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Items 1 to 23 of 23 on page 1 of 1
Cat: 640975 Rel: 18 Apr 17
 
Rhythmic arpeggio generator & quantizer module - 12HP
Notes: Simply put, Arpitecht is a voltage controlled Quantizer and rhythmic arpeggio generator. As one of WMD's most musical modules to date, Arpitecht is designed to be an inspiring tool for the modular musician.

With the Arpitecht, you can create intricate melodies span 8 octaves, imply chord changes, instant acid basslines, evolving generative sequences, and, using the Triad expander, polyphonic chord generation.

The Arpitecht features 16 scales, each with a unique set of "note masks" offering hundreds of note combinations with the ability to dial in via knobs on the front panel or CV. 32 rhythm patterns and 32 slide patterns all with CV control let you feed a static clock into it and get unique, evolving patterns of gates and note changes.
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 2 in stock $297.24
Cat: 580265 Rel: 03 Aug 15
 
3 channel buffered multiple module
Notes: WMD's next utility module is a three channel buffered multiple. Each channel has a dual color LED indicating Green for a positive voltage, and Red for a negative voltage.

Each channel is normaled to the next channel for a total of nine outputs from one input.
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 2 in stock $106.22
Cat: 664480 Rel: 11 Oct 17
 
Percussion module using granular synthesis - 8HP
Notes: The Chimera, pronounced "kai-meer-ah", is WMD's first percussion synthesizer module for Eurorack.

First, they recorded samples of different metallic hits to create the sonic signatures that they call Surfaces. The sources include tambourines, sleigh bells, drill bits, wrenches, shell casings, coins, chains and stomp box enclosures.

Second, they built a proprietary granular synthesis engine around the sonic signatures with the goal of making a module that could sound like a human hitting and shaking a tambourine. With the fundamentals finished, they tweaked the control ranges, built the post-engine effects, and bomb-proofed the hardware.

From there they pushed and polished the engine and user experience, squeezing every juicy drop out of 8HP.

Humanistic shakers, drum machine tambourines, laser guns, minimal techno offbeats, giant-robot movie sound design, etc. It's all yours with the Chimera.
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 2 in stock $244.65
Cat: 696393 Rel: 06 Aug 18
 
Dual channel digitally controlled VCA - 4HP
Notes: The DVCA is a redux of the classic WMD Digital VCA module, giving it more features while reducing its size and power consumption.

Channel A is now unipolar/bipolar switchable, allowing for use as a bipolar VCA.

With control parameters for bias and CV, users can create classic ring modulation and attenuversion effects. Channel B still has the character and features of the Digital VCA.
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 1 in stock $191.00
Cat: 677512 Rel: 26 Feb 18
 
Waveshaping distortion workstation
Notes: All of the features of the original Geiger Counter, with so much more. 16 footswitchable presets, MIDI control over presets, bit depth and sample rate blending, dry/wet mix, an end of signal filter - the most powerful pedal WMD have ever created. Designed for the pro to really dial in new, undiscovered sounds, never before heard in a distortion pedal.
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 1 in stock $416.35
Cat: 698453 Rel: 21 Aug 18
 
Distortion effects pedal with 3 different modes of clipping
Notes: The Goldilocks Planet is a distortion pedal with 3 different methods of clipping, a variable tone stack, and a knob for "density" which brings out more low end and body to your signal.

WMD's simplest to use pedal, the Goldilocks Planet is for guitarists and bassists alike who want to dial in great tone fast on a pedal that doesn't take up too much space.
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 1 in stock $158.81
Cat: 580271 Rel: 03 Aug 15
 
Invert offset synth module for modifying control voltages for other modules
Notes: The 6 HP Invert Offset module creates an easy way to modify control voltages for other modules in your system.

The Invert Offset consists of two identical channels. Signal applied to the In jack is vertically offset by the knob, additionally a CV signal may be applied to offset the signal vertically.

The +Out jack puts out a non-inverted signal with the specified offset. The -Out jack puts out an inverted signal with the same offset as the +Out.

