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Side 1 | ||
---|---|---|
1. | "Insect-Talk" (6:33) | |
2. | "Sunchemical" (6:01) | |
3. | "Gathering Shadows" (5:18) | |
4. | "Skinned" (3:28) |
Side 2 | ||
---|---|---|
1. | "Equation" (4:20) | |
2. | "Shintone" (1:48) | |
3. | "Mansoases" (5:21) | |
4. | "Umbra" (2:34) | |
5. | "False Prophet" (6:50) | |
6. | "200ft Vertical Wall" (1:03) |
Side 3 | ||
---|---|---|
1. | "Departure" (7:31) | |
2. | "Slight Return" (2:09) | |
3. | "Roseland" (9:00) |
Side 4 | ||
---|---|---|
1. | "False Prophet" (5:25) | |
2. | "Equatorial" (4:41) | |
3. | "Fleshtones" (3:41) | |
4. | "Tegen Tonen" (2:09) | |
5. | "A Gap Between Two Worlds" (3:37) |
RECOMMENDED
First released in 1995 via the Staalplaat imprint, Equator has Paul Schutze to thank for its exceptional production standards, who is also credited with percussion and keyboards. A veritable journey into another world, or at least soundscapes that feel far removed from the Britain outside our window, at times the tones here create an icy sensation, for example the subtle chimes of 'Umbra', in other moments we're picturing tropical images in our mind.
'False Prophet' is a case in point. Wooden percussion and reversed waves of synth create a sense of magic and ancient mystery, as if exploring some Aztec ruins alone at dusk. 'Departure' uses distorted bird tweets against huge refrains of harmony in a way that invokes a sense of huge vistas, sunset or sunrise colouring the air in reddish hues. Evocative stuff to say the least.
If you decide an product is not suitable within 14 days of delivery, you can return it to us for a replacement or refund. Returns must be unused and in their original, undamaged packaging.
Some items are excluded from our money back guarantee:
- Computer software that has been unsealed or registered
- Any item that comes directly into contact with the nose, ears or mouth
To arrange a return, just contact our customer service department on 020 7424 2800 or via our customer support form.
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