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|1.||"Oh, Lovely Appearance Of Death"|
|4.||"At The Stranger's House"|
|5.||"A Land Unknown"|
|8.||"The Sound House"|
You'll struggle to find another album opener that's quite as striking as "Oh, Lovely Appearance of Death", the stunning ambient-folk cut that kicks off Phillip Sollmann's first album as Efdemin for five years. It's utterly beguiling and features a traditional folk acapella over layers of hushed electronic chords. It sets the tone for an album in which Sollmann effortlessly saunters between atmospheric and droning dancefloor techno ("Good Winds", the 14-minute, Berghain-friendly "New Atlantis"), woozy experimental ambient works ("At The Stranger's House"), Jew's Harp-sporting club cuts ("A Land Unknown"), discordant free tech-jazz ("Temple") and the kind of hazy, traditional music-meets-electronica cuts that have previously been a hallmark of Firecracker's Mac-Talla Nan Creag ("The Sound House").
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