Sleazy McQueen - "BSD (Brian Saves The Day)" (6:28)
Review: Whiskey Disco #74 marks a return to classic form for this long-running and consistently-worth-checking label. Following Michael The Lion's impressive single, the label now offers a collection of expertly sampled tracks tailored for summer fun. The A side features a hidden gem from Cole Medina which is finally making its debut on the label. This track is set to elevate rooftop parties, poolside gatherings, or any high-energy event while the flip side comes from Love Athletics wh delivers 'All of My Love,' a vibrant track with a cheeky vocal sample, driving bass groove, and nods to 'Sex Shooter.' The release concludes with Sleazy McQueen's analogue madness which blends pulsating drums and hypnotic grooves with a surprising twist.
Review: Michael The Lion and Natasha Kitty Katt began collaborating after Natasha found a second home in Philadelphia. Both share a love for classic disco and teamed up with Suki Soul, a rising star in Northern England's music scene. 'I Found Peace' features Michael on guitar and Natasha on drum machines and synths, along with Michael's long-time studio bandmates. Classical composer and hip hop producer Jules Krishnamurti adds bass guitar, while University of Pennsylvania jazz ensemble leader Dan Paul plays keyboards. Pontchartrain enhances the club mix, with heavy house mixes by Tonarunur (aka B.G. Baarregaard), marking Whiskey Disco's first release in years.
Review: This new 12" celebrates Whiskey Disco's 75th vinyl release and marks Sleazy McQueen's first solo EP since 2020. The A-side blends deep house and disco, featuring Terry Grant, a seasoned Bedrock contributor known for intricate rhythms and dynamic builds. On the B-side, 'High On A Mountain' offers an energetic disco workout infused with driving percussion and subtle tribal elements. The EP concludes with the title cut 'Coming Strong,' a groove-heavy, disco-inspired house track that perfectly caps off the release. This milestone record showcases Sleazy McQueen's refined touch and marks another great outing from this top label.
Disco and house deviant YSE Saint Laur'Ant is back with a dive into groove-laden sounds that have long been his signature, all while blending genres with real finesse. Side-A begins with a gospel-tinged track featuring ESG-style rhythms, raw beats and an addictive bassline. It is followed by 'Special,' where airy vocals over a laid-back groove create a dreamy atmosphere then flip it over and New York Boys delivers a spaced-out pulse with urban grit. The finale, 'Gone Fighting' is a midtempo closer that shines with its infectious Slavic sample wrapping up this EP with a reflective, groovy vibe.
Review: Disco and house deviant YSE Saint Laur'Ant is back with a dive into groove-laden sounds that have long been his signature, all while blending genres with real finesse. Side-A begins with a gospel-tinged track featuring ESG-style rhythms, raw beats and an addictive bassline. It is followed by 'Special,' where airy vocals over a laid-back groove create a dreamy atmosphere then flip it over and New York Boys delivers a spaced-out pulse with urban grit. The finale, 'Gone Fighting' is a midtempo closer that shines with its infectious Slavic sample wrapping up this EP with a reflective, groovy vibe.
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