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Items 1 to 13 of 13 on page 1 of 1
MFB 24dB VCF SSI Analogue Filter Module
MFB
Cat: 695619 Rel: 16 Sep 19
 
Analogue 24db lowpass filter - 8HP
Notes: The 24dB VCF SSI is a voltage controlled analogue low pass filter module with the new SSI2144 chip. In addition, it has a 12dB output that works either as a low pass or bandpass (+/- 12dB). There are two inputs, one with attenuator. Another CV input with attenuator is available for the cut-off frequency. The resonance is controlled either via a controller or via another CV input with attenuator.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $77.43
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MFB CB RS MA 522 Analogue Cowbell, Rimshot & Maracas Module
MFB
Cat: 695605 Rel: 16 Sep 19
 
Analogue synth module composed of three drum voices - 12HP
Notes: The module CB/RS/MA-522 is an enhanced circuit previously used in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY and TUNE via CV-signals from Envelopes, LFOs and Step Sequencers.

The unit can be triggered by different signals. Besides sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Cowbell in detail:
DECAY adjusts the decay time.
TUNE sets the cowbells frequency.
The functions of Rimshot in detail:
DECAY adjusts the decay time.
TUNE calibrates the frequency.
The Maracas owns a DECAY who sets the release time.
The modul provides the new developed M-Bus connection. Midi signals can control following destinations:
Trigger Cowbell MIDI Note #41, MIDI CC for Tune = 21, Decay = 37
Trigger Rimshot MIDI Note #37, MIDI CC, Tune = 19, Decay = 35
Trigger Maracas MIDI Note #70, MIDI CC, Decay = 46

The module has a width of 12 HP (60mm).
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 2 in stock $109.06
MFB CB RS MA 522 Analogue Cowbell, Rimshot & Maracas Module (B-STOCK)
MFB
Cat: 796714 Rel: 16 Sep 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The module CB/RS/MA-522 is an enhanced circuit previously used in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY and TUNE via CV-signals from Envelopes, LFOs and Step Sequencers.

The unit can be triggered by different signals. Besides sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Cowbell in detail:
DECAY adjusts the decay time.
TUNE sets the cowbells frequency.
The functions of Rimshot in detail:
DECAY adjusts the decay time.
TUNE calibrates the frequency.
The Maracas owns a DECAY who sets the release time.
The modul provides the new developed M-Bus connection. Midi signals can control following destinations:
Trigger Cowbell MIDI Note #41, MIDI CC for Tune = 21, Decay = 37
Trigger Rimshot MIDI Note #37, MIDI CC, Tune = 19, Decay = 35
Trigger Maracas MIDI Note #70, MIDI CC, Decay = 46

The module has a width of 12 HP (60mm).
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 1 in stock $104.13
MFB Digital Delay Module
MFB Digital Delay Module (synth module)
MFB
Cat: 695614 Rel: 16 Sep 19
 
CV controllable digital delay with delay time from 2ms to 4000ms
Notes: The Digital Delay Module is a CV controllable digital echo with delay times of about 2 ms to 4 seconds.

The circuit comes from the MEGAZWERG has been improved in some points.

The audio signal is connected to the "In" socket and is connected to the "Out" socket again, depending on the Mix knob (left Original, right the Delayed). The signal can be limited with the "In" control. The LED indicates an overload.

The delay time is set with the Time slider and can be modulated via the CV Time input.

With the switch "Freeze" or with a positive voltage at the "Freeze In" the input signal can be frozen.

If the "Time" control is set to max. is equal to the input voltage at CV Time about 1V/oct and the range is 4 octaves.

With the "Range" control the delay can be roughly changed in time steps. The Feedback slider adjusts the amount of signal feedback. Using the FB Send and FB Return jacks, the feedback signal can be tapped separately, routed to another module or external effects unit, and fed back into the delay.

The module is compatible in design and bus power supply to the Doepfer A-100 modular system.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $118.88
MFB Dominion Club Synthesizer
MFB
Cat: 648352 Rel: 30 Aug 17
 
Module version of the Dominion 1 analog synth with dual VCO's & morphing waveforms
Notes: Dominion Club is a monophonic synthesizer with an analog sound engine and a supplemental digital oscillator. The oscillators' and LFOs' waveforms can be seamlessly blended. In addition, Dominion Club offers 99 memory locations, a step-sequencer, an arpeggiator as well as comprehensive MIDI control.

