Review: The Abstract Eye is Gabriel Reyes-Whittaker, a producer who releases music most using the monikers GB, The Reflektor, Frankie Reyes and Julian Abelar. Five prolific, soulful/melodic tracks originally released in 2011 on Valentine Connexion, now available again courtesy of Amsterdam's always reliable Rush Hour. The extraordinarily gifted Los Angeleno creates striking electronic songs here which integrate the technological with the spiritual and ancestral. There's respectful nods to Motor City greats like Japanese Telecom ("Cool Warm Divine") and John Beltran ("Nobody Else") on here. "Nobody Else Pt. 2" channels the cyclical/minimal soul of Internal Empire era Robert Hood: absolutely sublime!
Review: Rush Hour's latest reissue focus is Vincent Floyd, a producer with a small clutch of 12? releases in the mid-90s for Dance Mania, Relief and Gherkin Records offshoot Resound Records. Although more from the producer is promised in the year to come, the first record is Your Eyes, a reissue the producer's debut for Dance Mania. Released back in 1990, the five-track 12? brandished a title track that was pretty much a perfect example of vocal deep house from the era, and this reissued edition from Rush Hour pares the record down to just three tracks, with the Chan-featuring title cut complemented by an instrumental and "I'm So Deep," described by the label as a "sinister haunting instrumental jackin track".
Review: Having given the Dream 2 Science album the wider audience it richly deserved earlier this year, Rush Hour dig out another NYC garage classic from the archives of Ben Cenac for a much deserved reissue. Unlike that album, this Sha-Lor record Cenac recorded in collaboration with vocalists Sharmelle and Lorrie back in 1988 gained wider success, becoming a Summer Of Love staple. It's not hard to see why "I'm In Love" proved so enduring on the A Side Caught Up mix either, with the duo's vocals still retaining a power to move some 24 years on, while Cenac's stripped back bass heavy production is NYC garage at its finest. This being Rush Hour, there's also the bonus of a previously unreleased instrumental version occupying the flip.