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Analog Drive is a 100% analog distortion stompbox featuring no less than eight different analog distortion circuits. Designed to bring out the most of any guitar/amp combo or mono synthesizer, the sheer flexibility and engineering behind the analog distortion circuits makes it a powerhouse of a pedal.
Ultimate distortion, times eight:
Analog Drive gives you eight analog distortion types in one box. It is the ideal pedal for guitarists who want to wreak havoc to signals and tones in the most diverse and characterful way possible.
Total analog distortion box:
The sheer sonic range of the Analog Drive, courtesy of the eight different analog distortion circuits, is in itself a marvel. One stomp-box harbouring so many tone shaping opportunities: unheard of until now. Analog Drive is a bottomless well of new sounds.
The EQ touch:
Enhance your amp with the 3 band analog EQ. The mid band is sweepable, which is very handy for dialling in the perfect EQ setting. The mid EQ can also be controlled with an expression pedal, making it easy to create analog wah-like sounds.
For the live rig:
The possibility to store user presets will make the live gig flow smoothly. And if you rely on MIDI during your performances, the Analog Drive delivers. All settings are fully controllable via MIDI and it can even send MIDI program change messages.
The eight circuits:
Clean Boost - A boost ranging from 0 to 20 dB, run at a high internal voltage, thus giving plenty of headroom.
Mid Drive - Can be compared to the sound a well-known green stomp-box. If more bass is needed, just increase the Low EQ setting.
Dirty Drive - Really dirty and swampy. A gate-ish feel can be obtained at low Gain settings. Higher Gain settings result in an old school fuzzy sound.
Big Dist - Adds quite a lot of distortion, but with an intact bass response. A reference would be a Marshall stack pushed to the max with a lot of power amp distortion.
Focused Dist - Strong focus on the upper mids. An extended version of the mythological horse/man pedal, but with more flexibility.
Harmonic Fuzz - Octave fuzz with a smooth feel. Based on a fuzz that is out of production (Which one is a well-kept secret).
High Gain - Clear sound with a lot of gain. Nice string separation, great sustain.
Thick Gain - Adds loads of gain, more than a lot of preamps. Really crispy when palm muting the lower strings and using the EQ to add some top end.
|Controls||Foot Switch, Rotary Knobs|
|Inputs||1/4" jack, 2x 1/4" expression pedal input, MIDI in|
|Outputs||1/4" jack, MIDI out|
|Power Supply||Mains Adapter|
|Indicator||Dual digit seven-segment LED display|
|Dimensions (mm)||171 x 177 x 62|
If you decide an equipment item is not suitable within 10 days of delivery, you can return it to us for a replacement or refund. Returns must be unused and in their original, undamaged packaging.
Some items are excluded from our money back guarantee, including:
• Computer software that has been unsealed or registered
• Any item that comes directly into contact with the nose, ears or mouth
To arrange a return, just contact our customer service department on 020 7424 2800 or email us at email@example.com