The Offset CV input allows you to mix two signals together, Offset will never be inverted, while the signal at the In jack will be inverted based on the selected output.

There is also a sum output (1+2) that takes the non-inverted outputs and adds them together. Also there is a comparator gate output that is on if the channel 1 output is more positive than channel 2.
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 1 in stock $90.13
FORTHCOMING
WMD Metron 16 Channel Trigger & Gate Sequencer Module
Cat: 709199
 
36HP Eurorack module featuring 16 channels of trigger & gate signals
Notes: Metron is a 16 channel trigger and gate sequencer for your Eurorack modular system with loads of intuitive functionality, expansion capabilities, and the tools you need to create longer sequences with tons of variation at your fingertips.
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coming soon $643.84
Cat: 665765 Rel: 14 Nov 17
 
Eight-channel mixer module designed especially for live performances & jam sessions - 40HP
Notes: A game changing mixer for live performance within the Eurorack modular synth ecosystem.

The Performance Mixer is an 8 channel audio mixer designed specifically for live performance and jam sessions within the modular ecosystem. With 12 audio inputs for the first 6 channels, and 2 true stereo channels, there is plenty of room for all your modular signals and more.

2 mono auxiliary sends with dual mono returns, stereo send and return, and another set of stereo mix inputs give you the routing you need to send signals to interesting effects as well as utility uses such as bus compression and master equalizers.

Tired of not being able to tune oscillators and program sequencers on the fly? Not to worry, the performance mixer also includes a cue mix section so you can monitor your incoming signals in headphones before sending them to the front of house mix. Just like on a traditional DJ mixer, the cue mix knob determines how much of the cue vs the FOH mix you hear in the phones.

Two headphone outputs for convenience and teamwork. Collaborate with friends without wasting any channels by sending the stereo output of their mixer into the unity gain mix input. Monitor with the dual headphone outputs and you can both hear the entire mix.
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 1 in stock $770.46
Cat: 665766 Rel: 30 Jan 18
 
WMD Performance Mixer expander module - 10 HP
Notes: This module adds two more stereo channels with two sets of inputs each to your WMD Performance Mixer - 8 more inputs in just 10 HP!

Can be muted with Mutes expander, and includes CV over Gain, Pan, and Aux Level.

More than 30dB of gain over each channel lets you use external sources such as consumer audio equipment, not just modular signals.
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 2 in stock $237.15
Cat: 665767 Rel: 30 Jan 18
 
Expander module for the WMD Performance Mixer - 6HP
Notes: This module gives you mute control over each channel of the Perfomance Mixer including the master Aux Sends and even the two extra stereo channels provided by the PM Channels Expander.

Also adds voltage control over the Aux Send level for the first 4 channels on the Performance Mixer.

All action happens on release.

Combo button: Hold down and select multiple channels to mute upon release.
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 5 in stock $100.87
WMD Pro Output Module (synth module)
Cat: 580282 Rel: 30 Jul 15
 
Pro Output synth module with Low Distortion / Low Noise & High Headroom - 6HP wide
Notes: The WMD Pro Output is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.

Rail to rail opamps at the input stage allow for headroom above the typical eurorack levels of 20Vpp. The Pro Output can handle 23Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.

The Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.

Controls and I/O:

Input - The inputs are designed to accept any normal modular level. 10Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23Vpp, giving enough headroom for any eurorack signal.

Phones/Line - The headphone driver connects to a 3.5mm stereo jack, and a 1/4" jack for whatever type of headphones you use. It can drive both simultaneously.

The headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.

With the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.

Stereo - The Stereo (-10dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.

+4dBu Bal - These two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.
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 3 in stock $201.73
Cat: 698454 Rel: 21 Sep 18
 
Filter pedal featuring four filter types
Notes: The Protostar's filter is a multimode circuit with a slope of -12 dB or -24 dB per octave and four characteristics, in detail low-pass, band-pass, high-pass and notch.
Values for the cutoff frequency and resonance can be set manually. Additionally, the cutoff can be modulated by the integrated LFO, an Envelope Follower or the control voltage input.

