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Studio Electronics

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Items 1 to 7 of 7 on page 1 of 1
Cat: 698449 Rel: 07 Sep 18
 
Dual attenuator and lag generator module 10HP
Notes: Multi-purpose heavy lifter. The attenuators reduce level, audio or CV, when switch is set to off.

With the switch up the audio/signal passes through at full level. The inputs are linked together: patching into channel 1 drives both attenuators; patching into channel 2 breaks the link.
Experimentation with key tracking to create alternative tunings, or interaction with audio inputs that don't afford attenuation does good things.

The two lag circuits provide a handy CV mult/hub for oscillator and filter tracking (perfect for CV-ing up our OSCILLATION module with its switchable one in/three out structure for both attenuation and slewing-x2) and are linked together: if you patch into channel 1 only, the outputs of both channels are driven (just like the attenuation circuit); patching into channel 2 breaks the link and they become two separate CV mult/lag circuits - envelopes look out.

Four Pots
ATTENUATE 1, ATTENUATE 2, LAG TIME 1, LAG TIME 2.

Four Switches
OFF: the top two handle attenuation duties; the bottom are wired to lag time.

Ten Patch Points
ATTENUATE 1: IN, OUT; LAG TIME 1: IN, OUT 1A, OUT 1B, OUT 1C; ATTENUATE 2: IN, OUT; LAG TIME 2: IN, OUT 2A, OUT 2B, OUT 2C

Common Controls and Patch Points
Attenuation
ATTENUATE - Level reduction.
IN - Attenuation input.
OUT - Attenuation output.
OFF - Bypass is in up position.
Lag
LAG TIME - Exponential slewing amount - still affectionately called glide in some quarters.
IN - Lag input.
OFF - Lag bypass.
OUT A - Lag output A.
OUT B - Lag output B.
OUT C - Lag output C.

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 1 in stock $128.04
Cat: 655869 Rel: 13 Sep 18
 
Compact, high quality, 4 in/1 out audio & CV mixer 6HP
Notes: Space conscious, 4 in/1 out, high quality audio and CV mixer. Originally set at unity gain (along with the VCA2), but tinkering provided useful intel and design changes. Upshot: With the pot set at 3:00 you are at unity, fully clockwise, expect a 2 Volt increase.

Four Pots:
LVL 1, LVL 2, LVL3, LVL 4.

Five Patch Points:
OUT, IN 1, IN 2, IN 3, IN 4.

All Controls and Patch Points:
LVL 1 - Adjusts the level of IN 1
LVL 2 - Adjusts the level of IN 2
LVL 3 - Adjusts the level of IN 3
LVL 4 - Adjusts the level of IN 4
OUT - Composite output
IN 1 - Audio/CV input 1
IN 2 - Audio/CV input 2
IN 3 - Audio/CV input 3
IN 4 - Audio/CV input 4

- Size: 6hp
- Depth: 25mm with ribbon cable attached
- Power Usage: 4mA (+12 / -12)
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 1 in stock $96.57
Cat: 655847 Rel: 06 Sep 17
 
Quad digital OSC module - 12HP
Notes: Deeply featured 12hp module with four digital oscillators - each with a selection of 64 waveforms, 7 different processing modes including phase distortion and wave sequencing, and a dedicated volt per octave input. In unison mode, all 4 OSCs can be played via the 1st 1V/O input, by 1V/O inputs 1-4, and widely detuned, or switched to a preset chord formation - a major move beyond the 'one note samba' monophonic, module choreography - scooch over Grainy, Quadnic is cookin' up digi-vittles for four. "Come 'n' git it!" and stay in record: the Quadnic is non-programmable; when the power recycles, the Quad defaults to voice 1 active with current pot positions. All edits are live; all edits are volatile. Exciting. Always fresh.

The Four Oscillator Structure image gets one into the weeds of the sound. Control of all the OSCs parameters globally without sacrificing individual CV control is now a reality: essentially a sensible polyphonic mode with individual CV control. Previous OS Master Modes used only OSC 1 as the controlling CV - the additional mode uses all 4 controlling CVs. Changing stronger together.

Master Matters:
- With MASTER mode switched on, the oscillator responds to it's own CV input
- Oscillators 2 to 4: If Master LED is not lit, the oscillator responds to CV 1, with the pitch control adding +/-1 octave offset
- Oscillator 1 always responds to CV input; the other oscillators follow CV 1 if they are not set to Master
- When all 4 oscillator switches/lights are selected, the Quadnic is in unison mode and all oscillators follow CV 1; the front panel control affects all 4 oscillators
- To get all oscillators to same pitch, adjust the Pitch and Fine controls
- To get all oscillators to play the same sound (they are quite independent), adjust all controls
- All 4 OSC lights on, with Master selected or flashing: unison can detune massively up to 4 octaves
- All 4 OSC lights on, with master not selected: unison and Chord produce chords

Inputs and Outputs:
1V/OCT 1 - Oscillator 1, 1 Volt per octave input. 0-10V input range. Controls the pitch of any other oscillator that is set to Slave mode.
1V/OCT 2 - Oscillator 2, 1 Volt per octave input. 0-10V input range. Only affects oscillator 2 when in Master mode.
1V/OCT 3 - Oscillator 3, 1 Volt per octave input. 0-10V input range. Only affects oscillator 3 when in Master mode.
1V/OCT 4 - Oscillator 4, 1 Volt per octave input. 0-10V input range. Only affects oscillator 4 when in Master mode.
Proc CV - Process CV input. +/-5V input range. One CV input for all oscillators, but can be attenuated for individual oscillators using the Process CV control.

