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Tiptop Audio

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Cat: TTAREP 001. Rel: 28 Nov 16
Techno
  1. Hold Your Breath (7:05)
  2. Landing (7:57)
  3. Hold Your Breath (Luca Agnelli remix) (7:43)
  4. Hold Your Breath (Maximes Dangles Repeat remix) (7:41)
Review: Florence-based producers Piero Fragolo and Thomas Pizzinga debuted their Angle project late last year, contributing a track to the first compilation from modular synthesizer firm Tiptop Audio's offshoot record label. Here they return to that imprint with their debut EP. There's plenty to admire on both "Hold Your Breath" and "Landing", with the Italian pair getting a great balance between throbbing, dancefloor-friendly grooves, hazy electronic atmospheres, and chiming melodiousness. On the flip you'll find two alternate remixes of "Hold Your Breath". There's a surging, Orbital-meets-Surgeon style interpretation from Luca Angelli, and the muscular, late night techno assault that is the Maxime Dangles Repeat Remix.
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out of stock $9.63
Cat: 595831 Rel: 19 Jan 16
 
Power Cable with one 10 pin header and one 16 pin header for your module
Notes: Power Cable with one 10 pin header and one 16 pin header for your module.
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out of stock $7.03
Cat: 605238 Rel: 19 May 16
 
AC/DC Adapter for uZeus micro power supply
Notes: AC/DC Adapter for uZeus micro power supply
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out of stock $25.75
Cat: 595833 Rel: 19 Jan 16
 
power cable
Notes: 16 To 16 Pin Module Power Cable
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out of stock $5.57
Cat: 747780 Rel: 16 Dec 19
 
Stackable shielded 3.5mm patch cable - 40cm length, cyan colour
Notes: Tiptop Audio's revolutionary 3.5mm Stackcable is the world's first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module.
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out of stock $5.98
Cat: 747782 Rel: 17 Dec 19
 
Stackable shielded 3.5mm patch cable - 250cm length, grey colour
Notes: Tiptop Audio's revolutionary 3.5mm Stackcable is the world's first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module.
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out of stock $5.98
Cat: 747783 Rel: 17 Dec 19
 
Stackable shielded 3.5mm patch cable - 350cm length, orange colour
Notes: Tiptop Audio's revolutionary 3.5mm Stackcable is the world's first cable that combines low-noise shielded performance with the convenience of stacking banana cables. The patented Stackcable provides signal splitting directly on the back of the plug, giving you the flexibility to distribute signals without a multiple module.
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out of stock $6.23
Cat: 605240 Rel: 19 May 16
 
Brick style AC adapter for new Mantis cases & uZeus.Happy Ending kits
Notes: This brick style AC power adapter is made to power both the new Mantis cases and uZeus/Happy Ending Kits. When powering a uZeus, it will double the capacity of the uZeus +12V rail up to 2000mA. This is especially great for systems with digital modules that consume most of their current from the +12V rail. It is rated at 3000mA and is made with heavy gauge wire for better grounding and a specifically set output voltage that helps keep the uZeus cooler. It is a good option for users maxing out the standard adapter shipped with the Happy Ending Kit.

Please note, this item does not include an IEC cable or international alternative to an IEC cable
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out of stock $38.24
Cat: 605241 Rel: 19 May 16
 
Brick type power supply for the Zeus Studio Bus
Notes: Brick type power supply for the Zeus Studio Bus
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out of stock $57.21
Cat: 742403 Rel: 12 Aug 19
 
Tiptop Audio 808 annivesary bundle featuring all six 808 modules
Notes: This limited-time bundle includes all of Tiptop's 808 series drum modules: a classic combination the brings the sounds of the iconic Roland TR-808 to the Eurorack ecosystem. Designed to be the first Eurorack drum machine, Tiptop's 808 series are now some of the best-loved drum modules around, using reverse-engineered 808 circuitry to provide an authentic translation of some of the most powerful electronic instrument sounds in history.

