjusting headband with a new quick-lock mechanism that maintains the right shape for your head, so there's no need to readjust every time you use the headphones. 3D-shaped slow-retention ear cups provide an exceptional personalized fit and comfort.
Every rugged component of the K872 is stress-tested by our engineers to ensure premium AKG performance wherever you go. All the mechanically critical parts are made of metal - from the precision cardan hinge to the headband. Details such as the trim ring around the ear cup serve to provide a superior seal for the speaker plate. The K872 is an industry-leading reference headphone that's built to last.
Supporting today's mobile laptop production work flow, the K872 master reference headphones are your portable mixing, mastering and monitoring reference on the go. The K872 includes a low-profile carrying case that doubles as a stand - so your master reference headphones are protected during travel. And the slim yet durable cable with precision LEMO connector is easily detached for added transportability.
The Triple Envelope Generator contains 3 very fast independent ADSR-Envelopes. There are 2 different time ranges switchable. Every Envelope got an inverted output - the Gate-Inputs 2 and 3 are normalized to Gate 1.
- Attack, Decay, Sustain, Release controls for each envelope generator
- Each of the 3 envelope generators can be triggered independently or normalized to Gate 1
- Each envelope generator has an time-switch for choosing between short and long times
- Each envelope generator has an normal output
- Each envelope generator has an inverted output
- Gate jacks 1, 2, 3 - Input jacks for Gate signal 1, 2, 3
- Output Jacks norm. 1,2 3 - Normal Output jacks 1, 2, 3
- Output jacks inv. 1, 2, 3 - Inverted Output jacks 1, 2, 3
- Switches Range 1, 2, 3 - Range switches 1, 2, 3 between short and long times
- Knob Attack 1, 2, 3 - Attack Time 1, 2, 3
- Knob Decay 1, 2, 3 - Decay Time 1, 2, 3
- Knob Sustain 1, 2, 3 - Sustain Time 1, 2, 3
- Knob Release 1, 2, 3 - Release Time 1, 2, 3
Measures: 21 TE
Power consumption: -12V 23mA / +12V 36mA
The ART Tube MP Original Microphone Preamp is the world's most popular external tube microphone preamp. Whether you are working with a digital computer or analog recording system, the Tube MP's TEC award nominated design will allow you to obtain professional recording studio results. The hybrid design of the Tube MP allows it to add warmth and fatness to a signal while maintaining exceptionally low noise and high quality.
Its primary application is to be used with a microphone. However it's also an exceptional direct box, impedance matching, amplifying and improving the sound of any instrument plugged into it.
Proton is Audio Damage's take on the classic Karplus-Strong tuned delay line physical modelling synthesis. Take a capable "vintage digital" style delay line with 1V/Oct clocking, and add an enveloped noise burst, and you have a plucked string physical model. This is wrapped up in standard Audio Damage aural hijinks, and Proton is the result.
Starting with the delay line, which is "tuned" via the coarse and fine tune knobs, add a quality low pass filter (modelled on the MS20's LPF) and damping circuits. This is hit with a noise burst from an analog random number generator that passes through two more filters and an envelope with decay to produce the plucked sound. A "CHOKE" input empties the delay line, for extra dynamic control.
Since Karplus-Strong synthesis lacks bottom in general - the "SUB" control adds a sine at the fundamental frequency to produce gut-churning low end in the bass register. The result is a physical model synth that is capable of both delicate harp-like plucks and monster face-melting basslines.
Liquid crystal polymer used for the coil winding frame has not only an extreme mechanical strength but also an unique property which increases the mechanical strength as the product becomes thinner. Therefore it is the most suitable material for the vibration system of cartridges. This has high intensity and vibration absorption properties, enabling high-quality sound by suppressing unwanted vibration when from power generation.
The magnetic circuit of this product uses a large-sized neodymium magnet with approximately twice the volume of conventional Audio-Technica ferrite core MC types. (Maximum energy product BHmax: 50 [kJ/m3]) The permendur magnetic circuit parts located around the magnet have also been newly designed to maximize the strength of the intensive magnetic field in the coil gap. This magnetic circuit increases the output voltage, and also enhances playback capability in the medium-to-low-frequency range that is said to be a weak point of conventional non magnetic core MC types. This provides a very accurate frequency response.
The stylus tip is a special line contact type with a 40um x 7um curvature radius (used in the AT50ANV) and a solid boron cantilever with a 0.26 mm diameter. This allows accurate transfer of music signals read by the stylus tip to the power generating moving coils.
The base that supports the magnetic circuit and vibration system is made of machined aluminium material. This enables it to serve as a solid base to support stable playback capability.
The housing is made of machined aluminium materials and the cover is made of hard plastic materials. This disperses parasitic resonance and results in clear sound quality.
The OM6 is a dynamic vocal microphone used for live performances, studio and broadcast applications. The OM6 touts a broad frequency response, full-bodied and articulate sound reproduction, resistance to feedback and ability to handle high SPLs in excess of 144dB without distortion.
