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|2.||"Baby O Baby"|
As the man on the keys for Suicide, Martin Rev had his fair share of success in the post-punk explosion, but his less mined solo back catalogue has a wealth of early synth studies that range from the uptempo strut of "Mari" to the obtuse chords and drones of "Jomo". For an album released in 1980 there really are some forward-thinking textures at work, not least on the creepy Cabs-esque "Baby O Baby" with beyond the grave vocals to boot. For any collector of music from the golden age of synthesiser innovation, this is an utterly essential reissue.
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