Beastie Boys Vs MFSB - "Check It Out People" (4:19)
MFSB - "People All Over The World" (dub) (4:08)
Review: The latest edition in DJ Soopasoul's "Soopastole Edits" series looks like it may fly off the shelves, and with good reason. The lead cut is not an edit per se, but rather a crafty, clever and expertly produced mash-up that places selected rap flows from the acapella version of Beastie Boys classic "Ch-Check It Out" over a tightened up and fattened up rearrangement of MFSB's disco-era jam "People All Over The World". Sometimes these kinds of mash-ups can be messy, but this genuinely isn't, with the Beasties' vocals fitting the backing track like a glove. Over on side B Soopasoul shares his tweak of the MFSB track, which is entirely instrumental bar periodic use of the band's female backing vocals. In a word: ace!
Review: Soopastole now strikes out on his own eponymous 7' edits series and we must say it's impressive. These are well executed and above all much needed edits so credit to the edit! On the A side "Hot Pants" is an edit of the original track and the "dub beats version" (found only on the Urban release in 1988) starts with the drum break. On the flip we have got "Mama Feelgood" which has heavier drums and the instrumental intro and outro.
James Brown & The Wu Tang Clan - "Sex CREAM" (3:33)
James Brown - "Sex Machine" (dub edit) (3:02)
Review: It would be fair to say that the latest edition in DJ Soopasoul's "Soopastole" edits series is one of the producer's biggest yet. A-side "Sex C.R.E.A.M" is particularly potent, with the mash-up maestro layering the vocals from Wu-Tang Clan classic "C.R.E.A.M" over a chunky beat crafted out of classic James Brown samples. To our ears, it's arguably better than the Wu-Tang original, or at least a little more dancefloor-friendly. Fittingly, Brown gets the treatment on the flip with Soopasoul getting busy with the EQs on a suitably heavy but stripped back "dub edit" of all-time-classic "Sex Machine". While it probably didn't need tampering with, he's done a very good job of delivering a version that successfully takes the track in a different direction.
Review: As the title sneakily suggests, the latest volume in DJ Soopasoul's essential "Soopastole Edits" series sees the prolific re-editor and mash-up merchant take his scalpel to all time disco classic "We Are Family". We could be wrong, but it sounds like it was created using the multi-track parts, focusing as it does for much of the duration on a stripped-back, DJ-friendly groove, selected vocal snippets and delay-laden musical elements not always audible on the original version. Over on the flipside "Cosmo On The Groove" version, he takes a slightly different approach, adding a classic old school hip-hop acappella to an expertly cut-up version of the track that utilizes a little more of the sing-along chorus.
Review: Serial party starter Soopasoul raises the Rufus with this flighty take on this gutsy 77 classic. Splicing the vocals down to the nitty gritty (excuse us) so it's a bare naked call and response over some well polished breaks, Soopasoul's added a whole new lease of dancefloor energy. Flip for even more stripped back beat track. Hot.
Review: More from top-drawer rework merchant DJ Soopasoul, whose cheeky revisions on his Soopastole label are consistently on point and dancefloor-focused. For his latest trick, the long-serving DJ/producer has decided to apply his magic to one of the greatest disco records of all time and a "foundation record" of the hip-hop scene: Chic classic "Good Times". The A-side edit sounds like it has been created using the multi-track parts, as dubbed-out vocal sections ride stripped-back grooves and portions that variously showcase the track's original strings, Nile Rodgers' guitars and Bernard Edwards' killer bassline. The flipside "Part 2" version is similarly minded but more like a disco dub in feel and execution, with the maestro drenching vocal sections in delicious amounts of delay.
Kool & The Gang - "Give It Up" (DJ Soopasoul edit) (4:02)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:29)
Review: Jalepeno Records regular DJ Soopasoul launched his amusingly titled Soopastole Edits series at the tail end of 2016, serving up a tasty seven-inch single that boasted rock solid re-rubs of a couple of party-starting classics. He's at it again on this follow-up. On the A-side, he takes his rusty scalpel to Kool & The Gang's meandering, 1970 instrumental cut "Give It Up", emphasizing the original's killer break and snaking saxophone lines. On the flip he takes a similar approach to reworking Aretha Franklin's peerless "Rock Steady", subtly tightening up the groove whilst emphasizing the bumping nature of the original beats.
Kool & The Gang & Gene Redd - "Give It Up" (DJ Soopasoul edit) (4:04)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:29)
Review: Jalapeno jive maestro Soupasoul has been a busy funkateer this year. Not least with this impeccable edit series. Subtly resculpting funk standards and forgotten classics with full emphasis on the breaks they blessed us with, every single "45 has been a dancefloor riot... Not least this jam hot take on "Give It Up" and "Rock Steady". The former is full focus on the tight horn Q&A and those classic jazzy swoons on the chorus while the latter is all about Aretha's gutsy vocals and that killer breakbeat. Only 250 copies pressed... Soop soop!
