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Mote Evolver

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Items 1 to 6 of 6 on page 1 of 1
Cat: MOTE 056. Rel: 03 Apr 19
Techno
  1. Wind Runner (6:59)
  2. Sling Jockey (6:36)
  3. Charged Totem (5:06)
  4. Magma (5:58)
Review: Inaugurated by Luke Slater (as L.B.Dub Corp) and ASC in 2011, 'Parallel Series' has continued to host split releases from the likes of Shifted, Samuli Kemppi, Bas Mooy, Chris Finke, Developer, Truncate, Sev Dah, Jeff Rushin, and more. For its next instalment, Brighton based producer Rene Wise returns to Mote-Evolver having debuted on the label last year. 'Wind Runner' features a relentless bassline and substantial kick, married to swooping industrial textures generating abstract rhythms, before an arpeggiated bass melody joins ghostly vocals in 'Sling Jockey'. Both tracks are choice cuts picked by Luke Slater who's been hammering Wise's demos in his sets throughout the last year. Making his Mote-Evolver debut, Billy Turner distributes sharp oscillating frequencies with syncopated drum hits in 'Charging Totem', then 'Magma' erupts dangerous modulating stabs whilst ethereal reverb evolves into a cacophony of intense energy.
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 in stock $9.01
Love: Remixes (gatefold 2xLP + MP3 download code)
Cat: MOTELP 05. Rel: 15 May 19
Techno
  1. Love (Burial remix) (7:20)
  2. Love (Lucy remix) (6:44)
  3. Love (The 7th Plain Collage remix) (16:38)
  4. Love (Planetary Assault Systems Low Blow remix) (10:44)
  5. Love (Marcel Dettmann City remix) (7:57)
  6. Love (Silent Servant remix) (4:13)
Review: First released back in 1997, breakbeat-driven techno jam "Love" remains one of Luke Slater's most rush-inducing moments. Here the classic has been given a new lease of life via a swathe of fresh reworks. Fittingly, Slater provides cuts under two of his more familiar alternate aliases: an ultra-dreamy, glassy-eyed breakbeat take as The 7th Plain and a thrusting intergalactic techno revision as Planetary Assault Systems. The other revisions are all superb, too. Burial serves up an ultra-deep, super-dusty 4/4 interpretation full of his usual crackling samples, Lucy re-imagines it as a bouncy techno slammer, Marcel Dettmann gives it a clanking, metallic techno feel and Silent Servant offers up some carnival-ready drums and rising symphonic strings.
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Played by: S-File
 in stock $19.06
Cat: MOTELP 02. Rel: 14 May 14
Techno
  1. Automatic (6:28)
  2. Myriad (4:56)
  3. Riot (5:15)
  4. Avadon (6:15)
  5. Five (4:52)
  6. Silhouette (4:54)
  7. Shift (4:58)
  8. Parade (5:41)
Review: Spanish producer Psyk first made a splash on Mote-Evolver with the Distane EP, with the Shed-like title track proving to be a big hit, while the Arcade follow up was equally impressive, and popular. So it makes sense then that Psyk's debut album lands on Luke Slater's seminal techno label. If you combine all of your favourite elements from producers like Robert Hood, Shed, Jeff Mills, and of course Luke Slate - so intricate and bubbling micro-synths, phat house chords, linear bleep sequences, and a course a lot of 909 action, you've got a bonafide techno album that is Pysk's Time Foundation.
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 in stock $22.51
Cat: MOTE 051. Rel: 28 Nov 17
Techno
  1. Disorder (5:24)
  2. Silent Witness (4:42)
  3. Apart (5:46)
  4. Surrender (5:18)
Review: It's about time that Spain's Psyk made a return to the Mote-Evolver imprint; after all, he has been at the core of the label's development since their glory days back in the mid 00's. As expected, the gifted techno producer touches down with an absurdly effective collection of killers, first storming down with the hypnotics of "Disorder", before heading into a relentless wormhole on "Silent Witness". "Apart" opens the B-side with a rattling cascade of metallic percussion, driven forwards by acidic synths, and "Surrender" wastes no time in throwing us back into the midst of the rave, as cavernous and foreboding as humanly possible.
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 in stock $9.01
  1. Dungeon (O Phase remix) (8:12)
  2. The Gated (Ben Sims edit) (6:26)
  3. Dungeon (PAS 1997 original) (6:24)
Review: More than any other UK techno producer, Luke Slater has remained at the cutting edge. This is partly due to his ability to make forward-thinking music, but as this new series demonstrates, he also possesses an uncanny knack for pairing off with other inspired artists. "Gated" is vintage PAS material from the 90s, its distorted rhythm lent a housey bias here thanks to Ben Sims' superb remix. It's hard to believe that "Dungeon", available here in its original format, dates back to 1997, as its bleepy, tunneling groove and its 'swarm of bee' hums make for exactly the kind of hypnotic sounds that many modern producers try - and fail - to emulate. Completing this excellent release is a dry, tribal version of "Dunegon" by O [Phase] from Token.
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 in stock $8.46
Side Effects (2xLP + MP3 download code)
Cat: MOTELP 04. Rel: 23 May 18
Techno
  1. Reel One (6:42)
  2. Night Time Hawk (5:14)
  3. Edge 7 (feat Aurelie Yung) (5:49)
  4. IELBEE (7:01)
  5. Float When You Can (7:08)
  6. Bass Machine (5:26)
  7. Forever In A Day (6:23)
  8. LBEES Jam (6:31)
Review: The legendary British producer Luke Slater fires up his L.B. Dub Corp alias once again. This is some of the first original material by him under this alias for the first time since 2013's magnificent Unknown Origin EP on Ostgut Ton. Deep and experimental grooves on the house tip is just one of the ways to describe this interesting side project, with Slater explaining that he wrote the tracks over the last year - between touring as Planetary Assault Systems, the LSD project (with Steve Bicknell and Function) and playing a few L.B. Dub Corp house sets - which inadvertently evolved into the material on this album. From moments of austere bounce like on the dynamic opener "Reel One", to seething factory floor dubs such as "Edge 7" (feat Aurelie Yung) and moments of slow burning hypnotism like on "Forever In A Day"- nobody quite does it like Slater.
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Played by: Ben Sims, Rogér
 in stock $19.86
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