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Even by the increasingly out-there standards of the Greta Cottage Workshop crew, this album is delightfully out-there. Designed to evoke the experience of a "cold war border crossing through the eyes of a child," Bernau 4 started life as a series of foreboding, chilly and haunting field recordings made during a trip to Berlin back in 2013. These recordings were then handed over to regular contributor Max Trukker, who chopped, sliced and diced them into crackly, strangely rhythmic and notably bleak shapes. The seven tracks sit somewhere between Chris Watson style soundscapes, uncomfortable ambience and stripped-back dub techno, with Trukker emphasizing the atmospheric nature of the source material throughout.
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