Review: Valcrond Video continues its devilish run of form with this new single from Fallbeil, a project that has previously been spotted on New York Haunted, Return To Disorder and Mannequin. That should give you an idea of the kind of deviant sonics we're dealing with here, skirting around industrial, electro and techno with limber and dirty hardware jams for the sinister dancefloor. "Rolling Dutch" clearly nods towards The Hague way of doing things, all eerie pads, gnarly acid lines and rasping drums, while on the flip side "Rave On Plastic" pushes the bubbling monosynth action to the front of the mix.
Review: Having been spotted splurging out guttural techno mischief on Super Rhythm Trax and No Logo, G-23 gets invited to Torn Hawk's Valcron Video label with more of that deviant sonic behaviour to share with the world. There is sludgy bass, strangled acid and clattering percussion aplenty on lead track "Access Code", while "Bleep Shots" throws down hard and raw with an utterly sick mix of grotty drums and gnarled synth blots. There's a Mr Husk "unmix" of "Access Code" which adds some extra melodic strains into the melee, and then "ARS Trip" finishes the EP off with some end of days tone damage for anyone left standing.
Review: Having previously shored up at Finale Sessions, Public System and Proper Trax in the past, Grey People makes a move towards Torn Hawk's Valcron Video with an EP of machine magic that touches on all manner of moods. "Cryogenically Frozen" is a hard-hitting slice of club tackle to get bodies jacking and sweat pouring, while "Coma Tunnel" takes a warmer approach without losing the boxy beats. Meanwhile the label boss saddles up on the B side for a dreamy remix of "Coma Tunnel" that ramps up the reverb and creates a long form surrealist dream out of the original's component parts.
Review: Valcrond Video, the label run by sound and image artist Luke Wyatt (Torn Hawk), Apresents VV-013 Russo's ""Wild Metals"". A
Russo (Ari Russo) is an NYC based multi-artist whose engagement with abandoned media finds an outlet in the video bursts he culls as OfficeFern. As a programmer, he's produced innovative music generation tools such as the Diamond Arpeggiator. He returns to his own music with this collection of challenging and transporting structures.A
Wyatt and VV are eager to endorse Russo's latest report on crossmodal perception, a true exercise in synesthesia.A
""Wild Metals"" sounds like ferns and orchids infiltrating a tableaux of black plastic electronics, the breed of black plastic that Russo and Wyatt both found sinisterly inserted into the grid of their childhood. It provided the skin for some of their favorite toys, and its general resonance was aligned with the fast cars, women, and architecture that dominated their imaginations.