Review: After Hamid kicked off the H+ label last year he returns with an intriguing double pack that draws on a wide variety of collaborators to turn out some truly innovative leftfield house music sounds. There's an overarching theme of micro house hovering around Methods For The Madness Vol 1, but it's far from run of the mill stuff. The opening cut featuring Josh Tweek is a sparkling, swinging affair that piles on the funk and the delirious effects, while Jesse Morrison's own turn on the closing track winds up in a haunting, abstract slice of refined reduction.
Review: Hamid's HPLS label has been strangely quiet this year, so it's welcome news to see one of the most intriguing operators on the outer reaches of the minimal house scene back in action with a new talent to share with the world. DCHA-DCHA makes a bold arrival with a two-pronged release comprising of ten tracks in total. On this first part of Opus Incertum, the title track makes a bold statement of intent with its low slung groove carrying all kinds of splaying, splashing and otherwise spaced out sonic trysts. There's a more discernible strut to "Te Lubesc," while "The Age Of Solon" invites Planet X into the mix for a spaced out slice of machine boogie. With the abundance of ideas spilling out of part one, it promises a lot for part two to follow.
Review: With Hamid's HPLS label reigniting with the fresh, untethered sounds of DCHA-DCHA, we arrive at the second instalment of Opus Incertum already expecting some wild sounds. Fortunately label and artist don't disappoint, and we dive straight in with the unhinged aqua-industro-funk of "Morning Mimosa." That's swiftly followed up by "AGLS," which keeps the vibe liquid while welcoming a richer variety of marine life into the studio. "GalerianPlatz" makes the leap towards electro, with the surrealism tap still pouring wonderfully unexpected colours, tones and textures into the mix. At every turn this record, like its part one counterpart, surprises and delights with its original approaches.