The BD808 and SD808 provide the kick and snare backbone of this set of modules, while the HATS808 offers open and closed hats with gnarly opportunities for creating crushed, filtered hat tones. Top it all off with some claves, cowbell, rimshot, and maracas and you've got a Eurorack drum machine that sounds like it came straight from the early 1980s - in the best way possible.
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out of stock $393.25
Cat: 590416 Rel: 09 Nov 15
 
Analog bass drum snythesizer module - 4HP wide
Notes: Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small size, minimalist design, and modern production methods have allowed us to bring the world's most famous bass drum sound generator back at a very low cost. The real thing is here again.

The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.

A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.

All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.
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 2 in stock $105.59
Cat: 590433 Rel: 19 Jan 16
 
Percussion synthesiser module reverse-engineered from the original TR-909 circuit - 8HP wide
Notes: Reverse-engineered from the original machine, our BD909 is an identical recreation of the original all-analog drum circuit of the TR-909. We've added additional controls and synthesis features that turn this classic circuit into a chest-pounding analog bass drum laboratory - all tightly packed into an 8HP module. The BD909 sound differs from our BD808 in that the main sonic energy is centered in the mid to low frequency range (as opposed to the low frequency range of the BD808). This frequency range gives the needed headroom allowing your bass Lines to deeply fill up the low end while the kick drum rides on top - creating a clear and punchy mix.

The BD909 includes all the controls found in the original: Attack, Decay, Tune Decay, Accent and Level. We have gone beyond that and added controls that further increase the palette of sound this circuit is capable of. First off, we've added a tuning control knob for the oscillator and included its own CV input and attenuator that let you tune your 909 kick with your bass lines. Next, we added control knobs for the tuning attack and extending tuning decay - each one affects the other, allowing for very intuitive and interactive sound shaping - this feature opens up numerous "sweet spots", and provides the ability to center the energy peak at different parts of the sound. Finally, we offer additional punch and distortion by giving complete control over the internal waveshaper, which allows you to overload the waveform manually or with voltage control.

Beginning with the classic and pure sound of the 909 kick, these additional functions greatly expand the BD909's flexibility and let it create powerful analog bass drums that range from soft and smooth to punchy and aggressive - and everything in between.
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 2 in stock $157.09
Cat: 595779 Rel: 13 Sep 17
 
Collection of 8 voltage-controlled waveform-combination & bit-manipulation effects
Notes: Bit-Rot is an independent collection of 8 voltage-controlled waveform-combination and bit-manipulation effects written by segoh (Sebastian Gutsfeld) and released by Equinoxoz from Australia.

The algorithms cover a wide range from soft ring modulation with stereo spread to glitchy distortion and harsh digital noise. Particular care was taken to create effects with consistent control parameters which allow the usage of the Z-DSP's sequential program control in a more musical way.

Features:

The bit-rot parameter defines the amount of harshness in the nonlinear combination of both inputs. Increase it to tear the bits apart or leave it at 0 to skip the waveform-combination and send the left input signal directly to the left output.

All 8 effects include a ring modulation of the output signal with the right input (set the amount with the rmod-r parameter). The right output is an inverted and delayed (0ms to 100ms) copy of the left output, controllable by the dly-r parameter (try hard panning each output for nice stereo effects and mix both outputs or add some feedback for strange phase cancellations).

Waveform-combination algorithms:

INTERLEAVE L/R: Interleaved bitwise combination of both inputs. Increase the bit-rot parameter to select input bitmasks with longer word lengths.
XOR: Single bits are xor'ed - "true" means the left input is sent to out, "false" the right input. Increase the bit-rot parameter to select other positions for the bit comparison.
MIX: Both inputs are mixed together. Increase the bit-rot parameter to select the bitmask applied to the output.
MIN: The minimum of both inputs. Increase the bit-rot parameter to select the bitmask applied to the output.
INTERLEAVE MIX/L/R: Interleaved bitwise combination of the mix and both individual inputs. Increase the bit-rot parameter to select input bitmasks with longer word lengths.
C-GATE: A Muller C-gate to compare single bits - "true" means the left input is sent to out, "false" the right input. Increase the bit-rot parameter to select other positions for the bit comparison.
POS/NEG: The positive part of left input is mixed with the negative part of the right input. Increase the bit-rot parameter to select the bitmask applied to the output.
MAX: The maximum of both inputs. Increase the bit-rot parameter to select the bitmask applied to the output.

