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Rush Hour Holland

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Cat: RHM 029. Rel: 11 Dec 18
Deep House
  1. Pinball Lizard (6:53)
  2. Yellow Jackets Descend (5:04)
  3. Minor 7 Resin (6:33)
Review: Amsterdam based producer Jordan 'GCZ' Czamanski wears many hats, whether as part of Juju & Jordash, Magic Mountain High or as part of Mulholland Free Clinic with David Moufang. He now makes his solo debut on Rush Hour with this awesome EP of neon treasures. From the funky old school techno vibe of "Pinball Lizzard" with its wayward melodies and cracking rhythms (on what the label best described themselves as 'a multi-ball dancefloor battle against the Grand Lizard') to the smooth neon-lit deepness of "Minor 7 Resin" - it's another terrific effort from a true hero of the underground.
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 in stock $8.37
Cat: RHRSS 25. Rel: 02 Oct 18
International
  1. Les Choc Stars Du Zaire - "Nakombe Nga" (4:26)
  2. Teknokrat's - "What Did She Say" (4:20)
Review: In recent times Rush Hour has excelled at reissuing obscure African music of the late 1980s, often pairing the original with a previously unheard cover version or remake. They're at it again here, offering up Les Choc Stars Du Zaire and Ben Nyamabo's 1989 cut "Nakombe Nga" with an obscure Belgian new beat cover by one album wonders Teknokrat's [sic]. Les Choc Stars Du Zaire's version is wonderfully positive, joining the dots between electronic soukous, ear-catching synth-pop and sunset-friendly Balearic vibes. The Teknokrat's version is, if anything, even more loved-up, with classic late '80s house instrumentation (Frankie Knuckles style synth-strings, jaunty pianos), ghostly electronic lead lines, delay-laden vocal passages and a superb synth bassline
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 in stock $9.89
Midnight On Rainbow Road (12") (1 per customer)
Cat: RHM 019. Rel: 23 Apr 19
Deep House
  1. Midnight On Roadbow Road (beat edit) (6:34)
  2. Midnight On Roadbow Road (6:23)
Review: Leon Vynehall's stunningly picturesque "Midnight On Rainbow Road" was one of the undoubted highlights of Gerd Jansen's second Musik For Autobahns compilation, which was released in the autumn of 2015 by Rush Hour. Here, it gets a deserved single release, with the original - a hypnotic, driving-inspired blend of fluid electronic melodies, a wispy percussion and Jonny Nash style glistening guitar lines - being complimented by a brand new "Beat Edit". This adds a slowly unfurling, head-nodding rhythm that takes the track further towards Detroit Beatdown territory. In essence, though, it sounds like an early '90s ambient house jam. That's no bad thing, given that Vynehall seems to have emphasised the sun-kissed beauty of the original in the process.
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 in stock $8.88
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