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|1.||Emika - "Cooling Room"|
|2.||Marcel Fengler - "Shiraz"|
|3.||Prosumer - "Daybreak"|
|4.||Substance - "Gestalts"|
|5.||Ryan Elliot - "Abatis"|
|6.||Nick Hoppner - "ISP"|
|7.||Marcel Dettmann - "Shelter"|
|8.||Fiedel - "Doors To Manual"|
|9.||Shed - "Boom Room"|
|10.||Steffi - "My Room"|
|11.||Dinky - "Twelve To Four"|
|12.||Len Faki - "Kraft Und Licht"|
|1.||Barker & Baumecker - "Drin"|
|2.||Marcel Dettmann - "Scourer"|
|3.||SCB - "Down Moment"|
|4.||Tama Sumo - "Iron Glance"|
|5.||Murat Tepell - "Holdon" (feat Elif Bicer)|
|6.||Soundstream - "Wenn Meine Mutti Wusste"|
|7.||Cassy - "Never Give Up On A Mood Swing"|
|8.||Ben Klock - "Bear"|
|9.||Norman Nodge - "Start Up"|
|10.||Luke Slater - "Boom Tang Shwuck"|
|11.||Boris - "Rem"|
|12.||Margaret Dygas - "Quintet"|
The fascinating (and wholly appropriate) concept behind Ostgut Ton's fifth anniversary compilation was conceived by British born, Berlin based artist Emika. On a night out at the label's legendary affiliate club Berghain she noticed the walls were moving and giving off their own frequencies, such was the ferocity and energy of the music and revellers within. And so Funf was born; with Berghain and Panorama Bar's extensive family of artists given four gigabytes of field recordings taken from within the club after hours - be it humming fridges, creaking doors or unseen footsteps - and asked to make a track using these sounds as their foundation. The results are absolutely stunning, with a disparate yet inexorably linked selection of tracks that range from subtle soundscapes (Emika's "Changing Room") to experimental dubstep (Fiedel's debut production "Doors To Manual"), minimal house (Dinky's "Twelve To Four") and banging techno (Shed's "Boom Room"). Split across 2 CDs this is an absolutely unmissable slice of contemporary techno history.
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