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Snazzy Fx

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Items 1 to 9 of 9 on page 1 of 1
Cat: 667770 Rel: 25 Jan 18
 
Dual chaotic oscillator with 2 CV inputs, Gate output with adjustable threshold & two sets of X & Y outputs
Notes: The Dreamboat is a dual chaotic oscillator with 2x CV inputs, a Gate output with adjustable threshold, and two sets of X and Y outputs. There are two oscillator sections to the module, the top half is an audio rate chaotic oscillator and the lower half outputs LFO rate signals. With its five outputs, the Dreamboat allows you to connect to plenty of modules all at once, allowing all kinds of modulation and listening possibilities. When used with an oscilloscope or a scope program in X/Y mode, the Dreamboat allows you to view its chaotic attractors in real time.

Allowing for unique rhythms through the use of the gate output, a typical setup might see the Dreamboat involved in a few feedback loops while controlling an ADSR and a VCA with its gate output. When used with TIP-TOP's special dual cables, hearing AND viewing the Dreamboat at the same time is a snap.

The Dreamboat is easy to use, just turn the knobs until the Chaos starts, then add modulation, cross-couple the two sections, and bring in a VCO or Noise module. For even more far out sounds, we recommend the use of two or even three Dreamboats for a truly powerful setup. Though the Dreamboat is not an oscillator in a way you might be used to, it will push you into new musical directions.

From subtle to destructive, from scary to absurd, the Dreamboat is a strange bird.

Use the Dreamboat to create everything from strange fogs to banging pots and pans, use it to explore Chaos or simply to have a truly unique module in your setup.

Snazzy FX recommends Gleick's classic book CHAOS for those who want to know a bit more about what is going on behind the scenes in this module.
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 2 in stock $199.28
Cat: 667789 Rel: 14 Nov 17
 
Low-pass filter module - 8HP
Notes: Take advantage of the instability!

The Eternal Spring Filter is quite different than most filters. It belongs to that category of sound modifiers which could be called an "effect", which is to say that it doesn't just filter the sound in a regular manner but also adds a considerable amount of edge/personality. At times it sounds like a wavefolder and when you plug a nice slow LFO into the CV input, you can really get some intense sounds out of it.

At lower drive settings, this filter adds noise, grit, and harmonics, while at higher settings the sound of the filter takes over and replaces your input with sparks and sludge. It sounds great on synth leads, on basslines, and really adds a lot of movement to drones. It is a weird beast which is capable of some different sounds than other filters in your system. On top of all of that, this filter is not temperature compensated and has plenty of musical instability. The cut-off and Q move around nicely to add energy to your incoming audio.
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 1 in stock $161.33
Cat: 682336 Rel: 14 Nov 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Take advantage of the instability!

The Eternal Spring Filter is quite different than most filters. It belongs to that category of sound modifiers which could be called an "effect", which is to say that it doesn't just filter the sound in a regular manner but also adds a considerable amount of edge/personality. At times it sounds like a wavefolder and when you plug a nice slow LFO into the CV input, you can really get some intense sounds out of it.

At lower drive settings, this filter adds noise, grit, and harmonics, while at higher settings the sound of the filter takes over and replaces your input with sparks and sludge. It sounds great on synth leads, on basslines, and really adds a lot of movement to drones. It is a weird beast which is capable of some different sounds than other filters in your system. On top of all of that, this filter is not temperature compensated and has plenty of musical instability. The cut-off and Q move around nicely to add energy to your incoming audio.
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 1 in stock $148.31
Cat: 667785 Rel: 14 Nov 17
 
Kick drum module able to generate a wide array of classic to modern bass drum sounds
Notes: Snazzy's first step into the world of drum modules, the Kick Me is their take on the all-important bass drum. Snazzy prefer tweakability over vintage pedigree, so the Kick Me doesn't sound like your classic XOX drum machine. However, with a wide range of useful sounds easily created with a few knob twists, that's a good thing.
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 1 in stock $130.75
Cat: 667781 Rel: 28 Aug 18
 
Sample & hold/random voltage module - 12HP
Notes: Inspired by sample and hold/analog shift register with some very unique features.

This beast incorporates not one but five sample and holds, chained together, with two controllable feedback taps, individual outputs at five points, a wave shaper output, built in white noise, two different clock modes, lag, and the ability to LOOP the analog cells (you load in 5 different voltages and then loop them this can all be started and stopped via a gate pulse and/OR with the built in BUTTON)

Includes attenuverters on both Main Outputs to allow for fine tuning of output signals, a slew section with two input sources (one being the clocked waveshaper), white noise output, a very unique SUM output which allows for a mixture of ALL FIVE sampling cells to create trills, strange Legato effects, and interesting reconstruction of the incoming signal.

To put it lightly, The Telephone Game can create a multitude of different modulation effects and it is EXTREMELY SIMPLE TO USE. You can either use the built in white noise as your signal source, or plug in any CV or audio in your system. Then you have the option of taking the CLOCK OUT from the Telephone Game and driving your sequencers, clock dividers, and envelope generators/VCA's IN TIME with all the wonderful random voltages the Telephone Game creates (highly recommended), OR use it without any other clocked modules and tune in to the wavy world of 'science sounds'.

Tested and developed in live situations, which means the panel layout, the graphics, and all controls add up to a module that is quick to setup and allows for on the fly melodic content.
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 1 in stock $264.65
Cat: 704144 Rel: 28 Sep 18
 
Unique monophonic tracking device
Notes: Don't let the name fool you. There is nothing tiny about the sound of this device. THE MINI-ARK is in a class of its own in the world of guitar synths and tracking boxes.

