African Drug (Joaquin Joe Claussell Hallucination version) (8:19)
Review: Long before the rise in interest in African music, British electronica producer Bob Holyroyd was making tracks rich in traditional instrumentation. "African Drug" is, undoubtedly, the most famous of these. Originally released as a single in 1994, the intensely melodious, Steve Reich-esque work has been remixed numerous times over the years. This latest edition arrives on Joaquin "Joe" Clausell's Sacred Rhythm label, with profits going to charities that work to save Africa's endangered Rhino. The A-side contains a freshly mixed and re-mastered version of Holroyd's brilliant original - which brilliantly increases in intensity with the addition of tribal drums two thirds of the way through - with a more percussive, pleasingly hallucinogenic Clausell remix on the flip. In a word: essential.
Review: It's the big, bad Joe Claussell, and the master reigns in the new year with this absolute stunner of an EP for the Sacred Rhythm label. This is Claussell at his most daring, however, and while you might be expecting some phat-ass house beats and groovy tribalism, the man goes far left of the field on here. The opening "Dungeon Maggots" is a translucent blend of crystal synths and subtle dub echoing, while "Matter Of Factness" injects a delicate house flow into the mix, propelled into motion by a dubby guitar riff. "Affect", "Nuances", and "Seciov" all act as beatless electronic tools, a trio of synth sways to add extra effect to your DJ mix. Yes, Joe!
Review: Joe Claussell's Sacred Rhythm Music is back to present new music under his alias The Bayara Citizens. Elektrik Afrika is his second full length of the project, where he pursues yet more of his idiosyncratic style of 'spiritual life music'. By fusing acoustic and electronic together as one, the project represents evolution - producing its own genetics and speaking an individual dialect of rhythm and sound. Traces can be heard in "Zainabu" (Spirit Dancer) which fuses electronic harmonizing on the skins of traditional folkloric rhythms, or the soul power of "Mofo Congoietric" (Joaquin's Sacred Rhythm version), through to the tunnelling and hypnotic power of "Bambara" (The Tribes Of Distortion dub) and the truly life-affirming "Diamonds" (It's Time To Let Our People Go).