Weight: 0.005 kg - 0.01 lbs
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out of stock $40.05
Cat: 595781 Rel: 19 Jan 16
 
Rewriteable memory cards for use with Numberz and the Z-DSP
Notes: The Z-DSP blank cartridges are rewriteable memory cards for use with Numberz and the Z-DSP with up to one million write/erase cycles. These cards are made of printed circuit board material with two memory chips soldered on their bottom side providing a low cost non volatile memory of Z-DSP programs and display data.
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out of stock $6.60
Cat: 590425 Rel: 09 Nov 15
 
Percussion synthesiser module with the original TR-808's analog cow bell sound generator - 4HP wide
Notes: The CB808 is the TR-808's analog cow bell sound generator in Eurorack format. It's a low-cost module that brings back that classic cow bell tone and continues to expand your Tiptop Audio modular drum machine.

Just like the other drums in this series, adapting the circuit to the modular format has allowed us to add some special features like pitch modulation, LFO (with control over rate and depth), independent accent Levels, a high-powered gain stage, and a dual-input pulse-shaper - all without compromising the signature sound of the TR-808's spacey cow wow.

The CB808 sound is generated by two square wave oscillators that go through band pass filtering and then get mixed together. It's a simple analog circuit with a very cool output What makes the 808 cow bell sound so well known is that it doesn't feel constant, but rather slightly spacey. The internal pitch-modulating LFO that we added takes this effect even further, but stays within the bounds of the 808 sound, keeping it very musical and easy to play with.

Compatible with all the other drums in this series, the CB808 includes a high-powered output gain stage capable of producing hot signals that can be easily distorted if desired. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the CB808 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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out of stock $87.13
Cat: 618524 Rel: 03 Aug 16
 
Chorus effect cartridge for Z=DSP module
Notes: Chorus effects for the ZDSP thicken incoming sound and create animation within the sound's harmonic structure. In addition, they provide an excellent tool for mono to stereo processing of any incoming sound, or even a whole mix, producing a stereo widening effect.

The card contains eight digital algorithms inspired by a set of the most classic analog Chorus effects ever to be made like the Dimension D, Solina ensemble and some very rare devices as well. True to the modular spirit, the control parameters offer a wide range from subtle and smooth, to fast LFO modulation sea sick wobbles, with a lot of sweet spots in between.

Using the Z-DSP's own stereo analog feedback path to apply feedback to the effects results in beautifully lush and organic animated drones. Using those feedback inputs as an additional 2 input channels of direct injection into the DSP chip, the ZDSP can take up to 4 external sources for generating impressive stereo drones with a classic Chorus touch. The end result is a great tool for the design of atmospheric sounds completely in the modular environment.
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out of stock $60.34
Cat: 590414 Rel: 05 Apr 16
 
Sequencer synthesiser module with 8 channels and 512 steps - 36HP wide
Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.
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 1 in stock $518.09
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quote 590414
Cat: 780118 Rel: 05 Apr 16
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.
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 1 in stock $479.21
Cat: 618520 Rel: 03 Aug 16
 
Beat sync delay effects for Z-DSP module
Notes: Clocked Delays are a collection of eight stereo delay programs that let you sync delay time to an external clock applied to CV input two of the Z-DSP.

With a quick setup, the clock input easily and exactly synchronizes the delay repeats to external rhythms generated by the Trigger Riot, Circadian Rhythms or other clock sources. A Divide parameter is included with each program to switch between different divisions or stereo ratios creating a spatial audio clock divider which automatically matches the repeats to a playing beat. Feeding the clock input with odd clock divisions like from the Trigger Riot has the interesting effect moving the repeats in relation to the playing beat.