The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2kHz -10kHz along with a flat, fully extended bass response from 60Hz - 1kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 an excellent choice for broadcast and live recording.
Designed, assembled and tested by Audix in the USA.
Tea kick is a universal analog circuit which is based on improved version of the twin T resonant structure, and mainly inspired by analog drum designs of Standa Filip. The basic principle or this drum is to create a virtual electronic membrane which you strike with electricity, the membrane vibrates and creates a very natural drum wave which, when outputted to a speaker (another membrane) sounds very authentic. To adjust thi membrane, we have the TUNE and RESONANCE control. Think of using those as if tuning an acoustic drum. There is a CV input for tuning the circuit so it can change character from a bass drum through all the toms to woodblock. There is main TUNE control knob for the tuning and also a CV Input with ATTENUATOR.
There is a RESONANCE control which affects how resonant the circuit is. However, the resonance also affects the tuning: the more resonance, the lower the drum sound is. Add resonance to get longer decay drum sounds. The resonance range switch can limit resonance from self oscillating. When you switch it up, the resonance control makes the circuit self oscillate, so that it can be used as a kind of VCO.
Tea kick also has a click generator with tone control which is mixed into the signal. Think of the click as of a stick which you can use to strike an acoustic membrane of a drum - the resulting sound has different character. The click tone control also affects the spectrum of the twin T circuit. There is also SQUARE output and WTF input available for more fun experiments.
Beyond the drum:
Tea kick can be either used as predictable drum circuit or can go totally nuts as an experimental oscillator. There is several ways how to route inputs and outputs to generate feedback loops to generate signal. However there are several ways how you can use it to modify and filter signal from another VCO. We highly recommend to try routing any oscillator to the trigger input. There is a lot to explore here.
The CX3400 provides two modes of operation: 3-way stereo, for left and right lows (woofers), mids and highs (tweeters); and 4-way mono, for lows, low-mids, high-mids and highs. In either mode, you have the option of normal (left and right), or summed-mono low-frequency output. Adjustable time delays (up to two milliseconds) are also provided, so that the sound coming from the various transducers arrives at the listener in-phase and at the same time.
By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX3400 is able to guarantee surgically precise frequency selection with incredibly low thermal noise. State-of-the-art, ultra low-noise op amps ensure super-quiet operation. CX3400's elegant LED matrix shows at a glance which operation mode is selected and which controls are active.
All of the inputs and outputs accept balanced and unbalanced XLR connections. The inputs feature 25 Hz Low Cut filters for low-frequency driver protection. Mute and phase invert switches are provided for each frequency range, making troubleshooting an entire loudspeaker system a breeze.
Take the next step up from the MS20 and get more even output power and extended bass response! These extremely compact, 2 x 20W nearfield monitors feature ultra-high resolution 24bit/192 kHz D/A converters. With the MS40, you can connect directly to your digital signal sources and eliminate annoying analog line-loss and hum forever. Whether you connect to your computer sound card, keyboard, or MP3 player, you will enjoy exceptional sound quality with great dynamics. The built-in amplifiers provide lots of headroom, while the powerful woofers and tweeters provide ultra-linear frequency response.
The MS40 features unrivaled connectivity, including stereo 1/8" and RCA jacks, which can be used simultaneously or mixed with a digital stereo source. Digital duties are handled by either RCA or TOSLINK sockets, providing for ultra-simple hookup. Individual volume controls for both Line inputs plus Bass and Treble EQ controls are provided on the front panel, along with a 1/4" headphone jack that automatically mutes the internal speakers.
Sporting 4.75" woofers and 2.5" high-resolution tweeters, the MS40 monitor speakers bring high-quality audio within the reach of anyone that operates a computer workstation. Whether you're a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS40 loudspeakers will make them sound significantly better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze.
The MS40 takes audio to an even higher level with its multiple input options. The built-in mixer features 1/8" stereo inputs for connecting CD/MD/MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even both RCA and TOSLINK connectors for digital signal sources. This adds up to a system that lets you play along with a variety of prerecorded tracks. And you can wail away to your heart's content in total privacy, thanks to MS40's powerful headphone jack.
2 x high-powered amplifiers feed a total of 40W of super-clean power to the internal speakers, providing an ultra-wide frequency response from 50 Hz to 25 kHz.
You spend a great deal of your time in front of your computer and music is your passion. The MS40 active loudspeakers will bring a new level of enjoyment to your daily listening experience. Your ears will thank you.
Rack stands for guitars or bass guitars. Generous spacing means that a combination of electric and acoustic guitars can be stood side by side. Foam covered supports give protection to the instruments. A space saving and easy to transport solution for studios, home or gigs.
Receiver unit is compatible with standard 19" racks using the included rack ears and front mounting antenna accessories. The RF carrier frequency is selected on the receiver and synchronized to the transmitter via infra-red at the touch of a button. Up to 2 RU210 systems can be operated together on the EU licence-free band.