Small instrument with huge sound:

The Dominion Club is a more compact version of the keyboard synthesizer Dominion 1. It features two VCOs plus sub oscillators, a digital sound source and a noise generator. Additionally, there are Xor and sync stages. The synthesis section is followed by a -24 dB multimode filter with self-oscillation. The modulation department is composed of two ADSR envelopes and two LFOs with one-shot and reset options. Furthermore, the Dominion Club comes equipped with an Arpeggiator and a sequencer. The latter offers two modes of operation plus motion recording. Oscillators, LFOs and filter possess morphing capabilities.

In use, the Dominion Club shines with powerful, rough sound. Thanks to its flexible synthesis system, the instrument is extremely versatile.

In short: A top class compact synth.

PLEASE NOTE: Supplied with Euro 2-pin mains plug - may require 3-pin converter.
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 1 in stock $483.17
MFB Loop ADSR Envelope Generator Module
MFB
Cat: 695615 Rel: 16 Sep 19
 
Classic envelope generator - 8HP
Notes: The ADSR module is a voltage-controlled envelope generator. Normally, the characteristic is logarithmic, but a linear part can be added. With the help of the loop button, the envelope can also be used as an LFO, then Attack and Decay determine the frequency that goes far beyond 100 Hz. Another special feature is the CV inputs for Attack, Decay and Release. This can be used e.g. control or modulate the times externally. In addition to the normal output, there is an inverted output in parallel.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $78.51
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MFB OH HH CY 522 Analogue Cymbal & Hi Hat Module
MFB
Cat: 695609 Rel: 16 Sep 19
 
Analogue module composed of three drum voices - 12HP
Notes: The OH/HH/CY module is based upon the cymbal and hihat sound-circuit of the MFB-522 drum-computer, slightly modified and expanded.

The module was developed as a modular component. Therefore, the parameters decay for cymbal and open-hihat and tone can also be controlled by CV-sources like envelopes, LFOs, step-sequencers. Manual adjustment is available for the parameter tune that affects both cymbal and hihat as well as for the closed-hihat's decay.

Triggering open-hihat, closed-hihat and cymbal of the module is possible through various signal types. Besides sequencer generated analogue and digital trigger-signals, drum-pads, piezo and dynamic microphones may also be used. Here, the controls allow individual adjustment of the input sensitivity. Dynamic triggering will not only affect the sound's volume but also attack and sound length slightly. The functions in detail:

HIHAT: The hihat sound is created by several square-oscillators that are fed into a band-pass-filter. Two decay controls allow individual sound-length-adjustments for closed- and open-hihat. In addition, the decay parameter for the open-hihat can be controlled by CV-voltage.

TUNE: Sets the frequency for all square-oscillators simultaneously. Because the cymbal sound accesses the same oscillators, tune also affects this sound.

CYMBAL: The cymbal sound is based upon the same sound source as the hihat, only that it uses two band-pass-filters that individually shape the attack- and decay-phase. However, the decay parameter controls the length of both attack and sound length. This parameter can also be controlled by an external CV-source. Tone sets the balance between the differently filtered signals paths. This parameter is also under CV-control but does not offer an internal attenuator.

A specialty of the cymbal sound is its tone-input. Here, you can connect an external sound source that replaces the internal square-oscillators for the decay phase. The internal oscillators are still in use for the sound's attack-phase.

The module has a width of 12 HP (60 mm).
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 2 in stock $109.06
MFB Snare 522 Analogue Snare Drum Module
MFB
Cat: 695606 Rel: 20 Nov 19
 
Snare drum module based on circuit designs of the MFB-522 & Tanzbar Lite
Notes: The Snare-522 Modul contains an enhanced circuit of the MFB-522 and Tanzbar Lite. You can edit and modulate the sound in a wide range.

As a modular concept you have the possibility to control the parameter SNAP, SNAP DECAY. TUNE and TONE via CV-signals from Envelopes, LFOs and Step Sequencers.