When it comes to their sound some of the programs feature a pristine classic delay lines, while other programs insert a coloured band pass, low pass or high pass filter in the feedback loop, imparting a beautiful harmonic transition to the repeats as they feedback through the filter and slowly decay away. Using the Z-DSP's analog feedback path adds additional voltage controlled stereo feedback hick can slightly drift the repeats out of their tight sync to the incoming clock, due to the DSP chip latency, and also extend the delay Mil intensity up to self-oscillation. Controlling the Z-DSP's DSP chip speed externally via the Clock jack can devolve everything into glitchy out of sync binary chaos.
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out of stock $49.94
Cat: 590434 Rel: 09 Nov 15
 
Percussion synthesiser module version of the original TR-909 clap sound - 4HP wide
Notes: The CP909 is the TR-909 clap sound analog generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further.

The CP909 is an exact reproduction of the original analog circuit and, with the addition of just one extra knob, "trashing" the frequency of the internal noise generator, we have added greatly to the spectrum of sounds that can be generated - all that without compromising the signature sound of the TR-909 clap.

The CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic based noise generator; some might call it "digital noise" though this term might be misleading in today's world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so BO's, and that's the sound of the 909 Clap!

The CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, we have designed a pulse-shaper circuit so you can trigger the CP909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 1 in stock $118.07
Cat: 595782 Rel: 19 Jan 16
 
Percussion module based on sounds from a classic 909 - 8HP wide
Notes: Tiptop Audio Cymbal 909

The module was designed, tuned and tested to sound like the crash and ride sounds from a 909 fresh off the factory line. The sound circuits use a combination of low-fi 6 bit sound samples that pass through a series of analog elements that provide envelope and filtering to the source sound.
TipTop Audio enhanced the circuits by adding manual and voltage controllable tuning to each voice which result in a wide sound range: from hard industrial sound at the low end to the original crash/ride sounds to brilliant HihHts at high settings.

Like other TipTop drum voices also the Cymbl909 has high output level, allowing you to further enhance the sound by distortion and clipping. Play dynamically with the volume of the drum sounds with the Accent parameter, whose CV input is normalized to the gate input. Which means you just need to turn up the accent knob to play the sound with full punch.

Crash: tune CV input; gate input, normalized to accent CV input; Crash audio output
Ride: tune CV input; gate input, normalized to accent CV input; Ride audio output

60 mA +12V
40 mA -12V
0 mA 5V
8HP
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out of stock $144.60
Cat: 683513 Rel: 09 Apr 18
 
Sample library for the Tiptop Audio One by Joseph Fraioli aka Datach'i
Notes: Tiptop Audio and award winning sound designer/electronic music artist Joseph Fraioli AKA Datach'i come together in the form of the new Datach'i One card. The card, to be used exclusively in the Tiptop ONE Sample Player, contains 187 unique sounds ranging from organic recorded elements and electronic percussion to dramatic gestures, ambiences and melodic sequences. Created with field recordings, the Eurorack modular synthesizer, Symbolic Sound Kyma system and boutique electro acoustic instruments, all sounds were recorded at 24 bit/96k quality for maximum resolution in pitch control while maintaining latencies of as low as 0.25 ms.
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out of stock $33.56
Cat: 595777 Rel: 19 Jan 16
 
Collection of 8 Voltage Controlled time-based, delay algorithms in mono and stereo
Notes: The Dragonfly Delay is a collection of 8 Voltage Controlled time-based, delay algorithms in mono and stereo. This collection includes delays, ping-pongs, multi-taps, and polyrhythmic madness with a variety of controls. Feedback, delay time, L/R ratio, and tap levels are all under voltage control, waiting to bend time and space to create a dynamic stereo image. Those familiar with the sound of tape echo will find the Dragonfly Delay especially appealing - VC will let you turn the soft, smooth and silky into the warble of decades ago.