By the late 50's, stereo records reached a peak in the marketplace as hi-fi sound reproduction attained its largest audience to date. The portable turntable was introduced in the late 1950's and provided music lovers with a sense of independence, allowing them to easily cart their record player from one locale to another. The popularity of this unit was due in no small part to its portability, but also to its suitcase styled finishing touches that became a Crosley hallmark.
The Crosley Traveler Turntable is designed to reflect the portable stylings of yesteryear. This fan favorite is a 3 speed belt driven turntable that plays 33 1/3, 45 and 78 RPM records. The Traveler includes modern conveniences such as a diamond stylus needle and dynamic full range stereo speakers. So whether you choose Ella Fitzgerald or Elvis, celebrate your vinyls in portable style.
"Gig bag" doesn't do it justice. This case is built to military specs, using only high-test materials with extreme resistance to abrasion and the elements. Steel riveted handles, an industrial rubber sole, dual anti-skip zippers, and reinforced stitching comes standard.
Protect your investment!
The Prophet 12's brand new hybrid voice has a digital front end followed by an all analog signal path output. Each voice has five high resolution digital oscillators, a digital character effects section, a resonant Curtis low-pass filter, a high-pass filter, a tuneable feedback circuit, a four tap delay line with feedback per line, four loopable five stage envelope generators, four syncable LFOs with slew and phase offset, a sophisticated arpeggiator, and a sixteen slot modulation matrix with 26 mod sources and 97 modulation destinations. The Prophet 12 is packed with a plethora of sonic potential and power!
The digital oscillators can be frequency and amplitude modulated by each other with incredible accuracy. They can be freely assigned in whatever operator and modulator configurations you would choose. You can even assign each of the oscillators to modulate LFOs, envelopes, and filters.
The Prophet's sleek and instinctive interface invites full control of the synth. Every parameter is fully programmable and editable from the front panel. The controls are laid out in a coherent and logical fashion allowing quick and precise access in the studio and on stage.
The Prophet's full sized, five octave, semi weighted keyboard with velocity and channel aftertouch is rugged without sacrificing great feel and playability. Two backlit, smooth and precise pitch and mod wheels are accompanied by two location and pressure sensitive touch sliders. The Prophet offers a myriad of controls for creation and performance of its innovative sounds.
The Prophet 12 is the most cutting edge hybrid synthesizer on the market and defines what a modern polyphonic synthesizer is!
Demo video by Dave Smith himself.
A pair of high quality, 10cm dual cone mini speakers. Ideal for use in the ceiling. These 80W speakers boast a robust ABS construction and have quick-connect terminals. Sold in pairs.
Distortion with full bottom! EBS MetalDrive delivers high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound. It works equally well with guitar, and handle drop tuned guitars, 7-, and 8-string guitars without choking.
Easy to operate. The pedal works in Standard, Flat and Tubeism mode with controls for Distortion and Output - simple but effective! The MetalDrive uses True Bypass.
The Black Label Pedals provide great tone for bass, keyboard and other instruments as well. They are smooth working effects with very little or no noise and a fat tone that keep the bottom solid.
The 2015 Studio Edition comes with a complete new design, optimized signal path, a new signal relay switch, protection against over voltage use up to 18V and can be powered with anything from 9-12V DC.
*For audio samples, please visit - http://www.ebssweden.com/content/metaldrive.php
The EBS MultiDrive Studio Edition is a "Class A" overdrive pedal, capable of producing sustain, overdrive and many other useful "tube amp" distortion sounds.
Spice up your sound! The MultiDrive is considered an overdrive, more than a distortion pedal. The mode switch selects Tubeism, Standard or Flat overdrive type sounds. All with a preserved bottom since the pedal let through the low frequencies untouched and solid. With guitar, it provides a slightly overdriven bluesy tone with lots of sustain and body. This is the pedal to spice up your sustain!
Evolution. The MultiDrive was first introduced in 2001. The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. 2015 introduces the Studio Edition with a complete new design, optimized signal path, new signal relay switching technique, overvoltage protection up to 18V and the possibility to power the pedal with anything from 9-12V DC (NOT included)
Based on the classic design from the '70s, the Screaming Bird treble booster is back to help your sound take new flight. Whether it's overdriving an amp or just adding some serious bite to your sound, this Bird will scream nothing but highs and will make your guitar cut through any mix. Step on the Bird and fly away!
Get the sound that made the Classic 1970 Small Stone famous. Generates thick sweeping phase shifting with liquid transparency. Feedback color control adds a tingling swirl. Blues players dig the Stone's rapid rotating speaker effect. Country players add tasty seasoning to their chicken pickin'. Metal-heads dig its jet plane swoosh.
The Analog Keys is a flagship analog synthesizer. Analog synthesis, digital controls, and unprecedented playability make it an instrument for the expressive musician.
