You Are So Beautiful (feat Killme Alice & La Tosa) (3:36)
Summer On A Solitary Beach (feat Johnson Righeira) (4:17)
Italopop (feat Anna Soares & Eugene) (3:22)
My Love In Tokyo (feat Terrienne - French version) (5:04)
Betty Blue (feat Alice Silvestrini & Margo) (4:37)
Everybody Say Oh Oh (feat Chiara Camillieri) (3:51)
Review: Following their debut with Monochromatic, the Milano 84 duo of Fabio Di Ranno and Fabio Fraschini returns with Ultradisco, an album that sharpens up their signature style. Combining synth-pop, new wave and Italo disco with modern flair, this record includes 11 tracks in both English and Italian and offers an emotional, refined sound for modern dance floors. Collaborators include Johnson Righeira with a futuristic twist on Franco Battiato's classic 'Summer on a Solitary Beach' and Anita Dada alongside Fabrizio Massara on the poignant 'Darling.' Fred Ventura energises the album with 'The Right Words' and serves as artistic supervisor for this essential 80s-inspired collection.
Review: This cult classic disco album is now a full four decades old, so what better time to reissue it in a special 40th Anniversary Edition? Spittle Dependance out of Italy have done that here and it is an alluring listen all these years on that kicks off with the proto-house sounds and echo-laden slow-motion grooves of 'Fire' before 'Sexual Desire' get tinny and analogue and cold, 'Marry A Bad Girl' plays with some more colourful synth sequences and nice deadpan vocals and 'It's Not Too Grand' is a real low slung disco chugger. A wonderful album if you ask us.
The Milano Undiscovered series has been expertly overseen by Fred Ventura and now clocks up a third installment. It again delves into Milan's dynamic techno and house scene between the years of 1988 and 1992. Unveiling a trove of unreleased demos, it highlights the city's burgeoning underground culture during this period. Influenced by the pioneering sounds of Chicago, Detroit, London, and Sheffield, Milanese producers embarked on a creative journey, crafting their own distinct interpretations of electronic dance music. These demos offer a glimpse into the innovative spirit and diverse sonic landscape that defined Milan's contribution to the global dance music scene during this transformative era.
Review: The Milano Undiscovered series has been expertly overseen by Fred Ventura and now clocks up a third installment. It again delves into Milan's dynamic techno and house scene between the years of 1988 and 1992. Unveiling a trove of unreleased demos, it highlights the city's burgeoning underground culture during this period. Influenced by the pioneering sounds of Chicago, Detroit, London, and Sheffield, Milanese producers embarked on a creative journey, crafting their own distinct interpretations of electronic dance music. These demos offer a glimpse into the innovative spirit and diverse sonic landscape that defined Milan's contribution to the global dance music scene during this transformative era.
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