Sometime PAN regular and UIQ head honcho Lee Gamble pitches up on Hyperdub with what the label says is the first of a three-part "sonic documentary" that "loosely explores three stages of 'Semioblitz' - the aggressive onslaught of visual and sonic stimuli of contemporary cities and virtual spaces". What's most exciting about "In a Paraventral Scale" is the sheer scale and quality of the music. Gamble is in fine form throughout, from the gentle, Boards of Canada-ish IDM of "Folding" and hybrid orchestral/electronic sweep of breathtaking opener "Fata Morgana", to the skittish, automotive energy and fizzing synth lines of "In The Wreck Room", and the almost ecclesiastical lament of closing cut "Many Gods, Many Angels". In a word: stunning.