The Analog Keys is a four voice polyphonic analog synthesizer, capable of generating the finest basslines, chords, leads, and sounds imaginable. The warm and deep tone represents the pinnacle of analog synthesis and the acclaimed Elektron sequencer stands ready to arrange and warp the analog sounds in real-time. Complete the experience by treating the four voices with incredibly well-crafted master effects. A new world of sounds awaits.
The Analog Keys is tailor-made for the stage. The 37 semi-weighted keys of the keyboard give instant fingertip control of the analog tones. The special performance mode offers direct access to user-defined parameters, and the joystick, capable of controlling up to fifteen parameters, allows for extreme morphing of sounds. Improvising when playing live has never been this easy.
Compatibility with other instruments is well catered for. Simply press a button to transform the Analog Keys into a MIDI keyboard, ready to control external MIDI gear. Thanks to the dedicated CV sequencer and the CV/Gate and DIN sync outputs, analog instruments of both today and yesteryear can be played, sequenced, and controlled with precision. Use the multitude of control options to breathe new life in vintage and modern rigs alike.
The monitor features a new 5" Kevlar low frequency driver and a custom engineered and powerful high frequency ribbon tweeter with an extraordinary light membrane. This provides a very clear, strong and precise sound image especially in the high frequencies. With less moving mass compared to conventional tweeters, a new level of impulse response with minimized distortion is achieved. The optimized matching mechanical design of the uniK 05 cabinet provides a special and truly unique sound characteristic that makes this monitor an important part of your studio setup instantly.
The 6301N series are identical in size to the previous version, allowing easy swap out and use where the original model has been used.
New RP-Series Professional Headphones:
The new RPmk3 series headphones are successors to the reputed RPmk2 series that have been used as reliable monitor headphones in many professional recording studios for more than 30 years including from the start of the T-series.
The driver unit incorporating the key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver.
- Refined Fostex proprietary Regular Phase (RP) diaphragm driver using copper foil etched polyimide film and powerful neodymium magnet
- The maximum input level of 3000mW to comply with various professional uses
The presence of two rectified outputs for positive and negative only sources, as well as the bipolar output from which these stem, means that the Convulsion Generator is perfect for providing several CV sources from one input. Used alongside LFOs the FIL1 will produce sinusoidal patterns which can be modified by tweaking the R1 and R2 controls.
Module width: 6HP
Module depth: 27mm behind front panel
Current consumption: 20mA on +12V, 20mA on -12V
Bipolar output voltage range: -7 to +7V
Positive output voltage range: 0 to +7V
Negative output voltage range: -7 to 0V
The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.
The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.
The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.
CROSSGRADE from any previously purchased IK product of value €99.99+VAT or more - includes MEMS Measurement Microphone.
Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.
ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.
With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!
A new professional MEMS microphone:
ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.
In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.
Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.
As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.
Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.
Trust your ears:
ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.
ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.
Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.
A break-through affordable solution for acoustic room correction:
Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.
ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.
Do you really need ARC if your room is already treated?
With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
Designed for pure audiophile sound, all iLine cables are made in Italy from high-quality components including 24K gold plated connectors, high purity copper conductors (you know, the "super-conductor" kind that doesn't oxidize), high density shielding to protect against foreign sound particles, and low capacitance insulation for transient preservation. This combination of components gives you the best possible signal transmission for pure quality sound. The device connectors are also smartly designed to fit your smartphone case without being disconnected, and are colour coded for quick and easy identification of their functionality.
As the name implies, this iLine headphone/speaker stereo splitter cable takes a single stereo pair from your device and makes 2 out of it. Use this on long road trips with your kids (if they like the same movie) or just to monitor new songs you've written on your iPhone. This is a very handy cable. It features one 3.5mm (1/8") TRS stereo male plug and two 3.5mm (1/8") TRS stereo female jacks. Length: 30cm (11.8")
The pioneers in mobile music making now bring you the new iRig HD-A - the next generation of the immensely popular iRig interface. iRig HD-A is the first high-quality 24-bit audio interface that fits in your pocket and connects directly to your Android device and PC.
iRig HD-A features superior digital audio quality and offers a premium 24-bit A/D converter for a crystal clear digital signal that's free from noise and crosstalk. Plus, its ultra-low-draw power consumption circuitry eliminates the need for batteries - it's powered by your mobile device or computer. An onboard gain control allows you to dial in the perfect signal level for your instrument and apps, and a multicolor LED lets you know what's going on with your interface and signal.
iRig HD-A is compatible with AmpliTube for Android as well as any other real-time processing apps which support USB/OTG audio input. Use the iRig HD-A anywhere you play guitar - on the go, in the studio or on your PC at home.
No matter where you are, iRig HD-A delivers a pure high-quality digital input signal. It features an ultra-transparent 24-bit A/D converter that accurately preserves the nuances of your instrument. This means you can rock out on your Android device, PC laptop or desktop computer with studio quality sound. iRig HD-A features a standard 1/4" Hi-Z instrument input jack, and connects to your Android device with the included OTG cable.