The Dragonfly is more than just a collection of pristine delay lines under VC. When used in combination with the Z-DSP's dynamic clocking, the Dragonfly Delay will simultaneously bend time, pitch shift, and squash the sample rate, creating complex effects that only the Z-DSP is capable of. Combining analog and digital feedback will make the Dragonfly scream on its own, adding new colors to your sonic palette. The Dragonfly is one of the most interesting sets of algorithms offered for the Z-DSP platform and comes bundled with it.

The Dragonfly Delay contains the following algorithms:
Program 1 - Mono Delay with Low Pass Filter on Feedback
Program 2 - Stereo Ping-pong
Program 3 - Stereo Delay with Independent Time per Channel
Program 4 - Stereo Delay with Independent Feedback per Channel
Program 5 - 3 Taps Stereo Delay Line (25% Feedback)
Program 6 - 3 Taps Stereo Delay Line (75% Feedback)
Program 7 - Stereo In/Out Polyrhythm
Program 8 - Mono In/Stereo Out Polyrhythm
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out of stock $49.94
Cat: 757472 Rel: 16 Dec 19
 
Time delay effects in 8HP
Notes: The ECHOZ collection of 24 different types of delay effects encompasses a rich variety that spanning some of the most sought after time based effects of all times as well as more experimental options as well. The Tape bank has saturation with limiting which emulates vintage tape delays but goes even beyond the originals by cascading other effects in series such as chorus and wobbly LFO driven tape head movements. A Digital bank starts with pristine clear digital delays, and then moves to BBD emulation, diffusions, multitaps and formant topologies. The Pitch bank is a collection of pitch shifted delay trails with common interval structures, detuning and shimmering. All programs run on an analogue clock driven DSP for extra warmth and the ability to manipulate the effects beyond typical static delays.
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out of stock $179.97
Cat: 747778 Rel: 16 Dec 19
 
Time delay effects in 8HP
Notes: The ECHOZ collection of 24 different types of delay effects encompasses a rich variety that spanning some of the most sought after time based effects of all times as well as more experimental options as well. The Tape bank has saturation with limiting which emulates vintage tape delays but goes even beyond the originals by cascading other effects in series such as chorus and wobbly LFO driven tape head movements. A Digital bank starts with pristine clear digital delays, and then moves to BBD emulation, diffusions, multitaps and formant topologies. The Pitch bank is a collection of pitch shifted delay trails with common interval structures, detuning and shimmering. All programs run on an analogue clock driven DSP for extra warmth and the ability to manipulate the effects beyond typical static delays.
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out of stock $181.01
Cat: 640233 Rel: 06 Feb 17
 
Cable version of a distribution PCB (printed circuit board) - long
Notes: TipTop's Flying Bus Board is a cable version of a distribution PCB (printed circuit board) and extends the reach of one of your uZeus cables or adds a third row.
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out of stock $18.45
Cat: 595829 Rel: 19 Jan 16
 
Cable version of a distribution PCB (printed circuit board) - short
Notes: TipTop's Flying Bus Board is a cable version of a distribution PCB (printed circuit board) and extends the reach of one of your uZeus cables or adds a third row.
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out of stock $18.46
Cat: 646204 Rel: 30 May 17
 
Wave multiplier & sub-octave generator - 12HP
Notes: The Fold Processor is a voltage controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from the standard sine, triangle, sawtooth and square waves, has a dedicated output jack and CV input with an attenuator making it very easy to create beautifully animated folding sounds. Adjustable voltage controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.
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out of stock $129.00
Cat: 781123 Rel: 30 May 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Fold Processor is a voltage controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from the standard sine, triangle, sawtooth and square waves, has a dedicated output jack and CV input with an attenuator making it very easy to create beautifully animated folding sounds. Adjustable voltage controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.
Read more
out of stock $126.83
Cat: 704130 Rel: 01 Oct 18
 
Multimode filter based on the Steiner-Parker design - 8HP
Notes: Welcome to the Forbidden Planet, an all analogue multi-mode filter design influenced by the 1975 Steiner-Parker Synthacon model. Control the Forbidden Planet manually or through CV and take the sound of your Eurorack into new orbits.

