Despite the hard-to-pronounce title, this debut solo album from Scandinavian electro sort Celldod is something of a sparkly treat. For the most part, it sits somewhere between the darker, macabre sound of electro noir (and, on the freakish "Orgen I Neckon", clandestine ambience), and a bolder, more dancefloor-friendly take on the style. His style tends towards the bubbly and undulating, with bold synth lines stretching out across mechanical rhythms, body-popping beats and rolling analogue grooves. This CD version of the album contains a number of bonus cuts, including the horror-fixated, electroclash style darkness of "Frater", and the Drexciyan intensity of "Betong".
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