The beauty of the iRig HD-A is that it works everywhere you do. It also comes with a handy USB cable and is class compliant, so you can plug right in to your laptop or desktop PC computer and keep jamming.
Now for the good stuff. Download the AmpliTube FREE for Android app from the Samsung Galaxy Store. Plug your guitar into iRig HD-A, plug your headphones into your device headphone jack and launch the app. Immediately you'll see something very familiar - a complete guitar rig.
AmpliTube for Android turns your Android device that supports Samsung Professional Audio technology - like the Samsung Galaxy Note 4 and Galaxy Note Edge, and soon to be available on the Galaxy S5, Galaxy Note 3 and other devices - into the ultimate mobile guitar and bass multi-effects processor, offering up digital versions of some of the most coveted amplifiers and stompbox effects of all time.
Your USB device is plugged into the USB MIDI Host MkII instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).
MIDI data received at the MIDI In socket will be sent to the USB device. MIDI data received from the USB device will be sent to the MIDI Out socket.
The attached USB MIDI device MUST be 'Class Compliant'.
The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.
A surefire hit with rockers and metallers everywhere, the Kinsman Hi-Gain Lead is built for filth!
Just plug in and set the Level, then use the Gain and Tone knobs to sculpt your sound to suit your needs. From scooped rhythm riffs to howling solos, the Hi-Gain Lead pedal is an instant inspiration when you need to inject some real grunt into your tone!
This unit features a color LCD display, a first for KORG hand held tuners. A brilliant white backlight and an extremely clear color VA meter provide high contrast and a wide viewing angle. In addition to improving visibility, the text and the meter display are color-coded for dramatically easier pitch recognition. Rather than having to "watch" the meter, the performer merely has to "sense" it; these models allow instant recognition of your tuning status.
Even smaller and more compact than the previous card-sized units, this new model is smaller than a pack of gum, allowing it to easily fit into your instrument case or pocket. The weight has also been reduced to approximately one third of the previous model for effortless portability.
In cases where it's difficult for the built-in mic to pick up your own sound, such as when everyone is practicing at the same time, you can use the included contact mic. Just as with the KORG CM-200, this mic provides excellent sound transmission, durability, and fit. The Slimpitch uses a 3.5mm mini-jack as for the external contact mic, a first for KORG tuners. Providing a smaller jack allows the entire body to be more compact.
When previous tuners were placed on a music stand for use, they obscured the sheet music at that position and obstructed you from turning the page. When using previous, larger tuners on a music stand, they would often obscure the sheet music and prevent page-turning. With the Slimpitch, these problems are alleviated. A magnet is imbedded in the upper part of the body, allowing the tuner to be attached to the lower part of any steel music stand so that you can tune without obscuring your sheet music.
The transparent protective cover allows for safe storage, and can also be rotated for use as a stand that allows convenient placement on a table or other surface.
Despite its small size, the Slimpitch provides the high tuning accuracy and sensitivity that you expect from KORG. In addition to a broad detection range that covers every type of orchestral instrument, the tuner also provides a calibration function that supports a variety of concert pitches. There's also a transpose function that lets you smoothly tune transposing instruments in F, Bb, and Eb as well as the conventional C scale.
A variety of functions are available to support your tuning endeavors such as the auto power-off function which saves the battery if you forget to turn the unit off, and the memory backup function that preserves your settings even when the power is off.
Improve your swing with rhythm - an in-ear metronome for golf practice.
Designed for the golfer, the StrokeRhythm is an ultra-small metronome that fits in your ear like an earphone. By practicing your swing while listening to the beat directly in your ear, you can stabilize your rhythm and improve your swing. You can also choose from a wide range of tempo and beat settings to find a swing rhythm that's right for you. The jog switch allows smooth tempo adjustment, and a unique mechanism holds the unit securely in your ear.
Practice your swing while listening to the rhythm directly in your ear:
The StrokeRhythm is a unique style of metronome that you wear directly in your ear. Since the speaker unit simply fits in your ear, it lets you practice your swing to the rhythm that only you can hear in your own ear, without affecting any other golfers. The StrokeRhythm is also extremely small and lightweight, allowing you to concentrate on your swing without being distracted by fact that you're wearing a metronome.
Improving your form is of course an important aspect of improving your golf swing, but it's also critically important to practice regularizing the tempo and rhythm of your swing. Practice with the StrokeRhythm to ensure that your swing always maintains a steady tempo and rhythm.
A wide range of tempo and beat settings to match the rhythm of your swing:
The tempo setting range is a generous 30--252 bpm. Typical recommendations are to try a swing tempo of about 70 for men and about 60 for women, but you can experiment with a variety of tempo settings to find the tempo that's right for you. The beat can also be specified in the range of 0--9, so you can choose the beat that's best for you to practice your swing.
