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Items 1 to 3 of 3 on page 1 of 1
Cat: 458818 Rel: 25 Jul 12
 
Full MIDI controlled analog bass drum module
Notes: The MBase11 can do only one thing, but it does it right, and it does this even better than in the past.

The MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound. It generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And also, the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply kicks, this turns out to be a bass drum synthesizer.

The MBase11 has a compression parameter to vary the thickness of decaying sound. It offers a variable gate time to to create very different sounding attacks. It also has a metalise parameter to have hundreds of variations on the attack noise.

For more intuitive editing, JoMox have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.

The MBase11 purposefully sounds a bit different to the XBASE 999/888, making it a great sounding expansion for our other drum products and other analog percussion.

The kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.

The MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.

The kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.

Last but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the time-consuming searching associated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined.

Tweak the sound you need. Everything is real.

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 5 in stock $206.21
Cat: 589202 Rel: 29 Sep 16
 
Eurorack complex time-woven filter matrix
Notes: The T-Rackonizer transforms timely events into an analog feedbacked filter network.

The T-Rackonizer is the eurorack successor of our very sucessful T-Resonator which did very well over the past 7 years. It has been the least possible implementation of the former experimental filter network synthesizer called „Resonator Neuronium". The number of 6 nodes had been reduced to only two filter nodes - but still this structure offers a tremendous variety of sounds. The module contains 2 analog T-ladder moog-like filters and a digital delay. Not only can these two filters being controlled by cutoff and resonance - they can be feedbacked negatively or positively to itself or even across the partner filter by the mix knobs. Also they can be feedbacked across a digital delay/reverb chip which is literally woven into the signal path.

On the T-Rackonizer, the feedback and cutoff controls can be CV-controlled. Once you insert a CV cable into the CV jacks, the corresponding internal control knob (e. g. Cutoff) acts as an amount to the external CV. Without CV input, the control knobs work across the internal range. The filters are made from discreete parts and form a 24 dB pole lowpass filter transistor cascade. You can select 8 different algorithms, each with different delays, wave guides or structures and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm. These capabilities let you create evolving analog tape echoes, "klingon parties" by extremely feedbacked wave guide algorithm and much more. By the analog feedback everything sounds organic. The screaming analog feedbacks can delay themselves and thereby form new sound patterns. The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

Incredible bass gains or screaming scratch sounds are no problem. Positive feedbacks create distorting bass enhancements or low feedback tones without applying a signal. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. The external CV inputs work from 0 to 5 volts. At maximum amount (corresponding control knob open fully clockwise), a voltage of 2.5 volts represents the center position of the control. This is very useful for usage with most of the external CV sequencers available. The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.
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 2 in stock $296.32
Cat: 458808 Rel: 25 Jul 12
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

www.youtube.com/watch?v=P6FHbqRb9S4
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 3 in stock $258.72
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