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Future Sound Systems

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Items 1 to 11 of 11 on page 1 of 1
Cat: 604233 Rel: 09 Mar 16
 
3.5mm jack plug connected to bipolar LED light, for purely aesthetic purposes - compatible with Eurorack systems
Notes: 3.5mm jack plug connected to bipolar LED

Red LED indicates positive voltage.

Yellow LED indicates negative voltage.
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 3 in stock $5.33
Cat: 604235 Rel: 09 Mar 16
 
3.5mm jack plug connected to bipolar LED light, for purely aesthetic purposes - compatible with Eurorack systems
Notes: 3.5mm jack plug connected to bipolar LED.

Blue LED indicates positive voltage.

Red LED indicates negative voltage.
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 6 in stock $5.54
Cat: 604239 Rel: 09 Mar 16
 
3.5mm jack plug connected to bipolar LED light, for purely aesthetic purposes - compatible with Eurorack systems
Notes: 3.5mm jack plug connected to bipolar LED

Green LED indicates positive voltage.

Red LED indicates negative voltage.
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 2 in stock $5.54
Cat: 604241 Rel: 09 Mar 16
 
10-16 pin eurorack ribbon cable, compatible with Doepfer-style modules
Notes: 10-pin to 16-pin 25cm Eurorack ribbon cable.

Compatible with Doepfer-style modules.

Red stripe = -12V
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 3 in stock $2.77
Cat: 715548 Rel: 04 Feb 19
 
Filter module with high & low pass filter in Eurorack format - 16HP
Notes: The FIL3 from Future Sound Systems is a revised form of the sought-after FIL2 Spectral Devastator - a high-pass and low-pass filter coupling, both with unmistakeable character. Originally designed between 2011 and 2012, the Spectral Devastator was designed by Finlay Shakespeare whilst attempting to find new methods of voltage control over filter circuits, working from first principles. Whilst the FIL2 always imparted its brutality on to input signals, the FIL3 gives more control over the behaviour of both filter sections.

The first new addition is the Colour control, added by attempting to give external control over each filter's Resonance. Whilst the oscillation of each filter is now controllable by the Colour parameters, further non-linearity can be added as well, broadening the palette of tones available from each filter.

Secondly, each filter features a Blast switch. Whilst this control attempts to add linearisation to the filter core, it also allows for the Resonance to become even more pronounced. As with the Colour parameters, the Blast switches extend the tonal spectrum of the two filters giving further flexibility. Input Drive and output Level controls have also been added to each filter. This gives the user more control over signal level, which can become wildly unpredictable when using the filters. With increasing Drive, the input signal will defeat the filter core as the filters become saturated. The Normalling switches from the FIL2 are still present, allowing for quick and easy patching between the high-pass and low-pass filters, for use in series or in parallel.

The Cutoff CV Depth of each filter is also now present on an attenuverter, allowing for increased modulation potential. The manual Cutoff controls have also been improved, giving the FIL3 better control ranges than its predecessor, whilst retaining all of its brute force.
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 2 in stock $180.89
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Cat: 634773 Rel: 15 Dec 16
 
9 input/9 output pin matrix synth module - 24HP wide
Notes: The MTX9 presents a new take on an old classic - the pin matrix, famously incorporated into EMS and Maplin synthesizer designs. The MTX9 provides 9 inputs and 9 outputs to be patched to one another, whilst allowing for passive splitting of one input to several outputs and averaging summation of several inputs to one output (or more).

Each component of the matrix has been designed to use standard parts - the pins are 2mm banana test plugs and all cards of the matrix are easily replaceable. Whilst the matrix is currently passive, an active expander card will be available from FSS soon. The MTX9 is supplied with a dry-wipe marker and 10 banana pins as standard, with spares available from FSS.
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 3 in stock $98.78
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quote 634773
Cat: 674886 Rel: 15 Feb 18
 
Eurorack buffer board
Notes: Active buffer board for the MTX9. Presents unity mixing and buffered splitting. Supplied with all necessary cabling and hardware.
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 3 in stock $54.94
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quote 674886
Cat: 674888 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Generator has been designed to replicate the original functionality of the Gristleizer's oscillator section, but with many new additions. With a brand new design from Roy Gwinn, the TG2 Generator is far more stable than its predecessor, featuring 1V/Oct tracking amongst other features. However, as with its original, the TG2 spans from low frequency ranges into the audible range, and makes for a killer bass oscillator as well as a fully featured LFO.

