Pan Germany Vinyl & CDs

Review: You wait three years for a new Arca album and then two come along at once. The Barcelona-based, Venezuelan artist has already dropped 'Kick I' and 'Kick II' on his standard XL stomping ground this month, and has now decided to remind us why we fell in love in the first place. &&&&&& is the producer's seminal debut album, and it still sounds fresh today.

Occupying a space somewhere between techno, the proto-footwork and juke popularised by the likes of Addison Groove at the turn of the last decade, IDM and ambient, it's a difficult thing to get your head around, from the strange piano discordance of 'Mother' to 'Feminine''s suggestion of intense 140s and the submerged liquid downtempo of 'Anaesthetic'. A seminal moment in recent dance history.

Review: It's been a long time coming, but finally Beatrice Dillon has delivered her debut album - and it's a peach. It sees her "Workaround" a set rhythmic idea - 150 BPM percussive polyrhythms influenced by various global drumming styles - to create a suite of tracks rooted in bass-heavy UK style "broken techno" but vastly different in tone and style. Thanks to a range of impressive guest musicians (techno experimentalists Batu and Laurel Halo both contributed alongside veteran jazz players, one of Britain's best bhangra drummers and a cellist), there's a fantastic hybrid electronic/acoustic vibe throughout, with Dillon's experimental instincts combining with her grasp of mood and melody to create a suite of impossible-to-pigeonhole tracks that genuinely sound like nothing else around. In a word: superb

Review: While awaiting the release of her album Pripyat, Catalan composer and producer Marina Herlop found herself feeling emotionally unmoored and uncertain about her music career. During this period, she visualised herself as a gardener tending to her inner landscape by expelling negative emotions through purple weeds. This imagery became the foundation of this record which is filled with her warmest, most positive sentiments. With experimental touches still present, Herlop's voice shines with hope and energy while weaving intricate acoustic instrumentation and electronic elements. Nekkuja is a celebration of perseverance and creativity that blends abstract sounds with themes of growth, light and renewal.

Review: Honour's debut album, Alaafia, is a journey through the depths of the African diaspora, connecting Lagos, London, and New York. This album blends the darker tones of blues, hip-hop, free jazz, ambient and gospel with elements of Christian mythology and Yoruba folklore. As cinematic as it is painterly, Alaafia is a meditation on life, death and love, drawing inspiration from casual conversations, field recordings, literature, and personal archives. The result is an impressionistic vision that blurs boundaries between everywhere and nowhere, history and the present, the individual and the universal. Dedicated to Honour's late grandmother, the title track Alaafia began after their last embrace, infused with her spirit. This tape-saturated composition transitions from Lagos to London's smoky cityscape, reflecting the artist's grief and PTSD. The dream-like quality is marked by stretched guitar drones and stuttering loops, with their grandmother's shared faith surfacing through the music. 'When Angels Speak of Love' borrows its title from Sun Ra and bell hooks, shaping praise music into disorienting spirals with syrupy DJ Screw-inspired breaks and melancholic guitar splinters. This track engages in a conceptual dialogue with the spirits of both late thinkers, incorporating them into Honour's pantheon of ancestral guides. 'Giz Aard ($uckets),' the album's ninth track, features regimented drums anchoring a sombre melody that swirls with heartache, hovering between death and eternal joy.

Review: Shanghai-based, Malaysian-born artist Tzusing offers us a future-facing and experimental techno record that also serves as a meditation on "China's complicated history of patriarchal heteronormativity, and how these archaic double standards continue to dominate the culture in pervasive, often invisible ways." It is packed with dancefloor highlights after a deep-thinking cultural monologue to start with. Hard and funky drums, twisted sonics, manic uptempo bangers and wheezing voices and downtempo rhythms all combine into something utterly unique.

Review: Upsammy's 2023 stonker Germ In A Population Of Buildings now comes to vinyl via PAN. Continuing in one very particular aspect of the Amsterdam musician's craft - her interest in architecture and environmental design, and how that plays into and informs on sound - this LP evinces ideas of a rewilded modernist edifice, avoiding static textures in favour of a 'constantly shifting' sound. An IDM record teeming with electroacoustic textures, all of which sound "alive" - wood, brick, steel, ceramic, concrete, you name the building material - it seems that Upsammy's intent is to physically model almost every possible foley impact on the planet and arrange it into a single whimsical symphony. A digital audiophile's dream.