The parameters are in detail:

SNAP is the intensity of the noise floor.
SNAP DECAY is the release time of the noise up to two seconds.
TUNE sets the range is about 100 to 300 Hz.
TONE controls the mix between the two t-bridge filters. DECAY sets the release of the snares tone.

Beside sequencer generated analogue and digital trigger-signals, drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and snap of the snare drum.

The module has a wide of 40mm (8HP).
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 4 in stock $93.80
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MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer
MFB
Cat: 755493 Rel: 09 Apr 20
 
analogue polyphonic desktop synthesiser & sequencer
Notes: The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 2 in stock $1,052.50
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MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer (B-STOCK)
MFB
Cat: 782688
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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 1 in stock $988.47
MFB Tanzbar 2 Analogue Drum Computer & Bass Synthesiser
MFB
Cat: 689673 Rel: 07 Mar 19
 
Hybrid analogue & sample based drum machine
Notes: Analogue-focused drum machine and synth from a consistently innovative German brand. Great sound and extensive programming capabilities for studio and stage.

Supplier's notes:
The Tanzbar 2 is a further development of the successful Tanzbar with a slightly different concept. Here, in addition to the LCD display, emphasis was placed on a hybrid structure, which allows the sounds to be selected more versatile, and the bass voice has also been upgraded to a fully-fledged synthesizer.

The drum machine features 7 analogue percussion instruments, an analogue bass synthesizer, 3 digital sample voices with analogue multifilters and 10 sample instruments, of which 2 instruments share a sample voice. The samples can be exchanged via a free tool offered on our website and allow everyone to have their own personal drum sound. The sample memory contains around 300 seconds for 208 samples.

Also noteworthy is that each instrument has its own LFO (replaces the "Bend function in the predecessor Tanzbar) and thus does not stand in the way of diverse modulations. The sequencer has chase programming and can store 100 patterns. The patterns can be chained via "CHAIN" and have up to 64 steps (A / B / C / D). Furthermore, 16 different Flames can be programmed, multiple triggers are a breeze. The plumb line can be adjusted individually for each instrument, making it easy to realize polymetric grooves. 32th, 16th or 16th / 8th triplet is adjustable as a metric.

There are 4 different Accente available by instrument. The sound parameters can be recorded by step recording. Two tracks appeal to external Midi instruments, practically, no external sequencer needed! The shuffle can be individually or globally regulated in strength. Step programming also sends Midi Out and of course can control other sound sources.

The drum computer can be synchronized via USB or MIDI via Midi Clock. In addition to a master volume, each instrument has its own volume slider (except for four sample voices where this is controlled via the endless dial) and the mute button mutes the individual instruments. There are 12 single outputs (mini jack) and a stereo output (large stereo jack) available.
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 3 in stock $953.24
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MFB TT CO CL 522 Analogue Tom, Conga & Clave Module
MFB
Cat: 695608 Rel: 16 Sep 19
 
Analogue synth module composed of three drum voices - 12HP
Notes: The module TT/CO/CL 522 is an enhanced circuit was used before in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY, TUNE and PITCH (only Tom/Conga) via CV-signals from Envelopes, LFOs and Step Sequencers. The unit can be triggered by different signals.

Beside sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Tom/Conga in detail:

DECAY adjusts the decay time up to one second.
TUNE sets the frequency of the TOM from 80 to 150 Hz (CONGA 120 to 200 Hz).
PITCH controls the duration and intensity of the pitch envelope.
ATTACK sets the click transient of the Tom/Conga.

To switch between Tom and Conga, a trigger impulse is needed.

For the CLAVE, DECAY adjusts the decay time. TUNE calibrates the CLAVE between 800 and 1500 Hz.

The module has a wide of 12 HP (60 mm).
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 2 in stock $103.62
MFB Visual VCA Analogue VCA Module
MFB
Cat: 695618 Rel: 16 Sep 19
 
Analogue VCA with built-in oscilloscope
Notes: The Visual VCA is a voltage controlled, analogue amplifier module with additional waveform display. The signal amplification can be regulated via the two CV inputs. CV1 is usually controlled by the envelope. A special feature is CV2, because this input can only be used in conjunction with CV1 and is normally used for modulation effects. The integrated oscilloscope represents the waveform of the input signal and has a resolution of 128 x 64 pixels. With the interval controller you can set the sampling frequency.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $83.99
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