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Under the Prins Emanuel alias, Emanuel Sandin has never been particularly prolific, though what he does release tends to be very high quality. He's certainly kept the quality threshold high on sophomore album "Diagonal Musik", a breezy, beautiful and evocative set that's as Balearic as getting a back rub from Jose Padilla while watching the sun go down outside Cafe Del Mar. The album's greatest strength is its stripped-back simplicity, with Sandin offering up eight evocatively produced tracks built around gentle guitar motifs (mostly acoustic, with a little Pat Metheny style electric guitar), the occasional voice or beach-side field recording, a few well-placed effects (primarily delay and reverb) and little else. It may be simple and stripped-back in its construction, but "Diagonal Musik" is rarely less than intensely beautiful.
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