Back in stock: Progressive Rock

Review: Keyboardist Stale Storlokken leads the trio through six stellar compositions, showcasing hypnotic, magical, and razor-sharp polyrhythms. The album - the follow up to their acclaimed album Arrival of The New Elders - maintains the band's signature groovy mix of high-energy rock and power jazz while incorporating more structure and reflection and displaying a more diverse and mature approach. Recorded and mixed by producer Mattias Glava, Mythical River solidifies Elephant9's position as a contemporary, timeless and futuristic band.

Review: The Mars Volta's debut album remains one of the band's creative high-points. After the post-hardcore rush of At The Drive-In burst into flames, few could have dreamed something as ambitious and progressive as De Loused In The Comatorium could have emerged. The clue's in the word progressive, as Cedric Bixler-Zavala, Omar Rodriguez-Lopez and Jeremy Ward pooled their resources (with some bass assistance from Flea) to create long, spiralling narratives around the concept of Cerpin Taxt, the comatose hero of this nebulous story. Still sounding visionary 20 years later, it was the start of an exciting new chapter for a band truly unlike any other.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Over the course of his long and successful career, Ennio Morricone composed many dance songs in step with the fashions of the late 60s and early 70s. These were themes not necessarily directly connected with his films' synopses, but which were nonetheless played in disco clubs, on jukeboxes, turntables and on the radio. This collection contains a selection of pieces such as the brilliant main theme from Grand Slam (1967); the shake rock (opening credits) from Dario Argento's classic Four Flies On Grey Velvet (1971) the danceable from the noir film Violent City (1970); the beat version of the opening credits of 'Pioggia Sul Tuo Viso' by the Sorrows, from How I Learned to Love Women (1966); 'Per Vittorio (Bossa)', an elegant bossa nova with flute and percussions from The Success (1963); the tribal shake from I Cantori Moderni, which winks at the dies irae from Garden of Delights (1967); 'Scuola di Ballo al sole', a wild surf piece from the Hawks and the Sparrows (1966); the supreme bossa nova from One Night at Dinner (1969) with the super iconic voice of Edda Dell'orso; the shake music of "'Ostinazione al Limone from What Have you Done to Solange? (1972); and 'Donnabossa' from Full Hearts and Empty Pockets (1964), a delicate bossa nova piece with a prominent harpsichord.