Also ideal for jogging and walking:
In addition to its usefulness when practicing a musical instrument, the StrokeRhythm can also enhance your exercise. For example, people who walk for the purpose of exercise or weight loss are often advised to walk at least 20 minutes at a regular pace of at least 70 meters per minute; by using the StrokeRhythm you can keep your training pace constant, synchronized to the sound of the metronome. This is a great way to maintain a consistent speed for walking, jogging, race-walking, weight training, or any other exercise.
Comfortably and securely fits a variety of ear shapes:
The StrokeRhythm utilizes two distinctive mechanisms to ensure a stable fit in any ear, large or small. The first is an Ear Fitter that extends from below the speaker. Its angle can be finely adjusted by rotating the speaker itself, allowing to fit the various shapes of ear hole. The second is an Ear Clip that opens or closes to fasten on the earlobe. The clip ensures a solid hold that will not be dislodged even by sudden shocks or vigorous movement when in use.
Use the jog switch to set the tempo intuitively:
The StrokeRhythm features a jog switch on the side of the body, allowing you to easily change the settings without removing the unit from your ear. Using the jog switch you can select not just the tempo setting, but also the beat, rhythm, and volume. This provides a compact yet highly intuitive method of operation. The power button, mode select button, and an LCD display that shows the tempo and other information are located on the inside of the body.
Extended operating time, and memory backup:
In spite of its ultra-small sized body, the StrokeRhythm provides approximately 200 hours of continuous operation using a coin-type lithium battery. The memory backup function remembers the tempo and other settings even when the power is off. The battery can be easily replaced by opening and closing the cover located on the back of the body.
Ear pad and carrying case included:
To enhance the fit, the StrokeRhythm includes a well-cushioned sponge ear pad (*). Also included is a carrying case that neatly stores the StrokeRhythm itself, the battery, and the ear pad. You can take this with you for convenient rhythm training anywhere you go.
A high quality multi-function portable PA amp.
You need rhythm for your solo performances. You have a rhythm machine, but you want your performance to feel more "alive". The STAGEMAN 80 is a multi-function portable PA amp that will meet those needs. This unit contains a large number of high-quality rhythm patterns that can even respond to tempo change in realistic ways, due to KORG's new "Real Groove Technology." The STAGEMAN 80 can act as your personal drummer to support your live performances or practice sessions; you can even create a rhythm structure that's appropriate for your own song, while using a foot switch to control it in real time. With high-output, high-quality stereo speakers, it can also be used as a live PA. It additionally provides a recorder and audio player, as well as a full-featured mixer. The STAGEMAN 80 lets you perform with optimal sound backed by the ultimate rhythms.
A Stereo 80W high-output system provides high-quality sound:
The STAGEMAN 80 is a powerful sound system equipped with two 40W high-output amps and two 4-inch stereo speakers. It delivers impressive volume levels that can cover a small or mid-sized performance venue, a listening room, or even a live street performance.
The generous sound takes advantage of the high output, extending from a tight low-frequency range to an extended high-frequency range, and is tuned to give you an extremely well-balanced and natural tone. The sound quality is reminiscent of high-end audio equipment, and will allow every note of your vocals or guitar to shine beautifully.
The amp section uses class-D amps for their good power efficiency. You'll always be able to enjoy clear sound where long battery life is important.
Rhythm machine function with excellent presence:
The STAGEMAN 80 is equipped with a large number of high-quality rhythm patterns that take advantage of KORG's advanced sound-generating technology. Based on performances by top-ranking pro drummers and percussionists, these rhythm patterns have a great-feeling groove, and utilize KORG's new "Real Groove Technology" that allows natural and musical-sounding phrases to be generated at any tempo. A total of approximately 3GB of rhythm loops are included, covering a range of 24 genres such as 8-beat, 16-beat, unplugged beats such as Cajon, rock, jazz, and boss nova, with two variations for each genre. Just press a single button to flexibly play back the rhythm you want. The high-quality speakers will produce a realistic and live-sounding rhythm session as though a real drum performance is being staged in front of the listener. There's a memory function that lets you register your favourite rhythms and playback tempo, as well as a chain function that lets you freely connect individual measures of rhythm styles. You can create original drum tracks to suit the songs that you're performing.
Simple-to-use recording and playback functions:
You can record your own performance along with the internal rhythm patterns or along with a song you've added to the SD card. You can record with undo/redo, and even register marks at desired locations in the recorded data and play back a region as a loop while you overdub. You can use this capability to create sketches for song ideas, to capture material for later work in your DAW, or create a full recording.
The STAGEMAN 80 is also equipped with an audio player function that can play back audio files (wav) from an SD card. Acoustage and the high-quality speakers mean that you can use this as a great-sounding listening system. You can also prepare backing tracks beforehand and perform along with them, using the STAGEMAN 80 as a PA amp. There's a playlist function (10 banks) that let you manage the file playback order of up to 24 songs, so you can play them back in the desired order during your live performances.
