Review: The latest edition in DJ Soopasoul's "Soopastole Edits" series looks like it may fly off the shelves, and with good reason. The lead cut is not an edit per se, but rather a crafty, clever and expertly produced mash-up that places selected rap flows from the acapella version of Beastie Boys classic "Ch-Check It Out" over a tightened up and fattened up rearrangement of MFSB's disco-era jam "People All Over The World". Sometimes these kinds of mash-ups can be messy, but this genuinely isn't, with the Beasties' vocals fitting the backing track like a glove. Over on side B Soopasoul shares his tweak of the MFSB track, which is entirely instrumental bar periodic use of the band's female backing vocals. In a word: ace!
James Brown & The Wu Tang Clan - "Sex CREAM" (3:33)
James Brown - "Sex Machine" (dub edit) (3:02)
Review: It would be fair to say that the latest edition in DJ Soopasoul's "Soopastole" edits series is one of the producer's biggest yet. A-side "Sex C.R.E.A.M" is particularly potent, with the mash-up maestro layering the vocals from Wu-Tang Clan classic "C.R.E.A.M" over a chunky beat crafted out of classic James Brown samples. To our ears, it's arguably better than the Wu-Tang original, or at least a little more dancefloor-friendly. Fittingly, Brown gets the treatment on the flip with Soopasoul getting busy with the EQs on a suitably heavy but stripped back "dub edit" of all-time-classic "Sex Machine". While it probably didn't need tampering with, he's done a very good job of delivering a version that successfully takes the track in a different direction.
Review: DJ Soopasoul's last mash-up was an inspired affair that saw him perfectly fuse tracks by Philadelphia Soul legends MFSB and the Beastie Boys. Here he takes a similar approach, placing the rap vocals from Redman and Method Man's 1995 classic "How High" atop a suitably funky, lolloping beat crafted from Clavinet-heavy sections from Stevie Wonder's party-starting floor-heater "Superstitious". It works remarkably well on the A-side vocal mix, and those who'd not heard either track would be convinced that there was no mash-up antics going on. Over on side B you'll find an instrumental mix that showcases Soopasoul's editing skills; minus the Redman/Method Man vocals, is a fine re-edit of the Stevie Wonder jam.