Forbidden Planet has three filter input jacks: High Pass, Low Pass and Band Pass. The High Pass section is this module's signature sound - a crisp sharp-cut with no residue, designed to add High Pass filtering capability to Tiptop Audio's wide range of Eurorack modules. Send a throbbing kick drum through the High Pass section and filter out the rumbling lows while maintaining the pulse of the beat. The Bandpass is clear and useful in isolating a pie-slice-range-of-frequencies while cutting off the low and highs, great for accurate sound design or sculpting audio into that sweet spot. The Low Pass is an airy classic 12db two-pole analogue slope ideal for monophonic synth patches and filtering down to the essential low-end bass we all love.

The Forbidden Planet Resonance utilizes an internal feedback path which can sound smooth or aggressive depending on the knob setting. At a low setting, it emphasizes the cut-off harmonics, at middle settings it begins to self-oscillate, and towards maximum setting it forms interesting tones and all sorts of chopped grainy bits of self-oscillation perfect for entering into a sci-fi world.

The Forbidden Planet is an impressive multi-mode analogue filter which adds a broader filter spectrum to the Tiptop Audio modular family and unlocks forbidden creative possibilities in a small package.
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out of stock $104.03
Cat: 605235 Rel: 19 May 16
 
Granular ZDSP cartridge for creatinng new sounds from existing material
Notes: Granular Synthesis uses small slices of sounds ('grains') to compose new sounds from existing material. By combining multiple grains of differing lengths, amplitude, pitch and speed new sounds are created which are often very different from the original sound recorded in. Xenakis claims to have invented the technique and indeed his 'Analogique A-B', composed of tiny tape splices of pure tones, is credited as the first piece of granular music back in 1959.

In the context of the Z-DSP, a block of memory is set to hold digital samples for playback: he Z-DSP has one second of memory for the audio used in processing. From this audio buffer the grains will sample and modify smaller sections for playback. The number of o rains in the process determine how dense the overall output sounds. These programs have 3, 4 or 6 grains for playback. Each grain plays from a random point in the audio buffer and have an independent envelope controlling their duration. The envelope time is the 'grain size' parameter in many of the programs.

The French phrase for the cartridge is "Grain de Folie" which could be translated as "seeds of madness", but in French "grain" also translates to "grain", and "madness" evokes the strange disassembling/reassembling granular process. Also, "avoir un grain de folie" is a typically French expression to describe people behaving in a non-conventional way, thus a Ming play on words quite nicely describing the unpredictable nature of this set of algorithms.
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out of stock $39.27
Cat: 595778 Rel: 19 Jan 16
 
Reverb Z-DSP cartridge featuring a collection of 8 Voltage-Controlled reverb algorithms for the Tiptop Audio Z-DSP module
Notes: The Tiptop Audio and Valhalla DSP 'Halls Of Valhalla' is a reverb Z-DSP cartridge featuring a collection of 8 Voltage-Controlled reverb algorithms for the Tiptop Audio Z-DSP module.

The cartridge contains 8 original reverb algorithms, custom designed for the Z-DSP and the Eurorack environment. Voltage-control over reverb decay, tone, and modulation allows the user to create reverbs ranging from small rooms to large halls to near-infinite decays. The reverbs in the Halls Of Valhalla are arranged in order of perceived size, from small to big to huge to uncomfortably enormous!

The Halls Of Valhalla brings the artifacts of fixed point digital signal processing to the forefront, resulting in a thickness and warmth that evokes the classic digital gear of the 1970s through the early 1990s. The goal of the algorithms is not to evoke physical environments, but rather to create unreal spaces that range from subtle to bombastic, from light to dark, with a lushness that turns simple input sounds into rich orchestral washes. The Halls Of Valhalla brings the Valhalla DSP aesthetics into the hardware world: Minimalist interface, Maximalist sound.

