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Riccardo Sinigaglia, with Gabin Dabire and Walter Maioli, made up one third of Futuro Antico - one of the most important collaborations to emerge from the 1970's and 80's Italian avant-garde. The project, whose name literally translates to 'ancient future', joined traditional sounds and instrumental sounds from around the world. With electronic music - the sonic past, present, and future as one. Recorded shortly after the collective's most prolific period and released in 1986. While more singular and more idiosyncratic, Sinigaglia's album caries these very concerns at its core. Built from field recordings, collaged samples, synthesis and instrumentation - it shifts from hypnotic rhythm to radical and displacing structures. It establishes a remarkable link between ancient and non-western music and efforts emerging from studios like Groupe de Recherches Musicales. A work of staggering rhythm, texture and beauty: Riflessi builds a world with almost no parallel - imbuing electronic music with touch, tactility, and humanity, while sacrificing none of its challenges and intellectual heights. Emerging for the first time on any format since its original pressing, before us is a historic moment - a lost piece of the puzzle in the wondrous Italian avant-garde.
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