The core of the oscillator is based around a shape-variable ramp generator, with similar functionality to that found in the Korg MS Modulation Generators. Here, the Shape control takes the Ramp output from a descending sawtooth, through triangle, to an ascending sawtooth shape. This varying ramp waveform is then input to a wave-folder, which outputs both Fold and Pulse waveforms, based on how the Gain and Offset controls are set. Lastly, the original ramp waveform is fed into a comparator for the Clock output, the pulsewidth of which is variable using the Shape control.

The Gain and Offset of the TG2's wave-folder are both voltage controllable, as well as its Frequency via an attenuated control input and a 1V/Oct control input. The TG2 can also be reset by external sources via the Sync input.
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 1 in stock $220.86
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quote 674888
Cat: 674890 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Filter presents one of the key components of the Gristleizer in a Eurorack module - its JFET-controlled multi-feedback band-pass filter. Its characteristics are not unlike a wah-wah pedal, whilst also being able to create other vocal tonalities, especially with several summed in parallel. Whilst originally controlled by the Gristleizer's oscillator, the TG3 can be controlled by any control source available in a Eurorack system.

As well as a couple of Frequency control inputs, the TG3 also adds Register and Resonance controls to the original filter circuit. The Register control shifts the resonant frequency of the filter core itself, whereas the Frequency control affects the gating of the filter's JFET. The Resonance control allows the circuit to self-oscillate easily, allowing for the TG3 to be used as a sound source as well as a filter. The TG3 also incorporates a Drive parameter (with final clipping circuitry added for taming the filter core) as well as an output Level control.
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 2 in stock $163.13
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quote 674890
Cat: 674891 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Modulator presents another key component of the Gristleizer in a Eurorack module - its JFET-controlled voltage-controlled amplifier. Whilst originally controlled by the Gristleizer's oscillator to achieve tremolo (or amplitude modulation) effects, the TG4 can be controlled by any control source available in a Eurorack system and, therefore, be used as a conventional VCA with some added features.

The Bias control sets the initial control point of the amplitude modulation, whilst a control voltage attenu-verter for CV2 allows for full control over how the amplitude is modulated. On top of this, the TG4 features a Dirt control, which allows the user to alter the behaviour of the JFET stage. At zero Dirt, the Modulator offers a super-clean VCA, whilst at maximum Dirt, waveforms become drastically mutated, at times beyond recognition. With the Dirt setting at 12 o'clock, the Modulator behaves exactly like the original VCA circuit of the Guitar Effects Pedal design. Also note that the JFET tends to exhibit second-harmonic distortion, similar to that of vacuum-tube amplifiers. Therefore, the TG4 presents not just a VCA, but also a module for adding distortion and character to audio signals.
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 3 in stock $163.13
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quote 674891
Cat: 674892 Rel: 02 Aug 18
 
Eurorack module based around The Gristleizer
Notes: The Gristleizer Pre-Amplifier is a new addition to the existing circuity of Roy Gwinn's "Guitar Effects Pedal" design. After Chris Carter's suggestion of a guitar pre-amplifier for use with the rest of the Gristleizer series, the TG5 came into being. Based upon Jonny Reckless' FET-based discrete amplifier circuitry, Roy Gwinn has designed a pre-amplifier with a high quality VCA back-end which allows for any external audio source to become fully integrated into a Eurorack system.

The Guitar or Line input is firstly fed through one FET stage of the pre-amplifier, and then into a super-clean THAT VCA, the direct output of which is available at the Clean output. This source is then fed through two more FET amplification stages and a tone section (featuring the typical Bass, Mid and Treble controls found on many guitar amps) to the Master output. Bite and Boost controls allow for further control over the tone of the input signal.

An RMS detector (found as part of the THAT VCA) is employed as an envelope follower, as well as a gate detector. The Sensitivity control allows the user to set how the RMS detector reacts to the incoming signal's level. Access to the THAT VCA's Gain control input allows the two Envelope outputs to be used as control sources for the pre-amplifier itself, turning the module into a dynamic compressor (Inverted Envelope) or expander (Normal Envelope).
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 1 in stock $276.34
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