Features:
Program 1: Room
Program 2: Chamber
Program 3: Plate
Program 4: EnsembleVerb
Program 5: Cathedral
Program 6: Nilfheim
Program 7: Asgard
Program 8: Ginnungagap
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out of stock $61.90
Tiptop Audio Happy Ending Kit (black) (modular synth starter kit)
Cat: 590437 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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out of stock $143.57
Tiptop Audio Happy Ending Kit (silver) (modular synth starter kit)
Cat: 590438 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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out of stock $143.57
Cat: 590419 Rel: 09 Nov 15
 
Hi-hat percussion synth module made from the legendary TR-808's closed & open hi-hat circuits - 8HP wide
Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $155.01
Cat: 590435 Rel: 09 Nov 15
 
Percussion synth module with TR-909's original closed and open hi-hats circuits adapted for use in Eurorack modular synthesiser format - 8HP wide
Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 1 in stock $164.53
Cat: 590431 Rel: 09 Nov 15
 
Percussion synthesiser module with original TR-808 analog maracas drum voice and a white noise generator - 4HP wide
Notes: The MA808 is the TR-808's original analog Maracas drum voice and a white noise generator in Eurorack format. It's a low-cost module that brings back that classic sound, continuing to expand your Tiptop Audio modular drum machine.

The MA808 is a must have sound with its fluffy, harmonically rich presence that greatly enhances the dynamics of Hi Hats sounds in the groove. The Attack control knob can turn the sound from a sharp edged Hi Hat and up to a slow rise exponential attack Maracas sound; a dot on the scale indicates the original 808 set position. The MA808 also provides the continuous analog white noise generator of the 808 machine: a full spectrum of harmonics ideal for use as a starting point for patching your own drum sounds or for general use of white noise. The MA808 is an exact reproduction of the original circuit which sounds like a fresh machine coming off the assembly line back in the 80's.

Compatible with all the other drums in this series, the MA808 includes a hot modular level output gain stage. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the MA808 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module ensuring the same stable sound at peak power, regardless of your pulse source. These distinctive features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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out of stock $87.38
out of stock $326.93
out of stock $310.02
out of stock $268.39
out of stock $268.39
Cat: 693139 Rel: 02 Jul 18
 
Delay/reverb expansion card for the TipTop Audio Z-DSP Digital Signal Processor
Notes: Mariana Trench is an FDN card for the Z-DSP. Feedback Delay Networks (FDNs) are built around multiple delays which are connected to their inputs thanks to a feedback matrix designed for its stability and lossless properties. FDN can mimic the recursive process of sound waves bouncing back and forth in an acoustic space. They were first suggested for artificial reverberation by Michael Gerzon (1971) and later John Stautner and Miller Puckette (1982) introduced four-channel FDN reverberator with general stability conditions.

FDN can also be used as a special case of digital waveguides, they can be tuned, or also used as complex delays. The Mariana Trench Z-DSP cartridge is designed to explore these more unusual sides of the FDN algorithms. Mariana Trench Z-DSP cartridge is designed by Christophe Duquesne Anckorage - Haken Audio developement team - La Voix du Luthier.
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out of stock $73.86
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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out of stock $88.42
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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out of stock $91.55
Cat: 590410 Rel: 09 Nov 15
 
Analog multi-channel mixing synth module for mixing audio, CV and gate signals - 10HP wide
Notes: MIXZ is a low-cost, analog multi-channel mixing module for mixing audio, CV and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixer in a small footprint makes the MIXZ easy to use in a variety of configurations within the modular synth. Its high quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth organic merge of dynamics, and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A - a low-noise, 4-channel mixer with independent gain control for each channel
Mixer B - a low-noise, 4-channel mixer with master gain control
Bus Mix - a multi-channel mixer that mixes signals from modules utilizing the Tiptop Bus Mix

Mixer A and B can be configured as either two independent 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.

Tiptop Bus Mix is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables, a little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications including mixing our drum modules, which all have a Bus Mix enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for re-patching sounds again and again, while keeping the channels of MIXZ free to bring other signals into the mix.

