Back catalogue: Leftfield

Review: FSOL continue to be a prolific force in the sonic universe of their own making. The Environments series they started in 2007 has come to a head with a trio of albums over the past year and this is the last of them. There's a pointed callback at work on Environment 7.003, the cover explicitly referencing seminal early album ISDN, and the album is scattered with subtle nods to those mid 90s glory days. But The Future Sound Of London has always been about pushing forwards and that's precisely what Brian Dougans and Garry Cobain do on this resplendent suite of electronica, sure to satisfy the die hard fans without lazily rehashing old ideas.

Review: Music From Calendars is the on going project Future Sound of London have been helming since 2017. It sees them serve up new digital tracks each month and home put them out as an album at the end of the year. This time out the crew pick some of their best tunes from the last four years and put them together in a seamless mix over the course of 50 minutes. Their sound is a perfect fit for the format - all sleek ambient, gently lilting electronic grooves and sci-fi moods that drift by like zephyrs.

Review: The legendary Future Sound Of London have finally started dropping their Environments series on vinyl format, which will no doubt please the countless numbers of FSOL junkies out there! These sessions, the present title being the penultimate in a series of five, have been long sought after and they have been pivotal in shaping the sound of today's electronic dance music. Fifteen tracks in total here and the interesting thing about this album is the fact that it can be heard either as single tracks or as one developing and morphing wall of sound. All but one of these tracks, "Murmurations", are from way back and haven't seen the light of day, so get listening and indulge yourself in some pioneering sounds!

Review: To say that The Future Sound Of London are legendary would be an understatement. Brian Dougans and Garry Cobain continue to stupefy and amaze with this fifth chapter in the Environments series, this time allegedly exploring the space and dimensions after death. That might sound a little gloomy, but the music itself is actually surprisingly funky and upbeat. The opener itself, "Point Of Departure", is a gorgeous slap-bass beat track backed with some stupendous female vocal chops. There's a bit of everything across the thirteen tracks, such as the eerie soundscapes of "Beings Of Light", or the break-ridden lo-fi jam that is "Somatosensory". These guys have never stopped and they still mean business. Recommended.

Review: Tracing The Future Sound of London's back catalogue right back to 1988, when 'Stakker Humanoid' blew minds with a blueprint that would go on to define the standard formulas for British electro and breakbeat before either had been drawn, you quickly realise the journey back to where we are today involves passing landmark after landmark. It's hard not to consider Rituals as another. Marking a return of the outfit's Environments series, which already had six innovative instalments preceding this, hit play on opening number 'Hopiate' and you're immediately transported to every great morning after a night of amazing hedonism before. Pretty, reflective refrains and warm, Earthly details parting for a moment of silence before unifying rolling drums kick in - soundtrack to the best rave at 9AM you've either been to or not. Cue another 12 tracks that are equally transportive and explain so much about why, decades after these tones first hypnotised youth, we're still lining up for more.

Review: The Future Sound of London keep their fans busy with a steady dispatch of music via the fsoldigital.com label, but it feels like there's a sense of occasion around this new album. Rituals E7.001 is purportedly the first part in a trilogy, and it already highly prized by the devoted followers of Brian Dougans and Garry Cobain's music. It's not hard to hear why on listening to the gorgeous strains of 'Hopiate', which harks back to some of the duo's most iconic music (we'll let you guess which one we mean). FSOL have always had a particular touch in their exploration of electronica, ambient and outernational sounds, and it sounds rich with inspiration on this new, expansive album.

Review: By this point it feels fairly safe to say that FSOL will never stop either reissuing or releasing albums, as long as they're alive that is. Brian Duogans and Garry Cobain's music is trailblazing, and they've had successes in both the underground and mainstream worlds since the late 1980s. 'Life In Moments', however, is a relatively recent release - the 2016 release aimed to explore, via their signature experimental electronic blends and synaptic glitchings, the alleged 'space/time/dimension' that exists, and to which we travel, when we die. Ambient, classical and chillout collide as ever on this eternal light-tunnel of an LP.

Review: The Future Sound Of London are well-known for their intense sectioning-off of various albums into sagas. Conceived as far back as the late 1990s, the 'Environments' album series has been routinely topped up on a slow but steady basis, and has thus far manifested as a grand total of seven psychedelectronic odysseys. 'Environments Seven', which came out earlier in 2022, is testament to the duo's madcap penchant for sagaizing; indeed, this seventh instalment in the LP is split into a trilogy, and 'Environments 7.02' is the second in said trilogy.