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Although fusing modern classical and ambient music has become popular in recent times, Otto A Totland is no bandwagon-jumping newcomer. As part of Deaf Center, the Norwegian pianist and producer made telling contributions to the style's development as far back as 2004. His debut solo album, 2014's Pino, is also widely regarded as something of an unassuming, modern-day classic. This belated follow-up is every bit as beguiling as its predecessor, with Totland unfurling simple, stripped-back tracks built around his deft and sympathetic piano improvisations and hazy field recordings. It's similar in tone to some of Nils Frahm's work, though it feels a lot more melancholic, distant and atmospheric; all traits that guarantee and emotional listening experience.
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