The LFO comes with parameters for speed and modulation depth, both are controllable via CV inputs. The LFO signal can be tapped off another jack of the Protostar's patch bay.
The Envelope Follower is editable in its threshold as well as attack and release times.

The ladder share one potentiometer. A bipolar knob alters the modulation value applied to the cutoff frequency. Again, the signal of the Envelope Follower can be tapped off the patch bay, but here you have two connectors for normal and inverted phase. Using the sidechain input, musicians can run external audio signals trough the Envelope Follower.

The Protostar's compressor comes with knobs for work intensity and the dry/wet mix.
Send and Return jacks allow to tie-in an external effect. Furthermore, an expression pedal can be connected to the unit. Thanks to the patch bay, it is possible to combine the foot controller with several parameters. Last but not least, the Protostar contains a feedback loop, which can only be influenced by control voltages.

KNOBS

Attack - How fast the envelope will react
to the incoming signal. Controls both
attack and release.

Threshold - How sensitive the envelope is to the
incoming signal.

Env Amt - Attenuverter that controls how much
the envelope will affect the frequency of
the filter, either negatively or positively.

Resonance - Synonomous with feedback or Q,
this is a boost of the frequencies around the
frequency cutoff.

Freq - Also known as cutoff, this knob's
position dictates the resting place of the
frequency cutoff.

LFO Rate - Make the LFO go faster or slower
with this knob.

LFO Amt - How much the LFO will affect the
frequency cutoff.

Compression - End of chain compressor squashes
the wet signal to suppress unwanted honks, and
resonant oddities.

Dry / Wet - Amount of unaffected vs. affected signal
coming through the output.

Sidechain - Direct input to the envelope follower.
Normalled to the input, use this to have the
envelope follow an external source.

Exp Out - Output for the expression pedal
input. Exp isn't connected to any control
internally and must be patched.

- Env Out - Always sending +5V until the
envelope is triggered, bringing the voltage
down to 0V and back.

+ Env Out - Sends a CV signal following the
envelope. Signal is 0V to +5V.

LFO Out - Constantly sends the triangle
wave LFO CV signal, reacts to LFO rate knob.

LFO Rate - CV input for control over LFO rate.
Sensitivity adjustable with internal trim pot.

LFO Amt - CV input for control over LFO amt.

Freq - CV Input for control over cutoff frequency.

Feedback - CV input for control over resonance.

Expression Input (back panel) - Plug a TRS
cable from any expression pedal into this, patch
the exp out to what you want to contol, and
express yourself.
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 1 in stock $342.30
Cat: 580285 Rel: 03 Aug 15
 
4 input / 4 output routing synth module - 16HP wide
Notes: Introducing the WMD Sequential Switch Matrix: Our take on an essential module.

Four inputs can be routed with individual buttons to four outputs. Those routing settings are stored in an array of matrices that can be sequenced or controlled with CV. Preset routing, feedback loops, chop sequences, trigger blasts (with expander), four-bit-wavetable-synthesis, and dramatic controllable mayhem are all possible.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The Sequential Switch Matrix (SSM) is a four input, four output signal routing system. The digitally controlled analog signal paths allow for a variety of routing control options. The open architecture allows for many uses beyond simple signal routing and unity mixing.

The signal path uses 0.1% resistors and will pass precision pitch or other CV signals with minimal gain and offset errors.
Inputs 1 - 4: These inputs accept bipolar +-10V signals before clipping. Signal level will illuminate the adjacent LED; green for positive voltages, red for negative.

Outputs 1 - 4: These outputs (along the bottom) contain the signals from the inputs (summed together) if the routing LED is lit.

Comparator: The Compare In input voltage is compared to each output voltage. If the output is higher than the Compare In voltage, the Comp output will be high (10V gate) for that channel. The blue LED will also be illuminated.

