Etta James & Sugar Pie Desanto - "In The Basement" (Soul Flip edit) (3:20)
John Gary Williams - "My Sweet Lord" (Soul Flip edit) (3:59)
Review: On their latest limited edition salvo, the hardworking Soul Flip crew (AKA experienced DJs and producers Aldo Vanucci and Del Gazeebo) gets to work on two more stomping dancefloor cuts from the golden age of soul. First up on side A is a gently tooled-up and tightened up take on Etta James and Sugar Pie DeSanto's 1966 floor-heater "In The Basement", a hybrid soul-jazz/rhythm and blues jam rich in rubbery double bass, bustling drums, restless handclaps and brilliant lead vocals from the two legendary soul singers. On the flip they tackle Memphis musician John Gary Williams' 1972 cover of George Harrison's "My Sweet Lord", which brilliantly re-imagines the former Beatles' spiritual song as a sweaty gospel-soul stomper.
The Temptations - "I Can't Get Next To You" (Wonderlove re-edit) (3:54)
Jack Hammer - "Swim" (Wonderlove short re-edit) (3:55)
Review: Wonderlove is the re-editor at the controls for the latest edition of the Soul Flip reworks series, which this time boasts tidy rearrangements of killer cuts from the Temptations and Jack Hammer. It's the former's 1969 single "I Can't Get Next To You" that gets the rework treatment first, with Wonderlove making merry with the track's jangling piano riffs, hybrid rock/soul groove, insatiable vocals and much-sampled drum breaks (which get extended for added dancefloor pleasure). If you're in the mood for something heavier and fuzzier, the "Short Re-Edit" of Jack Hammer's insatiable, spiraling funk workout "Swim" will have you dancing like you've got ants in your pants.
James Brown - "Papa's Got A Brand New Bag" (DJP edit) (3:44)
Eddie Floyd - "Knock On Wood" (DJP edit) (3:59)
Review: Flipping heck! Soul Flip invite everyone's favourite big glasses wearing editor DJP to the fold for some twists on two seminal, genre-affirming party joints. James Brown's "Papa's Got A Brand New Bag" gets a cheeky beat facelift with a fresh set of peppy breaks while Eddie Floyd's tree chopping sing-along enjoys a similar mix-friendly shake-up with a slower, roomier drum arrangement ensuring all the power of the '67 original is kept in check. Flip some switches.