Since first emerging in the late 1980s, Peter Elmaloglou has been one of the mainstays of the Australian techno scene. Derrick May is a fan and has decided to offer Elmaloglou the opportunity to showcase his wares on Transmat. A-side "Set Me Free" offers up an impressive fusion of soft-touch European tech-house tropes (fluid, delay-laden synthesizer motifs, tactile beats etc.), Chicago style psychedelic acid lines and the kind of rumbling, elongated bass tones that were once a feature of Kevin Saunderson's late '80s/early '90s work as Reese. Over on side B, "Don't Stop" is undulating, hypnotic and minimalist in tone, with percussion that both hisses and clicks, while "Autumn Blues" sees him pepper a squeezable techno groove with heady ambient chords and glassy-eyed electronic lead lines.
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