Additionally, the playback speed can be adjusted in a range of -25% to +25%, and you can specify that files play back repeatedly or in automatic succession. The STAGEMAN 80 gives you solid support with a wide range of functions that you'll actually use in your performances.
Mixer function that meets a variety of needs:
The STAGEMAN 80 lets you mix a variety of input sources simultaneously, including a mic input, two inputs to connect a guitar or bass, and an AUX input that supports line-level stereo output from devices such as an iPod or keyboard. Two-band EQ is provided, and you can apply reverb to your vocal (mic input) or acoustic guitar and so on (inputs 1/2) to enhance your presence.
Taktile features a stylish design that projects a sense of presence, together with the same great-feeling semi-weighted keyboard that's used on synthesizers and music workstations such as the KingKORG and KROME. It's loaded with functions that make it fun to play and use, such as a touch pad inherited from the Kaossilator that lets you play melodies using just a single finger, trigger pads that let you generate chords in the key and scale of your choice and an arpeggiator that includes rhythm patterns.
Of course, the taktile also delivers the functionality that you expect from a MIDI controller. It provides all of the basic controllers such as sliders and switches, and makes setup easy so you can start producing music right away. Convenience is not the only attraction of the taktile; it's a MIDI controller that's full of features that will stimulate your creativity.
The taktile is designed for simplicity; connect it to your computer via a single USB cable and the power turns on. It supports the major DAW/sequencer software (*2), and its easy setup lets you start creating music right away. Controllers can be freely assigned, making the taktile a USB/MIDI controller that will meet all demands, from controlling a mixer to editing your software synthesizers.
The touch pad located in the center of the taktile feature the Touch Scale function that was so popular on the KORG Kaossilator. Simply stroke the touch pad to generate melodies in the key and scale that you specify; you'll be able to use easy and intuitive gestures to perform musical phrases without needing advanced musical knowledge or keyboard performance skills. There's also an arpeggiator function with fifty different rhythm patterns, so you can play your software synthesizers with a single finger just as though you were using a Kaossilator.
The trigger pads placed in the right of the panel have two banks, A and B, and are also velocity-sensitive. Since the dynamics of your performance will be faithfully conveyed, your drum and percussion input will have a sense of life. The Chord Scale function automatically generates chords according to the key and scale that you specify. By using this in conjunction with the arpeggiator and the Touch Scale function of the touch pad, you'll find yourself finishing entire songs in no time at all. You can also assign chords that you yourself play, opening up endless possibilities that are limited only by your imagination.
The semi-weighted keyboard featured on the KROME and KingKORG music workstations and synthesizers - used by players around the world - is also featured on the taktile. No compromises have been made in the playing feel for either the 49-key or 25-key model. You can use these keyboards not just to enter notes on your desktop music production setup, but also for real-time performance.
The touch pad can also be used as a USB track pad, with gestures such as two-fingered vertical scrolling and tapping to click. Your productivity will be boosted since there's no need to interrupt your musical workflow.
The taktile is designed in a stylish matte finish black that you'll never tire of. With a high-contrast OEL (Organic Electroluminescent) full dot-matrix display, it's easy to check the settings on the device itself. There are two different types of LEDs available for the two trigger pad banks, A and B, providing both visual appeal and functionality. Attention has also been paid to fine details, for instance, the connectors are grouped together on the right panel so the rear panel will present a clean appearance.
The numerous bundled license/discount coupons mean that you'll be enjoying popular music software from the day you bring the tactile home. In addition to the Korg M1 Le software, these include titles that you'll enjoy using with the taktile, such as EZDrummer Lite, Ultra Analog Session, Strum Acoustic Session, Lounge Lizard Session, and Ableton Live discount coupon, and Reason Limited DAW software.
The licensed software can be downloaded from - http://www.korg-license-center.com
Mackie MRmk3 Powered Studio Monitors are specifically designed from start to finish for your music, aimed at revealing the full range and natural character your music deserves. Optimising features include an enhanced waveguide system for a wider sweet spot and custom tuned rear porting for smooth, extended bass response. With a wide range of full range options and a powerful studio sub, you can be sure MRmk3 has the right setup for your studio.
The ability to reveal the character of your music is easily the biggest reason to get professional studio monitors and Mackie MRmk3 monitors are packed with design features to enhance this experience. From the added punch and bass extension provided by the custom tuned ports to the rugged all wood cabinet packed with sound tightening acoustic absorption material, you can be confident that MRmk3 monitors are revealing the full range, natural character that your music deserves.
All studio spaces are different and having the right connection types and customizable control over your acoustics is important. Want more bass? Pump up the low end by up to 4dB and feel the difference. Or, boost or cut the highs to get the exact amount of sizzle and shimmer you want. Adding an MR10Smk3 studio subwoofer to your system only adds to the experience. It not only delivers the chest pounding punch critical for genres like hip-hop and dance, but also lets your mains focus on what they do best for optimum studio performance.
