Mad Professor Dual Blue Delay is exactly what the delay loving modern day musician has been looking for!
The Tones and the Hidden Functions Behind the Switches:
- Short delay has a maximum delay time of 315ms and a fatter tone well suited for slapback and old school echo tones.
- Long delay reaches 810ms and is a cleaner delay, great for lead tones or modern ambient. Use MODE/TAP switch to toggle between these two slightly different delay tones.
Keep the MODE/TAP switch depressed for 0,9 seconds to engage both delays (short and long) in parallel. Now you can have the shorter delay ON while toggling the longer delay ON or OFF. Keeping the ON/OFF switch depressed brings you the exciting multi head mode (a must-have for all instrumental rock and Pink Floyd fans). Tapping the MODE/TAP switch twice will of course give you the tap tempo. When using these modes, tapping MODE/TAP switch once will return you to where you were before entering the effect mode.
In addition, the Mad Professor Dual Blue Delay has echo only output (for wet/dry rigs), switchable buffered or true bypass and switchable phase shift for the multi head mode. No need for a special power supply, the pedal runs on 9V 80mA.
An intuitive pedal with but powerful capabilities for the experimenting musician!
With the Little Tweedy Drive, you don't just have the Tweed tone, but also the hard to get dynamics and touch sensitivity that are the qualities that have made the Tweed amps classic and raved about among the players.
This unique pedal it is the most amp-like feeling pedal you have ever experienced.
Adjusting the amount of gain by picking attack or guitar volume and using the tone controls on your instrument, makes the Little Tweedy Drive pedal fit into a surprisingly broad range of genres: from jazz & blues to country and rock 'n' roll!
Another great feature is that its gain stacks very well too. You can get more saturated and higher gain tones by placing a booster or another overdrive pedal in front of the Little Tweedy Drive.
The Little Tweedy Drive works equally well in front of a clean amp or an already distorted amp.
Thanks to the nicely balanced internal compression, the Little Tweedy Drive cleans up very well from the guitar's volume control. Also, just like on the vintage Tweed amp, the output volume will not drop too much.
The circuit was redesigned with envelope controls and built into small size pedal.
It has very fast tracking and accuracy rarely found on auto wahs/envelope filters. With the four knobs you can have total control of the effect.
SWBAW is designed for bass and you can fine-tune the pedal to suit your instrument, your playing style and your taste of tone.
The pedal has a unique decay control for the filter frequency fall speed. You can set it to be fast for wah effects on every note, or slower for a more traditional auto wah sound.
SWBAW is hand made in Finland using only premium components, to give years of trouble free operation with superb musical tone.
SENSITIVITY - Sets the filter trigger level, tune this carefully to fit you /bass output and your playing touch. You can further change the sensitivity from your guitar volume knob while playing.
BIAS - Controls the filter resonance frequency. When Sensitivity is turned fully off the Bias can be used as a sweepable filter.
RESONANCE - Controls the sharpness or Q-factor of the filter.
DECAY - Controls how fast the filter frequency falls back to resting point (that is set with the Bias control). This can be set fast (CW) so you get the wah effect on every note or slow for a more traditional auto wah sound.
PLAYING - Take time to get used to the controls and as this is a voltage control filter it will react to your playing touch. The envelope control circuit is carefully designed to follow the dynamics of bass and it might take some time to master the Auto Wah playing technics. Try also adjusting guitar volume between 8 and 10 to further expand use.
The Mad Professor sweet Honey overdrive deluxe (SHOD DLX) is a touch sensitive, medium gain overdrive pedal designed to overdrive distorted amplifiers and give dynamically controlled low to medium gain tones with clean amplifiers.
Our unique focus control allows you to adjust the feel and dynamics of the pedal as well as the overall EQ.
Distortion levels are controlled by pick attack. Pick harder for more overdrive and play softer for cleaner tone. the SHOD DLX provides more versatility than the classic sweet Honey overdrive due to the added functionality of the new controls. Both the SHOD and SHOD DLX are designed to work with all kinds of guitars and amplifiers.
Volume: Sets the output volume.
Drive: Controls the amount of overdrive.
Treble: Post distortion, it cuts and/or boosts the treble.
Bass: Pre distortion, it sets how the bass and low mids are distorted.
Focus: Controls how easily the circuit distorts as well as adjusting overall eQ. Turning CCW gives less distortion and a mellower effect, turning CW gives a slight treble boost and earlier distortion. A good starting point is 11 o'clock.
Naturally, both drives sound excellent on their own, on both single-coils and humbuckers. And when activated together they really make you flow.
The Mad Professor Twimble pedal allows you to be the foundation of the tone. With the Twimble pedal, your picking attack, your guitar and the pickups you have chosen will retain their character, keeping your valuable original sonic footprint intact.
SENSITIVITY: Amount of distortion and compression.
LEVEL: Output level.
ACCENT: Pick attack and brightness.
CONTOUR: Brightness of the output. (Darker when you adjust CCW)
HOT/COOL: +10db or +6 db boost.