Kool & The Gang, Gene Redd - "Give It Up" (DJ Soopasoul edit) (4:04)
Aretha Franklin - "Rock Steady" (DJ Soopasoul edit) (3:30)
Review: Fast-fingered mash-up merchant and lauded scalpel fiend DJ Soopasoul can usually be relied upon to bring the goods. In fact, we've yet to hear an edition of his "Soopastole Edits" series that doesn't include the kind of sure-fire, party-starting fare guaranteed to get any DJ out of a dancefloor hole of their own making. Should you still doubt the validity of this statement, we suggest you check this timely reissue of the series' second volume, which has been going for serious bucks online. On side A you'll find a suitably punchy, funky and chunky revision of Kool & The Gang's Gene Redd produced 1970 jam "Give It Up" - the original source of one of hip-hops most familiar breakbeats - with a tight, club-ready revision of Aretha Franklin classic "Rock Steady" on the flip.
Review: Back in 2014, Timewarp Music asked DJ Soopasoul to remix "Inside Man", one of the strongest cuts from Croatian producer Funky Destination's funk-fuelled debut album, Revolution is Only Solution. While one mix appeared on a digital-only label compilation, Soopasoul actually handed in two reworks. Here both get an outing on wax for the first time. The A-side version is particularly sweet, with Soopasoul layering the original's meandering and lilting trumpet solo over a rolling funk groove rich in big bass, jangling guitars and frenetic drum breaks. The flipside revision emphasizes this groove more, looping and extending the breaks for easier DJ use and a livelier dancefloor response.
Come Back To Me (Soopasoul remix - instrumental) (3:22)
Review: DJ Soopasoul has previously breathed new life into tracks by Croatian producer Funky Destination, so it's little surprise to see him putting his spin on the Osijek-based artist's latest missive. He does a terrific job, offering up vocal and instrumental versions of "Come Back To Me" rich in long, tension-building intros, fuzzy funk horns, bass-heavy grooves, swirling orchestration and hard-wired guitar riffs. While the instrumental version is tidy, our pick of the pair is undoubtedly the A-side remix. We're not sure who the lead vocalist is, but her delivery is incredible. Don't sleep on this one!
Review: Just 300 copies of this tasty, club-ready 7" single from the Soopastole Edits stable exist, so you'll have to move fast to secure a copy. As usual, Jalepeno Records' regular Soopasoul is at the control, using his trusty scalpel to deliver two hot-to-trot interpretations of a lesser-known cut from the "Sex Machine" sessions. On side A, you'll find "Shake Your Money Maker (Part 1)", where Maceo Parker's killer saxophone solos rise above Soopasoul's slightly tightened up version of the JB's killer groove. Flip to the B-side for more sax solos and a groove that mines some of the original track's more percussive sections for hip-swinging, toe-tapping thrills.
It's Just Begun (1970 previously unreleased version) (3:20)
It's Just Begun (1972 instrumental beats & breaks) (4:05)
Review: There are few bigger breakers anthems than the Jimmy Castor Bunch's "It's Just Begun". One of the foundation records on which the early hip-hop scene was built, it remains one of the heaviest funk records of all time. Here, scalpel-wielding producer Soopasoul serves up a 7" containing versions of both the lesser-known 1970 single version and the more familiar '72 album cut. You'll find the former, an undeniably fuzzier and arguably heavier version, subtly rearranged on the A-side, with Soopasoul naturally giving extra prominence to the drum breaks while retaining the little-heard middle eight. His edit of the1972 version strips out a lot of the vocals, instead focusing on the band's killer instrumentation.
Review: DJ Soopasoul's last mash-up was an inspired affair that saw him perfectly fuse tracks by Philadelphia Soul legends MFSB and the Beastie Boys. Here he takes a similar approach, placing the rap vocals from the 1995 hip hop classic "How High" atop a suitably funky, lolloping beat crafted from Clavinet-heavy sections from Stevie party-starting floor-heater "Superstitioun". It works remarkably well on the A-side vocal mix, and those who'd not heard either track would be convinced that there was no mash-up antics going on. Over on side B you'll find an instrumental mix that showcases Soopasoul's editing skills; minus the Hip Hop vocals, is a fine re-edit of the Wonderful jam.
Review: Limited white vinyl repress.DJ Soopasoul's last mash-up was an inspired affair that saw him perfectly fuse tracks by Philadelphia Soul legends MFSB and the Beastie Boys. Here he takes a similar approach, placing the rap vocals from the 1995 hip hop classic "How High" atop a suitably funky, lolloping beat crafted from Clavinet-heavy sections from Stevie party-starting floor-heater "Superstition". It works remarkably well on the A-side vocal mix, and those who'd not heard either track would be convinced that there was no mash-up antics going on. Over on side B you'll find an instrumental mix that showcases Soopasoul's editing skills; minus the Hip Hop vocals, is a fine re-edit of the Wonderful jam.