The i855 lavalier cardioid condenser microphone is recommended for on air productions, forum discussions, and durable enough for ENG use. The minimal size and cardioid polar pattern makes the i855 an ideal tool for interview and video productions.
The MIDI Solutions Thru is a 1 in 2 out MIDI Thru Box. All MIDI messages appearing at the input are sent to both Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.
The MIDI Solutions Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.
Using the latest technology and high quality design we bring to you the Minirig bluetooth rechargeable speaker.
Stylish yet minimal in its design, it is able to project sound with incredible volume & clarity. Just simply turn on, connect and you & your friends can enjoy up to 50hrs of playtime wherever you may be. The Minirig well and truly sets a new standard in wireless portable audio.
Bluetooth Minirigs are compatible with the Minirig v1.
Designed around a single high efficiency 3" driver, the focus of the Minirig is all about the sound. This large surface area driver is able to really connect with the air to achieve a clear and balanced full-range sound in all directions. With powerful bass, clean midrange and detailed treble, you can enjoy your music exactly as intended.
What's the point in a portable speaker if it's stuck in the wall recharging? While others promote "wireless" speakers you have to plug in every day, Minirig takes things to a new level - allowing you to go for days, weeks or even months without having to reach for that charging lead. You can even use it to charge your smartphone,making it the perfect camping companion!
With the latest Bluetooth technology you can enjoy life without cables yet maintain great sound quality and battery life. It gets even better when you add a second Minirig for truly immersive wireless stereo sound. And for those analog enthusiasts you can use a cable to output Bluetooth audio, perfect for link-ups #NOMORECABLES.
Designed AND made in the UK its body is formed around a single machined piece of anodised aluminum. The durable mat textured polycarbonate completes the design, creating a product thats stylish, tactile and almost indestructible.
The best products are intuitive and simple to use, so with just a single button its the perfect speaker for technophobes. If you want to dig deeper and take your Minirig further just download the app for easy access to advanced features. Android app download link - https://play.google.com/store/apps/details?id=com.minirig
Say hello to the Mode Machines Retrophones. Old School Headphones and microphone set, with a stylish design, that resembles an elegant mix betwen retro and modern look, delivering at the same time a very modern sound.
Perfect for multimedia or gaming applications. Compatible with Smartphones and tablets.
- Wide range sampling rate/depth reducing effects
- 3 modes for using guitar, bass, synth or sound player
- Full metal shell
- Very small and exquisite
- True bypass
- Requires DC 9V Adapter power supply
Protect your investment when you're on the road. The EW Pro Molded case is designed to meet ATA specifications. It is custom fitted to the EW Pro. It has heavy duty casters and an internal compartment for storing cables.
Power: Dunlop ECB004 18 volt AC Adapter
This is the foot controller to accompany the MXR M235 Smart Gate
The synth has two oscillators, three distortion modes, plus one multi-mode filter with high-pass, low-pass or band-pass. With Circuit Mono Station, the sync and tuning parameters of its two oscillators can be individually controlled. It also offers four waveshapes (sawtooth, triangle, square and sample + hold), a sub-oscillator, ring modulation and noise generation. Users can get the frequency band they want by applying high-pass, low-pass and band-pass filters with slopes of 12dB and 24dB.
In addition, Circuit Mono Station introduces a powerful overdrive. Both monophonic and paraphonic modes are available, with each oscillator individually controlled by its own sequencer. There are three sequencer tracks: two oscillator sequencers and one modulation sequencer. Users can alter Gate length, switch patterns instantly, choose sync rate and mutate patterns.
A four-by-eight modulation matrix makes it possible to route from LFO with four waveshapes, envelope, sequencer or velocity, enabling complex modulation for pitch, pulse-width, amp, filter, distortion or CV. Up to 64 patches can be loaded and saved on the device, right at the user's fingertips. Circuit Mono Station controls separate hardware via CV, Gate and modulation outputs, and has MIDI In, Out and Thru, so other MIDI gear can be connected. Via USB, Circuit Mono Station can be plugged into Mac or PC, where unlimited patches can be managed using Components.
The WS100 provides consistent and reliable operation with its dual-antenna diversity system. Equipped with a foam protected case, you can expect nothing but the best for your events with the 24-bit sound and professional quality.
Speak With Range:
The WS100 wireless system works beautifully over a 200-plus foot range, giving you the confidence and command over your event that you demand. The wireless connection is sustained by the independent digital ID, which eliminates signal crosstalk and interference.
The UHF 24-bit digital system gives you a clear, wide-range frequency response that reaches down to 50Hz in the bass up to a shimmering 18kHz in the treble. With a superb signal-to-noise ratio of 96dB, you'll enjoy a transmission signal free from annoying background noise, just like the best wired microphones. The WS100 system includes wireless mic, wireless receiver, carrying case, 1/4" cable, and a handy padded carrying case.