DAC 1:2 Out: This output is generated from the status of the first two columns. It is a weighted Digital to Analog conversion. 1-1 is the most significant bit, carrying a weight of 2.5 volts. 2-1 is exactly half that weight (1.25V). 4-2 is the least significant bit (0.020V). The two columns provide an 8 bit voltage output that is always present.
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 2 in stock $283.28
Cat: 640976 Rel: 18 Apr 17
 
Polyphonic CV source expander for WMD Arpitecht
Notes: A companion module to the Arpitecht,Triad sends out three static voltages to be used with three oscillators in order to create chords underneath your Arpeggios. Triad connects to the back of the Arpitecht via included ribbon cable and will adhere to the scale and transpose information set by it's master.

Triad knob and CV input set different combinations so your chord can be completely unique, while still in key with your arpeggio. Inversion switch and CV input allow you to select three different chord voicings easily.

Controls:

- Triad Knob: Selects the 3-note combination sent via CV. Becomes an offset with CV.
- Inversion Switch: Selects which inversion of the chord the Triad will play. Set at 0 for use with CV as it will "take over".

Jacks:

- Note 1,2,3: CV outputs for use with 1V/Oct inputs on 3 oscillators
- New: This output sends a trigger each time a new chord is made/selected
- Inv: CV input for the inversion selection. Accepts 0V to +5V
- Thresholds for 1st and 2nd inversions are 1.25V and 2.5V respectively
- Triad: CV input for Triad selection. Accepts 0V to +5V.

Other:

- Size: 4HP
- Connector: 20 pin ribbon cable
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 1 in stock $95.50
Cat: 665769 Rel: 14 Nov 17
 
Filter/distortion module - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.

FLTR is a band-pass filter with self-oscillating resonance and three feedback flavours. It is calibrated to have a vocal range that evokes vintage wah voicings. The FLAVOUR switch controls the type and amount of FLTR's resonance clipping. In Flavour 1 (down position) provides heavily asymmetric silicon diode and LED clipping, allowing your signal to remain musical and organic sounding. FLAVOR 2 (up position) adds more resonance and grit using Zener Diode clipping, but still keeps your original signal intact. FLAVOR 3 (middle) pulls out all the stops (and clipping diodes) and overtakes the incoming signal with intense resonance and filter saturation.

The DRV circuit is based very loosely on Tube Screamer designs of old, but it has been painstakingly re-voiced to compliment a wider frequency range and higher levels of gain. The original TS input filter has been replaced with a trimode high-pass filter (HPF) that allows you to get everything from nasally grime to bass fuzz. In position 1 (down) you have the stock TS setting, with some low frequencies removed, but still a lot of chunk. Position 2 (up) lets the bass through, while position 3 (middle) cuts lows even more accentuating the zipper-like overtones of the incoming signal. In addition to the three HPF modes, the DRV section features three FLAVOUR modes. FLAVOUR 1 (down) uses symmetrical silicon diodes to a compressed and scooped tone with lots of fuzzy gain. FLAVOUR 2 (up) aligns the silicon diodes asymmetrically, creating more odd order harmonics. FLAVOUR 3 (centre) provides a less compressed and more crunchy tone using LEDs as clipping diodes.
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 1 in stock $229.63
Cat: 708981 Rel: 16 Nov 18
 
Precise voltage source & offset generator in only 4 HP
Notes: The VOLT is a precision voltage source and offset generator for Eurorack modular synthesizers.

With its 14V range (-7V to +7V), VOLT can be used to calibrate oscillators, filter tracking, or anything that needs a 1V/Oct calibration.

VOLT has two buttons. Push the top to increase the voltage by one volt. Push the bottom button to decrease the voltage by one volt. Push both buttons at once to reset the voltage back to a known value.

VOLT has 3 voltage inputs and 3 voltage outputs. The input signal is summed with the voltage source, generating offsets of 1V or 1 octave at a time. This means it can be used as a precision octave switch for oscillators that lack the functionality. Create variation in your sequences with a quick touch of a button.

VOLT's octave buttons can also be switched via external gates, essentially making it an octave sequencer. One input causes it to go up, and the other causes it to go down. Two gates at once will reset the voltage back to your set value. Running basslines and melodies through volt to be sequenced up and down by octaves is a very effective and a fun way to work.
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 1 in stock $165.24
WMD/SSF ADSR VCA Module (synth module)
Cat: 588820 Rel: 02 Oct 15
 
Multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA) synthesiser module - 6HP wide
Notes: ADSRVCA is a multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA).