THE MINI-ARK is the little brother to the one-of-a-kind AUDIO ARK, SNAZZY FX's super processor. It has the capability to take your guitar input, track it precisely, add an octave of your choice below or above, an interval of your choosing above (or below) and the capability to mix the two in any combination with the original signal or a dirty version of the original signal. This is huge. You can now create chords or thickened notes in thousands of combinations, all by changing the mix knobs and the position of the Interval and Octave selectors.

But that's just the beginning. In addition to the Octave and Interval sections, there is also an Infinite Hold section which allows you to stomp on a second switch and let the note go on and on and on and on.

While the sound is droning, there is an additional octave down effect that you can play on top of the continuous sound. Think of it this way - you could be playing a lead, the lead could be mimicked a 3rd above, and 3 octaves below, and then get mixed with a distorted version of the same guitar. Then, you could step on the infinite switch, and start playing the distorted guitar and an octave below on top of the already holding 3rd above and 2 octaves below. Its really something you have to hear in action.

There is also a Gate/Sustain switch. This allows you to have notes blend continuously into each other as you play or create very artificial staccato effects.

But Wait....That is only half of the action. There is also the Magic Selector. This rotary switch allows you to switch from 8 different presets which come with THE MINIARK. Preset one is the normal mode, where your guitar creates an interval and an octave. But, choose any of the other seven modes and the operation of this device is sent into alien territory with Swells, Crazy Vibrato, Super Fuzz, or even clarinet like sounds, all flying out of the machine.

There is a rich array of CV Outputs. You get an Env Out which is useful for controlling an external device. You can, for example, plug this into the SNAZZY FX TRACER CITY. There is a gate out, for controlling an external synth, sequencer, or Modular Sythesizer, and the special Square Out. Please see the manual for the amazing things this output can do.

THE MINI-ARK features +/- 15 volt rails, similar to the rails found in analog synthesizers, powered by a standard barrel connector 9 volt DC adapter.This means greater headroom which translates into better tone. And like all SNAZZY FX products, it features True Bypass and a Seriously Heavy Duty Box with SNAZZY Graphics that will not only stand the test of time, it will turn heads wherever you take them.
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 1 in stock $389.07
Cat: 704150 Rel: 28 Sep 18
 
Tracer City with true analog multi-mode resonant filter
 1 in stock $435.46
Cat: 704147 Rel: 28 Sep 18
 
Wow & Flutter delay pedal with true bypass and a seriously heavy duty box with SNAZZY graphics
Notes: In the age of digital recording people often reminisce about the golden days of analog tape and the warmth of those spinning tape reels. Many people have spent a lot of money trying to re-create those classic tape like qualities in pieces of hardware.

Dan Snazelle of SNAZZY FX missed something else about tape - the sound that would come out of the stereo on those days when the tape got stuck in the machine, dying a slow and melodic death. He also missed the magic of playing a favorite recording through an old cassette boom-box that had so much warble it was hard to tell what song he was listening to. So Dan decided to design a device that, when pushed to its limits, would sound like the tape was spinning out of control. But he also wanted to make sure the box could take that sound and make it more musical, and, at times, more subtle too.

THE WOW AND FLUTTER can bring you into this warbly world and far, far, beyond.

You might be thinking, what am I going to do with a busted tape machine? Well, that's where things really get interesting - because this box can be used in many, many ways. Depending how hard you hit the Threshold and Warp controls, you can dial the malfunction back to where it creates subtle vibrato, or with shorter delays you can achieve pleasing chorus or pseudo flange-like effects. Turn the Warp up a bit more and you can get far-out pitch shifting, rubber band delays, and plastic portamentos. Turn the Warp up to max and what you'll hear is just plain insanity.

THE WOW AND FLUTTER is an incredibly versatile device. It is certain to add an extremely unique texture to your playing or your productions. Run stems or mixes through it to add an out-of-this-world quality. Thicken up synth parts in an instant or use it on vocals to add mystery. With your guitar you will be amazed at how many different colors can be achieved with just this one box.
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 1 in stock $336.35
Cat: 667775 Rel: 28 Aug 18
 
Tape malfunctions in Eurorack format - 12HP
Notes: In the times of perfect digital recording some people miss inaccuracies like those of old worn-out tape machines or tape echoes. The WOW and FLUTTER module simulates just those inaccuracies, the wow and flutter and the sound of an old tape. You can also set if the flutter of the tape fades in slowly and fades out fast or vice versa. Or, even in the DRY mode, the Wow & Flutter colours the sound.

The Wow and Flutter basically consists of a classic delay with feedback and behaves like one with the WARP control is at zero position.

The delay time can be set not only by the DLY control but also modulated by the audio signal depending on the dynamics and sensitivity setting of the W&F. If the audio signal is louder than the threshold set by the correspondent THRLD control then an attack/decay envelope is fired which affects the delay time. The warp controls how strong the fluttery effect is, just as a tape echo would eat the tape.

The input level can be adjusted with the GAIN knob, D/W controls the dry/wet mix. The signal at the OUT socket is dependent on the dry/wet setting while the WET socket outputs the effect signal only.

The delay time can be modulated by a CV at the DLY socket, the intensity is controlled with the DEPTH attenuator. There's also a CV input for modulating the envelope's decay time, and also an envelope follower input. The latter can be output at the ENV O socket. Experimenting with and feeding back the envelope follower with the audio ins and outs might provide crazy sounds...

There are two feedback modes: in the top switch position the W&F is somewhat tame, in the bottom position it will oscillate quickly, allowing for a dubby sound.

A jumper sets the behaviour of the envelopes: in FAST setting the attack and decay times are much shorter.
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 1 in stock $316.31
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