Combining the Bus Mix with Mixer A and B, the MIXZ can sum dozens of channels in only 10 HP
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 1 in stock $93.62
Cat: 641112 Rel: 27 Feb 17
 
Z-DSP VC-Digital signal processor
Notes: Tiptop Audio - Numberz Digital Audio Lab USB Programmer is a USB device that communicates with a software front-end (for PC) and can be used to download DSP programs and display text to blank, non-volatile cards for use with the Z-DSP. Numberz can also feed directly into the Z-DSP's card slot for real-time programming.

With Numberz you can:

- Download free Z-DSP programs from the web and "burn" them into cartridges
- Modify programs for new and interesting effects
- Write and debug Z-DSP programs in a real-time environment

- Share your programs online with other Numberz users
- Share your programs on Z-DSP cartridges with other Z-DSP users
- Create your own text for the Z-DSP LCD display
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out of stock $182.05
Cat: 641102 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample player
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 2 in stock $176.86
Cat: 641103 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample players - pack of 4
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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out of stock $581.54
Cat: 634778 Rel: 06 Feb 17
 
Digital processor with high precision analog CV circuitry
Notes: QuantiZer is a creative melody composing module that uses cutting edge analog electronics and DSP to tune analog VCOs precisely into Western musical scales. The front panel is packed with functions that makes it very playable and intuitive to use, with a layout that moves forward from the typical quantizer design. At its centre is a slider that can be set to play notes, add Portamento to an incoming sequence, transpose a sequence with in an octave range or transpose a sequence within 5 octave range. The 12 note keyboard can be set to play notes manually, add and subtract notes from scales, transpose a sequence as well as setup a variety of settings that define the quantizer behaviour and sync with other modules.

Major and Minor keys are both built in to let you switch scales in a very playable way, making it pretty easy to explore musical progression. There are also 24 user scales ready to be filled up with your own custom scales. A built in sketch pad records and plays back keys entered manually on the keyboard and slider in sync with external clock and reset signal, or Tiptop's SyncBus which chains the QuantiZer recording function to the Circadian Rhythms time line for precise recording and playback. Scale CV in can be set to switch between changing scales or transposing pitches using CV from sequencers. Quantization can be set for free run or Trigger mode for even more interesting ways to interact with external sequencers.

Quantizer sets a new performance standard for Eurorack that offers incredibly stable CV quantization minimizing glitches on input, utilizes high precision temperature compensated 1V/Oct CV generation on output and features stunning conversion latency of less than half a millisecond. QuantiZer can be set to process a wide variety of CV voltage input ranges, +/-5V CV from LFOs, bi-polar envelopes and such, or 0-10V / 0-5V standard CV from sequencers. Continuing the tradition of advanced Tiptop digital modules, the QuantiZer Firmware running the digital brain is upgradeable via a USB thumb drive interface at its back allowing for continuous improvement and fine tuning of function and stability over time.
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out of stock $266.32
Cat: 590426 Rel: 09 Nov 15
 
Percussion synthesiser module - TR-808's analog Rimshot and Claves sound generator in Eurorack format - 4HP wide
Notes: The RS808 is the TR-808's analog Rimshot and Claves sound generator in Eurorack format. It's a low-cost module that brings back that classic sound, but with even more variation and control, continuing to expand your Tiptop Audio modular drum machine.

The RS808 comes with two switches that give a total of 4 different positions: two are the classic Rimshot and Clays sounds as found on the original, and two are unique to the RS808 module adding a range of snappy "click" sounds the circuit is capable of producing. Two control knobs were added, each have different effect for the selected sound. In general, these controls can be categorized as Pitch and Snap as they control the frequency of the oscillator and decay of the envelope generator. The RS808 is an exact reproduction of the original circuit which sounds like a fresh machine coming off the assembly line back in the 80's.

Compatible with all the other drums in this series, the RS808 includes a hot modular level output gain stage capable of producing signals that can be easily distorted if desired. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the RS808 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module ensuring the same stable sound at peak power, regardless of your pulse source. These distinctive features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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out of stock $80.88
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