Double A - "Oh My God" (Double A's Mid Tempo Rewor) (3:53)
Review: The EastSide Edits label outta Canada is here to provide big moments of fun for jobbing DJs. Their first EP sold out in quick fashion because of the irresistible nature of the mash-ups it contained. Now comes a second volume, this time in the form of a couple of edits. Demiur's Jacked Payboi edit of his own take on massive rap hit 'WAP' is smoothed out into a chunky house groove with all the controversial original lyrics from Cardi B and Megan the Stallion left in place. On the flip is a big, shimmering disco epic in the form of Double A - 'Oh My God' (Double A's Mid Tempo Rework).
Review: Eastside Edits delivers another stellar release with two DJ-friendly versions of 1976 chart-toppers! DJ S, the talented Greek DJ/producer/remixer, brings his magic to the table with this 7th release from the label. 'Moves At Midnight' on Side-1 revitalises a disco favorite from the 70s with punchier drums and a steady, mixable groove. It retains all the essence of the original while eliminating the clumsiness of mixing a vintage 45, offering disco perfection. On Side-2, 'Lay Down That Boogie' injects new energy into a 70s funk/rock classic. This funky edit features a DJ-friendly intro, subtle arrangement tweaks and beefier drums, preserving the original feel while enhancing its dancefloor appeal. DJ S once again showcases his tasteful editing skills, making this release a great find for disco and funk enthusiasts.
Review: Eastside Edits is back with yet another infectious disc's worth of funky disco edits for DJs and collectors alike. Welcoming a fresh throng of international talent, this eighth edition hears up-and-coming Indonesian producer Rhework appear alongside renowned UK duo Suckaside. The former's 'Street Sounds' channel the effortless bustle of square-blocked, gridlocked city streets, where steam rises from manhole covers, taxicabs trailblaze yellow light trails, and funk clubs roar as loudly as underground subway systems. Suckaside's B-side is a call-and-responsive version of equal calibre, though it does clock in at a slower tempo.
Review: For their sixth addition to the Eastside Edits series, Ontarian hip-hop editors (and here, total reconstructors) Suckaside drop two new versions down the chimney for Christmas. As ever, the cat-and-mouse game of original-track discovery is up; this time, we hear new takes on Snoop Dogg's 'What's My Name' (here reincarnated as 'Heres My Name') and Creedence Clearwater Revival's 'I Heard It Through The Grapevine' (here, 'Heard It Through Creedence'). Both are stereo-centred and bass-bolstered, with new big beats and slick instrumental varnishings providing ample extra headroom for ever-rejuvenative dancefloor goings-on.
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