Get Out Of My Way (Retro Roland Riso Eterno Regroove) (3:47)
Review: Earlier in the year, Matasuna Records reissued two rare and exceedingly hard to find tracks by Peruvian band Bossa 70. They'll soon be offering up more original cuts from the band's sought-after debut album, but before then they're treating us to two dancefloor-focused re-edits of Bossa 70 classics by American DJ/producer Retro Roland Riso. On the A-side he delivers a DJ-friendly "Perfecto Edit" of Think, a horn-heavy slab of Peruvian funk rich in rubbery beats and hazy bass. Just as cheery and life affirming is his interpretation of "Get Out Of My Way". This is an altogether heavier, faster and more stomping revision, though it's the vibrancy of the psychedelic era Latin funk backing track that really sets the pulse racing.
Review: Matasuna's latest must-have release comes courtesy of Dubben, an artist whose tasty, dub-fired mid-2000s reworks of Afro-Cuban and Latin tracks remain some of G.A.M.M.'s most potent moments. This is the producer's first release of any sort for nearly five years and continues in a similar vein. Check first A-side "Jesus Boogie", a samba-soaked, dub-funk fuelled revision of what sounds like a mid-1970s Brazilian MPB workout. Sweatier flavours are provided on B-side cut "Cachaca", where he dubs out and tools up a punchy affair that boasts a killer horn part reminiscent of The Champs classic "Tequila".
Review: For their latest release, Matasuna Records has put away their re-editing scalpel and instead decided to serve up two obscure old gems by Peru-based Argentine artist Enrique Lynch. Both tracks were recorded in the early 1970s and have become sought-after items amongst the Afro-Tropical collecting community. Having been re-mastered from the original master tapes, A-side "African Bump" - a jazzy, sun-soaked affair notable for its fantastic use of wah-wah guitar, Blaxploitation grooves and high-register horn solos - sounds better than ever before. The same could be said for Lynch's brilliant cover of The Nite-Liters' funk classic "K-Jee", which adds a little South American sunshine to the familiar grooves and celebrated horn lines.
Review: Those who love classic Afro-Latin music should already know "Lupita", one of the standout tunes from the sole 1971 album by Belgian composer Nico Gomez (real name Joseph van het Groenewoud) and his Afro-Percussion Inc backing band. That album was reissued a few years back by Mr Bongo; here 'Lupita' is given a rare airing on 7" single by Matasuna. This time round, the deliciously percussive mambo workout - all punchy horns, wild organs and vocal breakdowns - comes backed by a fresh remix courtesy of Bosq. This version is arguably even better, with Bosq wisely choosing to focus on the drums, horns, bass and organs for added dancefloor pleasure.
Review: According to the South American music specialists at Matasuna Records, Ralph Weeks' 1971 single "Let Me Do My Thing" - recorded alongside backing Los Dinamicos Exciters - is arguably the most sought-after Panamanian soul record around. As this reissue proves, Weeks' original version is rubbery, heavy and rousing, with the singer's rasping lead vocal soaring above a weighty backing track that sounds like a breezier take on the New York boogaloo sound. On the flip, Voodoocuts tools it up for modern dancefloors, underpinning his club-ready edit with punchy new drums that give the cut more of a breakbeat style swing.