Out 1 - Oscillator 1 output.
Out 2 - Oscillator 2 output.
Out 3 - Oscillator 3 output.
Out 4 - Oscillator 4 output.

- Size: 12hp
- Depth: 35mm including connectors
- Power Usage: 50mA max
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 1 in stock $258.25
Cat: 655871 Rel: 07 Sep 18
 
Audio/CV router module - 2HP
Notes: Two audio or CV routers - bidirectional - despite what the nomenclature states. Bring a signal in and switch between two desirable destinations. Centre off switch. Great for instantaneous audio or CV effects: flip your wilson between polar opposites, or subtly nebulous contrasts with your fingers... mainly.

Two Switches:
1-2, 1-2

Six Patch Points:
OUT 1, OUT 2, IN A (top), IN B, OUT 1, OUT 2 (bottom).

All Controls and Patch Points:
OUT 1 - Output #1
OUT 2 - Output #2
IN A - Input A
1-2 (IN A) - Switch between output 1 and 2
1-2 (IN B) - Switch between output 1 and 2
IN B - Input B
OUT 1 - Output #1
OUT 2 - Output #2

- Size: 2hp
- Depth:15mm with ribbon cable attached
- Power Usage: Passive
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 1 in stock $62.92
Cat: 655853 Rel: 06 Sep 17
 
Voltage controlled state variable filter module
Notes: Simultaneous high pass, low pass, and band pass outputs, all with a 12 dB/oct slope. The notch is the inverse of the bandpass, achieved by summing the low pass and high pass outputs. This version is a combination of the original SEM filter and the newer design from the OBX, along with improvements by SE. It has a modest current draw, which it pulls evenly from the plus and minus rails.

Potentiometer Potential:
Three attenuverter and four attenuation pots control the FREQUENCY, RESONANCE, FREQ CV 1, RESO CV, LP HP, INPUT and OUTPUT, delivering smooth, detailed, and complex expression.

Switch it Up:
FULL and HALF strength filter frequency keyboard/voltage tracking, and BP / LP-HP modes.

Patch it Up:
Seven patch points: 1 V/O, FREQ CV 1, FREQ CV 2, RESO CV, INPUT, BP LP-HP, and OUTPUT direct the deepest manipulation.

All Controls and Patch Points:
FREQUENCY - Adjusts the frequency, or cut-off of the filter.
RESONANCE - Adjusts the resonance of the filter.
FULL HALF TRACK - Switch between full and half keyboard/voltage tracking.
FREQ CV 1 - Frequency control voltage 1 input attenuverter.
RESO CV - Resonance control voltage input attenuverter.
LP HP - Low Pass / High Pass attenuverter.
INPUT - Adjusts the audio input.
OUTPUT - Adjusts the audio output.
1 V/O - One volt per octave control voltage input.
FREQ CV 1 - Frequency control voltage 1 input.
BP OUT - Band Pass Output. No cable patched, BP passes through the mains.
RESO CV - Resonance control voltage input.
INPUT - Audio input.
BP LP-HP - Switch between Band Pass and Low Pass - High Pass modes.
OUTPUT - Audio output.

- Size: 12hp
- Depth: 39.7mm with ribbon cable attached
- Power Usage: 32mA (+12 / -12)
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 1 in stock $279.94
Cat: 655795 Rel: 08 Aug 17
 
Hi-pass filter module in Eurorack format - 12HP
Notes: Designer Tim Caswell: "The 8106 is a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. Three dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, one amp for the hi-pass filter, four (with added buffers) for the low-pass, and one for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4075, the tonality, especially when overdriven, is distinct."

Interface and feature Maestro Greg St. Regis, opted for the 6dB over the 12dB/18dB "tap" for the second filter output, due to its colourful, and starkly contrasting character.

And yes, this INPUT drive hits harder - much faster than our other filters - so there is plenty of dirt to go around, but a familiar and comforting Roland-y quality/tonality/flow is definitely home base, especially with a nice SLIM O top-dead-centre square wave is riotously coursing and pulsing through the 8106's veiny through-hole circuitry.

7 Pots:
FREQ, RES, FREQ CV, RES CV, HPF, INPUT, OUTPUT

2 Switches:
FULL/HALF TRACK, 6dB/24dB

Patch Points:
1V/O, FREQ CV, 6dB OUT, RES CV, INPUT, OUTPUT

- PCB Mounting Scheme: Through-hole
- Size: 12hp
- Depth: 38mm including connectors
- Power Usage: 40mA, 35mA (+12 / -12)
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 1 in stock $248.48
Cat: 655881 Rel: 08 Aug 17
 
Self-contained synth voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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 2 in stock $537.12
Items 1 to 7 of 7 on page 1 of 1

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