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Les Soleils De L'ile De Paques/La Brulure De Mille Soleils (Soundtrack)

Format: gatefold 2xLP + insert
Cat: WRWTFWW 008009L
Released: 01 Jan 90
Genre: Experimental/Electronic
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in stock $28.87
Tracklist
Side 1
1. "Soleils #01" (2:42)
2. "Soleils #02" (2:45)
3. "Soleils #03" (4:04)
4. "Soleils #04" (2:08)
5. "Soleils #05" (2:28)
6. "Soleils #06" (3:09)
Side 2
1. "Soleils #07" (0:15)
2. "Soleils #08" (0:22)
3. "Soleils #09" (0:23)
4. "Soleils #10" (0:18)
5. "Soleils #11" (0:18)
6. "Soleils #12" (0:20)
7. "Soleils #13" (0:13)
8. "Soleils #14" (0:11)
9. "Soleils #15" (0:09)
10. "Soleils #16" (0:14)
11. "Soleils #17" (0:43)
12. "Soleils #18" (0:53)
13. "Soleils #19" (0:40)
14. "Soleils #20" (0:42)
15. "Soleils #21" (2:04)
16. "Soleils #22" (2:15)
17. "Soleils #23" (6:31)
18. "Soleils #24" (0:18)
19. "Soleils #25" (0:39)
20. "Soleils #26" (0:21)
21. "Soleils #27" (0:23)
Side 3
1. "Brulure #01" (2:35)
2. "Brulure #02" (1:31)
3. "Brulure #03" (0:26)
4. "Brulure #04" (1:01)
5. "Brulure #05" (0:31)
6. "Brulure #06" (0:34)
7. "Brulure #07" (0:45)
8. "Brulure #08" (1:03)
9. "Brulure #09" (1:12)
10. "Brulure #10" (1:00)
11. "Brulure #11" (0:42)
12. "Brulure #12" (1:08)
13. "Brulure #13" (0:58)
Side 4
1. "Brulure #14" (0:40)
2. "Brulure #15" (0:32)
3. "Brulure #16" (0:45)
4. "Brulure #17" (1:21)
5. "Brulure #18" (0:10)
6. "Brulure #19" (1:12)
7. "Brulure #20" (0:14)
8. "Brulure #21" (0:52)
9. "Brulure #22" (0:17)
10. "Brulure #23" (0:15)
11. "Brulure #24" (0:51)
12. "Brulure #25" (1:20)
13. "Brulure #26" (0:30)
14. "Brulure #27" (0:14)
15. "Brulure #28" (0:44)
16. "Brulure #29" (3:46)
 Add to Wishlist
in stock $28.87
Review

Swiss label WRWTFWW has scored something of a coup here, securing the rights to release two near mythical film soundtracks by legendary experimentalist composer and music concrete artist Bernard Parmegiani. The soundtracks themselves were originally composed for a pair of experimental films (1972's "Les Soleils de L'Ike de Paque" and 1965's "La Brulure de Mille Soleils") whose hallucinatory approach to cinematography offered Parmegiani a chance to let his imagination run wild. The results are predictably out-there and inspired, sitting somewhere between the Radiophonic Workshop, Stockhausen and the cutting-edge pioneering electronica of American composer Morton Subotnick.

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