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Fhloston Paradigm might seem like a shadowy name from some bedroom producer somewhere in London, but in case you didn't know, it's actually King Britt's alias (almost) strictly for Hyperdub. The UK producer has produced some of the best house and broken beat of the early 2000s, and he still remains a cult hero, a dangerously underrated artist from the commercial world. This newer sound contains aspects of his old work, but we can hear experimenting a lot more with the sonics and arrangements, so much so that "Nimoy" is a veritable genreless track, spitting out sick beats and waves of bass from all angles without any care in the world. "Return" is a sublime synth excursion without even a shadow of a kick drum, and "The Hour" follows suit with a mystical sea of warm harmonics and structured pad patterns. Recommended.
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