'Mojo Rocksteady Beat' is the new compilation of classic recordings from The Sound Dimenison, the funkiest group in the history of Reggae.
The Sound Dimension have recorded some of the most important songs in Reggae music; songs such as 'Real Rock', 'Drum Song', 'Heavy Rock',
'Rockfort Rock', and 'In Cold Blood' - all classic songs that have become the 'foundation' of Reggae music, endlessly versioned and re-versioned
by Jamaican artists since the time they were first recorded.
As the in-house band at Studio One in the late 1960s, The Sound Dimension also played alongside everyone from The Heptones, and Alton Ellis,
to Ken Boothe, Marcia Griffiths and more. Similar to their US counterparts, The Funk Brothers at Motown, and Booker T and The MGs at Stax,
The Sound Dimension recorded, on a daily basis, incredibly catchy and funky tunes matched by a seamless musicality.
Featuring musicians of the calibre of Ernest Ranglin, Jackie Mittoo, Eric Frater, Leroy Sibbles, Don Drummond Jnr, Deadley Headley and more,
the Sound Dimension existed from around 1967 to 1970 and all the recordings featured here were originally released during this period. For a band
with a fluid line-up, they had an amazingly consistent sound, laying down classic rhythms for the singers of the day at Studio One as well as stretching
out with their own recordings. Check out the amazing trombone of Vin Gordon, rightly re-named 'Don Drummond Jnr' by Sir Coxsone, honouring both
the musical abilities of the young Gordon, and that of his forerunner in the Skatalites and ex-Alpha Boys teacher. His sparring partner on horns would
usually be Deadly Headley Bennett.
The Sound Dimension featured a unique combination of musicians from different backgrounds, such as those from the original jazz big bands on the
island or players from the north coast hotel music circuit; listen to 'Park View' and hear the two unique styles of Eric 'Rickenbacker' Frater, with his
fuzz-box lead guitar, dueling with the jazz virtuosity of fellow guitarist Ernest Ranglin. After Jackie Mittoo officially emigrated to Canada in 1968
(although often continuing to return for sessions), keyboard duties were also supplied by the equally funky Richard Ace or Robbie Lyn, all against the
rhythmic bass-lines of the Heptones' own Leroy Sibbles.
None of this can explain the importance of this music. The melodies to their classic songs are a thousand times better known than the musicians who
originally created them. Played and re-played by every house band for every producer on the island, these iconic rhythms became the basis for dancehall
and laid the foundations for the future of Jamaican music. This album can be seen as a companion to the earlier Sound Dimension release 'Jamaica Soul
Shake' and together these two albums make a unique and definitive document of a seriously important set of recordings.