This envelope generator is capable of producing a classic, gate driven Attack/Decay/Sustain/Release (ADSR) envelope as well as a self sustaining, looping Attack Decay (AD) and Attack Decay Release (ADR) one shot envelopes.

The integrated VCA eliminates the need for an external VCA module and can be used independently when an external control voltage is utilized.

The envelope controls the shape of the VCA’s amplitude response by default.

Power Draw: +36mA, -16mA. 6HP width. 25mm Depth.
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 1 in stock $169.54
Cat: 588826 Rel: 02 Oct 15
 
Delay synthesiser module - 4HP wide
Notes: DPLR is a delay module with two interactive delay lines, each with 750mS of delay time.

One input is split to two delays which share overall delay time (DELAY) and regeneration (REGEN). Side B has control over its delay offset (SPREAD) from side A.

Delay, Spread and Regen are all voltage controllable. Regen at max will echo indefinitely, and can create interesting noise swashes.

The pushbutton at the top taps through seven different crosstalk configurations (Regen isolated through ping-pong). Push and hold to change through four different Regen Filter settings from very bright to dark.
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 2 in stock $180.27
Cat: 697317 Rel: 06 Aug 18
 
Eurorack synth module enclosure with integrated keyboard
Notes: The Monolith is a 37-key keyboard with 104HP Eurorack rails. The keyboard generates MIDI, aftertouch, glide and velocity as well as the usual gate and tune CV. Comes with power as well as Keyscan and Levels (output) modules.

- MIDI in/out/thru
- 37 key keyboard with semi weighted keys
- 4 V/Oct outs - 2 with glide, 2 without
- Aftertouch
- Velocity sensitive
- 1/4" L and R outputs
- Built-in headphone amp w/1/4" Headphone out
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 1 in stock $957.19
Cat: 588813 Rel: 02 Oct 15
 
Passive quad attenuator synthesiser module - 4HP wide
Notes: QUAD ATTEN is a passive quad attenuator in a small 4hp profile.

Although quite basic, attenuators are extremely powerful in a modular system.

They are especially useful for adjusting the depth of control voltages going into modules that lack CV attenuators.

Power Draw: +0mA, -0mA (Passive). 6HP width. 25mm Depth.
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 3 in stock $67.59
Cat: 588816 Rel: 02 Oct 15
 
Saw-core voltage controlled oscillator (VCO) synthesiser module - 10HP wide
Notes: SPECTRUM is a precision, saw-core VCO with eight possible waveforms (six simultaneous outputs), an eight octave switch, LFO mode and FM mode select with attenuation.

In addition to the standard waveforms; sine, pulse, triangle and saw, SPECTRUM features two selectable saw/pulse hybrid waveforms and two selectable sub-octave waveforms with variable range.

Additional features include pulse width modulation with CV and attenuation, hard sync and panel accessible 1V/OCT calibration.

Power Draw: +80mA, -55mA. 10HP width. 25mm Depth.
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 1 in stock $252.16
WMD/SSF Ultrafold Module (synth module)
Cat: 588817 Rel: 02 Oct 15
 
Voltage controlled wave folder synthesiser module - 6HP wide
Notes: ULTRAFOLD is a powerful voltage controlled wave folder.

The input drive and wave fold controls make up the heart of the design, providing warm saturation and additive harmonics to the input signal.

The wave shift control offsets the input signal to allow for asymmetrical folding - unveiling the subtleties in the distribution of spectral content.

The novel bipolar feedback control takes wave folding to a new level by returning the folded output to the input, thereby skewing the wave shapes for dramatic changes to the upper harmonics.

An auxiliary feedback input is provided to allow for insane folded FM sounds when another oscillator drives this input.

Power Draw: +30mA, -30mA. 6HP width. 25mm Depth.
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 2 in stock $180.27
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