No Trouble In Paradise (feat Paul St Hilaire) (6:53)
Cloak & Dagger (6:18)
Review: LB Dub Corp is the alias that UK techno pioneer Luke Slater uses for a more eclectic sound, rooted in dub but no stranger to house, either. Saturn to Home is the project's latest new album and one that draws on all 30 years of experience with help from fellow greats such as Robert Owens, Tikiman, Miss Kittin and more. It is an album that joins the dots between the past, present and the future of electronic music with plenty of rolling drums, elastic synths, and ear-worm vocals all making it a thrilling ride.
Review: Dekmantel's 5th Anniversary Series has so far been as finely curated and presented as you'd expect from the Dutch label, and this penultimate entry is no different with Skudge and San Proper introducing some dark techno business to proceedings. Swedish duo Skudge are on fine form with "Silent Running" delivering one of their subtly melodic productions that revolves grainily around one repeated and tweaked refrain. Given San Proper's dedication to the label (he sports a Dekmantel tattoo after all) it's little surprise the hirsute Amsterdam icon was asked to contribute and "Rattle (Station 2 Station)" is one of the best tracks on the series so far. A grinding, industrial beat mixes with dense vocals, synths, speech samples and plenty more. The end result is a perfect example of the kind of steamy, sweaty haze of late night damage that Mr Proper has made his own.
Review: Dutch industrial techno producer Parrish Smith created Light Cruel & Vain over the course of nearly three years. Each track on the record was originally conceived solo, then further realised with the assistance of contributing musicians Sofiane Brahmi and Javier Vivancos. The collaborative where no studio sessions occurred due to the pandemic - the full collaboration conducted remotely. Notable tracks include the seething post-punk swagger of "Black Scarlet" or the brooding industrial rock of "Sway", to the industrial strength breaks of "Never Break Faith" and a frantic techno banger towards the end "I Wanna Be An Idol".
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